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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 81 197 it is the complementary color RGB 82 174 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 81 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 81 197 shade: RGB 178 81 192, RGB 195 99 211, RGB 212 117 230, RGB 229 135 249 and RGB 246 153 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 81 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 81 197 shade: RGB 173 81 197, RGB 156 63 178, RGB 139 45 159, RGB 122 27 140 and RGB 105 9 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 81 197 shade: RGB 173 82 197, RGB 197 82 190, RGB 197 82 159, RGB 197 82 128 and RGB 197 82 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 81 197 shade: RGB 173 82 197, RGB 142 82 197, RGB 112 82 197 and RGB 82 82 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 81 197 shade matches the following richer shades: RGB 173 82 197, RGB 184 64 216, RGB 195 45 234 and RGB 206 27 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 81 197 shade: RGB 173 82 197, RGB 163 101 179, RGB 152 120 160, RGB 141 138 141 and RGB 130 157 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 81 197 shade: RGB 111 82 197, RGB 142 82 197, RGB 172 82 197, RGB 197 82 191 and RGB 197 82 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 81 197 shade: RGB 128 49 148, RGB 154 59 179, RGB 173 82 197, RGB 188 113 207 and RGB 203 144 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 81 197 shade: RGB 173 81 197, RGB 197 82 84 and RGB 82 197 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 81 197 shade: RGB 173 81 197, RGB 197 172 82 and RGB 82 197 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 81 197 shade: RGB 173 81 197, RGB 197 82 84, RGB 107 197 82 and RGB 82 197 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 81 197 shade: RGB 173 81 197, RGB 197 115 82, RGB 107 197 82 and RGB 82 165 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 59 / 0 / 23

HEX #AD51C5

RGB 173 81 197

HSL 287.59, 0.5%, 0.55%

LAB 50.45, 54.96, -44.57

 

Complementary color

CMYK 53 / 0 / 67 / 32

HEX #52AE3A

RGB 82 174 58

HSL 107.59, 0.5%, 0.45%

LAB 63.65, -49.03, 49.47

 

CMYK 7 / 58 / 0 / 25

HEX #B251C0

RGB 178 81 192

HSL 292.43, 0.47%, 0.54%

LAB 50.87, 55.27, -40.98

 

CMYK 8 / 53 / 0 / 17

HEX #C363D3

RGB 195 99 211

HSL 291.43, 0.56%, 0.61%

LAB 57.3, 54.73, -41.56

 

CMYK 8 / 49 / 0 / 10

HEX #D475E6

RGB 212 117 230

HSL 290.44, 0.69%, 0.68%

LAB 63.7, 54.08, -42

 

CMYK 8 / 46 / 0 / 2

HEX #E587F9

RGB 229 135 249

HSL 289.47, 0.9%, 0.75%

LAB 70.05, 53.36, -42.37

 

CMYK 4 / 40 / 0 / 0

HEX #F699FF

RGB 246 153 255

HSL 294.71, 1%, 0.8%

LAB 75.82, 50.2, -36.5

 

CMYK 12 / 59 / 0 / 23

HEX #AD51C5

RGB 173 81 197

HSL 287.59, 0.5%, 0.55%

LAB 50.45, 54.96, -44.57

 

CMYK 12 / 65 / 0 / 30

HEX #9C3FB2

RGB 156 63 178

HSL 288.52, 0.48%, 0.47%

LAB 44, 55.31, -43.91

 

CMYK 13 / 72 / 0 / 38

HEX #8B2D9F

RGB 139 45 159

HSL 289.47, 0.56%, 0.4%

LAB 37.61, 55.24, -42.95

 

CMYK 13 / 81 / 0 / 45

HEX #7A1B8C

RGB 122 27 140

HSL 290.44, 0.68%, 0.33%

LAB 31.38, 54.38, -41.48

 

CMYK 13 / 93 / 0 / 53

HEX #690979

RGB 105 9 121

HSL 291.43, 0.86%, 0.25%

LAB 25.5, 52.13, -39.18

 

CMYK 12 / 58 / 0 / 23

HEX #AD52C5

RGB 173 82 197

HSL 287.48, 0.5%, 0.55%

LAB 50.63, 54.48, -44.29

 

CMYK 0 / 58 / 4 / 23

HEX #C552BE

RGB 197 82 190

HSL 303.65, 0.5%, 0.55%

LAB 53.62, 59.43, -35.31

 

CMYK 0 / 58 / 19 / 23

HEX #C5529F

RGB 197 82 159

HSL 319.83, 0.5%, 0.55%

LAB 52.3, 54.55, -19.3

 

CMYK 0 / 58 / 35 / 23

HEX #C55280

RGB 197 82 128

HSL 336, 0.5%, 0.55%

LAB 51.23, 50.44, -2.51

 

CMYK 0 / 58 / 51 / 23

HEX #C55261

RGB 197 82 97

HSL 352.17, 0.5%, 0.55%

LAB 50.41, 47.22, 14.91

 

CMYK 12 / 58 / 0 / 23

HEX #AD52C5

RGB 173 82 197

HSL 287.48, 0.5%, 0.55%

LAB 50.63, 54.48, -44.29

 

CMYK 28 / 58 / 0 / 23

HEX #8E52C5

RGB 142 82 197

HSL 271.3, 0.5%, 0.55%

LAB 46.73, 46.73, -50.73

 

CMYK 43 / 58 / 0 / 23

HEX #7052C5

RGB 112 82 197

HSL 255.65, 0.5%, 0.55%

LAB 43.52, 39.72, -56.06

 

CMYK 58 / 58 / 0 / 23

HEX #5252C5

RGB 82 82 197

HSL 240, 0.5%, 0.55%

LAB 40.99, 33.69, -60.28

 

CMYK 12 / 58 / 0 / 23

HEX #AD52C5

RGB 173 82 197

HSL 287.48, 0.5%, 0.55%

LAB 50.63, 54.48, -44.29

 

CMYK 15 / 70 / 0 / 15

HEX #B840D8

RGB 184 64 216

HSL 287.37, 0.66%, 0.55%

LAB 50.47, 68.41, -55.34

 

CMYK 17 / 81 / 0 / 8

HEX #C32DEA

RGB 195 45 234

HSL 287.62, 0.82%, 0.55%

LAB 51.17, 79.75, -64.33

 

CMYK 19 / 89 / 0 / 1

HEX #CE1BFD

RGB 206 27 253

HSL 287.52, 0.98%, 0.55%

LAB 52.95, 88.36, -72.03

 

CMYK 12 / 58 / 0 / 23

HEX #AD52C5

RGB 173 82 197

HSL 287.48, 0.5%, 0.55%

LAB 50.63, 54.48, -44.29

 

CMYK 9 / 44 / 0 / 30

HEX #A365B3

RGB 163 101 179

HSL 287.69, 0.34%, 0.55%

LAB 52.23, 38.18, -31.46

 

CMYK 5 / 25 / 0 / 37

HEX #9878A0

RGB 152 120 160

HSL 288, 0.17%, 0.55%

LAB 54.71, 19.85, -16.72

 

CMYK 0 / 2 / 0 / 45

HEX #8D8A8D

RGB 141 138 141

HSL 300, 0.01%, 0.55%

LAB 57.81, 1.7, -1.21

 

CMYK 17 / 0 / 22 / 38

HEX #829D7B

RGB 130 157 123

HSL 107.65, 0.15%, 0.55%

LAB 61.9, -16.13, 14.73

 

CMYK 44 / 58 / 0 / 23

HEX #6F52C5

RGB 111 82 197

HSL 255.13, 0.5%, 0.55%

LAB 43.43, 39.5, -56.22

 

CMYK 28 / 58 / 0 / 23

HEX #8E52C5

RGB 142 82 197

HSL 271.3, 0.5%, 0.55%

LAB 46.73, 46.73, -50.73

 

CMYK 13 / 58 / 0 / 23

HEX #AC52C5

RGB 172 82 197

HSL 286.96, 0.5%, 0.55%

LAB 50.5, 54.22, -44.51

 

CMYK 0 / 58 / 3 / 23

HEX #C552BF

RGB 197 82 191

HSL 303.13, 0.5%, 0.55%

LAB 53.67, 59.59, -35.81

 

CMYK 0 / 58 / 18 / 23

HEX #C552A1

RGB 197 82 161

HSL 318.78, 0.5%, 0.55%

LAB 52.37, 54.84, -20.36

 

CMYK 14 / 67 / 0 / 42

HEX #803194

RGB 128 49 148

HSL 287.88, 0.5%, 0.39%

LAB 35.84, 48.82, -39.2

 

CMYK 14 / 67 / 0 / 30

HEX #9A3BB3

RGB 154 59 179

HSL 287.5, 0.5%, 0.47%

LAB 43.14, 56.78, -45.89

 

CMYK 12 / 58 / 0 / 23

HEX #AD52C5

RGB 173 82 197

HSL 287.48, 0.5%, 0.55%

LAB 50.63, 54.48, -44.29

 

CMYK 9 / 45 / 0 / 19

HEX #BC71CF

RGB 188 113 207

HSL 287.87, 0.49%, 0.63%

LAB 58.98, 44.85, -36.71

 

CMYK 7 / 34 / 0 / 15

HEX #CB90DA

RGB 203 144 218

HSL 287.84, 0.5%, 0.71%

LAB 67.8, 34.89, -29.04

 

CMYK 12 / 59 / 0 / 23

HEX #AD51C5

RGB 173 81 197

HSL 287.59, 0.5%, 0.55%

LAB 50.45, 54.96, -44.57

 

CMYK 0 / 58 / 57 / 23

HEX #C55254

RGB 197 82 84

HSL 358.96, 0.5%, 0.55%

LAB 50.15, 46.14, 22.31

 

CMYK 58 / 0 / 36 / 23

HEX #52C57E

RGB 82 197 126

HSL 142.96, 0.5%, 0.55%

LAB 71.71, -48.53, 26.12

 

CMYK 12 / 59 / 0 / 23

HEX #AD51C5

RGB 173 81 197

HSL 287.59, 0.5%, 0.55%

LAB 50.45, 54.96, -44.57

 

CMYK 0 / 13 / 58 / 23

HEX #C5AC52

RGB 197 172 82

HSL 46.96, 0.5%, 0.55%

LAB 70.86, -1.9, 48.78

 

CMYK 58 / 0 / 13 / 23

HEX #52C5AC

RGB 82 197 172

HSL 166.96, 0.5%, 0.55%

LAB 72.7, -38.54, 2.82

 

CMYK 12 / 59 / 0 / 23

HEX #AD51C5

RGB 173 81 197

HSL 287.59, 0.5%, 0.55%

LAB 50.45, 54.96, -44.57

 

CMYK 0 / 58 / 57 / 23

HEX #C55254

RGB 197 82 84

HSL 358.96, 0.5%, 0.55%

LAB 50.15, 46.14, 22.31

 

CMYK 46 / 0 / 58 / 23

HEX #6BC552

RGB 107 197 82

HSL 106.96, 0.5%, 0.55%

LAB 72.01, -48.42, 48.53

 

CMYK 58 / 0 / 1 / 23

HEX #52C5C3

RGB 82 197 195

HSL 178.96, 0.5%, 0.55%

LAB 73.33, -32.57, -8.75

 

CMYK 12 / 59 / 0 / 23

HEX #AD51C5

RGB 173 81 197

HSL 287.59, 0.5%, 0.55%

LAB 50.45, 54.96, -44.57

 

CMYK 0 / 42 / 58 / 23

HEX #C57352

RGB 197 115 82

HSL 17.22, 0.5%, 0.55%

LAB 56.82, 29.1, 32.01

 

CMYK 46 / 0 / 58 / 23

HEX #6BC552

RGB 107 197 82

HSL 106.96, 0.5%, 0.55%

LAB 72.01, -48.42, 48.53

 

CMYK 58 / 16 / 0 / 23

HEX #52A5C5

RGB 82 165 197

HSL 196.7, 0.5%, 0.55%

LAB 63.95, -15.86, -24.02

 

Description

Color code: RGB 173 81 197 | qconv.com Color code: RGB 173 81 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 81 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 81 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 59 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 59% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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