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Color name
RGB 174 120 38

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 120 38 it is the complementary color RGB 81 135 217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 120 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 120 38 shade: RGB 179 120 33, RGB 196 138 52, RGB 213 156 71, RGB 230 174 90 and RGB 247 192 109

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 120 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 120 38 shade: RGB 174 120 38, RGB 157 102 19, RGB 140 84 0, RGB 123 66 0 and RGB 106 48 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 120 38 shade: RGB 175 121 38, RGB 175 84 38, RGB 175 47 38 and RGB 175 38 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 120 38 shade: RGB 175 121 38, RGB 175 158 38, RGB 156 175 38, RGB 119 175 38 and RGB 82 175 38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 120 38 shade matches the following richer shades: RGB 175 121 38, RGB 192 124 21 and RGB 210 128 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 120 38 shade: RGB 175 121 38, RGB 158 117 55, RGB 140 114 73, RGB 123 110 90 and RGB 106 106 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 120 38 shade: RGB 175 47 38, RGB 175 84 38, RGB 175 120 38, RGB 175 157 38 and RGB 157 175 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 120 38 shade: RGB 107 74 23, RGB 141 97 31, RGB 175 121 38, RGB 209 144 46 and RGB 216 162 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 120 38 shade: RGB 174 120 38, RGB 65 175 38 and RGB 65 38 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 120 38 shade: RGB 174 120 38, RGB 38 175 120 and RGB 120 38 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 120 38 shade: RGB 174 120 38, RGB 65 175 38, RGB 38 93 175 and RGB 148 38 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 120 38 shade: RGB 174 120 38, RGB 38 175 52, RGB 38 93 175 and RGB 175 38 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 78 / 32

HEX #AE7826

RGB 174 120 38

HSL 36.18, 0.64%, 0.42%

LAB 54.63, 13.87, 50.64

 

Complementary color

CMYK 63 / 38 / 0 / 15

HEX #5187D9

RGB 81 135 217

HSL 216.18, 0.64%, 0.58%

LAB 56.17, 7.46, -47.35

 

CMYK 0 / 33 / 82 / 30

HEX #B37821

RGB 179 120 33

HSL 35.75, 0.69%, 0.42%

LAB 55.2, 15.92, 53.34

 

CMYK 0 / 30 / 73 / 23

HEX #C48A34

RGB 196 138 52

HSL 35.83, 0.58%, 0.49%

LAB 61.79, 14.23, 52.66

 

CMYK 0 / 27 / 67 / 16

HEX #D59C47

RGB 213 156 71

HSL 35.92, 0.63%, 0.56%

LAB 68.3, 12.79, 51.53

 

CMYK 0 / 24 / 61 / 10

HEX #E6AE5A

RGB 230 174 90

HSL 36, 0.74%, 0.63%

LAB 74.72, 11.55, 50.24

 

CMYK 0 / 22 / 56 / 3

HEX #F7C06D

RGB 247 192 109

HSL 36.09, 0.9%, 0.7%

LAB 81.06, 10.48, 48.9

 

CMYK 0 / 31 / 78 / 32

HEX #AE7826

RGB 174 120 38

HSL 36.18, 0.64%, 0.42%

LAB 54.63, 13.87, 50.64

 

CMYK 0 / 35 / 88 / 38

HEX #9D6613

RGB 157 102 19

HSL 36.09, 0.78%, 0.35%

LAB 47.9, 15.75, 50.77

 

CMYK 0 / 40 / 100 / 45

HEX #8C5400

RGB 140 84 0

HSL 36, 1%, 0.27%

LAB 41.08, 17.92, 49.81

 

CMYK 0 / 46 / 100 / 52

HEX #7B4200

RGB 123 66 0

HSL 32.2, 1%, 0.24%

LAB 34.21, 20.55, 44.24

 

CMYK 0 / 55 / 100 / 58

HEX #6A3000

RGB 106 48 0

HSL 27.17, 1%, 0.21%

LAB 27.24, 23.23, 37.94

 

CMYK 0 / 31 / 78 / 31

HEX #AF7926

RGB 175 121 38

HSL 36.35, 0.64%, 0.42%

LAB 55, 13.76, 51.04

 

CMYK 0 / 52 / 78 / 31

HEX #AF5426

RGB 175 84 38

HSL 20.15, 0.64%, 0.42%

LAB 46.44, 34.1, 42.72

 

CMYK 0 / 73 / 78 / 31

HEX #AF2F26

RGB 175 47 38

HSL 3.94, 0.64%, 0.42%

LAB 40.06, 50.95, 36.19

 

CMYK 0 / 78 / 78 / 31

HEX #AF2626

RGB 175 38 38

HSL 0, 0.64%, 0.42%

LAB 38.97, 53.99, 35.04

 

CMYK 0 / 31 / 78 / 31

HEX #AF7926

RGB 175 121 38

HSL 36.35, 0.64%, 0.42%

LAB 55, 13.76, 51.04

 

CMYK 0 / 10 / 78 / 31

HEX #AF9E26

RGB 175 158 38

HSL 52.55, 0.64%, 0.42%

LAB 64.73, -6.58, 60.05

 

CMYK 11 / 0 / 78 / 31

HEX #9CAF26

RGB 156 175 38

HSL 68.32, 0.64%, 0.42%

LAB 67.92, -23.63, 62.37

 

CMYK 32 / 0 / 78 / 31

HEX #77AF26

RGB 119 175 38

HSL 84.53, 0.64%, 0.42%

LAB 65.53, -38.56, 59.29

 

CMYK 53 / 0 / 78 / 31

HEX #52AF26

RGB 82 175 38

HSL 100.73, 0.64%, 0.42%

LAB 63.83, -50.93, 57.08

 

CMYK 0 / 31 / 78 / 31

HEX #AF7926

RGB 175 121 38

HSL 36.35, 0.64%, 0.42%

LAB 55, 13.76, 51.04

 

CMYK 0 / 35 / 89 / 25

HEX #C07C15

RGB 192 124 21

HSL 36.14, 0.8%, 0.42%

LAB 57.73, 19.13, 59.9

 

CMYK 0 / 39 / 99 / 18

HEX #D28003

RGB 210 128 3

HSL 36.23, 0.97%, 0.42%

LAB 60.91, 24.51, 66.66

 

CMYK 0 / 31 / 78 / 31

HEX #AF7926

RGB 175 121 38

HSL 36.35, 0.64%, 0.42%

LAB 55, 13.76, 51.04

 

CMYK 0 / 26 / 65 / 38

HEX #9E7537

RGB 158 117 55

HSL 36.12, 0.48%, 0.42%

LAB 52.14, 9.3, 39.67

 

CMYK 0 / 19 / 48 / 45

HEX #8C7249

RGB 140 114 73

HSL 36.72, 0.31%, 0.42%

LAB 49.61, 4.53, 26.5

 

CMYK 0 / 11 / 27 / 52

HEX #7B6E5A

RGB 123 110 90

HSL 36.36, 0.15%, 0.42%

LAB 47.11, 1.69, 13.02

 

CMYK 1 / 1 / 0 / 58

HEX #6A6A6B

RGB 106 106 107

HSL 240, 0%, 0.42%

LAB 44.85, 0.21, -0.56

 

CMYK 0 / 73 / 78 / 31

HEX #AF2F26

RGB 175 47 38

HSL 3.94, 0.64%, 0.42%

LAB 40.06, 50.95, 36.19

 

CMYK 0 / 52 / 78 / 31

HEX #AF5426

RGB 175 84 38

HSL 20.15, 0.64%, 0.42%

LAB 46.44, 34.1, 42.72

 

CMYK 0 / 31 / 78 / 31

HEX #AF7826

RGB 175 120 38

HSL 35.91, 0.64%, 0.42%

LAB 54.75, 14.32, 50.8

 

CMYK 0 / 10 / 78 / 31

HEX #AF9D26

RGB 175 157 38

HSL 52.12, 0.64%, 0.42%

LAB 64.46, -6.04, 59.81

 

CMYK 10 / 0 / 78 / 31

HEX #9DAF26

RGB 157 175 38

HSL 67.88, 0.64%, 0.42%

LAB 68, -23.2, 62.46

 

CMYK 0 / 31 / 79 / 58

HEX #6B4A17

RGB 107 74 23

HSL 36.43, 0.65%, 0.25%

LAB 34.16, 8.84, 34.48

 

CMYK 0 / 31 / 78 / 45

HEX #8D611F

RGB 141 97 31

HSL 36, 0.64%, 0.34%

LAB 44.68, 11.68, 42.63

 

CMYK 0 / 31 / 78 / 31

HEX #AF7926

RGB 175 121 38

HSL 36.35, 0.64%, 0.42%

LAB 55, 13.76, 51.04

 

CMYK 0 / 31 / 78 / 18

HEX #D1902E

RGB 209 144 46

HSL 36.07, 0.64%, 0.5%

LAB 64.72, 16.35, 58.48

 

CMYK 0 / 25 / 63 / 15

HEX #D8A250

RGB 216 162 80

HSL 36.18, 0.64%, 0.58%

LAB 70.19, 11.4, 49.47

 

CMYK 0 / 31 / 78 / 32

HEX #AE7826

RGB 174 120 38

HSL 36.18, 0.64%, 0.42%

LAB 54.63, 13.87, 50.64

 

CMYK 63 / 0 / 78 / 31

HEX #41AF26

RGB 65 175 38

HSL 108.18, 0.64%, 0.42%

LAB 63.28, -55.34, 56.36

 

CMYK 63 / 78 / 0 / 31

HEX #4126AF

RGB 65 38 175

HSL 251.82, 0.64%, 0.42%

LAB 28.39, 49.4, -67.98

 

CMYK 0 / 31 / 78 / 32

HEX #AE7826

RGB 174 120 38

HSL 36.18, 0.64%, 0.42%

LAB 54.63, 13.87, 50.64

 

CMYK 78 / 0 / 31 / 31

HEX #26AF78

RGB 38 175 120

HSL 155.91, 0.64%, 0.42%

LAB 63.7, -48.52, 18.29

 

CMYK 31 / 78 / 0 / 31

HEX #7826AF

RGB 120 38 175

HSL 275.91, 0.64%, 0.42%

LAB 34.95, 57.47, -56.97

 

CMYK 0 / 31 / 78 / 32

HEX #AE7826

RGB 174 120 38

HSL 36.18, 0.64%, 0.42%

LAB 54.63, 13.87, 50.64

 

CMYK 63 / 0 / 78 / 31

HEX #41AF26

RGB 65 175 38

HSL 108.18, 0.64%, 0.42%

LAB 63.28, -55.34, 56.36

 

CMYK 78 / 47 / 0 / 31

HEX #265DAF

RGB 38 93 175

HSL 215.91, 0.64%, 0.42%

LAB 40.14, 11.96, -48.9

 

CMYK 15 / 78 / 0 / 31

HEX #9426AF

RGB 148 38 175

HSL 288.18, 0.64%, 0.42%

LAB 39.2, 62.61, -49.89

 

CMYK 0 / 31 / 78 / 32

HEX #AE7826

RGB 174 120 38

HSL 36.18, 0.64%, 0.42%

LAB 54.63, 13.87, 50.64

 

CMYK 78 / 0 / 70 / 31

HEX #26AF34

RGB 38 175 52

HSL 126.13, 0.64%, 0.42%

LAB 62.78, -59.23, 50.64

 

CMYK 78 / 47 / 0 / 31

HEX #265DAF

RGB 38 93 175

HSL 215.91, 0.64%, 0.42%

LAB 40.14, 11.96, -48.9

 

CMYK 0 / 78 / 8 / 31

HEX #AF26A1

RGB 175 38 161

HSL 306.13, 0.64%, 0.42%

LAB 42.87, 65.76, -35.41

 

Description

Color code: RGB 174 120 38 | qconv.com Color code: RGB 174 120 38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 120 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 120 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 78 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 78% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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