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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 84 253 it is the complementary color RGB 82 171 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 84 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 84 253 shade: RGB 178 84 248, RGB 195 102 255, RGB 212 120 255, RGB 229 138 255 and RGB 246 156 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 84 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 84 253 shade: RGB 173 84 253, RGB 156 66 234, RGB 139 48 215, RGB 122 30 196 and RGB 105 12 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 84 253 shade: RGB 172 83 253, RGB 218 83 253, RGB 253 83 242, RGB 253 83 196 and RGB 253 83 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 84 253 shade: RGB 172 83 253, RGB 127 83 253 and RGB 83 83 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 84 253 shade matches the following richer shades: RGB 172 83 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 84 253 shade: RGB 172 83 253, RGB 172 97 239, RGB 171 111 225, RGB 170 125 211 and RGB 169 139 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 84 253 shade: RGB 83 86 253, RGB 125 83 253, RGB 171 83 253, RGB 216 83 253 and RGB 253 83 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 84 253 shade: RGB 133 2 251, RGB 153 42 252, RGB 172 83 253, RGB 192 124 253 and RGB 211 165 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 84 253 shade: RGB 173 84 253, RGB 253 83 131 and RGB 83 253 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 84 253 shade: RGB 173 84 253, RGB 253 171 83 and RGB 83 253 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 84 253 shade: RGB 173 84 253, RGB 253 83 131, RGB 165 253 83 and RGB 83 253 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 84 253 shade: RGB 173 84 253, RGB 253 86 83, RGB 165 253 83 and RGB 83 250 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 67 / 0 / 1

HEX #AD54FD

RGB 173 84 253

HSL 271.6, 0.98%, 0.66%

LAB 54.36, 65.49, -69.95

 

Complementary color

CMYK 52 / 0 / 99 / 33

HEX #52AB02

RGB 82 171 2

HSL 91.6, 0.98%, 0.34%

LAB 62.44, -50.7, 63.27

 

CMYK 28 / 66 / 0 / 3

HEX #B254F8

RGB 178 84 248

HSL 274.39, 0.92%, 0.65%

LAB 54.64, 65.38, -66.69

 

CMYK 24 / 60 / 0 / 0

HEX #C366FF

RGB 195 102 255

HSL 276.47, 1%, 0.7%

LAB 60.18, 62.22, -61.55

 

CMYK 17 / 53 / 0 / 0

HEX #D478FF

RGB 212 120 255

HSL 280.89, 1%, 0.74%

LAB 65.48, 57.54, -52.99

 

CMYK 10 / 46 / 0 / 0

HEX #E58AFF

RGB 229 138 255

HSL 286.67, 1%, 0.77%

LAB 70.91, 53, -44.3

 

CMYK 4 / 39 / 0 / 0

HEX #F69CFF

RGB 246 156 255

HSL 294.55, 1%, 0.81%

LAB 76.43, 48.67, -35.56

 

CMYK 32 / 67 / 0 / 1

HEX #AD54FD

RGB 173 84 253

HSL 271.6, 0.98%, 0.66%

LAB 54.36, 65.49, -69.95

 

CMYK 33 / 72 / 0 / 8

HEX #9C42EA

RGB 156 66 234

HSL 272.14, 0.8%, 0.59%

LAB 48.14, 65.88, -69.51

 

CMYK 35 / 78 / 0 / 16

HEX #8B30D7

RGB 139 48 215

HSL 272.69, 0.68%, 0.52%

LAB 42.01, 65.84, -68.76

 

CMYK 38 / 85 / 0 / 23

HEX #7A1EC4

RGB 122 30 196

HSL 273.25, 0.73%, 0.44%

LAB 36.08, 65.03, -67.53

 

CMYK 41 / 93 / 0 / 31

HEX #690CB1

RGB 105 12 177

HSL 273.82, 0.87%, 0.37%

LAB 30.5, 62.96, -65.54

 

CMYK 32 / 67 / 0 / 1

HEX #AC53FD

RGB 172 83 253

HSL 271.41, 0.98%, 0.66%

LAB 54.08, 65.75, -70.41

 

CMYK 14 / 67 / 0 / 1

HEX #DA53FD

RGB 218 83 253

HSL 287.65, 0.98%, 0.66%

LAB 60.05, 75.1, -60.48

 

CMYK 0 / 67 / 4 / 1

HEX #FD53F2

RGB 253 83 242

HSL 303.88, 0.98%, 0.66%

LAB 64.55, 80.84, -46.94

 

CMYK 0 / 67 / 23 / 1

HEX #FD53C4

RGB 253 83 196

HSL 320.12, 0.98%, 0.66%

LAB 62.55, 74.41, -24.22

 

CMYK 0 / 67 / 41 / 1

HEX #FD5396

RGB 253 83 150

HSL 336.35, 0.98%, 0.66%

LAB 61.02, 69.22, -0.06

 

CMYK 32 / 67 / 0 / 1

HEX #AC53FD

RGB 172 83 253

HSL 271.41, 0.98%, 0.66%

LAB 54.08, 65.75, -70.41

 

CMYK 50 / 67 / 0 / 1

HEX #7F53FD

RGB 127 83 253

HSL 255.53, 0.98%, 0.66%

LAB 49.24, 57.61, -78.49

 

CMYK 67 / 67 / 0 / 1

HEX #5353FD

RGB 83 83 253

HSL 240, 0.98%, 0.66%

LAB 45.79, 51.38, -84.27

 

CMYK 32 / 67 / 0 / 1

HEX #AC53FD

RGB 172 83 253

HSL 271.41, 0.98%, 0.66%

LAB 54.08, 65.75, -70.41

 

CMYK 32 / 67 / 0 / 1

HEX #AC53FD

RGB 172 83 253

HSL 271.41, 0.98%, 0.66%

LAB 54.08, 65.75, -70.41

 

CMYK 28 / 59 / 0 / 6

HEX #AC61EF

RGB 172 97 239

HSL 271.69, 0.82%, 0.66%

LAB 55.64, 55.87, -60.11

 

CMYK 24 / 51 / 0 / 12

HEX #AB6FE1

RGB 171 111 225

HSL 271.58, 0.66%, 0.66%

LAB 57.52, 45.08, -49.27

 

CMYK 19 / 41 / 0 / 17

HEX #AA7DD3

RGB 170 125 211

HSL 271.4, 0.49%, 0.66%

LAB 59.81, 33.87, -37.81

 

CMYK 14 / 29 / 0 / 23

HEX #A98BC5

RGB 169 139 197

HSL 271.03, 0.33%, 0.66%

LAB 62.45, 22.52, -25.85

 

CMYK 67 / 66 / 0 / 1

HEX #5356FD

RGB 83 86 253

HSL 238.94, 0.98%, 0.66%

LAB 46.43, 49.67, -83.24

 

CMYK 51 / 67 / 0 / 1

HEX #7D53FD

RGB 125 83 253

HSL 254.82, 0.98%, 0.66%

LAB 49.05, 57.28, -78.81

 

CMYK 32 / 67 / 0 / 1

HEX #AB53FD

RGB 171 83 253

HSL 271.06, 0.98%, 0.66%

LAB 53.96, 65.55, -70.61

 

CMYK 15 / 67 / 0 / 1

HEX #D853FD

RGB 216 83 253

HSL 286.94, 0.98%, 0.66%

LAB 59.78, 74.68, -60.94

 

CMYK 0 / 67 / 4 / 1

HEX #FD53F4

RGB 253 83 244

HSL 303.18, 0.98%, 0.66%

LAB 64.64, 81.15, -47.9

 

CMYK 47 / 99 / 0 / 2

HEX #8502FB

RGB 133 2 251

HSL 271.57, 0.98%, 0.5%

LAB 41.21, 82.53, -90.55

 

CMYK 39 / 83 / 0 / 1

HEX #992AFC

RGB 153 42 252

HSL 271.71, 0.97%, 0.58%

LAB 46.25, 77.81, -82.71

 

CMYK 32 / 67 / 0 / 1

HEX #AC53FD

RGB 172 83 253

HSL 271.41, 0.98%, 0.66%

LAB 54.08, 65.75, -70.41

 

CMYK 24 / 51 / 0 / 1

HEX #C07CFD

RGB 192 124 253

HSL 271.63, 0.97%, 0.74%

LAB 63.93, 49.96, -54.49

 

CMYK 17 / 35 / 0 / 0

HEX #D3A5FE

RGB 211 165 254

HSL 271.01, 0.98%, 0.82%

LAB 74.77, 33.35, -37.87

 

CMYK 32 / 67 / 0 / 1

HEX #AD54FD

RGB 173 84 253

HSL 271.6, 0.98%, 0.66%

LAB 54.36, 65.49, -69.95

 

CMYK 0 / 67 / 48 / 1

HEX #FD5383

RGB 253 83 131

HSL 343.06, 0.98%, 0.66%

LAB 60.52, 67.5, 10.29

 

CMYK 67 / 0 / 59 / 1

HEX #53FD67

RGB 83 253 103

HSL 127.06, 0.98%, 0.66%

LAB 88.48, -72.12, 58.05

 

CMYK 32 / 67 / 0 / 1

HEX #AD54FD

RGB 173 84 253

HSL 271.6, 0.98%, 0.66%

LAB 54.36, 65.49, -69.95

 

CMYK 0 / 32 / 67 / 1

HEX #FDAB53

RGB 253 171 83

HSL 31.06, 0.98%, 0.66%

LAB 76.46, 22.22, 56.18

 

CMYK 67 / 0 / 32 / 1

HEX #53FDAB

RGB 83 253 171

HSL 151.06, 0.98%, 0.66%

LAB 89.41, -61.65, 26.84

 

CMYK 32 / 67 / 0 / 1

HEX #AD54FD

RGB 173 84 253

HSL 271.6, 0.98%, 0.66%

LAB 54.36, 65.49, -69.95

 

CMYK 0 / 67 / 48 / 1

HEX #FD5383

RGB 253 83 131

HSL 343.06, 0.98%, 0.66%

LAB 60.52, 67.5, 10.29

 

CMYK 35 / 0 / 67 / 1

HEX #A5FD53

RGB 165 253 83

HSL 91.06, 0.98%, 0.66%

LAB 91.18, -52.5, 69.87

 

CMYK 67 / 0 / 19 / 1

HEX #53FDCD

RGB 83 253 205

HSL 163.06, 0.98%, 0.66%

LAB 90.09, -54.43, 10.38

 

CMYK 32 / 67 / 0 / 1

HEX #AD54FD

RGB 173 84 253

HSL 271.6, 0.98%, 0.66%

LAB 54.36, 65.49, -69.95

 

CMYK 0 / 66 / 67 / 1

HEX #FD5653

RGB 253 86 83

HSL 1.06, 0.98%, 0.66%

LAB 60.04, 63.1, 37.31

 

CMYK 35 / 0 / 67 / 1

HEX #A5FD53

RGB 165 253 83

HSL 91.06, 0.98%, 0.66%

LAB 91.18, -52.5, 69.87

 

CMYK 67 / 1 / 0 / 1

HEX #53FAFD

RGB 83 250 253

HSL 181.06, 0.98%, 0.66%

LAB 90.46, -41.01, -13.99

 

Description

Color code: RGB 173 84 253 | qconv.com Color code: RGB 173 84 253 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 84 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 84 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 67 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 67% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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