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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 22 202 it is the complementary color RGB 82 233 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 22 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 22 202 shade: RGB 178 22 197, RGB 195 40 216, RGB 212 58 235, RGB 229 76 254 and RGB 246 94 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 22 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 22 202 shade: RGB 173 22 202, RGB 156 4 183, RGB 139 0 164, RGB 122 0 145 and RGB 105 0 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 22 202 shade: RGB 173 22 201, RGB 201 22 182, RGB 201 22 134, RGB 201 22 85 and RGB 201 22 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 22 202 shade: RGB 173 22 201, RGB 124 22 201, RGB 76 22 201, RGB 27 22 201 and RGB 22 22 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 22 202 shade matches the following richer shades: RGB 173 22 201 and RGB 185 4 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 22 202 shade: RGB 173 22 201, RGB 160 40 183, RGB 148 58 165, RGB 136 76 147 and RGB 123 95 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 22 202 shade: RGB 76 22 201, RGB 124 22 201, RGB 172 22 201, RGB 201 22 184 and RGB 201 22 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 22 202 shade: RGB 109 14 127, RGB 141 18 164, RGB 173 22 201, RGB 199 35 230 and RGB 208 72 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 22 202 shade: RGB 173 22 202, RGB 201 28 22 and RGB 22 201 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 22 202 shade: RGB 173 22 202, RGB 201 172 22 and RGB 22 201 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 22 202 shade: RGB 173 22 202, RGB 201 28 22, RGB 52 201 22 and RGB 22 195 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 22 202 shade: RGB 173 22 202, RGB 201 82 22, RGB 52 201 22 and RGB 22 142 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 89 / 0 / 21

HEX #AD16CA

RGB 173 22 202

HSL 290.33, 0.8%, 0.44%

LAB 43.83, 75.51, -58.07

 

Complementary color

CMYK 65 / 0 / 77 / 9

HEX #52E935

RGB 82 233 53

HSL 110.33, 0.8%, 0.56%

LAB 82.02, -70.14, 69.86

 

CMYK 10 / 89 / 0 / 23

HEX #B216C5

RGB 178 22 197

HSL 293.49, 0.8%, 0.43%

LAB 44.33, 75.48, -54.31

 

CMYK 10 / 81 / 0 / 15

HEX #C328D8

RGB 195 40 216

HSL 292.84, 0.69%, 0.5%

LAB 49.59, 77.9, -56.67

 

CMYK 10 / 75 / 0 / 8

HEX #D43AEB

RGB 212 58 235

HSL 292.2, 0.82%, 0.57%

LAB 55.09, 79.35, -58.45

 

CMYK 10 / 70 / 0 / 0

HEX #E54CFE

RGB 229 76 254

HSL 291.57, 0.99%, 0.65%

LAB 60.77, 80.1, -59.81

 

CMYK 4 / 63 / 0 / 0

HEX #F65EFF

RGB 246 94 255

HSL 296.65, 1%, 0.68%

LAB 65.61, 77.3, -52.51

 

CMYK 14 / 89 / 0 / 21

HEX #AD16CA

RGB 173 22 202

HSL 290.33, 0.8%, 0.44%

LAB 43.83, 75.51, -58.07

 

CMYK 15 / 98 / 0 / 28

HEX #9C04B7

RGB 156 4 183

HSL 290.95, 0.96%, 0.37%

LAB 38.85, 71.95, -55.13

 

CMYK 15 / 100 / 0 / 36

HEX #8B00A4

RGB 139 0 164

HSL 290.85, 1%, 0.32%

LAB 34.33, 66.67, -51.24

 

CMYK 16 / 100 / 0 / 43

HEX #7A0091

RGB 122 0 145

HSL 290.48, 1%, 0.28%

LAB 29.87, 60.81, -47.02

 

CMYK 17 / 100 / 0 / 51

HEX #69007E

RGB 105 0 126

HSL 290, 1%, 0.25%

LAB 25.29, 54.81, -42.7

 

CMYK 14 / 89 / 0 / 21

HEX #AD16C9

RGB 173 22 201

HSL 290.61, 0.8%, 0.44%

LAB 43.76, 75.34, -57.6

 

CMYK 0 / 89 / 9 / 21

HEX #C916B6

RGB 201 22 182

HSL 306.37, 0.8%, 0.44%

LAB 47.45, 77.26, -40.32

 

CMYK 0 / 89 / 33 / 21

HEX #C91686

RGB 201 22 134

HSL 322.46, 0.8%, 0.44%

LAB 45.24, 71.4, -15.03

 

CMYK 0 / 89 / 58 / 21

HEX #C91655

RGB 201 22 85

HSL 338.88, 0.8%, 0.44%

LAB 43.72, 67.21, 13.17

 

CMYK 0 / 89 / 82 / 21

HEX #C91625

RGB 201 22 37

HSL 354.97, 0.8%, 0.44%

LAB 42.95, 65.01, 41.36

 

CMYK 14 / 89 / 0 / 21

HEX #AD16C9

RGB 173 22 201

HSL 290.61, 0.8%, 0.44%

LAB 43.76, 75.34, -57.6

 

CMYK 38 / 89 / 0 / 21

HEX #7C16C9

RGB 124 22 201

HSL 274.19, 0.8%, 0.44%

LAB 36.13, 68.38, -70.36

 

CMYK 62 / 89 / 0 / 21

HEX #4C16C9

RGB 76 22 201

HSL 258.1, 0.8%, 0.44%

LAB 30.22, 63.62, -80.31

 

CMYK 87 / 89 / 0 / 21

HEX #1B16C9

RGB 27 22 201

HSL 241.68, 0.8%, 0.44%

LAB 26.8, 61.23, -86.09

 

CMYK 89 / 89 / 0 / 21

HEX #1616C9

RGB 22 22 201

HSL 240, 0.8%, 0.44%

LAB 26.62, 61.11, -86.39

 

CMYK 14 / 89 / 0 / 21

HEX #AD16C9

RGB 173 22 201

HSL 290.61, 0.8%, 0.44%

LAB 43.76, 75.34, -57.6

 

CMYK 16 / 98 / 0 / 14

HEX #B904DC

RGB 185 4 220

HSL 290.28, 0.96%, 0.44%

LAB 46.4, 82.33, -64.18

 

CMYK 14 / 89 / 0 / 21

HEX #AD16C9

RGB 173 22 201

HSL 290.61, 0.8%, 0.44%

LAB 43.76, 75.34, -57.6

 

CMYK 13 / 78 / 0 / 28

HEX #A028B7

RGB 160 40 183

HSL 290.35, 0.64%, 0.44%

LAB 41.86, 65.76, -50.25

 

CMYK 10 / 65 / 0 / 35

HEX #943AA5

RGB 148 58 165

HSL 290.47, 0.48%, 0.44%

LAB 41.28, 53.05, -40.61

 

CMYK 7 / 48 / 0 / 42

HEX #884C93

RGB 136 76 147

HSL 290.7, 0.32%, 0.44%

LAB 42.02, 37.09, -28.76

 

CMYK 5 / 26 / 0 / 49

HEX #7B5F81

RGB 123 95 129

HSL 289.41, 0.15%, 0.44%

LAB 44.2, 17.85, -14.64

 

CMYK 62 / 89 / 0 / 21

HEX #4C16C9

RGB 76 22 201

HSL 258.1, 0.8%, 0.44%

LAB 30.22, 63.62, -80.31

 

CMYK 38 / 89 / 0 / 21

HEX #7C16C9

RGB 124 22 201

HSL 274.19, 0.8%, 0.44%

LAB 36.13, 68.38, -70.36

 

CMYK 14 / 89 / 0 / 21

HEX #AC16C9

RGB 172 22 201

HSL 290.28, 0.8%, 0.44%

LAB 43.6, 75.18, -57.88

 

CMYK 0 / 89 / 8 / 21

HEX #C916B8

RGB 201 22 184

HSL 305.7, 0.8%, 0.44%

LAB 47.56, 77.54, -41.33

 

CMYK 0 / 89 / 32 / 21

HEX #C91688

RGB 201 22 136

HSL 321.79, 0.8%, 0.44%

LAB 45.32, 71.61, -16.13

 

CMYK 14 / 89 / 0 / 50

HEX #6D0E7F

RGB 109 14 127

HSL 290.44, 0.8%, 0.28%

LAB 27.01, 52.94, -40.51

 

CMYK 14 / 89 / 0 / 36

HEX #8D12A4

RGB 141 18 164

HSL 290.55, 0.8%, 0.36%

LAB 35.55, 64.42, -49.26

 

CMYK 14 / 89 / 0 / 21

HEX #AD16C9

RGB 173 22 201

HSL 290.61, 0.8%, 0.44%

LAB 43.76, 75.34, -57.6

 

CMYK 13 / 85 / 0 / 10

HEX #C723E6

RGB 199 35 230

HSL 290.46, 0.8%, 0.52%

LAB 50.75, 82.02, -62.72

 

CMYK 11 / 69 / 0 / 8

HEX #D048EA

RGB 208 72 234

HSL 290.37, 0.79%, 0.6%

LAB 56.07, 73.72, -56.35

 

CMYK 14 / 89 / 0 / 21

HEX #AD16CA

RGB 173 22 202

HSL 290.33, 0.8%, 0.44%

LAB 43.83, 75.51, -58.07

 

CMYK 0 / 86 / 89 / 21

HEX #C91C16

RGB 201 28 22

HSL 2.01, 0.8%, 0.44%

LAB 43.22, 63.58, 49.09

 

CMYK 89 / 0 / 50 / 21

HEX #16C964

RGB 22 201 100

HSL 146.15, 0.8%, 0.44%

LAB 71.46, -63.1, 38.86

 

CMYK 14 / 89 / 0 / 21

HEX #AD16CA

RGB 173 22 202

HSL 290.33, 0.8%, 0.44%

LAB 43.83, 75.51, -58.07

 

CMYK 0 / 14 / 89 / 21

HEX #C9AC16

RGB 201 172 22

HSL 50.28, 0.8%, 0.44%

LAB 70.86, -2.89, 70.38

 

CMYK 89 / 0 / 14 / 21

HEX #16C9AC

RGB 22 201 172

HSL 170.28, 0.8%, 0.44%

LAB 72.84, -47.63, 2.9

 

CMYK 14 / 89 / 0 / 21

HEX #AD16CA

RGB 173 22 202

HSL 290.33, 0.8%, 0.44%

LAB 43.83, 75.51, -58.07

 

CMYK 0 / 86 / 89 / 21

HEX #C91C16

RGB 201 28 22

HSL 2.01, 0.8%, 0.44%

LAB 43.22, 63.58, 49.09

 

CMYK 74 / 0 / 89 / 21

HEX #34C916

RGB 52 201 22

HSL 109.94, 0.8%, 0.44%

LAB 71.26, -67.04, 67.41

 

CMYK 89 / 3 / 0 / 21

HEX #16C3C9

RGB 22 195 201

HSL 182.01, 0.8%, 0.44%

LAB 71.84, -36.71, -14.36

 

CMYK 14 / 89 / 0 / 21

HEX #AD16CA

RGB 173 22 202

HSL 290.33, 0.8%, 0.44%

LAB 43.83, 75.51, -58.07

 

CMYK 0 / 59 / 89 / 21

HEX #C95216

RGB 201 82 22

HSL 20.11, 0.8%, 0.44%

LAB 50.11, 44.74, 54.28

 

CMYK 74 / 0 / 89 / 21

HEX #34C916

RGB 52 201 22

HSL 109.94, 0.8%, 0.44%

LAB 71.26, -67.04, 67.41

 

CMYK 89 / 29 / 0 / 21

HEX #168EC9

RGB 22 142 201

HSL 199.78, 0.8%, 0.44%

LAB 55.82, -9.49, -39

 

Description

Color code: RGB 173 22 202 | qconv.com Color code: RGB 173 22 202 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 22 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 22 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 89 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 89% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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