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Color name
RGB 173 60 39

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 60 39 it is the complementary color RGB 82 195 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 60 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 60 39 shade: RGB 178 60 34, RGB 195 78 53, RGB 212 96 72, RGB 229 114 91 and RGB 246 132 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 60 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 60 39 shade: RGB 173 60 39, RGB 156 42 20, RGB 139 24 1, RGB 122 6 0 and RGB 105 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 60 39 shade: RGB 174 60 39 and RGB 174 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 60 39 shade: RGB 174 60 39, RGB 174 97 39, RGB 174 133 39, RGB 174 169 39 and RGB 142 174 39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 60 39 shade matches the following richer shades: RGB 174 60 39, RGB 191 48 22 and RGB 209 36 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 60 39 shade: RGB 174 60 39, RGB 157 72 56, RGB 139 84 74, RGB 122 96 91 and RGB 105 108 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 60 39 shade: RGB 174 39 91, RGB 174 39 55, RGB 174 59 39, RGB 174 95 39 and RGB 174 131 39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 60 39 shade: RGB 107 37 24, RGB 140 49 31, RGB 174 60 39, RGB 207 72 47 and RGB 215 102 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 60 39 shade: RGB 173 60 39, RGB 127 174 39 and RGB 39 73 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 60 39 shade: RGB 173 60 39, RGB 39 174 59 and RGB 59 39 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 60 39 shade: RGB 173 60 39, RGB 127 174 39, RGB 39 154 174 and RGB 86 39 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 60 39 shade: RGB 173 60 39, RGB 86 174 39, RGB 39 154 174 and RGB 127 39 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 77 / 32

HEX #AD3C27

RGB 173 60 39

HSL 9.4, 0.63%, 0.42%

LAB 41.63, 45.05, 37.17

 

Complementary color

CMYK 62 / 10 / 0 / 15

HEX #52C3D8

RGB 82 195 216

HSL 189.4, 0.63%, 0.58%

LAB 73.4, -25.65, -20.05

 

CMYK 0 / 66 / 81 / 30

HEX #B23C22

RGB 178 60 34

HSL 10.83, 0.68%, 0.42%

LAB 42.48, 46.64, 40.97

 

CMYK 0 / 60 / 73 / 24

HEX #C34E35

RGB 195 78 53

HSL 10.56, 0.57%, 0.49%

LAB 48.65, 45.4, 38.23

 

CMYK 0 / 55 / 66 / 17

HEX #D46048

RGB 212 96 72

HSL 10.29, 0.62%, 0.56%

LAB 54.9, 44.06, 35.69

 

CMYK 0 / 50 / 60 / 10

HEX #E5725B

RGB 229 114 91

HSL 10, 0.73%, 0.63%

LAB 61.17, 42.73, 33.43

 

CMYK 0 / 46 / 55 / 4

HEX #F6846E

RGB 246 132 110

HSL 9.71, 0.88%, 0.7%

LAB 67.44, 41.45, 31.42

 

CMYK 0 / 65 / 77 / 32

HEX #AD3C27

RGB 173 60 39

HSL 9.4, 0.63%, 0.42%

LAB 41.63, 45.05, 37.17

 

CMYK 0 / 73 / 87 / 39

HEX #9C2A14

RGB 156 42 20

HSL 9.71, 0.77%, 0.35%

LAB 35.55, 45.99, 40.06

 

CMYK 0 / 83 / 99 / 45

HEX #8B1801

RGB 139 24 1

HSL 10, 0.99%, 0.27%

LAB 29.77, 46.21, 42.24

 

CMYK 0 / 95 / 100 / 52

HEX #7A0600

RGB 122 6 0

HSL 2.95, 1%, 0.24%

LAB 24.54, 45.22, 36.62

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 66 / 78 / 32

HEX #AE3C27

RGB 174 60 39

HSL 9.33, 0.63%, 0.42%

LAB 41.81, 45.4, 37.42

 

CMYK 0 / 78 / 78 / 32

HEX #AE2727

RGB 174 39 39

HSL 0, 0.63%, 0.42%

LAB 38.89, 53.41, 34.32

 

CMYK 0 / 66 / 78 / 32

HEX #AE3C27

RGB 174 60 39

HSL 9.33, 0.63%, 0.42%

LAB 41.81, 45.4, 37.42

 

CMYK 0 / 44 / 78 / 32

HEX #AE6127

RGB 174 97 39

HSL 25.78, 0.63%, 0.42%

LAB 49.12, 26.74, 44.87

 

CMYK 0 / 24 / 78 / 32

HEX #AE8527

RGB 174 133 39

HSL 41.78, 0.63%, 0.42%

LAB 57.96, 6.65, 53.4

 

CMYK 0 / 3 / 78 / 32

HEX #AEA927

RGB 174 169 39

HSL 57.78, 0.63%, 0.42%

LAB 67.67, -12.76, 62.36

 

CMYK 18 / 0 / 78 / 32

HEX #8EAE27

RGB 142 174 39

HSL 74.22, 0.63%, 0.42%

LAB 66.65, -28.96, 60.53

 

CMYK 0 / 66 / 78 / 32

HEX #AE3C27

RGB 174 60 39

HSL 9.33, 0.63%, 0.42%

LAB 41.81, 45.4, 37.42

 

CMYK 0 / 75 / 88 / 25

HEX #BF3016

RGB 191 48 22

HSL 9.23, 0.79%, 0.42%

LAB 43.13, 55.27, 48.15

 

CMYK 0 / 83 / 98 / 18

HEX #D12404

RGB 209 36 4

HSL 9.37, 0.96%, 0.42%

LAB 45.39, 63.84, 57.32

 

CMYK 0 / 66 / 78 / 32

HEX #AE3C27

RGB 174 60 39

HSL 9.33, 0.63%, 0.42%

LAB 41.81, 45.4, 37.42

 

CMYK 0 / 54 / 64 / 38

HEX #9D4838

RGB 157 72 56

HSL 9.5, 0.47%, 0.42%

LAB 41.36, 34.13, 26.41

 

CMYK 0 / 40 / 47 / 45

HEX #8B544A

RGB 139 84 74

HSL 9.23, 0.31%, 0.42%

LAB 41.73, 21.7, 15.54

 

CMYK 0 / 21 / 25 / 52

HEX #7A605B

RGB 122 96 91

HSL 9.68, 0.15%, 0.42%

LAB 43.15, 9.71, 6.86

 

CMYK 3 / 0 / 0 / 58

HEX #696C6C

RGB 105 108 108

HSL 180, 0.01%, 0.42%

LAB 45.37, -1.15, -0.41

 

CMYK 0 / 78 / 48 / 32

HEX #AE275B

RGB 174 39 91

HSL 336.89, 0.63%, 0.42%

LAB 39.92, 56.69, 3.26

 

CMYK 0 / 78 / 68 / 32

HEX #AE2737

RGB 174 39 55

HSL 352.89, 0.63%, 0.42%

LAB 39.11, 54.13, 24.92

 

CMYK 0 / 66 / 78 / 32

HEX #AE3B27

RGB 174 59 39

HSL 8.89, 0.63%, 0.42%

LAB 41.65, 45.84, 37.25

 

CMYK 0 / 45 / 78 / 32

HEX #AE5F27

RGB 174 95 39

HSL 24.89, 0.63%, 0.42%

LAB 48.67, 27.83, 44.42

 

CMYK 0 / 25 / 78 / 32

HEX #AE8327

RGB 174 131 39

HSL 40.89, 0.63%, 0.42%

LAB 57.44, 7.76, 52.91

 

CMYK 0 / 65 / 78 / 58

HEX #6B2518

RGB 107 37 24

HSL 9.4, 0.63%, 0.26%

LAB 25.31, 30.44, 24.67

 

CMYK 0 / 65 / 78 / 45

HEX #8C311F

RGB 140 49 31

HSL 9.91, 0.64%, 0.34%

LAB 33.71, 37.67, 31.45

 

CMYK 0 / 66 / 78 / 32

HEX #AE3C27

RGB 174 60 39

HSL 9.33, 0.63%, 0.42%

LAB 41.81, 45.4, 37.42

 

CMYK 0 / 65 / 77 / 19

HEX #CF482F

RGB 207 72 47

HSL 9.38, 0.63%, 0.5%

LAB 49.62, 52.05, 43.09

 

CMYK 0 / 53 / 62 / 16

HEX #D76651

RGB 215 102 81

HSL 9.4, 0.63%, 0.58%

LAB 56.63, 42.79, 32.88

 

CMYK 0 / 65 / 77 / 32

HEX #AD3C27

RGB 173 60 39

HSL 9.4, 0.63%, 0.42%

LAB 41.63, 45.05, 37.17

 

CMYK 27 / 0 / 78 / 32

HEX #7FAE27

RGB 127 174 39

HSL 80.89, 0.63%, 0.42%

LAB 65.69, -34.99, 59.3

 

CMYK 78 / 58 / 0 / 32

HEX #2749AE

RGB 39 73 174

HSL 224.89, 0.63%, 0.42%

LAB 34.5, 24.93, -57.43

 

CMYK 0 / 65 / 77 / 32

HEX #AD3C27

RGB 173 60 39

HSL 9.4, 0.63%, 0.42%

LAB 41.63, 45.05, 37.17

 

CMYK 78 / 0 / 66 / 32

HEX #27AE3B

RGB 39 174 59

HSL 128.89, 0.63%, 0.42%

LAB 62.52, -58.07, 47.49

 

CMYK 66 / 78 / 0 / 32

HEX #3B27AE

RGB 59 39 174

HSL 248.89, 0.63%, 0.42%

LAB 27.94, 47.95, -68.14

 

CMYK 0 / 65 / 77 / 32

HEX #AD3C27

RGB 173 60 39

HSL 9.4, 0.63%, 0.42%

LAB 41.63, 45.05, 37.17

 

CMYK 27 / 0 / 78 / 32

HEX #7FAE27

RGB 127 174 39

HSL 80.89, 0.63%, 0.42%

LAB 65.69, -34.99, 59.3

 

CMYK 78 / 11 / 0 / 32

HEX #279AAE

RGB 39 154 174

HSL 188.89, 0.63%, 0.42%

LAB 58.6, -24, -19.38

 

CMYK 51 / 78 / 0 / 32

HEX #5627AE

RGB 86 39 174

HSL 260.89, 0.63%, 0.42%

LAB 30.61, 51.35, -63.66

 

CMYK 0 / 65 / 77 / 32

HEX #AD3C27

RGB 173 60 39

HSL 9.4, 0.63%, 0.42%

LAB 41.63, 45.05, 37.17

 

CMYK 51 / 0 / 78 / 32

HEX #56AE27

RGB 86 174 39

HSL 99.11, 0.63%, 0.42%

LAB 63.67, -49.32, 56.66

 

CMYK 78 / 11 / 0 / 32

HEX #279AAE

RGB 39 154 174

HSL 188.89, 0.63%, 0.42%

LAB 58.6, -24, -19.38

 

CMYK 27 / 78 / 0 / 32

HEX #7F27AE

RGB 127 39 174

HSL 279.11, 0.63%, 0.42%

LAB 36.02, 58.13, -54.59

 

Description

Color code: RGB 173 60 39 | qconv.com Color code: RGB 173 60 39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 60 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 60 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 77 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 77% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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