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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 176 14 it is the complementary color RGB 81 79 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 176 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 176 14 shade: RGB 179 176 9, RGB 196 194 28, RGB 213 212 47, RGB 230 230 66 and RGB 247 248 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 176 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 176 14 shade: RGB 174 176 14, RGB 157 158 0, RGB 140 140 0, RGB 123 122 0 and RGB 106 104 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 176 14 shade: RGB 172 174 14, RGB 174 133 14, RGB 174 90 14, RGB 174 46 14 and RGB 174 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 176 14 shade: RGB 172 174 14, RGB 129 174 14, RGB 86 174 14, RGB 42 174 14 and RGB 14 174 28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 176 14 shade matches the following richer shades: RGB 172 174 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 176 14 shade: RGB 172 174 14, RGB 157 159 29, RGB 142 144 44, RGB 127 128 59 and RGB 113 113 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 176 14 shade: RGB 174 89 14, RGB 174 131 14, RGB 174 174 14, RGB 131 174 14 and RGB 89 174 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 176 14 shade: RGB 97 98 7, RGB 134 136 11, RGB 172 174 14, RGB 210 212 17 and RGB 234 237 34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 176 14 shade: RGB 174 176 14, RGB 14 174 46 and RGB 110 14 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 176 14 shade: RGB 174 176 14, RGB 14 174 174 and RGB 174 14 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 176 14 shade: RGB 174 176 14, RGB 14 174 46, RGB 14 14 174 and RGB 174 14 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 176 14 shade: RGB 174 176 14, RGB 14 174 94, RGB 14 14 174 and RGB 174 14 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 92 / 31

HEX #AEB00E

RGB 174 176 14

HSL 60.74, 0.85%, 0.37%

LAB 69.53, -17.02, 69.66

 

Complementary color

CMYK 66 / 67 / 0 / 5

HEX #514FF1

RGB 81 79 241

HSL 240.74, 0.85%, 0.63%

LAB 43.79, 49.6, -80.85

 

CMYK 0 / 2 / 95 / 30

HEX #B3B009

RGB 179 176 9

HSL 58.94, 0.9%, 0.37%

LAB 69.93, -14.89, 70.79

 

CMYK 0 / 1 / 86 / 23

HEX #C4C21C

RGB 196 194 28

HSL 59.29, 0.75%, 0.44%

LAB 76.32, -16.27, 73.36

 

CMYK 0 / 0 / 78 / 16

HEX #D5D42F

RGB 213 212 47

HSL 59.64, 0.66%, 0.51%

LAB 82.61, -17.44, 74.58

 

CMYK 0 / 0 / 71 / 10

HEX #E6E642

RGB 230 230 66

HSL 60, 0.77%, 0.58%

LAB 88.83, -18.44, 74.9

 

CMYK 0 / 0 / 66 / 3

HEX #F7F855

RGB 247 248 85

HSL 60.37, 0.92%, 0.65%

LAB 94.98, -19.28, 74.66

 

CMYK 1 / 0 / 92 / 31

HEX #AEB00E

RGB 174 176 14

HSL 60.74, 0.85%, 0.37%

LAB 69.53, -17.02, 69.66

 

CMYK 1 / 0 / 100 / 38

HEX #9D9E00

RGB 157 158 0

HSL 60.38, 1%, 0.31%

LAB 63.03, -15.52, 65.97

 

CMYK 0 / 0 / 100 / 45

HEX #8C8C00

RGB 140 140 0

HSL 60, 1%, 0.27%

LAB 56.42, -13.8, 60.48

 

CMYK 0 / 1 / 100 / 52

HEX #7B7A00

RGB 123 122 0

HSL 59.51, 1%, 0.24%

LAB 49.65, -12.02, 54.86

 

CMYK 0 / 2 / 100 / 58

HEX #6A6800

RGB 106 104 0

HSL 58.87, 1%, 0.21%

LAB 42.71, -10.18, 49.09

 

CMYK 1 / 0 / 92 / 32

HEX #ACAE0E

RGB 172 174 14

HSL 60.75, 0.85%, 0.37%

LAB 68.81, -16.88, 69.03

 

CMYK 0 / 24 / 92 / 32

HEX #AE850E

RGB 174 133 14

HSL 44.63, 0.85%, 0.37%

LAB 57.85, 5.92, 60.68

 

CMYK 0 / 48 / 92 / 32

HEX #AE5A0E

RGB 174 90 14

HSL 28.5, 0.85%, 0.37%

LAB 47.42, 29.82, 52.86

 

CMYK 0 / 74 / 92 / 32

HEX #AE2E0E

RGB 174 46 14

HSL 12, 0.85%, 0.37%

LAB 39.55, 50.37, 47.21

 

CMYK 0 / 92 / 92 / 32

HEX #AE0E0E

RGB 174 14 14

HSL 0, 0.85%, 0.37%

LAB 36.64, 58.59, 45.2

 

CMYK 1 / 0 / 92 / 32

HEX #ACAE0E

RGB 172 174 14

HSL 60.75, 0.85%, 0.37%

LAB 68.81, -16.88, 69.03

 

CMYK 26 / 0 / 92 / 32

HEX #81AE0E

RGB 129 174 14

HSL 76.88, 0.85%, 0.37%

LAB 65.73, -35.06, 65.28

 

CMYK 51 / 0 / 92 / 32

HEX #56AE0E

RGB 86 174 14

HSL 93, 0.85%, 0.37%

LAB 63.58, -50.37, 62.63

 

CMYK 76 / 0 / 92 / 32

HEX #2AAE0E

RGB 42 174 14

HSL 109.5, 0.85%, 0.37%

LAB 62.34, -60.6, 61.1

 

CMYK 92 / 0 / 84 / 32

HEX #0EAE1C

RGB 14 174 28

HSL 125.25, 0.85%, 0.37%

LAB 62.04, -63.05, 57.78

 

CMYK 1 / 0 / 92 / 32

HEX #ACAE0E

RGB 172 174 14

HSL 60.75, 0.85%, 0.37%

LAB 68.81, -16.88, 69.03

 

CMYK 1 / 0 / 92 / 32

HEX #ACAE0E

RGB 172 174 14

HSL 60.75, 0.85%, 0.37%

LAB 68.81, -16.88, 69.03

 

CMYK 1 / 0 / 82 / 38

HEX #9D9F1D

RGB 157 159 29

HSL 60.92, 0.69%, 0.37%

LAB 63.39, -15.44, 60.97

 

CMYK 1 / 0 / 69 / 44

HEX #8E902C

RGB 142 144 44

HSL 61.2, 0.53%, 0.37%

LAB 57.92, -13.59, 50.34

 

CMYK 1 / 0 / 54 / 50

HEX #7F803B

RGB 127 128 59

HSL 60.87, 0.37%, 0.37%

LAB 52.14, -10.55, 36.83

 

CMYK 0 / 0 / 34 / 56

HEX #71714B

RGB 113 113 75

HSL 60, 0.2%, 0.37%

LAB 46.75, -6.51, 21.15

 

CMYK 0 / 49 / 92 / 32

HEX #AE590E

RGB 174 89 14

HSL 28.13, 0.85%, 0.37%

LAB 47.2, 30.36, 52.7

 

CMYK 0 / 25 / 92 / 32

HEX #AE830E

RGB 174 131 14

HSL 43.88, 0.85%, 0.37%

LAB 57.33, 7.04, 60.28

 

CMYK 0 / 0 / 92 / 32

HEX #AEAE0E

RGB 174 174 14

HSL 60, 0.85%, 0.37%

LAB 68.97, -16, 69.23

 

CMYK 25 / 0 / 92 / 32

HEX #83AE0E

RGB 131 174 14

HSL 76.13, 0.85%, 0.37%

LAB 65.85, -34.26, 65.43

 

CMYK 49 / 0 / 92 / 32

HEX #59AE0E

RGB 89 174 14

HSL 91.88, 0.85%, 0.37%

LAB 63.69, -49.45, 62.78

 

CMYK 1 / 0 / 93 / 62

HEX #616207

RGB 97 98 7

HSL 60.66, 0.87%, 0.21%

LAB 40.07, -10.98, 44.9

 

CMYK 1 / 0 / 92 / 47

HEX #86880B

RGB 134 136 11

HSL 60.96, 0.85%, 0.29%

LAB 54.76, -14.23, 57.15

 

CMYK 1 / 0 / 92 / 32

HEX #ACAE0E

RGB 172 174 14

HSL 60.75, 0.85%, 0.37%

LAB 68.81, -16.88, 69.03

 

CMYK 1 / 0 / 92 / 17

HEX #D2D411

RGB 210 212 17

HSL 60.62, 0.85%, 0.45%

LAB 82.29, -19.42, 80.37

 

CMYK 1 / 0 / 86 / 7

HEX #EAED22

RGB 234 237 34

HSL 60.89, 0.85%, 0.53%

LAB 90.86, -21.21, 85.25

 

CMYK 1 / 0 / 92 / 31

HEX #AEB00E

RGB 174 176 14

HSL 60.74, 0.85%, 0.37%

LAB 69.53, -17.02, 69.66

 

CMYK 92 / 0 / 74 / 32

HEX #0EAE2E

RGB 14 174 46

HSL 132, 0.85%, 0.37%

LAB 62.14, -61.81, 52.19

 

CMYK 37 / 92 / 0 / 32

HEX #6E0EAE

RGB 110 14 174

HSL 276, 0.85%, 0.37%

LAB 31.08, 62.55, -62.76

 

CMYK 1 / 0 / 92 / 31

HEX #AEB00E

RGB 174 176 14

HSL 60.74, 0.85%, 0.37%

LAB 69.53, -17.02, 69.66

 

CMYK 92 / 0 / 0 / 32

HEX #0EAEAE

RGB 14 174 174

HSL 180, 0.85%, 0.37%

LAB 64.5, -35.6, -10.5

 

CMYK 0 / 92 / 0 / 32

HEX #AE0EAE

RGB 174 14 174

HSL 300, 0.85%, 0.37%

LAB 41.8, 72.31, -44.89

 

CMYK 1 / 0 / 92 / 31

HEX #AEB00E

RGB 174 176 14

HSL 60.74, 0.85%, 0.37%

LAB 69.53, -17.02, 69.66

 

CMYK 92 / 0 / 74 / 32

HEX #0EAE2E

RGB 14 174 46

HSL 132, 0.85%, 0.37%

LAB 62.14, -61.81, 52.19

 

CMYK 92 / 92 / 0 / 32

HEX #0E0EAE

RGB 14 14 174

HSL 240, 0.85%, 0.37%

LAB 21.81, 55.94, -78.4

 

CMYK 0 / 92 / 18 / 32

HEX #AE0E8E

RGB 174 14 142

HSL 312, 0.85%, 0.37%

LAB 40.02, 67.8, -28.4

 

CMYK 1 / 0 / 92 / 31

HEX #AEB00E

RGB 174 176 14

HSL 60.74, 0.85%, 0.37%

LAB 69.53, -17.02, 69.66

 

CMYK 92 / 0 / 46 / 32

HEX #0EAE5E

RGB 14 174 94

HSL 150, 0.85%, 0.37%

LAB 62.65, -55.46, 30.75

 

CMYK 92 / 92 / 0 / 32

HEX #0E0EAE

RGB 14 14 174

HSL 240, 0.85%, 0.37%

LAB 21.81, 55.94, -78.4

 

CMYK 0 / 92 / 46 / 32

HEX #AE0E5E

RGB 174 14 94

HSL 330, 0.85%, 0.37%

LAB 38.06, 62.55, -1.36

 

Description

Color code: RGB 174 176 14 | qconv.com Color code: RGB 174 176 14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 176 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 176 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 92 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 92% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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