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Color name
RGB 173 78 55

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 78 55 it is the complementary color RGB 82 177 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 78 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 78 55 shade: RGB 178 78 50, RGB 195 96 69, RGB 212 114 88, RGB 229 132 107 and RGB 246 150 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 78 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 78 55 shade: RGB 173 78 55, RGB 156 60 36, RGB 139 42 17, RGB 122 24 0 and RGB 105 6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 78 55 shade: RGB 174 78 55 and RGB 174 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 78 55 shade: RGB 174 78 55, RGB 174 110 55, RGB 174 142 55, RGB 173 174 55 and RGB 141 174 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 78 55 shade matches the following richer shades: RGB 174 78 55, RGB 192 66 36 and RGB 211 55 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 78 55 shade: RGB 174 78 55, RGB 155 89 73, RGB 137 100 92, RGB 118 112 110 and RGB 100 123 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 78 55 shade: RGB 174 55 96, RGB 174 55 65, RGB 174 76 55, RGB 174 108 55 and RGB 174 140 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 78 55 shade: RGB 111 50 35, RGB 143 64 45, RGB 174 78 55, RGB 197 97 73 and RGB 207 124 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 78 55 shade: RGB 173 78 55, RGB 128 174 55 and RGB 55 80 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 78 55 shade: RGB 173 78 55, RGB 55 174 76 and RGB 76 55 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 78 55 shade: RGB 173 78 55, RGB 128 174 55, RGB 55 152 174 and RGB 100 55 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 78 55 shade: RGB 173 78 55, RGB 92 174 55, RGB 55 152 174 and RGB 136 55 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 68 / 32

HEX #AD4E37

RGB 173 78 55

HSL 11.69, 0.52%, 0.45%

LAB 45.09, 37.24, 32.1

 

Complementary color

CMYK 59 / 12 / 0 / 22

HEX #52B1C8

RGB 82 177 200

HSL 191.69, 0.52%, 0.55%

LAB 67.58, -21.25, -20.14

 

CMYK 0 / 56 / 72 / 30

HEX #B24E32

RGB 178 78 50

HSL 13.13, 0.56%, 0.45%

LAB 45.83, 38.89, 35.96

 

CMYK 0 / 51 / 65 / 24

HEX #C36045

RGB 195 96 69

HSL 12.86, 0.51%, 0.52%

LAB 52.28, 37.42, 33.6

 

CMYK 0 / 46 / 58 / 17

HEX #D47258

RGB 212 114 88

HSL 12.58, 0.59%, 0.59%

LAB 58.73, 36.03, 31.51

 

CMYK 0 / 42 / 53 / 10

HEX #E5846B

RGB 229 132 107

HSL 12.3, 0.7%, 0.66%

LAB 65.14, 34.75, 29.65

 

CMYK 0 / 39 / 49 / 4

HEX #F6967E

RGB 246 150 126

HSL 12, 0.87%, 0.73%

LAB 71.5, 33.58, 27.99

 

CMYK 0 / 55 / 68 / 32

HEX #AD4E37

RGB 173 78 55

HSL 11.69, 0.52%, 0.45%

LAB 45.09, 37.24, 32.1

 

CMYK 0 / 62 / 77 / 39

HEX #9C3C24

RGB 156 60 36

HSL 12, 0.63%, 0.38%

LAB 38.6, 38.68, 34.7

 

CMYK 0 / 70 / 88 / 45

HEX #8B2A11

RGB 139 42 17

HSL 12.3, 0.78%, 0.31%

LAB 32.23, 39.98, 37.35

 

CMYK 0 / 80 / 100 / 52

HEX #7A1800

RGB 122 24 0

HSL 11.8, 1%, 0.24%

LAB 26.13, 40.7, 38.12

 

CMYK 0 / 94 / 100 / 59

HEX #690600

RGB 105 6 0

HSL 3.43, 1%, 0.21%

LAB 20.57, 40.24, 31.26

 

CMYK 0 / 55 / 68 / 32

HEX #AE4E37

RGB 174 78 55

HSL 11.6, 0.52%, 0.45%

LAB 45.25, 37.62, 32.33

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 0 / 55 / 68 / 32

HEX #AE4E37

RGB 174 78 55

HSL 11.6, 0.52%, 0.45%

LAB 45.25, 37.62, 32.33

 

CMYK 0 / 37 / 68 / 32

HEX #AE6E37

RGB 174 110 55

HSL 27.73, 0.52%, 0.45%

LAB 52.32, 20.34, 40.4

 

CMYK 0 / 18 / 68 / 32

HEX #AE8E37

RGB 174 142 55

HSL 43.87, 0.52%, 0.45%

LAB 60.45, 2.47, 49.19

 

CMYK 1 / 0 / 68 / 32

HEX #ADAE37

RGB 173 174 55

HSL 60.5, 0.52%, 0.45%

LAB 69.06, -15.02, 58.01

 

CMYK 19 / 0 / 68 / 32

HEX #8DAE37

RGB 141 174 55

HSL 76.64, 0.52%, 0.45%

LAB 66.68, -28.47, 54.82

 

CMYK 0 / 55 / 68 / 32

HEX #AE4E37

RGB 174 78 55

HSL 11.6, 0.52%, 0.45%

LAB 45.25, 37.62, 32.33

 

CMYK 0 / 66 / 81 / 25

HEX #C04224

RGB 192 66 36

HSL 11.54, 0.68%, 0.45%

LAB 45.95, 49.03, 44.18

 

CMYK 0 / 74 / 92 / 17

HEX #D33711

RGB 211 55 17

HSL 11.75, 0.85%, 0.45%

LAB 47.78, 59.09, 55.12

 

CMYK 0 / 55 / 68 / 32

HEX #AE4E37

RGB 174 78 55

HSL 11.6, 0.52%, 0.45%

LAB 45.25, 37.62, 32.33

 

CMYK 0 / 43 / 53 / 39

HEX #9B5949

RGB 155 89 73

HSL 11.71, 0.36%, 0.45%

LAB 45.07, 25.43, 20.99

 

CMYK 0 / 27 / 33 / 46

HEX #89645C

RGB 137 100 92

HSL 10.67, 0.2%, 0.45%

LAB 45.91, 13.76, 10.4

 

CMYK 0 / 5 / 7 / 54

HEX #76706E

RGB 118 112 110

HSL 15, 0.04%, 0.45%

LAB 47.71, 1.93, 1.93

 

CMYK 22 / 5 / 0 / 49

HEX #647B81

RGB 100 123 129

HSL 192.41, 0.13%, 0.45%

LAB 50.05, -6.9, -6.04

 

CMYK 0 / 68 / 45 / 32

HEX #AE3760

RGB 174 55 96

HSL 339.33, 0.52%, 0.45%

LAB 42.12, 51.45, 3.28

 

CMYK 0 / 68 / 63 / 32

HEX #AE3741

RGB 174 55 65

HSL 354.96, 0.52%, 0.45%

LAB 41.39, 48.89, 21.61

 

CMYK 0 / 56 / 68 / 32

HEX #AE4C37

RGB 174 76 55

HSL 10.59, 0.52%, 0.45%

LAB 44.86, 38.63, 31.87

 

CMYK 0 / 38 / 68 / 32

HEX #AE6C37

RGB 174 108 55

HSL 26.72, 0.52%, 0.45%

LAB 51.84, 21.45, 39.87

 

CMYK 0 / 20 / 68 / 32

HEX #AE8C37

RGB 174 140 55

HSL 42.86, 0.52%, 0.45%

LAB 59.92, 3.57, 48.64

 

CMYK 0 / 55 / 68 / 56

HEX #6F3223

RGB 111 50 35

HSL 11.84, 0.52%, 0.29%

LAB 28.86, 25.77, 22.18

 

CMYK 0 / 55 / 69 / 44

HEX #8F402D

RGB 143 64 45

HSL 11.63, 0.52%, 0.37%

LAB 37.29, 32.04, 27.48

 

CMYK 0 / 55 / 68 / 32

HEX #AE4E37

RGB 174 78 55

HSL 11.6, 0.52%, 0.45%

LAB 45.25, 37.62, 32.33

 

CMYK 0 / 51 / 63 / 23

HEX #C56149

RGB 197 97 73

HSL 11.61, 0.52%, 0.53%

LAB 52.84, 37.95, 32.1

 

CMYK 0 / 40 / 50 / 19

HEX #CF7C68

RGB 207 124 104

HSL 11.65, 0.52%, 0.61%

LAB 60.5, 30.14, 24.7

 

CMYK 0 / 55 / 68 / 32

HEX #AD4E37

RGB 173 78 55

HSL 11.69, 0.52%, 0.45%

LAB 45.09, 37.24, 32.1

 

CMYK 26 / 0 / 68 / 32

HEX #80AE37

RGB 128 174 55

HSL 83.19, 0.52%, 0.45%

LAB 65.86, -33.63, 53.71

 

CMYK 68 / 54 / 0 / 32

HEX #3750AE

RGB 55 80 174

HSL 227.39, 0.52%, 0.45%

LAB 37.12, 22.43, -53.14

 

CMYK 0 / 55 / 68 / 32

HEX #AD4E37

RGB 173 78 55

HSL 11.69, 0.52%, 0.45%

LAB 45.09, 37.24, 32.1

 

CMYK 68 / 0 / 56 / 32

HEX #37AE4C

RGB 55 174 76

HSL 130.59, 0.52%, 0.45%

LAB 63.02, -53.37, 40.38

 

CMYK 56 / 68 / 0 / 32

HEX #4C37AE

RGB 76 55 174

HSL 250.59, 0.52%, 0.45%

LAB 32.54, 41.54, -60.54

 

CMYK 0 / 55 / 68 / 32

HEX #AD4E37

RGB 173 78 55

HSL 11.69, 0.52%, 0.45%

LAB 45.09, 37.24, 32.1

 

CMYK 26 / 0 / 68 / 32

HEX #80AE37

RGB 128 174 55

HSL 83.19, 0.52%, 0.45%

LAB 65.86, -33.63, 53.71

 

CMYK 68 / 13 / 0 / 32

HEX #3798AE

RGB 55 152 174

HSL 191.09, 0.52%, 0.45%

LAB 58.34, -20.87, -19.74

 

CMYK 43 / 68 / 0 / 32

HEX #6437AE

RGB 100 55 174

HSL 262.69, 0.52%, 0.45%

LAB 35, 45.87, -56.42

 

CMYK 0 / 55 / 68 / 32

HEX #AD4E37

RGB 173 78 55

HSL 11.69, 0.52%, 0.45%

LAB 45.09, 37.24, 32.1

 

CMYK 47 / 0 / 68 / 32

HEX #5CAE37

RGB 92 174 55

HSL 101.34, 0.52%, 0.45%

LAB 64.02, -46.33, 51.22

 

CMYK 68 / 13 / 0 / 32

HEX #3798AE

RGB 55 152 174

HSL 191.09, 0.52%, 0.45%

LAB 58.34, -20.87, -19.74

 

CMYK 22 / 68 / 0 / 32

HEX #8837AE

RGB 136 55 174

HSL 280.84, 0.52%, 0.45%

LAB 39.62, 53.43, -48.72

 

Description

Color code: RGB 173 78 55 | qconv.com Color code: RGB 173 78 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 78 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 78 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 68 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 68% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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