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Color name
RGB 173 25 154

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 25 154 it is the complementary color RGB 82 230 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 25 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 25 154 shade: RGB 178 25 149, RGB 195 43 168, RGB 212 61 187, RGB 229 79 206 and RGB 246 97 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 25 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 25 154 shade: RGB 173 25 154, RGB 156 7 135, RGB 139 0 116, RGB 122 0 97 and RGB 105 0 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 25 154 shade: RGB 174 24 154, RGB 174 24 114, RGB 174 24 74, RGB 174 24 34 and RGB 174 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 25 154 shade: RGB 174 24 154, RGB 152 24 174, RGB 112 24 174, RGB 72 24 174 and RGB 32 24 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 25 154 shade matches the following richer shades: RGB 174 24 154 and RGB 190 8 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 25 154 shade: RGB 174 24 154, RGB 157 40 142, RGB 141 57 130, RGB 125 73 119 and RGB 109 89 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 25 154 shade: RGB 111 24 174, RGB 151 24 174, RGB 174 24 156, RGB 174 24 116 and RGB 174 24 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 25 154 shade: RGB 101 14 90, RGB 137 19 122, RGB 174 24 154, RGB 210 30 187 and RGB 226 54 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 25 154 shade: RGB 173 25 154, RGB 174 72 24 and RGB 24 174 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 25 154 shade: RGB 173 25 154, RGB 156 174 24 and RGB 24 156 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 25 154 shade: RGB 173 25 154, RGB 174 72 24, RGB 24 174 42 and RGB 24 126 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 25 154 shade: RGB 173 25 154, RGB 174 116 24, RGB 24 174 42 and RGB 24 82 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 11 / 32

HEX #AD199A

RGB 173 25 154

HSL 307.7, 0.75%, 0.39%

LAB 41.08, 67.41, -34.06

 

Complementary color

CMYK 64 / 0 / 56 / 10

HEX #52E665

RGB 82 230 101

HSL 127.7, 0.75%, 0.61%

LAB 81.47, -64.76, 50.76

 

CMYK 0 / 86 / 16 / 30

HEX #B21995

RGB 178 25 149

HSL 311.37, 0.75%, 0.4%

LAB 41.74, 67.75, -29.93

 

CMYK 0 / 78 / 14 / 24

HEX #C32BA8

RGB 195 43 168

HSL 310.66, 0.64%, 0.47%

LAB 47.18, 69.75, -32.57

 

CMYK 0 / 71 / 12 / 17

HEX #D43DBB

RGB 212 61 187

HSL 309.93, 0.64%, 0.54%

LAB 52.86, 70.83, -34.6

 

CMYK 0 / 66 / 10 / 10

HEX #E54FCE

RGB 229 79 206

HSL 309.2, 0.74%, 0.6%

LAB 58.7, 71.28, -36.18

 

CMYK 0 / 61 / 9 / 4

HEX #F661E1

RGB 246 97 225

HSL 308.46, 0.89%, 0.67%

LAB 64.63, 71.32, -37.44

 

CMYK 0 / 86 / 11 / 32

HEX #AD199A

RGB 173 25 154

HSL 307.7, 0.75%, 0.39%

LAB 41.08, 67.41, -34.06

 

CMYK 0 / 96 / 13 / 39

HEX #9C0787

RGB 156 7 135

HSL 308.46, 0.91%, 0.32%

LAB 35.92, 64.16, -30.77

 

CMYK 0 / 100 / 17 / 45

HEX #8B0074

RGB 139 0 116

HSL 309.93, 1%, 0.27%

LAB 31.23, 59.21, -26.47

 

CMYK 0 / 100 / 20 / 52

HEX #7A0061

RGB 122 0 97

HSL 312.3, 1%, 0.24%

LAB 26.74, 53.27, -21.5

 

CMYK 0 / 100 / 26 / 59

HEX #69004E

RGB 105 0 78

HSL 315.43, 1%, 0.21%

LAB 22.14, 47.19, -16.28

 

CMYK 0 / 86 / 11 / 32

HEX #AE189A

RGB 174 24 154

HSL 308, 0.76%, 0.39%

LAB 41.19, 67.81, -33.86

 

CMYK 0 / 86 / 34 / 32

HEX #AE1872

RGB 174 24 114

HSL 324, 0.76%, 0.39%

LAB 39.36, 62.8, -12.08

 

CMYK 0 / 86 / 57 / 32

HEX #AE184A

RGB 174 24 74

HSL 340, 0.76%, 0.39%

LAB 38.1, 59.24, 11.54

 

CMYK 0 / 86 / 80 / 32

HEX #AE1822

RGB 174 24 34

HSL 356, 0.76%, 0.39%

LAB 37.42, 57.24, 35.67

 

CMYK 0 / 86 / 86 / 32

HEX #AE1818

RGB 174 24 24

HSL 0, 0.76%, 0.39%

LAB 37.33, 56.97, 41.06

 

CMYK 0 / 86 / 11 / 32

HEX #AE189A

RGB 174 24 154

HSL 308, 0.76%, 0.39%

LAB 41.19, 67.81, -33.86

 

CMYK 13 / 86 / 0 / 32

HEX #9818AE

RGB 152 24 174

HSL 291.2, 0.76%, 0.39%

LAB 38.52, 66.85, -50.35

 

CMYK 36 / 86 / 0 / 32

HEX #7018AE

RGB 112 24 174

HSL 275.2, 0.76%, 0.39%

LAB 32.15, 60.51, -60.99

 

CMYK 59 / 86 / 0 / 32

HEX #4818AE

RGB 72 24 174

HSL 259.2, 0.76%, 0.39%

LAB 26.98, 55.7, -69.69

 

CMYK 82 / 86 / 0 / 32

HEX #2018AE

RGB 32 24 174

HSL 243.2, 0.76%, 0.39%

LAB 23.73, 52.91, -75.19

 

CMYK 0 / 86 / 11 / 32

HEX #AE189A

RGB 174 24 154

HSL 308, 0.76%, 0.39%

LAB 41.19, 67.81, -33.86

 

CMYK 0 / 96 / 13 / 25

HEX #BE08A6

RGB 190 8 166

HSL 307.91, 0.92%, 0.39%

LAB 44.05, 74.66, -36.36

 

CMYK 0 / 86 / 11 / 32

HEX #AE189A

RGB 174 24 154

HSL 308, 0.76%, 0.39%

LAB 41.19, 67.81, -33.86

 

CMYK 0 / 75 / 10 / 38

HEX #9D288E

RGB 157 40 142

HSL 307.69, 0.59%, 0.39%

LAB 38.97, 58.21, -30.28

 

CMYK 0 / 60 / 8 / 45

HEX #8D3982

RGB 141 57 130

HSL 307.86, 0.42%, 0.39%

LAB 38.2, 45.17, -24.3

 

CMYK 0 / 42 / 5 / 51

HEX #7D4977

RGB 125 73 119

HSL 306.92, 0.26%, 0.39%

LAB 38.65, 29.56, -16.99

 

CMYK 0 / 18 / 2 / 57

HEX #6D596B

RGB 109 89 107

HSL 306, 0.1%, 0.39%

LAB 40.34, 11.64, -7.2

 

CMYK 36 / 86 / 0 / 32

HEX #6F18AE

RGB 111 24 174

HSL 274.8, 0.76%, 0.39%

LAB 32.01, 60.37, -61.24

 

CMYK 13 / 86 / 0 / 32

HEX #9718AE

RGB 151 24 174

HSL 290.8, 0.76%, 0.39%

LAB 38.36, 66.68, -50.63

 

CMYK 0 / 86 / 10 / 32

HEX #AE189C

RGB 174 24 156

HSL 307.2, 0.76%, 0.39%

LAB 41.3, 68.1, -34.9

 

CMYK 0 / 86 / 33 / 32

HEX #AE1874

RGB 174 24 116

HSL 323.2, 0.76%, 0.39%

LAB 39.43, 63.02, -13.22

 

CMYK 0 / 86 / 56 / 32

HEX #AE184D

RGB 174 24 77

HSL 338.8, 0.76%, 0.39%

LAB 38.18, 59.45, 9.71

 

CMYK 0 / 86 / 11 / 60

HEX #650E5A

RGB 101 14 90

HSL 307.59, 0.76%, 0.23%

LAB 23.06, 44.83, -22.95

 

CMYK 0 / 86 / 11 / 46

HEX #89137A

RGB 137 19 122

HSL 307.63, 0.76%, 0.31%

LAB 32.23, 56.54, -28.72

 

CMYK 0 / 86 / 11 / 32

HEX #AE189A

RGB 174 24 154

HSL 308, 0.76%, 0.39%

LAB 41.19, 67.81, -33.86

 

CMYK 0 / 86 / 11 / 18

HEX #D21EBB

RGB 210 30 187

HSL 307.67, 0.75%, 0.47%

LAB 49.76, 78.36, -39.5

 

CMYK 0 / 76 / 10 / 11

HEX #E236CC

RGB 226 54 204

HSL 307.67, 0.75%, 0.55%

LAB 55.24, 78.48, -40.5

 

CMYK 0 / 86 / 11 / 32

HEX #AD199A

RGB 173 25 154

HSL 307.7, 0.75%, 0.39%

LAB 41.08, 67.41, -34.06

 

CMYK 0 / 59 / 86 / 32

HEX #AE4818

RGB 174 72 24

HSL 19.2, 0.76%, 0.39%

LAB 43.8, 39.33, 46.58

 

CMYK 86 / 0 / 25 / 32

HEX #18AE83

RGB 24 174 131

HSL 162.8, 0.76%, 0.39%

LAB 63.43, -46.92, 11.86

 

CMYK 0 / 86 / 11 / 32

HEX #AD199A

RGB 173 25 154

HSL 307.7, 0.75%, 0.39%

LAB 41.08, 67.41, -34.06

 

CMYK 10 / 0 / 86 / 32

HEX #9CAE18

RGB 156 174 24

HSL 67.2, 0.76%, 0.39%

LAB 67.58, -23.61, 65.72

 

CMYK 86 / 10 / 0 / 32

HEX #189CAE

RGB 24 156 174

HSL 187.2, 0.76%, 0.39%

LAB 59, -26.35, -18.79

 

CMYK 0 / 86 / 11 / 32

HEX #AD199A

RGB 173 25 154

HSL 307.7, 0.75%, 0.39%

LAB 41.08, 67.41, -34.06

 

CMYK 0 / 59 / 86 / 32

HEX #AE4818

RGB 174 72 24

HSL 19.2, 0.76%, 0.39%

LAB 43.8, 39.33, 46.58

 

CMYK 86 / 0 / 76 / 32

HEX #18AE2A

RGB 24 174 42

HSL 127.2, 0.76%, 0.39%

LAB 62.2, -61.38, 53.71

 

CMYK 86 / 28 / 0 / 32

HEX #187EAE

RGB 24 126 174

HSL 199.2, 0.76%, 0.39%

LAB 49.7, -10.17, -33.15

 

CMYK 0 / 86 / 11 / 32

HEX #AD199A

RGB 173 25 154

HSL 307.7, 0.75%, 0.39%

LAB 41.08, 67.41, -34.06

 

CMYK 0 / 33 / 86 / 32

HEX #AE7418

RGB 174 116 24

HSL 36.8, 0.76%, 0.39%

LAB 53.55, 15.65, 54.75

 

CMYK 86 / 0 / 76 / 32

HEX #18AE2A

RGB 24 174 42

HSL 127.2, 0.76%, 0.39%

LAB 62.2, -61.38, 53.71

 

CMYK 86 / 53 / 0 / 32

HEX #1852AE

RGB 24 82 174

HSL 216.8, 0.76%, 0.39%

LAB 36.53, 17.5, -54.16

 

Description

Color code: RGB 173 25 154 | qconv.com Color code: RGB 173 25 154 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 25 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 25 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 11 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 11% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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