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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 20 182 it is the complementary color RGB 82 235 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 20 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 20 182 shade: RGB 178 20 177, RGB 195 38 196, RGB 212 56 215, RGB 229 74 234 and RGB 246 92 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 20 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 20 182 shade: RGB 173 20 182, RGB 156 2 163, RGB 139 0 144, RGB 122 0 125 and RGB 105 0 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 20 182 shade: RGB 174 20 183, RGB 183 20 148, RGB 183 20 104, RGB 183 20 60 and RGB 183 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 20 182 shade: RGB 174 20 183, RGB 130 20 183, RGB 86 20 183, RGB 42 20 183 and RGB 20 20 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 20 182 shade matches the following richer shades: RGB 174 20 183 and RGB 189 3 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 20 182 shade: RGB 174 20 183, RGB 159 36 167, RGB 145 53 150, RGB 130 69 134 and RGB 115 86 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 20 182 shade: RGB 85 20 183, RGB 129 20 183, RGB 172 20 183, RGB 183 20 150 and RGB 183 20 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 20 182 shade: RGB 103 12 109, RGB 139 16 146, RGB 174 20 183, RGB 209 24 220 and RGB 222 53 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 20 182 shade: RGB 173 20 182, RGB 183 42 20 and RGB 20 183 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 20 182 shade: RGB 173 20 182, RGB 183 172 20 and RGB 20 183 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 20 182 shade: RGB 173 20 182, RGB 183 42 20, RGB 31 183 20 and RGB 20 161 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 20 182 shade: RGB 173 20 182, RGB 183 91 20, RGB 31 183 20 and RGB 20 112 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 89 / 0 / 29

HEX #AD14B6

RGB 173 20 182

HSL 296.67, 0.8%, 0.4%

LAB 42.4, 72.54, -48.67

 

Complementary color

CMYK 65 / 0 / 69 / 8

HEX #52EB49

RGB 82 235 73

HSL 116.67, 0.8%, 0.6%

LAB 82.75, -69.35, 63.85

 

CMYK 0 / 89 / 1 / 30

HEX #B214B1

RGB 178 20 177

HSL 300.38, 0.8%, 0.39%

LAB 42.97, 72.64, -44.75

 

CMYK 1 / 81 / 0 / 23

HEX #C326C4

RGB 195 38 196

HSL 299.62, 0.68%, 0.46%

LAB 48.23, 75.16, -47.33

 

CMYK 1 / 74 / 0 / 16

HEX #D438D7

RGB 212 56 215

HSL 298.87, 0.67%, 0.53%

LAB 53.74, 76.66, -49.3

 

CMYK 2 / 68 / 0 / 8

HEX #E54AEA

RGB 229 74 234

HSL 298.13, 0.79%, 0.6%

LAB 59.43, 77.45, -50.82

 

CMYK 3 / 64 / 0 / 1

HEX #F65CFD

RGB 246 92 253

HSL 297.39, 0.98%, 0.68%

LAB 65.23, 77.74, -52

 

CMYK 5 / 89 / 0 / 29

HEX #AD14B6

RGB 173 20 182

HSL 296.67, 0.8%, 0.4%

LAB 42.4, 72.54, -48.67

 

CMYK 4 / 99 / 0 / 36

HEX #9C02A3

RGB 156 2 163

HSL 297.39, 0.98%, 0.32%

LAB 37.4, 68.91, -45.53

 

CMYK 3 / 100 / 0 / 44

HEX #8B0090

RGB 139 0 144

HSL 297.92, 1%, 0.28%

LAB 32.92, 63.35, -41.31

 

CMYK 2 / 100 / 0 / 51

HEX #7A007D

RGB 122 0 125

HSL 298.56, 1%, 0.25%

LAB 28.43, 57.42, -36.84

 

CMYK 1 / 100 / 0 / 58

HEX #69006A

RGB 105 0 106

HSL 299.43, 1%, 0.21%

LAB 23.82, 51.34, -32.23

 

CMYK 5 / 89 / 0 / 28

HEX #AE14B7

RGB 174 20 183

HSL 296.69, 0.8%, 0.4%

LAB 42.64, 72.87, -48.87

 

CMYK 0 / 89 / 19 / 28

HEX #B71494

RGB 183 20 148

HSL 312.88, 0.8%, 0.4%

LAB 42.32, 69.52, -28.35

 

CMYK 0 / 89 / 43 / 28

HEX #B71468

RGB 183 20 104

HSL 329.08, 0.8%, 0.4%

LAB 40.52, 64.66, -3.87

 

CMYK 0 / 89 / 67 / 28

HEX #B7143C

RGB 183 20 60

HSL 345.28, 0.8%, 0.4%

LAB 39.4, 61.51, 22.53

 

CMYK 0 / 89 / 89 / 28

HEX #B71414

RGB 183 20 20

HSL 0, 0.8%, 0.4%

LAB 38.93, 60.16, 45.09

 

CMYK 5 / 89 / 0 / 28

HEX #AE14B7

RGB 174 20 183

HSL 296.69, 0.8%, 0.4%

LAB 42.64, 72.87, -48.87

 

CMYK 29 / 89 / 0 / 28

HEX #8214B7

RGB 130 20 183

HSL 280.49, 0.8%, 0.4%

LAB 35.33, 65.89, -61.05

 

CMYK 53 / 89 / 0 / 28

HEX #5614B7

RGB 86 20 183

HSL 264.29, 0.8%, 0.4%

LAB 29.15, 60.56, -71.43

 

CMYK 77 / 89 / 0 / 28

HEX #2A14B7

RGB 42 20 183

HSL 248.1, 0.8%, 0.4%

LAB 24.99, 57.41, -78.46

 

CMYK 89 / 89 / 0 / 28

HEX #1414B7

RGB 20 20 183

HSL 240, 0.8%, 0.4%

LAB 23.89, 56.66, -80.31

 

CMYK 5 / 89 / 0 / 28

HEX #AE14B7

RGB 174 20 183

HSL 296.69, 0.8%, 0.4%

LAB 42.64, 72.87, -48.87

 

CMYK 5 / 99 / 0 / 22

HEX #BD03C8

RGB 189 3 200

HSL 296.65, 0.97%, 0.4%

LAB 45.71, 79.83, -53.74

 

CMYK 5 / 89 / 0 / 28

HEX #AE14B7

RGB 174 20 183

HSL 296.69, 0.8%, 0.4%

LAB 42.64, 72.87, -48.87

 

CMYK 5 / 78 / 0 / 35

HEX #9F24A7

RGB 159 36 167

HSL 296.34, 0.65%, 0.4%

LAB 40.28, 63.95, -43.29

 

CMYK 3 / 65 / 0 / 41

HEX #913596

RGB 145 53 150

HSL 296.91, 0.48%, 0.4%

LAB 39.19, 51.66, -34.93

 

CMYK 3 / 49 / 0 / 47

HEX #824586

RGB 130 69 134

HSL 296.31, 0.32%, 0.4%

LAB 39.11, 36.43, -25.46

 

CMYK 2 / 26 / 0 / 54

HEX #735675

RGB 115 86 117

HSL 296.13, 0.15%, 0.4%

LAB 40.55, 17.83, -12.97

 

CMYK 54 / 89 / 0 / 28

HEX #5514B7

RGB 85 20 183

HSL 263.93, 0.8%, 0.4%

LAB 29.03, 60.46, -71.63

 

CMYK 30 / 89 / 0 / 28

HEX #8114B7

RGB 129 20 183

HSL 280.12, 0.8%, 0.4%

LAB 35.18, 65.75, -61.31

 

CMYK 6 / 89 / 0 / 28

HEX #AC14B7

RGB 172 20 183

HSL 295.95, 0.8%, 0.4%

LAB 42.29, 72.53, -49.45

 

CMYK 0 / 89 / 18 / 28

HEX #B71496

RGB 183 20 150

HSL 312.15, 0.8%, 0.4%

LAB 42.41, 69.78, -29.41

 

CMYK 0 / 89 / 42 / 28

HEX #B7146B

RGB 183 20 107

HSL 327.98, 0.8%, 0.4%

LAB 40.62, 64.94, -5.61

 

CMYK 6 / 89 / 0 / 57

HEX #670C6D

RGB 103 12 109

HSL 296.29, 0.8%, 0.24%

LAB 24.48, 48.97, -33.13

 

CMYK 5 / 89 / 0 / 43

HEX #8B1092

RGB 139 16 146

HSL 296.77, 0.8%, 0.32%

LAB 33.85, 61.34, -41.06

 

CMYK 5 / 89 / 0 / 28

HEX #AE14B7

RGB 174 20 183

HSL 296.69, 0.8%, 0.4%

LAB 42.64, 72.87, -48.87

 

CMYK 5 / 89 / 0 / 14

HEX #D118DC

RGB 209 24 220

HSL 296.63, 0.8%, 0.48%

LAB 51.12, 83.92, -56.36

 

CMYK 4 / 77 / 0 / 9

HEX #DE35E8

RGB 222 53 232

HSL 296.65, 0.8%, 0.56%

LAB 55.99, 82.16, -55.24

 

CMYK 5 / 89 / 0 / 29

HEX #AD14B6

RGB 173 20 182

HSL 296.67, 0.8%, 0.4%

LAB 42.4, 72.54, -48.67

 

CMYK 0 / 77 / 89 / 28

HEX #B72A14

RGB 183 42 20

HSL 8.1, 0.8%, 0.4%

LAB 40.85, 54.71, 46.56

 

CMYK 89 / 0 / 42 / 28

HEX #14B76B

RGB 20 183 107

HSL 152.02, 0.8%, 0.4%

LAB 65.81, -55.85, 28.06

 

CMYK 5 / 89 / 0 / 29

HEX #AD14B6

RGB 173 20 182

HSL 296.67, 0.8%, 0.4%

LAB 42.4, 72.54, -48.67

 

CMYK 0 / 6 / 89 / 28

HEX #B7AC14

RGB 183 172 20

HSL 55.95, 0.8%, 0.4%

LAB 69.2, -10.89, 68.75

 

CMYK 89 / 0 / 6 / 28

HEX #14B7AC

RGB 20 183 172

HSL 175.95, 0.8%, 0.4%

LAB 67.27, -40, -5.26

 

CMYK 5 / 89 / 0 / 29

HEX #AD14B6

RGB 173 20 182

HSL 296.67, 0.8%, 0.4%

LAB 42.4, 72.54, -48.67

 

CMYK 0 / 77 / 89 / 28

HEX #B72A14

RGB 183 42 20

HSL 8.1, 0.8%, 0.4%

LAB 40.85, 54.71, 46.56

 

CMYK 83 / 0 / 89 / 28

HEX #1FB714

RGB 31 183 20

HSL 115.95, 0.8%, 0.4%

LAB 65.13, -64.57, 62.37

 

CMYK 89 / 12 / 0 / 28

HEX #14A1B7

RGB 20 161 183

HSL 188.1, 0.8%, 0.4%

LAB 60.83, -26.14, -21.08

 

CMYK 5 / 89 / 0 / 29

HEX #AD14B6

RGB 173 20 182

HSL 296.67, 0.8%, 0.4%

LAB 42.4, 72.54, -48.67

 

CMYK 0 / 50 / 89 / 28

HEX #B75B14

RGB 183 91 20

HSL 26.13, 0.8%, 0.4%

LAB 49.01, 33.15, 52.87

 

CMYK 83 / 0 / 89 / 28

HEX #1FB714

RGB 31 183 20

HSL 115.95, 0.8%, 0.4%

LAB 65.13, -64.57, 62.37

 

CMYK 89 / 39 / 0 / 28

HEX #1470B7

RGB 20 112 183

HSL 206.13, 0.8%, 0.4%

LAB 45.85, 1.38, -44.47

 

Description

Color code: RGB 173 20 182 | qconv.com Color code: RGB 173 20 182 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 20 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 20 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 89 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 89% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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