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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 196 214 it is the complementary color RGB 82 59 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 196 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 196 214 shade: RGB 178 196 209, RGB 195 214 228, RGB 212 232 247, RGB 229 250 255 and RGB 246 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 196 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 196 214 shade: RGB 173 196 214, RGB 156 178 195, RGB 139 160 176, RGB 122 142 157 and RGB 105 124 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 196 214 shade: RGB 173 196 213, RGB 173 185 213, RGB 173 174 213, RGB 183 173 213 and RGB 194 173 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 196 214 shade: RGB 173 196 213, RGB 173 185 213, RGB 173 174 213 and RGB 173 173 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 196 214 shade matches the following richer shades: RGB 173 196 213, RGB 163 197 223, RGB 153 198 233, RGB 143 199 243 and RGB 133 201 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 196 214 shade: RGB 173 196 213, RGB 183 195 204, RGB 193 193 194, RGB 203 192 184 and RGB 213 191 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 196 214 shade: RGB 173 213 209, RGB 173 207 213, RGB 173 196 213, RGB 173 185 213 and RGB 173 174 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 196 214 shade: RGB 118 156 186, RGB 146 176 200, RGB 173 196 213, RGB 201 216 227 and RGB 228 235 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 196 214 shade: RGB 173 196 214, RGB 199 173 213 and RGB 212 213 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 196 214 shade: RGB 173 196 214, RGB 213 173 196 and RGB 196 213 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 196 214 shade: RGB 173 196 214, RGB 199 173 213, RGB 213 191 173 and RGB 188 213 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 196 214 shade: RGB 173 196 214, RGB 211 173 213, RGB 213 191 173 and RGB 176 213 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 8 / 0 / 16

HEX #ADC4D6

RGB 173 196 214

HSL 206.34, 0.33%, 0.76%

LAB 78, -3.97, -11.6

 

Complementary color

CMYK 0 / 28 / 50 / 68

HEX #523B29

RGB 82 59 41

HSL 26.34, 0.33%, 0.24%

LAB 26.97, 7.53, 15.11

 

CMYK 15 / 6 / 0 / 18

HEX #B2C4D1

RGB 178 196 209

HSL 205.16, 0.25%, 0.76%

LAB 78.2, -3.45, -8.58

 

CMYK 14 / 6 / 0 / 11

HEX #C3D6E4

RGB 195 214 228

HSL 205.45, 0.38%, 0.83%

LAB 84.64, -3.54, -9.05

 

CMYK 14 / 6 / 0 / 3

HEX #D4E8F7

RGB 212 232 247

HSL 205.71, 0.69%, 0.9%

LAB 90.97, -3.63, -9.51

 

CMYK 10 / 2 / 0 / 0

HEX #E5FAFF

RGB 229 250 255

HSL 191.54, 1%, 0.95%

LAB 96.92, -5.86, -4.74

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 19 / 8 / 0 / 16

HEX #ADC4D6

RGB 173 196 214

HSL 206.34, 0.33%, 0.76%

LAB 78, -3.97, -11.6

 

CMYK 20 / 9 / 0 / 24

HEX #9CB2C3

RGB 156 178 195

HSL 206.15, 0.25%, 0.69%

LAB 71.45, -3.88, -11.18

 

CMYK 21 / 9 / 0 / 31

HEX #8BA0B0

RGB 139 160 176

HSL 205.95, 0.19%, 0.62%

LAB 64.78, -3.8, -10.75

 

CMYK 22 / 10 / 0 / 38

HEX #7A8E9D

RGB 122 142 157

HSL 205.71, 0.15%, 0.55%

LAB 57.96, -3.71, -10.33

 

CMYK 24 / 10 / 0 / 46

HEX #697C8A

RGB 105 124 138

HSL 205.45, 0.14%, 0.48%

LAB 50.98, -3.62, -9.9

 

CMYK 19 / 8 / 0 / 16

HEX #ADC4D5

RGB 173 196 213

HSL 205.5, 0.32%, 0.76%

LAB 77.97, -4.19, -11.11

 

CMYK 19 / 13 / 0 / 16

HEX #ADB9D5

RGB 173 185 213

HSL 222, 0.32%, 0.76%

LAB 75.07, 1.71, -15.46

 

CMYK 19 / 18 / 0 / 16

HEX #ADAED5

RGB 173 174 213

HSL 238.5, 0.32%, 0.76%

LAB 72.2, 7.72, -19.8

 

CMYK 14 / 19 / 0 / 16

HEX #B7ADD5

RGB 183 173 213

HSL 255, 0.32%, 0.76%

LAB 72.73, 11.46, -18.92

 

CMYK 9 / 19 / 0 / 16

HEX #C2ADD5

RGB 194 173 213

HSL 271.5, 0.32%, 0.76%

LAB 73.65, 15.05, -17.44

 

CMYK 19 / 8 / 0 / 16

HEX #ADC4D5

RGB 173 196 213

HSL 205.5, 0.32%, 0.76%

LAB 77.97, -4.19, -11.11

 

CMYK 19 / 13 / 0 / 16

HEX #ADB9D5

RGB 173 185 213

HSL 222, 0.32%, 0.76%

LAB 75.07, 1.71, -15.46

 

CMYK 19 / 18 / 0 / 16

HEX #ADAED5

RGB 173 174 213

HSL 238.5, 0.32%, 0.76%

LAB 72.2, 7.72, -19.8

 

CMYK 19 / 19 / 0 / 16

HEX #ADADD5

RGB 173 173 213

HSL 240, 0.32%, 0.76%

LAB 71.94, 8.27, -20.19

 

CMYK 19 / 8 / 0 / 16

HEX #ADC4D5

RGB 173 196 213

HSL 205.5, 0.32%, 0.76%

LAB 77.97, -4.19, -11.11

 

CMYK 27 / 12 / 0 / 13

HEX #A3C5DF

RGB 163 197 223

HSL 206, 0.48%, 0.76%

LAB 77.9, -5.51, -16.67

 

CMYK 34 / 15 / 0 / 9

HEX #99C6E9

RGB 153 198 233

HSL 206.25, 0.65%, 0.76%

LAB 77.9, -6.46, -22.11

 

CMYK 41 / 18 / 0 / 5

HEX #8FC7F3

RGB 143 199 243

HSL 206.4, 0.81%, 0.76%

LAB 77.97, -7.06, -27.42

 

CMYK 47 / 21 / 0 / 1

HEX #85C9FD

RGB 133 201 253

HSL 206, 0.97%, 0.76%

LAB 78.38, -7.82, -32.19

 

CMYK 19 / 8 / 0 / 16

HEX #ADC4D5

RGB 173 196 213

HSL 205.5, 0.32%, 0.76%

LAB 77.97, -4.19, -11.11

 

CMYK 10 / 4 / 0 / 20

HEX #B7C3CC

RGB 183 195 204

HSL 205.71, 0.17%, 0.76%

LAB 78.14, -2.32, -5.92

 

CMYK 1 / 1 / 0 / 24

HEX #C1C1C2

RGB 193 193 194

HSL 240, 0.01%, 0.76%

LAB 78.09, 0.19, -0.51

 

CMYK 0 / 5 / 9 / 20

HEX #CBC0B8

RGB 203 192 184

HSL 25.26, 0.15%, 0.76%

LAB 78.38, 2.48, 5.4

 

CMYK 0 / 10 / 18 / 16

HEX #D5BFAE

RGB 213 191 174

HSL 26.15, 0.32%, 0.76%

LAB 78.73, 5.05, 11.41

 

CMYK 19 / 0 / 2 / 16

HEX #ADD5D1

RGB 173 213 209

HSL 174, 0.32%, 0.76%

LAB 82.42, -13.88, -2.38

 

CMYK 19 / 3 / 0 / 16

HEX #ADCFD5

RGB 173 207 213

HSL 189, 0.32%, 0.76%

LAB 80.91, -9.96, -6.74

 

CMYK 19 / 8 / 0 / 16

HEX #ADC4D5

RGB 173 196 213

HSL 205.5, 0.32%, 0.76%

LAB 77.97, -4.19, -11.11

 

CMYK 19 / 13 / 0 / 16

HEX #ADB9D5

RGB 173 185 213

HSL 222, 0.32%, 0.76%

LAB 75.07, 1.71, -15.46

 

CMYK 19 / 18 / 0 / 16

HEX #ADAED5

RGB 173 174 213

HSL 238.5, 0.32%, 0.76%

LAB 72.2, 7.72, -19.8

 

CMYK 37 / 16 / 0 / 27

HEX #769CBA

RGB 118 156 186

HSL 206.47, 0.33%, 0.6%

LAB 62.65, -5.45, -19.7

 

CMYK 27 / 12 / 0 / 22

HEX #92B0C8

RGB 146 176 200

HSL 206.67, 0.33%, 0.68%

LAB 70.41, -4.74, -15.56

 

CMYK 19 / 8 / 0 / 16

HEX #ADC4D5

RGB 173 196 213

HSL 205.5, 0.32%, 0.76%

LAB 77.97, -4.19, -11.11

 

CMYK 11 / 5 / 0 / 11

HEX #C9D8E3

RGB 201 216 227

HSL 205.38, 0.32%, 0.84%

LAB 85.54, -2.87, -7.13

 

CMYK 5 / 2 / 0 / 5

HEX #E4EBF1

RGB 228 235 241

HSL 207.69, 0.32%, 0.92%

LAB 92.69, -1.21, -3.72

 

CMYK 19 / 8 / 0 / 16

HEX #ADC4D6

RGB 173 196 214

HSL 206.34, 0.33%, 0.76%

LAB 78, -3.97, -11.6

 

CMYK 7 / 19 / 0 / 16

HEX #C7ADD5

RGB 199 173 213

HSL 279, 0.32%, 0.76%

LAB 74.08, 16.7, -16.74

 

CMYK 0 / 0 / 19 / 16

HEX #D4D5AD

RGB 212 213 173

HSL 61.5, 0.32%, 0.76%

LAB 84.28, -6.95, 19.71

 

CMYK 19 / 8 / 0 / 16

HEX #ADC4D6

RGB 173 196 214

HSL 206.34, 0.33%, 0.76%

LAB 78, -3.97, -11.6

 

CMYK 0 / 19 / 8 / 16

HEX #D5ADC4

RGB 213 173 196

HSL 325.5, 0.32%, 0.76%

LAB 74.84, 18.31, -6.19

 

CMYK 8 / 0 / 19 / 16

HEX #C4D5AD

RGB 196 213 173

HSL 85.5, 0.32%, 0.76%

LAB 83.09, -12.76, 17.88

 

CMYK 19 / 8 / 0 / 16

HEX #ADC4D6

RGB 173 196 214

HSL 206.34, 0.33%, 0.76%

LAB 78, -3.97, -11.6

 

CMYK 7 / 19 / 0 / 16

HEX #C7ADD5

RGB 199 173 213

HSL 279, 0.32%, 0.76%

LAB 74.08, 16.7, -16.74

 

CMYK 0 / 10 / 19 / 16

HEX #D5BFAD

RGB 213 191 173

HSL 27, 0.32%, 0.76%

LAB 78.71, 4.9, 11.91

 

CMYK 12 / 0 / 19 / 16

HEX #BCD5AD

RGB 188 213 173

HSL 97.5, 0.32%, 0.76%

LAB 82.54, -15.6, 17.02

 

CMYK 19 / 8 / 0 / 16

HEX #ADC4D6

RGB 173 196 214

HSL 206.34, 0.33%, 0.76%

LAB 78, -3.97, -11.6

 

CMYK 1 / 19 / 0 / 16

HEX #D3ADD5

RGB 211 173 213

HSL 297, 0.32%, 0.76%

LAB 75.16, 20.7, -15.01

 

CMYK 0 / 10 / 19 / 16

HEX #D5BFAD

RGB 213 191 173

HSL 27, 0.32%, 0.76%

LAB 78.71, 4.9, 11.91

 

CMYK 17 / 0 / 19 / 16

HEX #B0D5AD

RGB 176 213 173

HSL 115.5, 0.32%, 0.76%

LAB 81.75, -19.76, 15.8

 

Description

Color code: RGB 173 196 214 | qconv.com Color code: RGB 173 196 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 196 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 196 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 8 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 8% 0% 16% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - MedConcert™
Link: https://www.medconcert.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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