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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 203 245 it is the complementary color RGB 82 52 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 203 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 203 245 shade: RGB 178 203 240, RGB 195 221 255, RGB 212 239 255, RGB 229 255 255 and RGB 246 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 203 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 203 245 shade: RGB 173 203 245, RGB 156 185 226, RGB 139 167 207, RGB 122 149 188 and RGB 105 131 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 203 245 shade: RGB 173 203 244, RGB 173 183 244, RGB 182 173 244, RGB 201 173 244 and RGB 220 173 244

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 203 245 shade: RGB 173 203 244, RGB 173 183 244 and RGB 173 173 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 203 245 shade matches the following richer shades: RGB 173 203 244 and RGB 165 201 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 203 245 shade: RGB 173 203 244, RGB 180 204 237, RGB 188 205 230, RGB 195 206 222 and RGB 203 208 215

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 203 245 shade: RGB 173 241 244, RGB 173 222 244, RGB 173 203 244, RGB 173 184 244 and RGB 181 173 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 203 245 shade: RGB 99 156 235, RGB 136 179 240, RGB 173 203 244, RGB 210 226 249 and RGB 246 249 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 203 245 shade: RGB 173 203 245, RGB 229 173 244 and RGB 231 244 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 203 245 shade: RGB 173 203 245, RGB 244 173 203 and RGB 203 244 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 203 245 shade: RGB 173 203 245, RGB 229 173 244, RGB 244 215 173 and RGB 188 244 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 203 245 shade: RGB 173 203 245, RGB 244 173 238, RGB 244 215 173 and RGB 173 244 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 17 / 0 / 4

HEX #ADCBF5

RGB 173 203 245

HSL 215, 0.78%, 0.82%

LAB 80.84, -0.59, -23.95

 

Complementary color

CMYK 0 / 37 / 88 / 68

HEX #52340A

RGB 82 52 10

HSL 35, 0.78%, 0.18%

LAB 24.55, 9.55, 30.02

 

CMYK 26 / 15 / 0 / 6

HEX #B2CBF0

RGB 178 203 240

HSL 215.81, 0.67%, 0.82%

LAB 81, -0.32, -21.01

 

CMYK 24 / 13 / 0 / 0

HEX #C3DDFF

RGB 195 221 255

HSL 214, 1%, 0.88%

LAB 87.26, -1.4, -19.39

 

CMYK 17 / 6 / 0 / 0

HEX #D4EFFF

RGB 212 239 255

HSL 202.33, 1%, 0.92%

LAB 92.99, -5.58, -10.68

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 29 / 17 / 0 / 4

HEX #ADCBF5

RGB 173 203 245

HSL 215, 0.78%, 0.82%

LAB 80.84, -0.59, -23.95

 

CMYK 31 / 18 / 0 / 11

HEX #9CB9E2

RGB 156 185 226

HSL 215.14, 0.55%, 0.75%

LAB 74.35, -0.37, -23.71

 

CMYK 33 / 19 / 0 / 19

HEX #8BA7CF

RGB 139 167 207

HSL 215.29, 0.41%, 0.68%

LAB 67.75, -0.13, -23.5

 

CMYK 35 / 21 / 0 / 26

HEX #7A95BC

RGB 122 149 188

HSL 215.45, 0.33%, 0.61%

LAB 61.01, 0.15, -23.31

 

CMYK 38 / 22 / 0 / 34

HEX #6983A9

RGB 105 131 169

HSL 215.63, 0.27%, 0.54%

LAB 54.13, 0.47, -23.14

 

CMYK 29 / 17 / 0 / 4

HEX #ADCBF4

RGB 173 203 244

HSL 214.65, 0.76%, 0.82%

LAB 80.81, -0.83, -23.47

 

CMYK 29 / 25 / 0 / 4

HEX #ADB7F4

RGB 173 183 244

HSL 231.55, 0.76%, 0.82%

LAB 75.63, 10.01, -31.4

 

CMYK 25 / 29 / 0 / 4

HEX #B6ADF4

RGB 182 173 244

HSL 247.61, 0.76%, 0.82%

LAB 73.78, 18.15, -34.19

 

CMYK 18 / 29 / 0 / 4

HEX #C9ADF4

RGB 201 173 244

HSL 263.66, 0.76%, 0.82%

LAB 75.35, 23.82, -31.64

 

CMYK 10 / 29 / 0 / 4

HEX #DCADF4

RGB 220 173 244

HSL 279.72, 0.76%, 0.82%

LAB 77.06, 29.66, -28.87

 

CMYK 29 / 17 / 0 / 4

HEX #ADCBF4

RGB 173 203 244

HSL 214.65, 0.76%, 0.82%

LAB 80.81, -0.83, -23.47

 

CMYK 29 / 25 / 0 / 4

HEX #ADB7F4

RGB 173 183 244

HSL 231.55, 0.76%, 0.82%

LAB 75.63, 10.01, -31.4

 

CMYK 29 / 29 / 0 / 4

HEX #ADADF4

RGB 173 173 244

HSL 240, 0.76%, 0.82%

LAB 73.09, 15.55, -35.32

 

CMYK 29 / 17 / 0 / 4

HEX #ADCBF4

RGB 173 203 244

HSL 214.65, 0.76%, 0.82%

LAB 80.81, -0.83, -23.47

 

CMYK 35 / 20 / 0 / 1

HEX #A5C9FC

RGB 165 201 252

HSL 215.17, 0.94%, 0.82%

LAB 80.07, -0.03, -28.91

 

CMYK 29 / 17 / 0 / 4

HEX #ADCBF4

RGB 173 203 244

HSL 214.65, 0.76%, 0.82%

LAB 80.81, -0.83, -23.47

 

CMYK 24 / 14 / 0 / 7

HEX #B4CCED

RGB 180 204 237

HSL 214.74, 0.61%, 0.82%

LAB 81.29, -0.95, -18.95

 

CMYK 18 / 11 / 0 / 10

HEX #BCCDE6

RGB 188 205 230

HSL 215.71, 0.46%, 0.82%

LAB 81.87, -0.59, -14.29

 

CMYK 12 / 7 / 0 / 13

HEX #C3CEDE

RGB 195 206 222

HSL 215.56, 0.29%, 0.82%

LAB 82.39, -0.57, -9.2

 

CMYK 6 / 3 / 0 / 16

HEX #CBD0D7

RGB 203 208 215

HSL 215, 0.13%, 0.82%

LAB 83.29, -0.38, -4.06

 

CMYK 29 / 1 / 0 / 4

HEX #ADF1F4

RGB 173 241 244

HSL 182.54, 0.76%, 0.82%

LAB 90.93, -20.34, -8.27

 

CMYK 29 / 9 / 0 / 4

HEX #ADDEF4

RGB 173 222 244

HSL 198.59, 0.76%, 0.82%

LAB 85.84, -10.78, -15.87

 

CMYK 29 / 17 / 0 / 4

HEX #ADCBF4

RGB 173 203 244

HSL 214.65, 0.76%, 0.82%

LAB 80.81, -0.83, -23.47

 

CMYK 29 / 25 / 0 / 4

HEX #ADB8F4

RGB 173 184 244

HSL 230.7, 0.76%, 0.82%

LAB 75.88, 9.46, -31.01

 

CMYK 26 / 29 / 0 / 4

HEX #B5ADF4

RGB 181 173 244

HSL 246.76, 0.76%, 0.82%

LAB 73.7, 17.86, -34.32

 

CMYK 58 / 34 / 0 / 8

HEX #639CEB

RGB 99 156 235

HSL 214.85, 0.77%, 0.65%

LAB 63.69, 4.43, -45.42

 

CMYK 43 / 25 / 0 / 6

HEX #88B3F0

RGB 136 179 240

HSL 215.19, 0.78%, 0.74%

LAB 72.07, 1.22, -34.92

 

CMYK 29 / 17 / 0 / 4

HEX #ADCBF4

RGB 173 203 244

HSL 214.65, 0.76%, 0.82%

LAB 80.81, -0.83, -23.47

 

CMYK 16 / 9 / 0 / 2

HEX #D2E2F9

RGB 210 226 249

HSL 215.38, 0.76%, 0.9%

LAB 89.36, -0.74, -12.97

 

CMYK 3 / 2 / 0 / 1

HEX #F6F9FD

RGB 246 249 253

HSL 214.29, 0.64%, 0.98%

LAB 97.81, -0.27, -2.27

 

CMYK 29 / 17 / 0 / 4

HEX #ADCBF5

RGB 173 203 245

HSL 215, 0.78%, 0.82%

LAB 80.84, -0.59, -23.95

 

CMYK 6 / 29 / 0 / 4

HEX #E5ADF4

RGB 229 173 244

HSL 287.32, 0.76%, 0.82%

LAB 77.92, 32.47, -27.47

 

CMYK 5 / 0 / 29 / 4

HEX #E7F4AD

RGB 231 244 173

HSL 70.99, 0.76%, 0.82%

LAB 93.76, -15.51, 32.86

 

CMYK 29 / 17 / 0 / 4

HEX #ADCBF5

RGB 173 203 245

HSL 215, 0.78%, 0.82%

LAB 80.84, -0.59, -23.95

 

CMYK 0 / 29 / 17 / 4

HEX #F4ADCB

RGB 244 173 203

HSL 334.65, 0.76%, 0.82%

LAB 78.13, 30.29, -4.8

 

CMYK 17 / 0 / 29 / 4

HEX #CBF4AD

RGB 203 244 173

HSL 94.65, 0.76%, 0.82%

LAB 91.87, -25.53, 30

 

CMYK 29 / 17 / 0 / 4

HEX #ADCBF5

RGB 173 203 245

HSL 215, 0.78%, 0.82%

LAB 80.84, -0.59, -23.95

 

CMYK 6 / 29 / 0 / 4

HEX #E5ADF4

RGB 229 173 244

HSL 287.32, 0.76%, 0.82%

LAB 77.92, 32.47, -27.47

 

CMYK 0 / 12 / 29 / 4

HEX #F4D7AD

RGB 244 215 173

HSL 35.49, 0.76%, 0.82%

LAB 87.41, 3.96, 24.44

 

CMYK 23 / 0 / 29 / 4

HEX #BCF4AD

RGB 188 244 173

HSL 107.32, 0.76%, 0.82%

LAB 90.97, -30.64, 28.62

 

CMYK 29 / 17 / 0 / 4

HEX #ADCBF5

RGB 173 203 245

HSL 215, 0.78%, 0.82%

LAB 80.84, -0.59, -23.95

 

CMYK 0 / 29 / 2 / 4

HEX #F4ADEE

RGB 244 173 238

HSL 305.07, 0.76%, 0.82%

LAB 79.21, 36.11, -22.14

 

CMYK 0 / 12 / 29 / 4

HEX #F4D7AD

RGB 244 215 173

HSL 35.49, 0.76%, 0.82%

LAB 87.41, 3.96, 24.44

 

CMYK 29 / 0 / 27 / 4

HEX #ADF4B3

RGB 173 244 179

HSL 125.07, 0.76%, 0.82%

LAB 90.25, -34.55, 24.45

 

Description

Color code: RGB 173 203 245 | qconv.com Color code: RGB 173 203 245 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 203 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 203 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 17 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 17% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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