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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 168 215 it is the complementary color RGB 82 87 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 168 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 168 215 shade: RGB 178 168 210, RGB 195 186 229, RGB 212 204 248, RGB 229 222 255 and RGB 246 240 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 168 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 168 215 shade: RGB 173 168 215, RGB 156 150 196, RGB 139 132 177, RGB 122 114 158 and RGB 105 96 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 168 215 shade: RGB 172 167 214, RGB 185 167 214, RGB 198 167 214, RGB 210 167 214 and RGB 214 167 206

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 168 215 shade: RGB 172 167 214 and RGB 167 167 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 168 215 shade matches the following richer shades: RGB 172 167 214, RGB 164 157 225, RGB 156 147 235 and RGB 148 136 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 168 215 shade: RGB 172 167 214, RGB 180 177 204, RGB 188 188 194, RGB 197 198 183 and RGB 205 208 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 168 215 shade: RGB 167 188 214, RGB 167 175 214, RGB 172 167 214, RGB 184 167 214 and RGB 197 167 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 168 215 shade: RGB 119 111 188, RGB 146 139 201, RGB 172 167 214, RGB 199 195 227 and RGB 225 224 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 168 215 shade: RGB 173 168 215, RGB 214 167 200 and RGB 181 214 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 168 215 shade: RGB 173 168 215, RGB 214 172 167 and RGB 167 214 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 168 215 shade: RGB 173 168 215, RGB 214 167 200, RGB 210 214 167 and RGB 167 214 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 168 215 shade: RGB 173 168 215, RGB 214 167 186, RGB 210 214 167 and RGB 167 214 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 22 / 0 / 16

HEX #ADA8D7

RGB 173 168 215

HSL 246.38, 0.37%, 0.75%

LAB 70.73, 11.49, -23.13

 

Complementary color

CMYK 6 / 0 / 54 / 66

HEX #525728

RGB 82 87 40

HSL 66.38, 0.37%, 0.25%

LAB 35.52, -9.84, 26.38

 

CMYK 15 / 20 / 0 / 18

HEX #B2A8D2

RGB 178 168 210

HSL 254.29, 0.32%, 0.74%

LAB 70.96, 11.97, -20.01

 

CMYK 15 / 19 / 0 / 10

HEX #C3BAE5

RGB 195 186 229

HSL 252.56, 0.45%, 0.81%

LAB 77.51, 11.6, -20.29

 

CMYK 15 / 18 / 0 / 3

HEX #D4CCF8

RGB 212 204 248

HSL 250.91, 0.76%, 0.89%

LAB 83.94, 11.27, -20.58

 

CMYK 10 / 13 / 0 / 0

HEX #E5DEFF

RGB 229 222 255

HSL 252.73, 1%, 0.94%

LAB 89.92, 8.53, -15.15

 

CMYK 4 / 6 / 0 / 0

HEX #F6F0FF

RGB 246 240 255

HSL 264, 1%, 0.97%

LAB 95.64, 4.68, -6.5

 

CMYK 20 / 22 / 0 / 16

HEX #ADA8D7

RGB 173 168 215

HSL 246.38, 0.37%, 0.75%

LAB 70.73, 11.49, -23.13

 

CMYK 20 / 23 / 0 / 23

HEX #9C96C4

RGB 156 150 196

HSL 247.83, 0.28%, 0.68%

LAB 64.05, 11.89, -22.93

 

CMYK 21 / 25 / 0 / 31

HEX #8B84B1

RGB 139 132 177

HSL 249.33, 0.22%, 0.61%

LAB 57.24, 12.34, -22.75

 

CMYK 23 / 28 / 0 / 38

HEX #7A729E

RGB 122 114 158

HSL 250.91, 0.18%, 0.53%

LAB 50.26, 12.83, -22.6

 

CMYK 24 / 31 / 0 / 45

HEX #69608B

RGB 105 96 139

HSL 252.56, 0.18%, 0.46%

LAB 43.11, 13.4, -22.49

 

CMYK 20 / 22 / 0 / 16

HEX #ACA7D6

RGB 172 167 214

HSL 246.38, 0.36%, 0.75%

LAB 70.36, 11.51, -23.16

 

CMYK 14 / 22 / 0 / 16

HEX #B9A7D6

RGB 185 167 214

HSL 262.98, 0.36%, 0.75%

LAB 71.42, 15.63, -21.44

 

CMYK 7 / 22 / 0 / 16

HEX #C6A7D6

RGB 198 167 214

HSL 279.57, 0.36%, 0.75%

LAB 72.56, 19.86, -19.6

 

CMYK 2 / 22 / 0 / 16

HEX #D2A7D6

RGB 210 167 214

HSL 294.89, 0.36%, 0.75%

LAB 73.67, 23.82, -17.82

 

CMYK 0 / 22 / 4 / 16

HEX #D6A7CE

RGB 214 167 206

HSL 310.21, 0.36%, 0.75%

LAB 73.8, 23.68, -13.21

 

CMYK 20 / 22 / 0 / 16

HEX #ACA7D6

RGB 172 167 214

HSL 246.38, 0.36%, 0.75%

LAB 70.36, 11.51, -23.16

 

CMYK 22 / 22 / 0 / 16

HEX #A7A7D6

RGB 167 167 214

HSL 240, 0.36%, 0.75%

LAB 69.97, 9.95, -23.78

 

CMYK 20 / 22 / 0 / 16

HEX #ACA7D6

RGB 172 167 214

HSL 246.38, 0.36%, 0.75%

LAB 70.36, 11.51, -23.16

 

CMYK 27 / 30 / 0 / 12

HEX #A49DE1

RGB 164 157 225

HSL 246.18, 0.53%, 0.75%

LAB 67.61, 17.28, -33.49

 

CMYK 34 / 37 / 0 / 8

HEX #9C93EB

RGB 156 147 235

HSL 246.14, 0.69%, 0.75%

LAB 64.91, 23.24, -43.26

 

CMYK 40 / 44 / 0 / 4

HEX #9488F5

RGB 148 136 245

HSL 246.61, 0.84%, 0.75%

LAB 62.08, 30.16, -53.28

 

CMYK 20 / 22 / 0 / 16

HEX #ACA7D6

RGB 172 167 214

HSL 246.38, 0.36%, 0.75%

LAB 70.36, 11.51, -23.16

 

CMYK 12 / 13 / 0 / 20

HEX #B4B1CC

RGB 180 177 204

HSL 246.67, 0.21%, 0.75%

LAB 73.22, 6.39, -13.27

 

CMYK 3 / 3 / 0 / 24

HEX #BCBCC2

RGB 188 188 194

HSL 240, 0.05%, 0.75%

LAB 76.41, 1.13, -3.03

 

CMYK 1 / 0 / 8 / 22

HEX #C5C6B7

RGB 197 198 183

HSL 64, 0.12%, 0.75%

LAB 79.43, -3.01, 7.39

 

CMYK 1 / 0 / 17 / 18

HEX #CDD0AD

RGB 205 208 173

HSL 65.14, 0.27%, 0.75%

LAB 82.44, -6.95, 17.06

 

CMYK 22 / 12 / 0 / 16

HEX #A7BCD6

RGB 167 188 214

HSL 213.19, 0.36%, 0.75%

LAB 75.47, -1.56, -15.44

RGB 167 188 214

CMYK 22 / 18 / 0 / 16

HEX #A7AFD6

RGB 167 175 214

HSL 229.79, 0.36%, 0.75%

LAB 72.05, 5.52, -20.62

RGB 167 175 214

CMYK 20 / 22 / 0 / 16

HEX #ACA7D6

RGB 172 167 214

HSL 246.38, 0.36%, 0.75%

LAB 70.36, 11.51, -23.16

RGB 172 167 214

CMYK 14 / 22 / 0 / 16

HEX #B8A7D6

RGB 184 167 214

HSL 261.7, 0.36%, 0.75%

LAB 71.34, 15.31, -21.57

RGB 184 167 214

CMYK 8 / 22 / 0 / 16

HEX #C5A7D6

RGB 197 167 214

HSL 278.3, 0.36%, 0.75%

LAB 72.47, 19.53, -19.75

RGB 197 167 214

CMYK 37 / 41 / 0 / 26

HEX #776FBC

RGB 119 111 188

HSL 246.23, 0.36%, 0.59%

LAB 50.6, 21.65, -39.53

 

CMYK 27 / 31 / 0 / 21

HEX #928BC9

RGB 146 139 201

HSL 246.77, 0.36%, 0.67%

LAB 60.6, 16.32, -31.12

 

CMYK 20 / 22 / 0 / 16

HEX #ACA7D6

RGB 172 167 214

HSL 246.38, 0.36%, 0.75%

LAB 70.36, 11.51, -23.16

 

CMYK 12 / 14 / 0 / 11

HEX #C7C3E3

RGB 199 195 227

HSL 247.5, 0.36%, 0.83%

LAB 80.02, 7.6, -15.38

 

CMYK 6 / 7 / 0 / 6

HEX #E1E0F0

RGB 225 224 240

HSL 243.75, 0.35%, 0.91%

LAB 89.68, 3.29, -7.67

 

CMYK 20 / 22 / 0 / 16

HEX #ADA8D7

RGB 173 168 215

HSL 246.38, 0.37%, 0.75%

LAB 70.73, 11.49, -23.13

 

CMYK 0 / 22 / 7 / 16

HEX #D6A7C8

RGB 214 167 200

HSL 317.87, 0.36%, 0.75%

LAB 73.61, 22.61, -10.19

 

CMYK 15 / 0 / 22 / 16

HEX #B5D6A7

RGB 181 214 167

HSL 102.13, 0.36%, 0.75%

LAB 82.22, -19.53, 19.67

 

CMYK 20 / 22 / 0 / 16

HEX #ADA8D7

RGB 173 168 215

HSL 246.38, 0.37%, 0.75%

LAB 70.73, 11.49, -23.13

 

CMYK 0 / 20 / 22 / 16

HEX #D6ACA7

RGB 214 172 167

HSL 6.38, 0.36%, 0.75%

LAB 73.93, 14.55, 8.37

 

CMYK 22 / 0 / 20 / 16

HEX #A7D6AC

RGB 167 214 172

HSL 126.38, 0.36%, 0.75%

LAB 81.45, -23.45, 15.83

 

CMYK 20 / 22 / 0 / 16

HEX #ADA8D7

RGB 173 168 215

HSL 246.38, 0.37%, 0.75%

LAB 70.73, 11.49, -23.13

 

CMYK 0 / 22 / 7 / 16

HEX #D6A7C8

RGB 214 167 200

HSL 317.87, 0.36%, 0.75%

LAB 73.61, 22.61, -10.19

 

CMYK 2 / 0 / 22 / 16

HEX #D2D6A7

RGB 210 214 167

HSL 65.11, 0.36%, 0.75%

LAB 84.27, -9.07, 22.82

 

CMYK 22 / 0 / 15 / 16

HEX #A7D6B5

RGB 167 214 181

HSL 137.87, 0.36%, 0.75%

LAB 81.64, -21.82, 11.34

 

CMYK 20 / 22 / 0 / 16

HEX #ADA8D7

RGB 173 168 215

HSL 246.38, 0.37%, 0.75%

LAB 70.73, 11.49, -23.13

 

CMYK 0 / 22 / 13 / 16

HEX #D6A7BA

RGB 214 167 186

HSL 335.74, 0.36%, 0.75%

LAB 73.21, 20.23, -3.1

 

CMYK 2 / 0 / 22 / 16

HEX #D2D6A7

RGB 210 214 167

HSL 65.11, 0.36%, 0.75%

LAB 84.27, -9.07, 22.82

 

CMYK 22 / 0 / 9 / 16

HEX #A7D6C3

RGB 167 214 195

HSL 155.74, 0.36%, 0.75%

LAB 81.97, -19.12, 4.38

 

Description

Color code: RGB 173 168 215 | qconv.com Color code: RGB 173 168 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 168 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 168 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 22 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 22% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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