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Color name
RGB 173 168 93

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 168 93 it is the complementary color RGB 82 87 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 168 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 168 93 shade: RGB 178 168 88, RGB 195 186 107, RGB 212 204 126, RGB 229 222 145 and RGB 246 240 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 168 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 168 93 shade: RGB 173 168 93, RGB 156 150 74, RGB 139 132 55, RGB 122 114 36 and RGB 105 96 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 168 93 shade: RGB 172 167 92, RGB 172 146 92, RGB 172 124 92, RGB 172 102 92 and RGB 172 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 168 93 shade: RGB 172 167 92, RGB 156 172 92, RGB 134 172 92, RGB 112 172 92 and RGB 92 172 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 168 93 shade matches the following richer shades: RGB 172 167 92, RGB 192 185 72, RGB 212 202 52, RGB 232 219 32 and RGB 252 237 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 168 93 shade: RGB 172 167 92, RGB 153 150 112, RGB 133 133 131, RGB 113 115 151 and RGB 93 98 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 168 93 shade: RGB 172 124 92, RGB 172 146 92, RGB 172 167 92, RGB 156 172 92 and RGB 135 172 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 168 93 shade: RGB 121 117 61, RGB 148 144 75, RGB 172 167 92, RGB 186 182 119 and RGB 200 197 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 168 93 shade: RGB 173 168 93, RGB 92 172 102 and RGB 135 92 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 168 93 shade: RGB 173 168 93, RGB 92 172 167 and RGB 167 92 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 168 93 shade: RGB 173 168 93, RGB 92 172 102, RGB 92 97 172 and RGB 172 92 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 168 93 shade: RGB 173 168 93, RGB 92 172 127, RGB 92 97 172 and RGB 172 92 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 46 / 32

HEX #ADA85D

RGB 173 168 93

HSL 56.25, 0.33%, 0.52%

LAB 67.78, -8.97, 39.18

 

Complementary color

CMYK 49 / 46 / 0 / 36

HEX #5257A2

RGB 82 87 162

HSL 236.25, 0.33%, 0.48%

LAB 39.95, 19.14, -41.38

 

CMYK 0 / 6 / 51 / 30

HEX #B2A858

RGB 178 168 88

HSL 53.33, 0.37%, 0.52%

LAB 68.15, -7.34, 42.25

 

CMYK 0 / 5 / 45 / 24

HEX #C3BA6B

RGB 195 186 107

HSL 53.86, 0.42%, 0.59%

LAB 74.69, -7.89, 41.02

 

CMYK 0 / 4 / 41 / 17

HEX #D4CC7E

RGB 212 204 126

HSL 54.42, 0.5%, 0.66%

LAB 81.12, -8.35, 39.81

 

CMYK 0 / 3 / 37 / 10

HEX #E5DE91

RGB 229 222 145

HSL 55, 0.62%, 0.73%

LAB 87.46, -8.74, 38.64

 

CMYK 0 / 2 / 33 / 4

HEX #F6F0A4

RGB 246 240 164

HSL 55.61, 0.82%, 0.8%

LAB 93.71, -9.07, 37.52

 

CMYK 0 / 3 / 46 / 32

HEX #ADA85D

RGB 173 168 93

HSL 56.25, 0.33%, 0.52%

LAB 67.78, -8.97, 39.18

 

CMYK 0 / 4 / 53 / 39

HEX #9C964A

RGB 156 150 74

HSL 55.61, 0.36%, 0.45%

LAB 61.11, -8.42, 40.41

 

CMYK 0 / 5 / 60 / 45

HEX #8B8437

RGB 139 132 55

HSL 55, 0.43%, 0.38%

LAB 54.31, -7.72, 41.56

 

CMYK 0 / 7 / 70 / 52

HEX #7A7224

RGB 122 114 36

HSL 54.42, 0.54%, 0.31%

LAB 47.37, -6.81, 42.44

 

CMYK 0 / 9 / 84 / 59

HEX #696011

RGB 105 96 17

HSL 53.86, 0.72%, 0.24%

LAB 40.26, -5.6, 42.53

 

CMYK 0 / 3 / 47 / 33

HEX #ACA75C

RGB 172 167 92

HSL 56.25, 0.33%, 0.52%

LAB 67.41, -8.96, 39.22

 

CMYK 0 / 15 / 47 / 33

HEX #AC925C

RGB 172 146 92

HSL 40.5, 0.33%, 0.52%

LAB 61.74, 2.38, 32.15

 

CMYK 0 / 28 / 47 / 33

HEX #AC7C5C

RGB 172 124 92

HSL 24, 0.33%, 0.52%

LAB 56.05, 14.66, 24.81

 

CMYK 0 / 41 / 47 / 33

HEX #AC665C

RGB 172 102 92

HSL 7.5, 0.33%, 0.52%

LAB 50.74, 27.01, 17.73

 

CMYK 0 / 47 / 47 / 33

HEX #AC5C5C

RGB 172 92 92

HSL 0, 0.33%, 0.52%

LAB 48.51, 32.49, 14.68

 

CMYK 0 / 3 / 47 / 33

HEX #ACA75C

RGB 172 167 92

HSL 56.25, 0.33%, 0.52%

LAB 67.41, -8.96, 39.22

 

CMYK 9 / 0 / 47 / 33

HEX #9CAC5C

RGB 156 172 92

HSL 72, 0.33%, 0.52%

LAB 67.54, -18.15, 39.08

 

CMYK 22 / 0 / 47 / 33

HEX #86AC5C

RGB 134 172 92

HSL 88.5, 0.33%, 0.52%

LAB 66.02, -26.82, 36.87

 

CMYK 35 / 0 / 47 / 33

HEX #70AC5C

RGB 112 172 92

HSL 105, 0.33%, 0.52%

LAB 64.74, -34.8, 35

 

CMYK 47 / 0 / 46 / 33

HEX #5CAC5D

RGB 92 172 93

HSL 120.75, 0.33%, 0.52%

LAB 63.81, -41.07, 33.11

 

CMYK 0 / 3 / 47 / 33

HEX #ACA75C

RGB 172 167 92

HSL 56.25, 0.33%, 0.52%

LAB 67.41, -8.96, 39.22

 

CMYK 0 / 4 / 63 / 25

HEX #C0B948

RGB 192 185 72

HSL 56.5, 0.49%, 0.52%

LAB 73.79, -11.52, 56.42

 

CMYK 0 / 5 / 75 / 17

HEX #D4CA34

RGB 212 202 52

HSL 56.25, 0.65%, 0.52%

LAB 79.89, -12.69, 70.58

 

CMYK 0 / 6 / 86 / 9

HEX #E8DB20

RGB 232 219 32

HSL 56.1, 0.81%, 0.52%

LAB 85.97, -13.31, 81.61

 

CMYK 0 / 6 / 95 / 1

HEX #FCED0C

RGB 252 237 12

HSL 56.25, 0.98%, 0.52%

LAB 92.26, -14.04, 89.91

 

CMYK 0 / 3 / 47 / 33

HEX #ACA75C

RGB 172 167 92

HSL 56.25, 0.33%, 0.52%

LAB 67.41, -8.96, 39.22

 

CMYK 0 / 2 / 27 / 40

HEX #999670

RGB 153 150 112

HSL 55.61, 0.17%, 0.52%

LAB 61.44, -5.25, 20.5

 

CMYK 0 / 0 / 2 / 48

HEX #858583

RGB 133 133 131

HSL 60, 0.01%, 0.52%

LAB 55.48, -0.39, 1.07

 

CMYK 25 / 24 / 0 / 41

HEX #717397

RGB 113 115 151

HSL 236.84, 0.15%, 0.52%

LAB 49.5, 7.56, -19.72

 

CMYK 46 / 43 / 0 / 33

HEX #5D62AB

RGB 93 98 171

HSL 236.15, 0.32%, 0.52%

LAB 44.24, 17.77, -39.83

 

CMYK 0 / 28 / 47 / 33

HEX #AC7C5C

RGB 172 124 92

HSL 24, 0.33%, 0.52%

LAB 56.05, 14.66, 24.81

 

CMYK 0 / 15 / 47 / 33

HEX #AC925C

RGB 172 146 92

HSL 40.5, 0.33%, 0.52%

LAB 61.74, 2.38, 32.15

 

CMYK 0 / 3 / 47 / 33

HEX #ACA75C

RGB 172 167 92

HSL 56.25, 0.33%, 0.52%

LAB 67.41, -8.96, 39.22

 

CMYK 9 / 0 / 47 / 33

HEX #9CAC5C

RGB 156 172 92

HSL 72, 0.33%, 0.52%

LAB 67.54, -18.15, 39.08

 

CMYK 22 / 0 / 47 / 33

HEX #87AC5C

RGB 135 172 92

HSL 87.75, 0.33%, 0.52%

LAB 66.08, -26.43, 36.96

 

CMYK 0 / 3 / 50 / 53

HEX #79753D

RGB 121 117 61

HSL 56, 0.33%, 0.36%

LAB 48.42, -6.92, 31.23

 

CMYK 0 / 3 / 49 / 42

HEX #94904B

RGB 148 144 75

HSL 56.71, 0.33%, 0.44%

LAB 58.74, -8.54, 36.91

 

CMYK 0 / 3 / 47 / 33

HEX #ACA75C

RGB 172 167 92

HSL 56.25, 0.33%, 0.52%

LAB 67.41, -8.96, 39.22

 

CMYK 0 / 2 / 36 / 27

HEX #BAB677

RGB 186 182 119

HSL 56.42, 0.33%, 0.6%

LAB 73.04, -8.15, 32.61

 

CMYK 0 / 1 / 27 / 22

HEX #C8C593

RGB 200 197 147

HSL 56.6, 0.33%, 0.68%

LAB 78.65, -6.9, 25.53

 

CMYK 0 / 3 / 46 / 32

HEX #ADA85D

RGB 173 168 93

HSL 56.25, 0.33%, 0.52%

LAB 67.78, -8.97, 39.18

 

CMYK 47 / 0 / 41 / 33

HEX #5CAC66

RGB 92 172 102

HSL 127.5, 0.33%, 0.52%

LAB 63.95, -39.65, 28.58

 

CMYK 22 / 47 / 0 / 33

HEX #875CAC

RGB 135 92 172

HSL 272.25, 0.33%, 0.52%

LAB 46.69, 33.33, -36.29

 

CMYK 0 / 3 / 46 / 32

HEX #ADA85D

RGB 173 168 93

HSL 56.25, 0.33%, 0.52%

LAB 67.78, -8.97, 39.18

 

CMYK 47 / 0 / 3 / 33

HEX #5CACA7

RGB 92 172 167

HSL 176.25, 0.33%, 0.52%

LAB 65.41, -25.76, -5.05

 

CMYK 3 / 47 / 0 / 33

HEX #A75CAC

RGB 167 92 172

HSL 296.25, 0.33%, 0.52%

LAB 50.51, 42.86, -30.03

 

CMYK 0 / 3 / 46 / 32

HEX #ADA85D

RGB 173 168 93

HSL 56.25, 0.33%, 0.52%

LAB 67.78, -8.97, 39.18

 

CMYK 47 / 0 / 41 / 33

HEX #5CAC66

RGB 92 172 102

HSL 127.5, 0.33%, 0.52%

LAB 63.95, -39.65, 28.58

 

CMYK 47 / 44 / 0 / 33

HEX #5C61AC

RGB 92 97 172

HSL 236.25, 0.33%, 0.52%

LAB 43.95, 18.45, -40.88

 

CMYK 0 / 47 / 6 / 33

HEX #AC5CA2

RGB 172 92 162

HSL 307.5, 0.33%, 0.52%

LAB 50.73, 42.53, -23.78

 

CMYK 0 / 3 / 46 / 32

HEX #ADA85D

RGB 173 168 93

HSL 56.25, 0.33%, 0.52%

LAB 67.78, -8.97, 39.18

 

CMYK 47 / 0 / 26 / 33

HEX #5CAC7F

RGB 92 172 127

HSL 146.25, 0.33%, 0.52%

LAB 64.41, -35.05, 15.69

 

CMYK 47 / 44 / 0 / 33

HEX #5C61AC

RGB 92 97 172

HSL 236.25, 0.33%, 0.52%

LAB 43.95, 18.45, -40.88

 

CMYK 0 / 47 / 20 / 33

HEX #AC5C89

RGB 172 92 137

HSL 326.25, 0.33%, 0.52%

LAB 49.78, 38.36, -10.43

 

Description

Color code: RGB 173 168 93 | qconv.com Color code: RGB 173 168 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 168 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 168 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 46 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 46% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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