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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 75 153 it is the complementary color RGB 82 180 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 75 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 75 153 shade: RGB 178 75 148, RGB 195 93 167, RGB 212 111 186, RGB 229 129 205 and RGB 246 147 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 75 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 75 153 shade: RGB 173 75 153, RGB 156 57 134, RGB 139 39 115, RGB 122 21 96 and RGB 105 3 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 75 153 shade: RGB 174 74 154, RGB 174 74 127, RGB 174 74 100 and RGB 174 74 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 75 153 shade: RGB 174 74 154, RGB 168 74 174, RGB 141 74 174, RGB 114 74 174 and RGB 87 74 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 75 153 shade matches the following richer shades: RGB 174 74 154, RGB 195 54 166, RGB 215 34 178 and RGB 235 14 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 75 153 shade: RGB 174 74 154, RGB 154 95 142, RGB 134 115 130, RGB 114 135 118 and RGB 94 155 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 75 153 shade: RGB 141 74 174, RGB 168 74 174, RGB 174 74 154, RGB 174 74 128 and RGB 174 74 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 75 153 shade: RGB 117 50 103, RGB 146 62 129, RGB 174 74 154, RGB 189 101 171 and RGB 201 130 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 75 153 shade: RGB 173 75 153, RGB 174 114 74 and RGB 74 174 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 75 153 shade: RGB 173 75 153, RGB 154 174 74 and RGB 74 154 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 75 153 shade: RGB 173 75 153, RGB 174 114 74, RGB 74 174 94 and RGB 74 134 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 75 153 shade: RGB 173 75 153, RGB 174 144 74, RGB 74 174 94 and RGB 74 104 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 12 / 32

HEX #AD4B99

RGB 173 75 153

HSL 312.24, 0.4%, 0.49%

LAB 47.26, 49.82, -23.8

 

Complementary color

CMYK 54 / 0 / 43 / 29

HEX #52B466

RGB 82 180 102

HSL 132.24, 0.4%, 0.51%

LAB 66.06, -45.77, 31.24

 

CMYK 0 / 58 / 17 / 30

HEX #B24B94

RGB 178 75 148

HSL 317.48, 0.41%, 0.5%

LAB 47.8, 50.51, -19.92

 

CMYK 0 / 52 / 14 / 24

HEX #C35DA7

RGB 195 93 167

HSL 316.47, 0.46%, 0.56%

LAB 54.26, 49.97, -21

 

CMYK 0 / 48 / 12 / 17

HEX #D46FBA

RGB 212 111 186

HSL 315.45, 0.54%, 0.63%

LAB 60.7, 49.31, -21.89

 

CMYK 0 / 44 / 10 / 10

HEX #E581CD

RGB 229 129 205

HSL 314.4, 0.66%, 0.7%

LAB 67.1, 48.59, -22.63

 

CMYK 0 / 40 / 9 / 4

HEX #F693E0

RGB 246 147 224

HSL 313.33, 0.85%, 0.77%

LAB 73.44, 47.86, -23.28

 

CMYK 0 / 57 / 12 / 32

HEX #AD4B99

RGB 173 75 153

HSL 312.24, 0.4%, 0.49%

LAB 47.26, 49.82, -23.8

 

CMYK 0 / 63 / 14 / 39

HEX #9C3986

RGB 156 57 134

HSL 313.33, 0.46%, 0.42%

LAB 40.76, 50.12, -22.6

 

CMYK 0 / 72 / 17 / 45

HEX #8B2773

RGB 139 39 115

HSL 314.4, 0.56%, 0.35%

LAB 34.35, 49.94, -20.96

 

CMYK 0 / 83 / 21 / 52

HEX #7A1560

RGB 122 21 96

HSL 315.45, 0.71%, 0.28%

LAB 28.16, 48.83, -18.62

 

CMYK 0 / 97 / 27 / 59

HEX #69034D

RGB 105 3 77

HSL 316.47, 0.94%, 0.21%

LAB 22.32, 46.38, -15.32

 

CMYK 0 / 57 / 11 / 32

HEX #AE4A9A

RGB 174 74 154

HSL 312, 0.4%, 0.49%

LAB 47.27, 50.74, -24.36

 

CMYK 0 / 57 / 27 / 32

HEX #AE4A7F

RGB 174 74 127

HSL 328.2, 0.4%, 0.49%

LAB 46.22, 46.69, -9.74

 

CMYK 0 / 57 / 43 / 32

HEX #AE4A64

RGB 174 74 100

HSL 344.4, 0.4%, 0.49%

LAB 45.38, 43.37, 5.5

 

CMYK 0 / 57 / 57 / 32

HEX #AE4A4A

RGB 174 74 74

HSL 0, 0.4%, 0.49%

LAB 44.79, 40.93, 20.55

 

CMYK 0 / 57 / 11 / 32

HEX #AE4A9A

RGB 174 74 154

HSL 312, 0.4%, 0.49%

LAB 47.27, 50.74, -24.36

 

CMYK 3 / 57 / 0 / 32

HEX #A84AAE

RGB 168 74 174

HSL 296.4, 0.4%, 0.49%

LAB 47.34, 52.55, -36.16

 

CMYK 19 / 57 / 0 / 32

HEX #8D4AAE

RGB 141 74 174

HSL 280.2, 0.4%, 0.49%

LAB 43.68, 45.39, -42.19

 

CMYK 34 / 57 / 0 / 32

HEX #724AAE

RGB 114 74 174

HSL 264, 0.4%, 0.49%

LAB 40.46, 38.5, -47.51

 

CMYK 50 / 57 / 0 / 32

HEX #574AAE

RGB 87 74 174

HSL 247.8, 0.4%, 0.49%

LAB 37.81, 32.26, -51.93

 

CMYK 0 / 57 / 11 / 32

HEX #AE4A9A

RGB 174 74 154

HSL 312, 0.4%, 0.49%

LAB 47.27, 50.74, -24.36

 

CMYK 0 / 72 / 15 / 24

HEX #C336A6

RGB 195 54 166

HSL 312.34, 0.57%, 0.49%

LAB 48.25, 66.14, -29.71

 

CMYK 0 / 84 / 17 / 16

HEX #D722B2

RGB 215 34 178

HSL 312.27, 0.73%, 0.49%

LAB 50.46, 77.41, -33.08

 

CMYK 0 / 94 / 19 / 8

HEX #EB0EBE

RGB 235 14 190

HSL 312.22, 0.89%, 0.49%

LAB 53.7, 85.51, -34.74

 

CMYK 0 / 57 / 11 / 32

HEX #AE4A9A

RGB 174 74 154

HSL 312, 0.4%, 0.49%

LAB 47.27, 50.74, -24.36

 

CMYK 0 / 38 / 8 / 40

HEX #9A5F8E

RGB 154 95 142

HSL 312.2, 0.24%, 0.49%

LAB 48.27, 31.37, -15.92

 

CMYK 0 / 14 / 3 / 47

HEX #867382

RGB 134 115 130

HSL 312.63, 0.08%, 0.49%

LAB 50.62, 10.2, -5.48

 

CMYK 16 / 0 / 13 / 47

HEX #728776

RGB 114 135 118

HSL 131.43, 0.08%, 0.49%

LAB 54.25, -11.11, 6.62

 

CMYK 39 / 0 / 32 / 39

HEX #5E9B6A

RGB 94 155 106

HSL 131.8, 0.24%, 0.49%

LAB 58.85, -30.58, 19.64

 

CMYK 19 / 57 / 0 / 32

HEX #8D4AAE

RGB 141 74 174

HSL 280.2, 0.4%, 0.49%

LAB 43.68, 45.39, -42.19

 

CMYK 3 / 57 / 0 / 32

HEX #A84AAE

RGB 168 74 174

HSL 296.4, 0.4%, 0.49%

LAB 47.34, 52.55, -36.16

 

CMYK 0 / 57 / 11 / 32

HEX #AE4A9A

RGB 174 74 154

HSL 312, 0.4%, 0.49%

LAB 47.27, 50.74, -24.36

 

CMYK 0 / 57 / 26 / 32

HEX #AE4A80

RGB 174 74 128

HSL 327.6, 0.4%, 0.49%

LAB 46.25, 46.83, -10.3

 

CMYK 0 / 57 / 42 / 32

HEX #AE4A65

RGB 174 74 101

HSL 343.8, 0.4%, 0.49%

LAB 45.41, 43.48, 4.93

 

CMYK 0 / 57 / 12 / 54

HEX #753267

RGB 117 50 103

HSL 312.54, 0.4%, 0.33%

LAB 31.9, 36.63, -17.42

 

CMYK 0 / 58 / 12 / 43

HEX #923E81

RGB 146 62 129

HSL 312.14, 0.4%, 0.41%

LAB 39.82, 44.07, -21.11

 

CMYK 0 / 57 / 11 / 32

HEX #AE4A9A

RGB 174 74 154

HSL 312, 0.4%, 0.49%

LAB 47.27, 50.74, -24.36

 

CMYK 0 / 47 / 10 / 26

HEX #BD65AB

RGB 189 101 171

HSL 312.27, 0.4%, 0.57%

LAB 55.14, 44.75, -22.05

 

CMYK 0 / 35 / 7 / 21

HEX #C982BB

RGB 201 130 187

HSL 311.83, 0.4%, 0.65%

LAB 63.32, 36.02, -18.59

 

CMYK 0 / 57 / 12 / 32

HEX #AD4B99

RGB 173 75 153

HSL 312.24, 0.4%, 0.49%

LAB 47.26, 49.82, -23.8

 

CMYK 0 / 34 / 57 / 32

HEX #AE724A

RGB 174 114 74

HSL 24, 0.4%, 0.49%

LAB 53.52, 19.45, 31.69

 

CMYK 57 / 0 / 11 / 32

HEX #4AAE9A

RGB 74 174 154

HSL 168, 0.4%, 0.49%

LAB 65.01, -34.07, 1.52

 

CMYK 0 / 57 / 12 / 32

HEX #AD4B99

RGB 173 75 153

HSL 312.24, 0.4%, 0.49%

LAB 47.26, 49.82, -23.8

 

CMYK 11 / 0 / 57 / 32

HEX #9AAE4A

RGB 154 174 74

HSL 72, 0.4%, 0.49%

LAB 67.75, -21.71, 48.04

 

CMYK 57 / 11 / 0 / 32

HEX #4A9AAE

RGB 74 154 174

HSL 192, 0.4%, 0.49%

LAB 59.55, -18.55, -17.85

 

CMYK 0 / 57 / 12 / 32

HEX #AD4B99

RGB 173 75 153

HSL 312.24, 0.4%, 0.49%

LAB 47.26, 49.82, -23.8

 

CMYK 0 / 34 / 57 / 32

HEX #AE724A

RGB 174 114 74

HSL 24, 0.4%, 0.49%

LAB 53.52, 19.45, 31.69

 

CMYK 57 / 0 / 46 / 32

HEX #4AAE5E

RGB 74 174 94

HSL 132, 0.4%, 0.49%

LAB 63.78, -46.6, 32.42

 

CMYK 57 / 23 / 0 / 32

HEX #4A86AE

RGB 74 134 174

HSL 204, 0.4%, 0.49%

LAB 53.56, -7.53, -27.04

 

CMYK 0 / 57 / 12 / 32

HEX #AD4B99

RGB 173 75 153

HSL 312.24, 0.4%, 0.49%

LAB 47.26, 49.82, -23.8

 

CMYK 0 / 17 / 57 / 32

HEX #AE904A

RGB 174 144 74

HSL 42, 0.4%, 0.49%

LAB 61.17, 2.69, 40.9

 

CMYK 57 / 0 / 46 / 32

HEX #4AAE5E

RGB 74 174 94

HSL 132, 0.4%, 0.49%

LAB 63.78, -46.6, 32.42

 

CMYK 57 / 40 / 0 / 32

HEX #4A68AE

RGB 74 104 174

HSL 222, 0.4%, 0.49%

LAB 44.82, 10.52, -40.74

 

Description

Color code: RGB 173 75 153 | qconv.com Color code: RGB 173 75 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 75 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 75 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 12 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 12% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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