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Color name
RGB 173 38 25

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 38 25 it is the complementary color RGB 82 217 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 38 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 38 25 shade: RGB 178 38 20, RGB 195 56 39, RGB 212 74 58, RGB 229 92 77 and RGB 246 110 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 38 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 38 25 shade: RGB 173 38 25, RGB 156 20 6, RGB 139 2 0, RGB 122 0 0 and RGB 105 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 38 25 shade: RGB 174 37 24 and RGB 174 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 38 25 shade: RGB 174 37 24, RGB 174 78 24, RGB 174 118 24, RGB 174 158 24 and RGB 149 174 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 38 25 shade matches the following richer shades: RGB 174 37 24 and RGB 190 24 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 38 25 shade: RGB 174 37 24, RGB 157 51 40, RGB 141 64 57, RGB 125 77 73 and RGB 109 91 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 38 25 shade: RGB 174 24 91, RGB 174 24 52, RGB 174 37 24, RGB 174 77 24 and RGB 174 116 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 38 25 shade: RGB 101 22 14, RGB 137 30 19, RGB 174 37 24, RGB 210 45 30 and RGB 226 70 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 38 25 shade: RGB 173 38 25, RGB 131 174 24 and RGB 24 72 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 38 25 shade: RGB 173 38 25, RGB 24 174 37 and RGB 37 24 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 38 25 shade: RGB 173 38 25, RGB 131 174 24, RGB 24 161 174 and RGB 67 24 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 38 25 shade: RGB 173 38 25, RGB 87 174 24, RGB 24 161 174 and RGB 111 24 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 86 / 32

HEX #AD2619

RGB 173 38 25

HSL 5.27, 0.75%, 0.39%

LAB 38.45, 52.99, 41.44

 

Complementary color

CMYK 64 / 6 / 0 / 10

HEX #52D9E6

RGB 82 217 230

HSL 185.27, 0.75%, 0.61%

LAB 80.25, -32.32, -17.22

 

CMYK 0 / 79 / 89 / 30

HEX #B22614

RGB 178 38 20

HSL 6.84, 0.8%, 0.39%

LAB 39.41, 54.42, 45.02

 

CMYK 0 / 71 / 80 / 24

HEX #C33827

RGB 195 56 39

HSL 6.54, 0.67%, 0.46%

LAB 45.05, 54.14, 41.95

 

CMYK 0 / 65 / 73 / 17

HEX #D44A3A

RGB 212 74 58

HSL 6.23, 0.64%, 0.53%

LAB 50.92, 53.35, 38.82

 

CMYK 0 / 60 / 66 / 10

HEX #E55C4D

RGB 229 92 77

HSL 5.92, 0.75%, 0.6%

LAB 56.93, 52.31, 35.98

 

CMYK 0 / 55 / 61 / 4

HEX #F66E60

RGB 246 110 96

HSL 5.6, 0.89%, 0.67%

LAB 63, 51.16, 33.48

 

CMYK 0 / 78 / 86 / 32

HEX #AD2619

RGB 173 38 25

HSL 5.27, 0.75%, 0.39%

LAB 38.45, 52.99, 41.44

 

CMYK 0 / 87 / 96 / 39

HEX #9C1406

RGB 156 20 6

HSL 5.6, 0.93%, 0.32%

LAB 33.1, 52.4, 44.21

 

CMYK 0 / 99 / 100 / 45

HEX #8B0200

RGB 139 2 0

HSL 0.86, 1%, 0.27%

LAB 28.2, 50.67, 41.39

 

CMYK 0 / 100 / 100 / 52

HEX #7A0000

RGB 122 0 0

HSL 0, 1%, 0.24%

LAB 24.12, 46.42, 36.22

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 79 / 86 / 32

HEX #AE2518

RGB 174 37 24

HSL 5.2, 0.76%, 0.39%

LAB 38.53, 53.58, 42.09

 

CMYK 0 / 86 / 86 / 32

HEX #AE1818

RGB 174 24 24

HSL 0, 0.76%, 0.39%

LAB 37.33, 56.97, 41.06

 

CMYK 0 / 79 / 86 / 32

HEX #AE2518

RGB 174 37 24

HSL 5.2, 0.76%, 0.39%

LAB 38.53, 53.58, 42.09

 

CMYK 0 / 55 / 86 / 32

HEX #AE4E18

RGB 174 78 24

HSL 21.6, 0.76%, 0.39%

LAB 44.96, 36.33, 47.56

 

CMYK 0 / 32 / 86 / 32

HEX #AE7618

RGB 174 118 24

HSL 37.6, 0.76%, 0.39%

LAB 54.05, 14.52, 55.16

 

CMYK 0 / 9 / 86 / 32

HEX #AE9E18

RGB 174 158 24

HSL 53.6, 0.76%, 0.39%

LAB 64.58, -7.47, 63.85

 

CMYK 14 / 0 / 86 / 32

HEX #95AE18

RGB 149 174 24

HSL 70, 0.76%, 0.39%

LAB 67.07, -26.59, 65.09

 

CMYK 0 / 79 / 86 / 32

HEX #AE2518

RGB 174 37 24

HSL 5.2, 0.76%, 0.39%

LAB 38.53, 53.58, 42.09

 

CMYK 0 / 87 / 96 / 25

HEX #BE1808

RGB 190 24 8

HSL 5.27, 0.92%, 0.39%

LAB 40.6, 61.17, 51.49

 

CMYK 0 / 79 / 86 / 32

HEX #AE2518

RGB 174 37 24

HSL 5.2, 0.76%, 0.39%

LAB 38.53, 53.58, 42.09

 

CMYK 0 / 68 / 75 / 38

HEX #9D3328

RGB 157 51 40

HSL 5.64, 0.59%, 0.39%

LAB 37.28, 43.36, 31.04

 

CMYK 0 / 55 / 60 / 45

HEX #8D4039

RGB 141 64 57

HSL 5, 0.42%, 0.39%

LAB 37.16, 32.1, 19.97

 

CMYK 0 / 38 / 42 / 51

HEX #7D4D49

RGB 125 77 73

HSL 4.62, 0.26%, 0.39%

LAB 38.11, 19.78, 10.9

 

CMYK 0 / 17 / 18 / 57

HEX #6D5B59

RGB 109 91 89

HSL 6, 0.1%, 0.39%

LAB 40.34, 6.96, 3.88

 

CMYK 0 / 86 / 48 / 32

HEX #AE185B

RGB 174 24 91

HSL 333.2, 0.76%, 0.39%

LAB 38.56, 60.56, 1.3

 

CMYK 0 / 86 / 70 / 32

HEX #AE1834

RGB 174 24 52

HSL 348.8, 0.76%, 0.39%

LAB 37.66, 57.95, 25

 

CMYK 0 / 79 / 86 / 32

HEX #AE2518

RGB 174 37 24

HSL 5.2, 0.76%, 0.39%

LAB 38.53, 53.58, 42.09

 

CMYK 0 / 56 / 86 / 32

HEX #AE4D18

RGB 174 77 24

HSL 21.2, 0.76%, 0.39%

LAB 44.76, 36.84, 47.39

 

CMYK 0 / 33 / 86 / 32

HEX #AE7418

RGB 174 116 24

HSL 36.8, 0.76%, 0.39%

LAB 53.55, 15.65, 54.75

 

CMYK 0 / 78 / 86 / 60

HEX #65160E

RGB 101 22 14

HSL 5.52, 0.76%, 0.23%

LAB 21.48, 34.55, 26.1

 

CMYK 0 / 78 / 86 / 46

HEX #891E13

RGB 137 30 19

HSL 5.59, 0.76%, 0.31%

LAB 30.14, 44.02, 34.36

 

CMYK 0 / 79 / 86 / 32

HEX #AE2518

RGB 174 37 24

HSL 5.2, 0.76%, 0.39%

LAB 38.53, 53.58, 42.09

 

CMYK 0 / 79 / 86 / 18

HEX #D22D1E

RGB 210 45 30

HSL 5, 0.75%, 0.47%

LAB 46.54, 62.13, 48.86

 

CMYK 0 / 69 / 76 / 11

HEX #E24636

RGB 226 70 54

HSL 5.58, 0.75%, 0.55%

LAB 52.75, 59.38, 43.69

 

CMYK 0 / 78 / 86 / 32

HEX #AD2619

RGB 173 38 25

HSL 5.27, 0.75%, 0.39%

LAB 38.45, 52.99, 41.44

 

CMYK 25 / 0 / 86 / 32

HEX #83AE18

RGB 131 174 24

HSL 77.2, 0.76%, 0.39%

LAB 65.88, -34.01, 63.6

 

CMYK 86 / 59 / 0 / 32

HEX #1848AE

RGB 24 72 174

HSL 220.8, 0.76%, 0.39%

LAB 33.74, 24.24, -58.69

 

CMYK 0 / 78 / 86 / 32

HEX #AD2619

RGB 173 38 25

HSL 5.27, 0.75%, 0.39%

LAB 38.45, 52.99, 41.44

 

CMYK 86 / 0 / 79 / 32

HEX #18AE25

RGB 24 174 37

HSL 125.2, 0.76%, 0.39%

LAB 62.17, -61.74, 55.34

 

CMYK 79 / 86 / 0 / 32

HEX #2518AE

RGB 37 24 174

HSL 245.2, 0.76%, 0.39%

LAB 24.01, 53.14, -74.71

 

CMYK 0 / 78 / 86 / 32

HEX #AD2619

RGB 173 38 25

HSL 5.27, 0.75%, 0.39%

LAB 38.45, 52.99, 41.44

 

CMYK 25 / 0 / 86 / 32

HEX #83AE18

RGB 131 174 24

HSL 77.2, 0.76%, 0.39%

LAB 65.88, -34.01, 63.6

 

CMYK 86 / 7 / 0 / 32

HEX #18A1AE

RGB 24 161 174

HSL 185.2, 0.76%, 0.39%

LAB 60.55, -28.84, -16.43

 

CMYK 61 / 86 / 0 / 32

HEX #4318AE

RGB 67 24 174

HSL 257.2, 0.76%, 0.39%

LAB 26.46, 55.24, -70.57

 

CMYK 0 / 78 / 86 / 32

HEX #AD2619

RGB 173 38 25

HSL 5.27, 0.75%, 0.39%

LAB 38.45, 52.99, 41.44

 

CMYK 50 / 0 / 86 / 32

HEX #57AE18

RGB 87 174 24

HSL 94.8, 0.76%, 0.39%

LAB 63.64, -49.75, 60.8

 

CMYK 86 / 7 / 0 / 32

HEX #18A1AE

RGB 24 161 174

HSL 185.2, 0.76%, 0.39%

LAB 60.55, -28.84, -16.43

 

CMYK 36 / 86 / 0 / 32

HEX #6F18AE

RGB 111 24 174

HSL 274.8, 0.76%, 0.39%

LAB 32.01, 60.37, -61.24

 

Description

Color code: RGB 173 38 25 | qconv.com Color code: RGB 173 38 25 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 38 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 38 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 86 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 86% 32% C M Y K

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Provide designers and agencies with accurate color values.

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