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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 30 140 it is the complementary color RGB 82 225 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 30 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 30 140 shade: RGB 178 30 135, RGB 195 48 154, RGB 212 66 173, RGB 229 84 192 and RGB 246 102 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 30 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 30 140 shade: RGB 173 30 140, RGB 156 12 121, RGB 139 0 102, RGB 122 0 83 and RGB 105 0 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 30 140 shade: RGB 173 30 140, RGB 173 30 101, RGB 173 30 63 and RGB 173 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 30 140 shade: RGB 173 30 140, RGB 167 30 173, RGB 129 30 173, RGB 90 30 173 and RGB 52 30 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 30 140 shade matches the following richer shades: RGB 173 30 140 and RGB 189 14 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 30 140 shade: RGB 173 30 140, RGB 156 47 131, RGB 140 63 122, RGB 123 80 113 and RGB 107 96 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 30 140 shade: RGB 128 30 173, RGB 166 30 173, RGB 173 30 142, RGB 173 30 104 and RGB 173 30 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 30 140 shade: RGB 103 18 83, RGB 138 24 112, RGB 173 30 140, RGB 208 36 168 and RGB 221 65 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 30 140 shade: RGB 173 30 140, RGB 173 90 30 and RGB 30 173 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 30 140 shade: RGB 173 30 140, RGB 142 173 30 and RGB 30 142 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 30 140 shade: RGB 173 30 140, RGB 173 90 30, RGB 30 173 61 and RGB 30 113 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 30 140 shade: RGB 173 30 140, RGB 173 132 30, RGB 30 173 61 and RGB 30 71 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 19 / 32

HEX #AD1E8C

RGB 173 30 140

HSL 313.85, 0.7%, 0.4%

LAB 40.75, 64.4, -26.06

 

Complementary color

CMYK 64 / 0 / 49 / 12

HEX #52E173

RGB 82 225 115

HSL 133.85, 0.7%, 0.6%

LAB 80.11, -61.1, 42.54

 

CMYK 0 / 83 / 24 / 30

HEX #B21E87

RGB 178 30 135

HSL 317.43, 0.71%, 0.41%

LAB 41.44, 64.87, -21.85

 

CMYK 0 / 75 / 21 / 24

HEX #C3309A

RGB 195 48 154

HSL 316.73, 0.6%, 0.48%

LAB 47.04, 66.41, -24.45

 

CMYK 0 / 69 / 18 / 17

HEX #D442AD

RGB 212 66 173

HSL 316.03, 0.63%, 0.55%

LAB 52.85, 67.13, -26.46

 

CMYK 0 / 63 / 16 / 10

HEX #E554C0

RGB 229 84 192

HSL 315.31, 0.74%, 0.61%

LAB 58.79, 67.31, -28.05

 

CMYK 0 / 59 / 14 / 4

HEX #F666D3

RGB 246 102 211

HSL 314.58, 0.89%, 0.68%

LAB 64.8, 67.14, -29.33

 

CMYK 0 / 83 / 19 / 32

HEX #AD1E8C

RGB 173 30 140

HSL 313.85, 0.7%, 0.4%

LAB 40.75, 64.4, -26.06

 

CMYK 0 / 92 / 22 / 39

HEX #9C0C79

RGB 156 12 121

HSL 314.58, 0.86%, 0.33%

LAB 35.42, 61.67, -22.83

 

CMYK 0 / 100 / 27 / 45

HEX #8B0066

RGB 139 0 102

HSL 315.97, 1%, 0.27%

LAB 30.52, 57.42, -18.6

 

CMYK 0 / 100 / 32 / 52

HEX #7A0053

RGB 122 0 83

HSL 319.18, 1%, 0.24%

LAB 26.05, 51.52, -13.31

 

CMYK 0 / 100 / 39 / 59

HEX #690040

RGB 105 0 64

HSL 323.43, 1%, 0.21%

LAB 21.48, 45.51, -7.69

 

CMYK 0 / 83 / 19 / 32

HEX #AD1E8C

RGB 173 30 140

HSL 313.85, 0.7%, 0.4%

LAB 40.75, 64.4, -26.06

 

CMYK 0 / 83 / 42 / 32

HEX #AD1E65

RGB 173 30 101

HSL 330.21, 0.7%, 0.4%

LAB 39.16, 59.87, -4.21

 

CMYK 0 / 83 / 64 / 32

HEX #AD1E3F

RGB 173 30 63

HSL 346.15, 0.7%, 0.4%

LAB 38.15, 56.86, 18.6

 

CMYK 0 / 83 / 83 / 32

HEX #AD1E1E

RGB 173 30 30

HSL 0, 0.7%, 0.4%

LAB 37.67, 55.42, 38.11

 

CMYK 0 / 83 / 19 / 32

HEX #AD1E8C

RGB 173 30 140

HSL 313.85, 0.7%, 0.4%

LAB 40.75, 64.4, -26.06

 

CMYK 3 / 83 / 0 / 32

HEX #A71EAD

RGB 167 30 173

HSL 297.48, 0.7%, 0.4%

LAB 41.47, 68.06, -44.89

 

CMYK 25 / 83 / 0 / 32

HEX #811EAD

RGB 129 30 173

HSL 281.54, 0.7%, 0.4%

LAB 35.23, 61.24, -55.27

 

CMYK 48 / 83 / 0 / 32

HEX #5A1EAD

RGB 90 30 173

HSL 265.17, 0.7%, 0.4%

LAB 29.71, 55.35, -64.51

 

CMYK 70 / 83 / 0 / 32

HEX #341EAD

RGB 52 30 173

HSL 249.23, 0.7%, 0.4%

LAB 25.79, 51.28, -71.12

 

CMYK 0 / 83 / 19 / 32

HEX #AD1E8C

RGB 173 30 140

HSL 313.85, 0.7%, 0.4%

LAB 40.75, 64.4, -26.06

 

CMYK 0 / 93 / 21 / 26

HEX #BD0E95

RGB 189 14 149

HSL 313.71, 0.86%, 0.4%

LAB 43.22, 71.68, -27.47

 

CMYK 0 / 83 / 19 / 32

HEX #AD1E8C

RGB 173 30 140

HSL 313.85, 0.7%, 0.4%

LAB 40.75, 64.4, -26.06

 

CMYK 0 / 70 / 16 / 39

HEX #9C2F83

RGB 156 47 131

HSL 313.76, 0.54%, 0.4%

LAB 39.14, 53.78, -23.27

 

CMYK 0 / 55 / 13 / 45

HEX #8C3F7A

RGB 140 63 122

HSL 314.03, 0.38%, 0.4%

LAB 38.79, 40.53, -18.46

 

CMYK 0 / 35 / 8 / 52

HEX #7B5071

RGB 123 80 113

HSL 313.95, 0.21%, 0.4%

LAB 39.82, 23.58, -11.53

 

CMYK 0 / 10 / 3 / 58

HEX #6B6068

RGB 107 96 104

HSL 316.36, 0.05%, 0.4%

LAB 41.99, 5.98, -2.94

 

CMYK 26 / 83 / 0 / 32

HEX #801EAD

RGB 128 30 173

HSL 281.12, 0.7%, 0.4%

LAB 35.07, 61.07, -55.53

 

CMYK 4 / 83 / 0 / 32

HEX #A61EAD

RGB 166 30 173

HSL 297.06, 0.7%, 0.4%

LAB 41.3, 67.87, -45.17

 

CMYK 0 / 83 / 18 / 32

HEX #AD1E8E

RGB 173 30 142

HSL 313.01, 0.7%, 0.4%

LAB 40.84, 64.67, -27.14

 

CMYK 0 / 83 / 40 / 32

HEX #AD1E68

RGB 173 30 104

HSL 328.95, 0.7%, 0.4%

LAB 39.26, 60.17, -5.95

 

CMYK 0 / 83 / 62 / 32

HEX #AD1E42

RGB 173 30 66

HSL 344.9, 0.7%, 0.4%

LAB 38.21, 57.05, 16.77

 

CMYK 0 / 83 / 19 / 60

HEX #671253

RGB 103 18 83

HSL 314.12, 0.7%, 0.24%

LAB 23.47, 43.08, -17.6

 

CMYK 0 / 83 / 19 / 46

HEX #8A1870

RGB 138 24 112

HSL 313.68, 0.7%, 0.32%

LAB 32.32, 54.1, -22.24

 

CMYK 0 / 83 / 19 / 32

HEX #AD1E8C

RGB 173 30 140

HSL 313.85, 0.7%, 0.4%

LAB 40.75, 64.4, -26.06

 

CMYK 0 / 83 / 19 / 18

HEX #D024A8

RGB 208 36 168

HSL 313.95, 0.7%, 0.48%

LAB 48.88, 74.26, -29.74

 

CMYK 0 / 71 / 16 / 13

HEX #DD41B9

RGB 221 65 185

HSL 313.85, 0.7%, 0.56%

LAB 54.72, 71.33, -30.44

 

CMYK 0 / 83 / 19 / 32

HEX #AD1E8C

RGB 173 30 140

HSL 313.85, 0.7%, 0.4%

LAB 40.75, 64.4, -26.06

 

CMYK 0 / 48 / 83 / 32

HEX #AD5A1E

RGB 173 90 30

HSL 25.17, 0.7%, 0.4%

LAB 47.35, 29.79, 47.13

 

CMYK 83 / 0 / 15 / 32

HEX #1EAD93

RGB 30 173 147

HSL 169.09, 0.7%, 0.4%

LAB 63.57, -41.91, 3.19

 

CMYK 0 / 83 / 19 / 32

HEX #AD1E8C

RGB 173 30 140

HSL 313.85, 0.7%, 0.4%

LAB 40.75, 64.4, -26.06

 

CMYK 18 / 0 / 83 / 32

HEX #8EAD1E

RGB 142 173 30

HSL 73.01, 0.7%, 0.4%

LAB 66.31, -28.85, 62.82

 

CMYK 83 / 18 / 0 / 32

HEX #1E8EAD

RGB 30 142 173

HSL 193.01, 0.7%, 0.4%

LAB 54.7, -18.93, -24.81

 

CMYK 0 / 83 / 19 / 32

HEX #AD1E8C

RGB 173 30 140

HSL 313.85, 0.7%, 0.4%

LAB 40.75, 64.4, -26.06

 

CMYK 0 / 48 / 83 / 32

HEX #AD5A1E

RGB 173 90 30

HSL 25.17, 0.7%, 0.4%

LAB 47.35, 29.79, 47.13

 

CMYK 83 / 0 / 65 / 32

HEX #1EAD3D

RGB 30 173 61

HSL 133.01, 0.7%, 0.4%

LAB 62.08, -58.65, 46.1

 

CMYK 83 / 35 / 0 / 32

HEX #1E71AD

RGB 30 113 173

HSL 205.17, 0.7%, 0.4%

LAB 45.78, -2.32, -38.75

 

CMYK 0 / 83 / 19 / 32

HEX #AD1E8C

RGB 173 30 140

HSL 313.85, 0.7%, 0.4%

LAB 40.75, 64.4, -26.06

 

CMYK 0 / 24 / 83 / 32

HEX #AD841E

RGB 173 132 30

HSL 42.8, 0.7%, 0.4%

LAB 57.54, 6.42, 56.19

 

CMYK 83 / 0 / 65 / 32

HEX #1EAD3D

RGB 30 173 61

HSL 133.01, 0.7%, 0.4%

LAB 62.08, -58.65, 46.1

 

CMYK 83 / 59 / 0 / 32

HEX #1E47AD

RGB 30 71 173

HSL 222.8, 0.7%, 0.4%

LAB 33.56, 24.99, -58.38

 

Description

Color code: RGB 173 30 140 | qconv.com Color code: RGB 173 30 140 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 30 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 30 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 19 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 19% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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