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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 65 115 it is the complementary color RGB 82 190 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 65 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 65 115 shade: RGB 178 65 110, RGB 195 83 129, RGB 212 101 148, RGB 229 119 167 and RGB 246 137 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 65 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 65 115 shade: RGB 173 65 115, RGB 156 47 96, RGB 139 29 77, RGB 122 11 58 and RGB 105 0 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 65 115 shade: RGB 173 65 115, RGB 173 65 86 and RGB 173 65 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 65 115 shade: RGB 173 65 115, RGB 173 65 144, RGB 173 65 173, RGB 144 65 173 and RGB 115 65 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 65 115 shade matches the following richer shades: RGB 173 65 115, RGB 193 46 114, RGB 212 27 112 and RGB 231 7 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 65 115 shade: RGB 173 65 115, RGB 154 85 117, RGB 134 104 118, RGB 115 124 120 and RGB 96 143 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 65 115 shade: RGB 173 65 173, RGB 173 65 145, RGB 173 65 116, RGB 173 65 87 and RGB 173 73 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 65 115 shade: RGB 113 43 75, RGB 143 54 95, RGB 173 65 115, RGB 192 88 136 and RGB 203 118 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 65 115 shade: RGB 173 65 115, RGB 173 145 65 and RGB 65 159 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 65 115 shade: RGB 173 65 115, RGB 116 173 65 and RGB 65 116 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 65 115 shade: RGB 173 65 115, RGB 173 145 65, RGB 65 173 123 and RGB 65 94 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 65 115 shade: RGB 173 65 115, RGB 170 173 65, RGB 65 173 123 and RGB 69 65 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 34 / 32

HEX #AD4173

RGB 173 65 115

HSL 332.22, 0.45%, 0.47%

LAB 44.09, 48.99, -5.61

 

Complementary color

CMYK 57 / 0 / 26 / 25

HEX #52BE8C

RGB 82 190 140

HSL 152.22, 0.45%, 0.53%

LAB 69.83, -42.81, 16.1

 

CMYK 0 / 63 / 38 / 30

HEX #B2416E

RGB 178 65 110

HSL 336.11, 0.47%, 0.48%

LAB 44.76, 49.97, -1.46

 

CMYK 0 / 57 / 34 / 24

HEX #C35381

RGB 195 83 129

HSL 335.36, 0.48%, 0.55%

LAB 51.12, 49.45, -3.3

 

CMYK 0 / 52 / 30 / 17

HEX #D46594

RGB 212 101 148

HSL 334.59, 0.56%, 0.61%

LAB 57.5, 48.75, -4.8

 

CMYK 0 / 48 / 27 / 10

HEX #E577A7

RGB 229 119 167

HSL 333.82, 0.68%, 0.68%

LAB 63.87, 47.97, -6.06

 

CMYK 0 / 44 / 24 / 4

HEX #F689BA

RGB 246 137 186

HSL 333.03, 0.86%, 0.75%

LAB 70.2, 47.17, -7.14

 

CMYK 0 / 62 / 34 / 32

HEX #AD4173

RGB 173 65 115

HSL 332.22, 0.45%, 0.47%

LAB 44.09, 48.99, -5.61

 

CMYK 0 / 70 / 38 / 39

HEX #9C2F60

RGB 156 47 96

HSL 333.03, 0.54%, 0.4%

LAB 37.74, 49.16, -3.49

 

CMYK 0 / 79 / 45 / 45

HEX #8B1D4D

RGB 139 29 77

HSL 333.82, 0.65%, 0.33%

LAB 31.59, 48.66, -0.66

 

CMYK 0 / 91 / 52 / 52

HEX #7A0B3A

RGB 122 11 58

HSL 334.59, 0.83%, 0.26%

LAB 25.81, 46.91, 3.26

 

CMYK 0 / 100 / 63 / 59

HEX #690027

RGB 105 0 39

HSL 337.71, 1%, 0.21%

LAB 20.63, 43.28, 8.68

 

CMYK 0 / 62 / 34 / 32

HEX #AD4173

RGB 173 65 115

HSL 332.22, 0.45%, 0.47%

LAB 44.09, 48.99, -5.61

 

CMYK 0 / 62 / 50 / 32

HEX #AD4156

RGB 173 65 86

HSL 348.33, 0.45%, 0.47%

LAB 43.27, 45.87, 11.11

 

CMYK 0 / 62 / 62 / 32

HEX #AD4141

RGB 173 65 65

HSL 0, 0.45%, 0.47%

LAB 42.83, 44.19, 23.43

 

CMYK 0 / 62 / 34 / 32

HEX #AD4173

RGB 173 65 115

HSL 332.22, 0.45%, 0.47%

LAB 44.09, 48.99, -5.61

 

CMYK 0 / 62 / 17 / 32

HEX #AD4190

RGB 173 65 144

HSL 316.11, 0.45%, 0.47%

LAB 45.19, 52.97, -21.6

 

CMYK 0 / 62 / 0 / 32

HEX #AD41AD

RGB 173 65 173

HSL 300, 0.45%, 0.47%

LAB 46.55, 57.69, -36.75

 

CMYK 17 / 62 / 0 / 32

HEX #9041AD

RGB 144 65 173

HSL 283.89, 0.45%, 0.47%

LAB 42.35, 50.45, -43.69

 

CMYK 34 / 62 / 0 / 32

HEX #7341AD

RGB 115 65 173

HSL 267.78, 0.45%, 0.47%

LAB 38.63, 43.49, -49.87

 

CMYK 0 / 62 / 34 / 32

HEX #AD4173

RGB 173 65 115

HSL 332.22, 0.45%, 0.47%

LAB 44.09, 48.99, -5.61

 

CMYK 0 / 76 / 41 / 24

HEX #C12E72

RGB 193 46 114

HSL 332.24, 0.62%, 0.47%

LAB 44.95, 61.88, -3.34

 

CMYK 0 / 87 / 47 / 17

HEX #D41B70

RGB 212 27 112

HSL 332.43, 0.77%, 0.47%

LAB 46.91, 71.03, 1.19

 

CMYK 0 / 97 / 52 / 9

HEX #E7076F

RGB 231 7 111

HSL 332.14, 0.94%, 0.47%

LAB 49.84, 77.62, 6.52

 

CMYK 0 / 62 / 34 / 32

HEX #AD4173

RGB 173 65 115

HSL 332.22, 0.45%, 0.47%

LAB 44.09, 48.99, -5.61

 

CMYK 0 / 45 / 24 / 40

HEX #9A5575

RGB 154 85 117

HSL 332.17, 0.29%, 0.47%

LAB 45.15, 32.74, -5.57

 

CMYK 0 / 22 / 12 / 47

HEX #866876

RGB 134 104 118

HSL 332, 0.13%, 0.47%

LAB 47.34, 14.41, -3.21

 

CMYK 7 / 0 / 3 / 51

HEX #737C78

RGB 115 124 120

HSL 153.33, 0.04%, 0.47%

LAB 51.17, -4.17, 1.02

 

CMYK 33 / 0 / 15 / 44

HEX #608F79

RGB 96 143 121

HSL 151.91, 0.2%, 0.47%

LAB 55.6, -20.95, 6.67

 

CMYK 0 / 62 / 0 / 32

HEX #AD41AD

RGB 173 65 173

HSL 300, 0.45%, 0.47%

LAB 46.55, 57.69, -36.75

 

CMYK 0 / 62 / 16 / 32

HEX #AD4191

RGB 173 65 145

HSL 315.56, 0.45%, 0.47%

LAB 45.23, 53.12, -22.14

 

CMYK 0 / 62 / 33 / 32

HEX #AD4174

RGB 173 65 116

HSL 331.67, 0.45%, 0.47%

LAB 44.13, 49.11, -6.17

 

CMYK 0 / 62 / 50 / 32

HEX #AD4157

RGB 173 65 87

HSL 347.78, 0.45%, 0.47%

LAB 43.29, 45.96, 10.52

 

CMYK 0 / 58 / 62 / 32

HEX #AD4941

RGB 173 73 65

HSL 4.44, 0.45%, 0.47%

LAB 44.28, 40.38, 25.26

 

CMYK 0 / 62 / 34 / 56

HEX #712B4B

RGB 113 43 75

HSL 332.57, 0.45%, 0.31%

LAB 28.76, 34.48, -4.05

 

CMYK 0 / 62 / 34 / 44

HEX #8F365F

RGB 143 54 95

HSL 332.36, 0.45%, 0.39%

LAB 36.56, 41.9, -4.85

 

CMYK 0 / 62 / 34 / 32

HEX #AD4173

RGB 173 65 115

HSL 332.22, 0.45%, 0.47%

LAB 44.09, 48.99, -5.61

 

CMYK 0 / 54 / 29 / 25

HEX #C05888

RGB 192 88 136

HSL 332.31, 0.45%, 0.55%

LAB 51.8, 46.96, -6.52

 

CMYK 0 / 42 / 23 / 20

HEX #CB769D

RGB 203 118 157

HSL 332.47, 0.45%, 0.63%

LAB 59.97, 38.27, -6.49

 

CMYK 0 / 62 / 34 / 32

HEX #AD4173

RGB 173 65 115

HSL 332.22, 0.45%, 0.47%

LAB 44.09, 48.99, -5.61

 

CMYK 0 / 16 / 62 / 32

HEX #AD9141

RGB 173 145 65

HSL 44.44, 0.45%, 0.47%

LAB 61.23, 1.02, 45.38

 

CMYK 62 / 8 / 0 / 32

HEX #419FAD

RGB 65 159 173

HSL 187.78, 0.45%, 0.47%

LAB 60.73, -23.16, -15.53

 

CMYK 0 / 62 / 34 / 32

HEX #AD4173

RGB 173 65 115

HSL 332.22, 0.45%, 0.47%

LAB 44.09, 48.99, -5.61

 

CMYK 33 / 0 / 62 / 32

HEX #74AD41

RGB 116 173 65

HSL 91.67, 0.45%, 0.47%

LAB 64.95, -36.88, 48.31

 

CMYK 62 / 33 / 0 / 32

HEX #4174AD

RGB 65 116 173

HSL 211.67, 0.45%, 0.47%

LAB 47.79, 0.93, -35.49

 

CMYK 0 / 62 / 34 / 32

HEX #AD4173

RGB 173 65 115

HSL 332.22, 0.45%, 0.47%

LAB 44.09, 48.99, -5.61

 

CMYK 0 / 16 / 62 / 32

HEX #AD9141

RGB 173 145 65

HSL 44.44, 0.45%, 0.47%

LAB 61.23, 1.02, 45.38

 

CMYK 62 / 0 / 29 / 32

HEX #41AD7B

RGB 65 173 123

HSL 152.22, 0.45%, 0.47%

LAB 63.71, -42.74, 16.76

 

CMYK 62 / 46 / 0 / 32

HEX #415EAD

RGB 65 94 173

HSL 223.89, 0.45%, 0.47%

LAB 41.45, 14.7, -45.56

 

CMYK 0 / 62 / 34 / 32

HEX #AD4173

RGB 173 65 115

HSL 332.22, 0.45%, 0.47%

LAB 44.09, 48.99, -5.61

 

CMYK 2 / 0 / 62 / 32

HEX #AAAD41

RGB 170 173 65

HSL 61.67, 0.45%, 0.47%

LAB 68.62, -15.18, 53.36

 

CMYK 62 / 0 / 29 / 32

HEX #41AD7B

RGB 65 173 123

HSL 152.22, 0.45%, 0.47%

LAB 63.71, -42.74, 16.76

 

CMYK 60 / 62 / 0 / 32

HEX #4541AD

RGB 69 65 173

HSL 242.22, 0.45%, 0.47%

LAB 34.11, 34.04, -57.39

 

Description

Color code: RGB 173 65 115 | qconv.com Color code: RGB 173 65 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 65 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 65 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 34 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 34% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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