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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 83 201 it is the complementary color RGB 82 172 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 83 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 83 201 shade: RGB 178 83 196, RGB 195 101 215, RGB 212 119 234, RGB 229 137 253 and RGB 246 155 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 83 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 83 201 shade: RGB 173 83 201, RGB 156 65 182, RGB 139 47 163, RGB 122 29 144 and RGB 105 11 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 83 201 shade: RGB 173 84 201, RGB 201 84 197, RGB 201 84 165, RGB 201 84 134 and RGB 201 84 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 83 201 shade: RGB 173 84 201, RGB 141 84 201, RGB 110 84 201 and RGB 84 84 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 83 201 shade matches the following richer shades: RGB 173 84 201, RGB 182 66 219 and RGB 192 48 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 83 201 shade: RGB 173 84 201, RGB 163 102 182, RGB 154 120 164, RGB 144 138 146 and RGB 135 157 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 83 201 shade: RGB 109 84 201, RGB 140 84 201, RGB 171 84 201, RGB 201 84 199 and RGB 201 84 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 83 201 shade: RGB 129 48 154, RGB 155 58 185, RGB 173 84 201, RGB 188 115 211 and RGB 203 147 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 83 201 shade: RGB 173 83 201, RGB 201 84 90 and RGB 84 201 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 83 201 shade: RGB 173 83 201, RGB 201 171 84 and RGB 84 201 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 83 201 shade: RGB 173 83 201, RGB 201 84 90, RGB 113 201 84 and RGB 84 201 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 83 201 shade: RGB 173 83 201, RGB 201 113 84, RGB 113 201 84 and RGB 84 171 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 59 / 0 / 21

HEX #AD53C9

RGB 173 83 201

HSL 285.76, 0.52%, 0.56%

LAB 51.02, 54.8, -45.97

 

Complementary color

CMYK 52 / 0 / 69 / 33

HEX #52AC36

RGB 82 172 54

HSL 105.76, 0.52%, 0.44%

LAB 62.98, -48.61, 50.41

 

CMYK 9 / 58 / 0 / 23

HEX #B253C4

RGB 178 83 196

HSL 290.44, 0.49%, 0.55%

LAB 51.42, 55.09, -42.41

 

CMYK 9 / 53 / 0 / 16

HEX #C365D7

RGB 195 101 215

HSL 289.47, 0.59%, 0.62%

LAB 57.86, 54.52, -42.93

 

CMYK 9 / 49 / 0 / 8

HEX #D477EA

RGB 212 119 234

HSL 288.52, 0.73%, 0.69%

LAB 64.27, 53.84, -43.33

 

CMYK 9 / 46 / 0 / 1

HEX #E589FD

RGB 229 137 253

HSL 287.59, 0.97%, 0.76%

LAB 70.62, 53.12, -43.66

 

CMYK 4 / 39 / 0 / 0

HEX #F69BFF

RGB 246 155 255

HSL 294.6, 1%, 0.8%

LAB 76.23, 49.18, -35.87

 

CMYK 14 / 59 / 0 / 21

HEX #AD53C9

RGB 173 83 201

HSL 285.76, 0.52%, 0.56%

LAB 51.02, 54.8, -45.97

 

CMYK 14 / 64 / 0 / 29

HEX #9C41B6

RGB 156 65 182

HSL 286.67, 0.47%, 0.48%

LAB 44.56, 55.21, -45.38

 

CMYK 15 / 71 / 0 / 36

HEX #8B2FA3

RGB 139 47 163

HSL 287.59, 0.55%, 0.41%

LAB 38.14, 55.23, -44.5

 

CMYK 15 / 80 / 0 / 44

HEX #7A1D90

RGB 122 29 144

HSL 288.52, 0.66%, 0.34%

LAB 31.87, 54.52, -43.16

 

CMYK 16 / 91 / 0 / 51

HEX #690B7D

RGB 105 11 125

HSL 289.47, 0.84%, 0.27%

LAB 25.93, 52.49, -41.02

 

CMYK 14 / 58 / 0 / 21

HEX #AD54C9

RGB 173 84 201

HSL 285.64, 0.52%, 0.56%

LAB 51.2, 54.32, -45.68

 

CMYK 0 / 58 / 2 / 21

HEX #C954C5

RGB 201 84 197

HSL 302.05, 0.52%, 0.56%

LAB 54.85, 60.78, -37.36

 

CMYK 0 / 58 / 18 / 21

HEX #C954A5

RGB 201 84 165

HSL 318.46, 0.52%, 0.56%

LAB 53.47, 55.69, -20.98

 

CMYK 0 / 58 / 33 / 21

HEX #C95486

RGB 201 84 134

HSL 334.36, 0.52%, 0.56%

LAB 52.37, 51.52, -4.32

 

CMYK 0 / 58 / 49 / 21

HEX #C95466

RGB 201 84 102

HSL 350.77, 0.52%, 0.56%

LAB 51.52, 48.11, 13.54

 

CMYK 14 / 58 / 0 / 21

HEX #AD54C9

RGB 173 84 201

HSL 285.64, 0.52%, 0.56%

LAB 51.2, 54.32, -45.68

 

CMYK 30 / 58 / 0 / 21

HEX #8D54C9

RGB 141 84 201

HSL 269.23, 0.52%, 0.56%

LAB 47.26, 46.38, -52.2

 

CMYK 45 / 58 / 0 / 21

HEX #6E54C9

RGB 110 84 201

HSL 253.33, 0.52%, 0.56%

LAB 44.05, 39.27, -57.54

 

CMYK 58 / 58 / 0 / 21

HEX #5454C9

RGB 84 84 201

HSL 240, 0.52%, 0.56%

LAB 41.91, 34.12, -61.1

 

CMYK 14 / 58 / 0 / 21

HEX #AD54C9

RGB 173 84 201

HSL 285.64, 0.52%, 0.56%

LAB 51.2, 54.32, -45.68

 

CMYK 17 / 70 / 0 / 14

HEX #B642DB

RGB 182 66 219

HSL 285.49, 0.68%, 0.56%

LAB 50.64, 67.8, -56.8

 

CMYK 19 / 80 / 0 / 7

HEX #C030ED

RGB 192 48 237

HSL 285.71, 0.84%, 0.56%

LAB 51.19, 78.98, -66.01

 

CMYK 14 / 58 / 0 / 21

HEX #AD54C9

RGB 173 84 201

HSL 285.64, 0.52%, 0.56%

LAB 51.2, 54.32, -45.68

 

CMYK 10 / 44 / 0 / 29

HEX #A366B6

RGB 163 102 182

HSL 285.75, 0.35%, 0.56%

LAB 52.58, 38.26, -32.64

 

CMYK 6 / 27 / 0 / 36

HEX #9A78A4

RGB 154 120 164

HSL 286.36, 0.19%, 0.56%

LAB 55.06, 21.37, -18.49

 

CMYK 1 / 5 / 0 / 43

HEX #908A92

RGB 144 138 146

HSL 285, 0.04%, 0.56%

LAB 58.21, 3.78, -3.47

 

CMYK 14 / 0 / 18 / 38

HEX #879D80

RGB 135 157 128

HSL 105.52, 0.13%, 0.56%

LAB 62.36, -13.41, 12.63

 

CMYK 46 / 58 / 0 / 21

HEX #6D54C9

RGB 109 84 201

HSL 252.82, 0.52%, 0.56%

LAB 43.96, 39.05, -57.69

 

CMYK 30 / 58 / 0 / 21

HEX #8C54C9

RGB 140 84 201

HSL 268.72, 0.52%, 0.56%

LAB 47.15, 46.14, -52.39

 

CMYK 15 / 58 / 0 / 21

HEX #AB54C9

RGB 171 84 201

HSL 284.62, 0.52%, 0.56%

LAB 50.94, 53.81, -46.12

 

CMYK 0 / 58 / 1 / 21

HEX #C954C7

RGB 201 84 199

HSL 301.03, 0.52%, 0.56%

LAB 54.95, 61.12, -38.36

 

CMYK 0 / 58 / 16 / 21

HEX #C954A8

RGB 201 84 168

HSL 316.92, 0.52%, 0.56%

LAB 53.58, 56.13, -22.55

 

CMYK 16 / 69 / 0 / 40

HEX #81309A

RGB 129 48 154

HSL 285.85, 0.52%, 0.4%

LAB 36.2, 50.74, -42.26

 

CMYK 16 / 69 / 0 / 27

HEX #9B3AB9

RGB 155 58 185

HSL 285.83, 0.52%, 0.48%

LAB 43.5, 58.61, -48.83

 

CMYK 14 / 58 / 0 / 21

HEX #AD54C9

RGB 173 84 201

HSL 285.64, 0.52%, 0.56%

LAB 51.2, 54.32, -45.68

 

CMYK 11 / 45 / 0 / 17

HEX #BC73D3

RGB 188 115 211

HSL 285.63, 0.52%, 0.64%

LAB 59.58, 44.6, -38.04

 

CMYK 8 / 33 / 0 / 14

HEX #CB93DC

RGB 203 147 220

HSL 286.03, 0.51%, 0.72%

LAB 68.56, 33.65, -28.98

 

CMYK 14 / 59 / 0 / 21

HEX #AD53C9

RGB 173 83 201

HSL 285.76, 0.52%, 0.56%

LAB 51.02, 54.8, -45.97

 

CMYK 0 / 58 / 55 / 21

HEX #C9545A

RGB 201 84 90

HSL 356.92, 0.52%, 0.56%

LAB 51.26, 47.08, 20.34

 

CMYK 58 / 0 / 38 / 21

HEX #54C97D

RGB 84 201 125

HSL 141.03, 0.52%, 0.56%

LAB 72.98, -49.89, 28.35

 

CMYK 14 / 59 / 0 / 21

HEX #AD53C9

RGB 173 83 201

HSL 285.76, 0.52%, 0.56%

LAB 51.02, 54.8, -45.97

 

CMYK 0 / 15 / 58 / 21

HEX #C9AB54

RGB 201 171 84

HSL 44.62, 0.52%, 0.56%

LAB 71, 0.49, 48.08

 

CMYK 58 / 0 / 15 / 21

HEX #54C9AB

RGB 84 201 171

HSL 164.62, 0.52%, 0.56%

LAB 73.93, -40.19, 5.16

 

CMYK 14 / 59 / 0 / 21

HEX #AD53C9

RGB 173 83 201

HSL 285.76, 0.52%, 0.56%

LAB 51.02, 54.8, -45.97

 

CMYK 0 / 58 / 55 / 21

HEX #C9545A

RGB 201 84 90

HSL 356.92, 0.52%, 0.56%

LAB 51.26, 47.08, 20.34

 

CMYK 44 / 0 / 58 / 21

HEX #71C954

RGB 113 201 84

HSL 105.13, 0.52%, 0.56%

LAB 73.5, -48.01, 49.41

 

CMYK 58 / 0 / 3 / 21

HEX #54C9C3

RGB 84 201 195

HSL 176.92, 0.52%, 0.56%

LAB 74.57, -34.09, -6.9

 

CMYK 14 / 59 / 0 / 21

HEX #AD53C9

RGB 173 83 201

HSL 285.76, 0.52%, 0.56%

LAB 51.02, 54.8, -45.97

 

CMYK 0 / 44 / 58 / 21

HEX #C97154

RGB 201 113 84

HSL 14.87, 0.52%, 0.56%

LAB 56.95, 31.93, 31.17

 

CMYK 44 / 0 / 58 / 21

HEX #71C954

RGB 113 201 84

HSL 105.13, 0.52%, 0.56%

LAB 73.5, -48.01, 49.41

 

CMYK 58 / 15 / 0 / 21

HEX #54ABC9

RGB 84 171 201

HSL 195.38, 0.52%, 0.56%

LAB 65.93, -17.44, -23.21

 

Description

Color code: RGB 173 83 201 | qconv.com Color code: RGB 173 83 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 83 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 83 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 59 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 59% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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