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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 94 125 it is the complementary color RGB 82 161 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 94 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 94 125 shade: RGB 178 94 120, RGB 195 112 139, RGB 212 130 158, RGB 229 148 177 and RGB 246 166 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 94 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 94 125 shade: RGB 173 94 125, RGB 156 76 106, RGB 139 58 87, RGB 122 40 68 and RGB 105 22 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 94 125 shade: RGB 172 92 123, RGB 172 92 102 and RGB 172 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 94 125 shade: RGB 172 92 123, RGB 172 92 145, RGB 172 92 167, RGB 156 92 172 and RGB 134 92 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 94 125 shade matches the following richer shades: RGB 172 92 123, RGB 192 72 119, RGB 212 52 115, RGB 232 32 111 and RGB 252 12 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 94 125 shade: RGB 172 92 123, RGB 153 112 128, RGB 133 131 132, RGB 113 151 136 and RGB 93 171 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 94 125 shade: RGB 172 92 167, RGB 172 92 146, RGB 172 92 124, RGB 172 92 102 and RGB 172 102 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 94 125 shade: RGB 121 61 84, RGB 148 75 104, RGB 172 92 123, RGB 186 119 145 and RGB 200 147 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 94 125 shade: RGB 173 94 125, RGB 172 156 92 and RGB 92 156 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 94 125 shade: RGB 173 94 125, RGB 124 172 92 and RGB 92 124 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 94 125 shade: RGB 173 94 125, RGB 172 156 92, RGB 92 172 140 and RGB 92 108 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 94 125 shade: RGB 173 94 125, RGB 164 172 92, RGB 92 172 140 and RGB 100 92 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 28 / 32

HEX #AD5E7D

RGB 173 94 125

HSL 336.46, 0.33%, 0.52%

LAB 49.94, 35.86, -3.01

 

Complementary color

CMYK 49 / 0 / 19 / 37

HEX #52A182

RGB 82 161 130

HSL 156.46, 0.33%, 0.48%

LAB 60.69, -31.91, 8.74

 

CMYK 0 / 47 / 33 / 30

HEX #B25E78

RGB 178 94 120

HSL 341.43, 0.35%, 0.53%

LAB 50.48, 36.98, 0.85

 

CMYK 0 / 43 / 29 / 24

HEX #C3708B

RGB 195 112 139

HSL 340.48, 0.41%, 0.6%

LAB 57.13, 36.07, -0.38

 

CMYK 0 / 39 / 25 / 17

HEX #D4829E

RGB 212 130 158

HSL 339.51, 0.49%, 0.67%

LAB 63.7, 35.2, -1.44

 

CMYK 0 / 35 / 23 / 10

HEX #E594B1

RGB 229 148 177

HSL 338.52, 0.61%, 0.74%

LAB 70.18, 34.39, -2.38

 

CMYK 0 / 33 / 20 / 4

HEX #F6A6C4

RGB 246 166 196

HSL 337.5, 0.82%, 0.81%

LAB 76.59, 33.62, -3.23

 

CMYK 0 / 46 / 28 / 32

HEX #AD5E7D

RGB 173 94 125

HSL 336.46, 0.33%, 0.52%

LAB 49.94, 35.86, -3.01

 

CMYK 0 / 51 / 32 / 39

HEX #9C4C6A

RGB 156 76 106

HSL 337.5, 0.34%, 0.45%

LAB 43.18, 36.74, -1.72

 

CMYK 0 / 58 / 37 / 45

HEX #8B3A57

RGB 139 58 87

HSL 338.52, 0.41%, 0.39%

LAB 36.37, 37.56, -0.12

 

CMYK 0 / 67 / 44 / 52

HEX #7A2844

RGB 122 40 68

HSL 339.51, 0.51%, 0.32%

LAB 29.59, 38.15, 1.99

 

CMYK 0 / 79 / 53 / 59

HEX #691631

RGB 105 22 49

HSL 340.48, 0.65%, 0.25%

LAB 22.99, 38.12, 4.95

 

CMYK 0 / 47 / 28 / 33

HEX #AC5C7B

RGB 172 92 123

HSL 336.75, 0.33%, 0.52%

LAB 49.32, 36.29, -2.75

 

CMYK 0 / 47 / 41 / 33

HEX #AC5C66

RGB 172 92 102

HSL 352.5, 0.33%, 0.52%

LAB 48.74, 33.6, 9.02

 

CMYK 0 / 47 / 47 / 33

HEX #AC5C5C

RGB 172 92 92

HSL 0, 0.33%, 0.52%

LAB 48.51, 32.49, 14.68

 

CMYK 0 / 47 / 28 / 33

HEX #AC5C7B

RGB 172 92 123

HSL 336.75, 0.33%, 0.52%

LAB 49.32, 36.29, -2.75

 

CMYK 0 / 47 / 16 / 33

HEX #AC5C91

RGB 172 92 145

HSL 320.25, 0.33%, 0.52%

LAB 50.06, 39.63, -14.76

 

CMYK 0 / 47 / 3 / 33

HEX #AC5CA7

RGB 172 92 167

HSL 303.75, 0.33%, 0.52%

LAB 50.94, 43.44, -26.39

 

CMYK 9 / 47 / 0 / 33

HEX #9C5CAC

RGB 156 92 172

HSL 288, 0.33%, 0.52%

LAB 49.13, 39.55, -32.28

 

CMYK 22 / 47 / 0 / 33

HEX #865CAC

RGB 134 92 172

HSL 271.5, 0.33%, 0.52%

LAB 46.58, 33.03, -36.47

 

CMYK 0 / 47 / 28 / 33

HEX #AC5C7B

RGB 172 92 123

HSL 336.75, 0.33%, 0.52%

LAB 49.32, 36.29, -2.75

 

CMYK 0 / 63 / 38 / 25

HEX #C04877

RGB 192 72 119

HSL 336.5, 0.49%, 0.52%

LAB 48.48, 52.32, -1.23

 

CMYK 0 / 75 / 46 / 17

HEX #D43473

RGB 212 52 115

HSL 336.38, 0.65%, 0.52%

LAB 49.12, 65.23, 2.56

 

CMYK 0 / 86 / 52 / 9

HEX #E8206F

RGB 232 32 111

HSL 336.3, 0.81%, 0.52%

LAB 51.08, 74.84, 8.3

 

CMYK 0 / 95 / 58 / 1

HEX #FC0C6A

RGB 252 12 106

HSL 336.5, 0.98%, 0.52%

LAB 54.03, 81.64, 16.03

 

CMYK 0 / 47 / 28 / 33

HEX #AC5C7B

RGB 172 92 123

HSL 336.75, 0.33%, 0.52%

LAB 49.32, 36.29, -2.75

 

CMYK 0 / 27 / 16 / 40

HEX #997080

RGB 153 112 128

HSL 336.59, 0.17%, 0.52%

LAB 51.75, 18.79, -2.42

 

CMYK 0 / 2 / 1 / 48

HEX #858384

RGB 133 131 132

HSL 330, 0.01%, 0.52%

LAB 54.95, 0.95, -0.28

 

CMYK 25 / 0 / 10 / 41

HEX #719788

RGB 113 151 136

HSL 156.32, 0.15%, 0.52%

LAB 59.36, -16.36, 3.65

 

CMYK 46 / 0 / 18 / 33

HEX #5DAB8C

RGB 93 171 140

HSL 156.15, 0.32%, 0.52%

LAB 64.44, -31.53, 8.56

 

CMYK 0 / 47 / 3 / 33

HEX #AC5CA7

RGB 172 92 167

HSL 303.75, 0.33%, 0.52%

LAB 50.94, 43.44, -26.39

 

CMYK 0 / 47 / 15 / 33

HEX #AC5C92

RGB 172 92 146

HSL 319.5, 0.33%, 0.52%

LAB 50.1, 39.79, -15.3

 

CMYK 0 / 47 / 28 / 33

HEX #AC5C7C

RGB 172 92 124

HSL 336, 0.33%, 0.52%

LAB 49.35, 36.43, -3.3

 

CMYK 0 / 47 / 41 / 33

HEX #AC5C66

RGB 172 92 102

HSL 352.5, 0.33%, 0.52%

LAB 48.74, 33.6, 9.02

 

CMYK 0 / 41 / 47 / 33

HEX #AC665C

RGB 172 102 92

HSL 7.5, 0.33%, 0.52%

LAB 50.74, 27.01, 17.73

 

CMYK 0 / 50 / 31 / 53

HEX #793D54

RGB 121 61 84

HSL 337, 0.33%, 0.36%

LAB 34.07, 28.97, -1.91

 

CMYK 0 / 49 / 30 / 42

HEX #944B68

RGB 148 75 104

HSL 336.16, 0.33%, 0.44%

LAB 41.73, 34.12, -2.75

 

CMYK 0 / 47 / 28 / 33

HEX #AC5C7B

RGB 172 92 123

HSL 336.75, 0.33%, 0.52%

LAB 49.32, 36.29, -2.75

 

CMYK 0 / 36 / 22 / 27

HEX #BA7791

RGB 186 119 145

HSL 336.72, 0.33%, 0.6%

LAB 57.73, 29.88, -3.11

 

CMYK 0 / 27 / 16 / 22

HEX #C893A8

RGB 200 147 168

HSL 336.23, 0.33%, 0.68%

LAB 66.5, 23.17, -3.13

 

CMYK 0 / 46 / 28 / 32

HEX #AD5E7D

RGB 173 94 125

HSL 336.46, 0.33%, 0.52%

LAB 49.94, 35.86, -3.01

 

CMYK 0 / 9 / 47 / 33

HEX #AC9C5C

RGB 172 156 92

HSL 48, 0.33%, 0.52%

LAB 64.42, -3.08, 35.52

 

CMYK 47 / 9 / 0 / 33

HEX #5C9CAC

RGB 92 156 172

HSL 192, 0.33%, 0.52%

LAB 60.81, -16.15, -14.74

 

CMYK 0 / 46 / 28 / 32

HEX #AD5E7D

RGB 173 94 125

HSL 336.46, 0.33%, 0.52%

LAB 49.94, 35.86, -3.01

 

CMYK 28 / 0 / 47 / 33

HEX #7CAC5C

RGB 124 172 92

HSL 96, 0.33%, 0.52%

LAB 65.41, -30.55, 35.97

 

CMYK 47 / 28 / 0 / 33

HEX #5C7CAC

RGB 92 124 172

HSL 216, 0.33%, 0.52%

LAB 51.46, 1.92, -29.07

 

CMYK 0 / 46 / 28 / 32

HEX #AD5E7D

RGB 173 94 125

HSL 336.46, 0.33%, 0.52%

LAB 49.94, 35.86, -3.01

 

CMYK 0 / 9 / 47 / 33

HEX #AC9C5C

RGB 172 156 92

HSL 48, 0.33%, 0.52%

LAB 64.42, -3.08, 35.52

 

CMYK 47 / 0 / 19 / 33

HEX #5CAC8C

RGB 92 172 140

HSL 156, 0.33%, 0.52%

LAB 64.7, -32.27, 8.93

 

CMYK 47 / 37 / 0 / 33

HEX #5C6CAC

RGB 92 108 172

HSL 228, 0.33%, 0.52%

LAB 46.95, 11.61, -36.14

 

CMYK 0 / 46 / 28 / 32

HEX #AD5E7D

RGB 173 94 125

HSL 336.46, 0.33%, 0.52%

LAB 49.94, 35.86, -3.01

 

CMYK 5 / 0 / 47 / 33

HEX #A4AC5C

RGB 164 172 92

HSL 66, 0.33%, 0.52%

LAB 68.15, -14.88, 39.97

 

CMYK 47 / 0 / 19 / 33

HEX #5CAC8C

RGB 92 172 140

HSL 156, 0.33%, 0.52%

LAB 64.7, -32.27, 8.93

 

CMYK 42 / 47 / 0 / 33

HEX #645CAC

RGB 100 92 172

HSL 246, 0.33%, 0.52%

LAB 43.27, 23.59, -41.91

 

Description

Color code: RGB 173 94 125 | qconv.com Color code: RGB 173 94 125 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 94 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 94 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 28 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 28% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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