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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 191 63 it is the complementary color RGB 82 64 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 191 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 191 63 shade: RGB 178 191 58, RGB 195 209 77, RGB 212 227 96, RGB 229 245 115 and RGB 246 255 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 191 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 191 63 shade: RGB 173 191 63, RGB 156 173 44, RGB 139 155 25, RGB 122 137 6 and RGB 105 119 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 191 63 shade: RGB 173 191 63, RGB 191 174 63, RGB 191 140 63, RGB 191 106 63 and RGB 191 71 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 191 63 shade: RGB 173 191 63, RGB 138 191 63, RGB 104 191 63, RGB 70 191 63 and RGB 63 191 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 191 63 shade matches the following richer shades: RGB 173 191 63, RGB 188 211 43, RGB 202 232 22 and RGB 217 253 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 191 63 shade: RGB 173 191 63, RGB 158 170 84, RGB 143 149 105, RGB 128 129 125 and RGB 114 108 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 191 63 shade: RGB 191 140 63, RGB 191 174 63, RGB 174 191 63, RGB 140 191 63 and RGB 106 191 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 191 63 shade: RGB 117 129 43, RGB 145 160 53, RGB 173 191 63, RGB 186 201 94 and RGB 199 211 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 191 63 shade: RGB 173 191 63, RGB 63 191 106 and RGB 157 63 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 191 63 shade: RGB 173 191 63, RGB 63 174 191 and RGB 191 63 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 191 63 shade: RGB 173 191 63, RGB 63 191 106, RGB 80 63 191 and RGB 191 63 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 191 63 shade: RGB 173 191 63, RGB 63 191 144, RGB 80 63 191 and RGB 191 63 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 67 / 25

HEX #ADBF3F

RGB 173 191 63

HSL 68.44, 0.5%, 0.5%

LAB 73.87, -23.08, 59.76

 

Complementary color

CMYK 57 / 67 / 0 / 25

HEX #5240C0

RGB 82 64 192

HSL 248.44, 0.5%, 0.5%

LAB 36.49, 42.9, -64.69

 

CMYK 7 / 0 / 70 / 25

HEX #B2BF3A

RGB 178 191 58

HSL 65.86, 0.53%, 0.49%

LAB 74.21, -21.29, 62.13

 

CMYK 7 / 0 / 63 / 18

HEX #C3D14D

RGB 195 209 77

HSL 66.36, 0.59%, 0.56%

LAB 80.59, -21.96, 61.65

 

CMYK 7 / 0 / 58 / 11

HEX #D4E360

RGB 212 227 96

HSL 66.87, 0.7%, 0.63%

LAB 86.89, -22.5, 60.85

 

CMYK 7 / 0 / 53 / 4

HEX #E5F573

RGB 229 245 115

HSL 67.38, 0.87%, 0.71%

LAB 93.1, -22.95, 59.89

 

CMYK 4 / 0 / 47 / 0

HEX #F6FF86

RGB 246 255 134

HSL 64.46, 1%, 0.76%

LAB 97.16, -19.5, 56.35

 

CMYK 9 / 0 / 67 / 25

HEX #ADBF3F

RGB 173 191 63

HSL 68.44, 0.5%, 0.5%

LAB 73.87, -23.08, 59.76

 

CMYK 10 / 0 / 75 / 32

HEX #9CAD2C

RGB 156 173 44

HSL 67.91, 0.59%, 0.43%

LAB 67.38, -22.37, 59.93

 

CMYK 10 / 0 / 84 / 39

HEX #8B9B19

RGB 139 155 25

HSL 67.38, 0.72%, 0.35%

LAB 60.78, -21.46, 59.23

 

CMYK 11 / 0 / 96 / 46

HEX #7A8906

RGB 122 137 6

HSL 66.87, 0.92%, 0.28%

LAB 54.07, -20.29, 57.04

 

CMYK 12 / 0 / 100 / 53

HEX #697700

RGB 105 119 0

HSL 67.06, 1%, 0.23%

LAB 47.23, -18.81, 52.39

 

CMYK 9 / 0 / 67 / 25

HEX #ADBF3F

RGB 173 191 63

HSL 68.44, 0.5%, 0.5%

LAB 73.87, -23.08, 59.76

 

CMYK 0 / 9 / 67 / 25

HEX #BFAE3F

RGB 191 174 63

HSL 52.03, 0.5%, 0.5%

LAB 70.67, -6.79, 56.92

 

CMYK 0 / 27 / 67 / 25

HEX #BF8C3F

RGB 191 140 63

HSL 36.09, 0.5%, 0.5%

LAB 61.82, 11.54, 47.52

 

CMYK 0 / 45 / 67 / 25

HEX #BF6A3F

RGB 191 106 63

HSL 20.16, 0.5%, 0.5%

LAB 53.75, 30.19, 38.47

 

CMYK 0 / 63 / 67 / 25

HEX #BF473F

RGB 191 71 63

HSL 3.75, 0.5%, 0.5%

LAB 46.9, 47.69, 30.35

 

CMYK 9 / 0 / 67 / 25

HEX #ADBF3F

RGB 173 191 63

HSL 68.44, 0.5%, 0.5%

LAB 73.87, -23.08, 59.76

 

CMYK 28 / 0 / 67 / 25

HEX #8ABF3F

RGB 138 191 63

HSL 84.84, 0.5%, 0.5%

LAB 71.57, -36.99, 56.65

 

CMYK 46 / 0 / 67 / 25

HEX #68BF3F

RGB 104 191 63

HSL 100.78, 0.5%, 0.5%

LAB 69.87, -48.76, 54.34

 

CMYK 63 / 0 / 67 / 25

HEX #46BF3F

RGB 70 191 63

HSL 116.72, 0.5%, 0.5%

LAB 68.7, -57.82, 52.73

 

CMYK 67 / 0 / 52 / 25

HEX #3FBF5B

RGB 63 191 91

HSL 133.13, 0.5%, 0.5%

LAB 68.8, -55.92, 40.13

 

CMYK 9 / 0 / 67 / 25

HEX #ADBF3F

RGB 173 191 63

HSL 68.44, 0.5%, 0.5%

LAB 73.87, -23.08, 59.76

 

CMYK 11 / 0 / 80 / 17

HEX #BCD32B

RGB 188 211 43

HSL 68.21, 0.66%, 0.5%

LAB 80.43, -27.51, 73.03

 

CMYK 13 / 0 / 91 / 9

HEX #CAE816

RGB 202 232 22

HSL 68.57, 0.83%, 0.5%

LAB 87.16, -32.17, 83.26

 

CMYK 14 / 0 / 100 / 1

HEX #D9FD01

RGB 217 253 1

HSL 68.57, 0.99%, 0.5%

LAB 93.89, -35.98, 90.78

 

CMYK 9 / 0 / 67 / 25

HEX #ADBF3F

RGB 173 191 63

HSL 68.44, 0.5%, 0.5%

LAB 73.87, -23.08, 59.76

 

CMYK 7 / 0 / 51 / 33

HEX #9EAA54

RGB 158 170 84

HSL 68.37, 0.34%, 0.5%

LAB 67.02, -17.13, 42.49

 

CMYK 4 / 0 / 30 / 42

HEX #8F9569

RGB 143 149 105

HSL 68.18, 0.17%, 0.5%

LAB 60.21, -9.73, 22.57

 

CMYK 1 / 0 / 3 / 49

HEX #80817D

RGB 128 129 125

HSL 75, 0.02%, 0.5%

LAB 53.78, -1.16, 2.03

 

CMYK 22 / 26 / 0 / 43

HEX #726C92

RGB 114 108 146

HSL 249.47, 0.15%, 0.5%

LAB 47.47, 10.83, -19.89

 

CMYK 0 / 27 / 67 / 25

HEX #BF8C3F

RGB 191 140 63

HSL 36.09, 0.5%, 0.5%

LAB 61.82, 11.54, 47.52

 

CMYK 0 / 9 / 67 / 25

HEX #BFAE3F

RGB 191 174 63

HSL 52.03, 0.5%, 0.5%

LAB 70.67, -6.79, 56.92

 

CMYK 9 / 0 / 67 / 25

HEX #AEBF3F

RGB 174 191 63

HSL 67.97, 0.5%, 0.5%

LAB 73.95, -22.67, 59.85

 

CMYK 27 / 0 / 67 / 25

HEX #8CBF3F

RGB 140 191 63

HSL 83.91, 0.5%, 0.5%

LAB 71.69, -36.24, 56.81

 

CMYK 45 / 0 / 67 / 25

HEX #6ABF3F

RGB 106 191 63

HSL 99.84, 0.5%, 0.5%

LAB 69.95, -48.13, 54.45

 

CMYK 9 / 0 / 67 / 49

HEX #75812B

RGB 117 129 43

HSL 68.37, 0.5%, 0.34%

LAB 51.45, -16.83, 43.46

 

CMYK 9 / 0 / 67 / 37

HEX #91A035

RGB 145 160 53

HSL 68.41, 0.5%, 0.42%

LAB 62.86, -20.02, 51.78

 

CMYK 9 / 0 / 67 / 25

HEX #ADBF3F

RGB 173 191 63

HSL 68.44, 0.5%, 0.5%

LAB 73.87, -23.08, 59.76

 

CMYK 7 / 0 / 53 / 21

HEX #BAC95E

RGB 186 201 94

HSL 68.41, 0.5%, 0.58%

LAB 77.89, -20.38, 51

 

CMYK 6 / 0 / 41 / 17

HEX #C7D37D

RGB 199 211 125

HSL 68.37, 0.49%, 0.66%

LAB 81.95, -17.11, 41.16

 

CMYK 9 / 0 / 67 / 25

HEX #ADBF3F

RGB 173 191 63

HSL 68.44, 0.5%, 0.5%

LAB 73.87, -23.08, 59.76

 

CMYK 67 / 0 / 45 / 25

HEX #3FBF6A

RGB 63 191 106

HSL 140.16, 0.5%, 0.5%

LAB 69.01, -53.58, 32.87

 

CMYK 18 / 67 / 0 / 25

HEX #9D3FBF

RGB 157 63 191

HSL 284.06, 0.5%, 0.5%

LAB 44.92, 58.14, -50.05

 

CMYK 9 / 0 / 67 / 25

HEX #ADBF3F

RGB 173 191 63

HSL 68.44, 0.5%, 0.5%

LAB 73.87, -23.08, 59.76

 

CMYK 67 / 9 / 0 / 25

HEX #3FAEBF

RGB 63 174 191

HSL 187.97, 0.5%, 0.5%

LAB 65.82, -25.66, -17.89

 

CMYK 0 / 67 / 9 / 25

HEX #BF3FAE

RGB 191 63 174

HSL 307.97, 0.5%, 0.5%

LAB 49.11, 63.15, -33.12

 

CMYK 9 / 0 / 67 / 25

HEX #ADBF3F

RGB 173 191 63

HSL 68.44, 0.5%, 0.5%

LAB 73.87, -23.08, 59.76

 

CMYK 67 / 0 / 45 / 25

HEX #3FBF6A

RGB 63 191 106

HSL 140.16, 0.5%, 0.5%

LAB 69.01, -53.58, 32.87

 

CMYK 58 / 67 / 0 / 25

HEX #503FBF

RGB 80 63 191

HSL 247.97, 0.5%, 0.5%

LAB 36.03, 42.85, -64.87

 

CMYK 0 / 67 / 23 / 25

HEX #BF3F94

RGB 191 63 148

HSL 320.16, 0.5%, 0.5%

LAB 47.97, 59.36, -19.48

 

CMYK 9 / 0 / 67 / 25

HEX #ADBF3F

RGB 173 191 63

HSL 68.44, 0.5%, 0.5%

LAB 73.87, -23.08, 59.76

 

CMYK 67 / 0 / 25 / 25

HEX #3FBF90

RGB 63 191 144

HSL 157.97, 0.5%, 0.5%

LAB 69.71, -46.04, 13.68

 

CMYK 58 / 67 / 0 / 25

HEX #503FBF

RGB 80 63 191

HSL 247.97, 0.5%, 0.5%

LAB 36.03, 42.85, -64.87

 

CMYK 0 / 67 / 42 / 25

HEX #BF3F6E

RGB 191 63 110

HSL 337.97, 0.5%, 0.5%

LAB 46.65, 54.84, 1.57

 

Description

Color code: RGB 173 191 63 | qconv.com Color code: RGB 173 191 63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 191 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 191 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 67 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 67% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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