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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 130 20 it is the complementary color RGB 82 125 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 130 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 130 20 shade: RGB 178 130 15, RGB 195 148 34, RGB 212 166 53, RGB 229 184 72 and RGB 246 202 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 130 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 130 20 shade: RGB 173 130 20, RGB 156 112 1, RGB 139 94 0, RGB 122 76 0 and RGB 105 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 130 20 shade: RGB 173 130 20, RGB 173 89 20, RGB 173 47 20 and RGB 173 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 130 20 shade: RGB 173 130 20, RGB 173 171 20, RGB 133 173 20, RGB 92 173 20 and RGB 51 173 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 130 20 shade matches the following richer shades: RGB 173 130 20 and RGB 189 137 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 130 20 shade: RGB 173 130 20, RGB 157 123 36, RGB 142 116 51, RGB 126 109 67 and RGB 110 102 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 130 20 shade: RGB 173 48 20, RGB 173 89 20, RGB 173 130 20, RGB 173 170 20 and RGB 135 173 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 130 20 shade: RGB 99 74 11, RGB 136 102 16, RGB 173 130 20, RGB 210 158 24 and RGB 230 178 45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 130 20 shade: RGB 173 130 20, RGB 33 173 20 and RGB 68 20 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 130 20 shade: RGB 173 130 20, RGB 20 173 130 and RGB 130 20 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 130 20 shade: RGB 173 130 20, RGB 33 173 20, RGB 20 63 173 and RGB 160 20 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 130 20 shade: RGB 173 130 20, RGB 20 173 53, RGB 20 63 173 and RGB 173 20 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 88 / 32

HEX #AD8214

RGB 173 130 20

HSL 43.14, 0.79%, 0.38%

LAB 56.98, 7.26, 58.61

 

Complementary color

CMYK 65 / 47 / 0 / 8

HEX #527DEB

RGB 82 125 235

HSL 223.14, 0.79%, 0.62%

LAB 54.51, 19.85, -60.07

 

CMYK 0 / 27 / 92 / 30

HEX #B2820F

RGB 178 130 15

HSL 42.33, 0.84%, 0.38%

LAB 57.53, 9.43, 60.43

 

CMYK 0 / 24 / 83 / 24

HEX #C39422

RGB 195 148 34

HSL 42.48, 0.7%, 0.45%

LAB 64.08, 7.62, 61.52

 

CMYK 0 / 22 / 75 / 17

HEX #D4A635

RGB 212 166 53

HSL 42.64, 0.65%, 0.52%

LAB 70.54, 6.08, 61.45

 

CMYK 0 / 20 / 69 / 10

HEX #E5B848

RGB 229 184 72

HSL 42.8, 0.75%, 0.59%

LAB 76.92, 4.76, 60.77

 

CMYK 0 / 18 / 63 / 4

HEX #F6CA5B

RGB 246 202 91

HSL 42.97, 0.9%, 0.66%

LAB 83.23, 3.63, 59.78

 

CMYK 0 / 25 / 88 / 32

HEX #AD8214

RGB 173 130 20

HSL 43.14, 0.79%, 0.38%

LAB 56.98, 7.26, 58.61

 

CMYK 0 / 28 / 99 / 39

HEX #9C7001

RGB 156 112 1

HSL 42.97, 0.99%, 0.31%

LAB 50.29, 9.23, 56.68

 

CMYK 0 / 32 / 100 / 45

HEX #8B5E00

RGB 139 94 0

HSL 40.58, 1%, 0.27%

LAB 43.5, 11.62, 51.33

 

CMYK 0 / 38 / 100 / 52

HEX #7A4C00

RGB 122 76 0

HSL 37.38, 1%, 0.24%

LAB 36.57, 14.17, 45.67

 

CMYK 0 / 45 / 100 / 59

HEX #693A00

RGB 105 58 0

HSL 33.14, 1%, 0.21%

LAB 29.49, 16.85, 39.73

 

CMYK 0 / 25 / 88 / 32

HEX #AD8214

RGB 173 130 20

HSL 43.14, 0.79%, 0.38%

LAB 56.98, 7.26, 58.61

 

CMYK 0 / 49 / 88 / 32

HEX #AD5914

RGB 173 89 20

HSL 27.06, 0.79%, 0.38%

LAB 47.08, 30.06, 50.71

 

CMYK 0 / 73 / 88 / 32

HEX #AD2F14

RGB 173 47 20

HSL 10.59, 0.79%, 0.38%

LAB 39.53, 49.78, 44.69

 

CMYK 0 / 88 / 88 / 32

HEX #AD1414

RGB 173 20 20

HSL 0, 0.79%, 0.38%

LAB 36.81, 57.42, 42.53

 

CMYK 0 / 25 / 88 / 32

HEX #AD8214

RGB 173 130 20

HSL 43.14, 0.79%, 0.38%

LAB 56.98, 7.26, 58.61

 

CMYK 0 / 1 / 88 / 32

HEX #ADAB14

RGB 173 171 20

HSL 59.22, 0.79%, 0.38%

LAB 68.07, -14.79, 67.48

 

CMYK 23 / 0 / 88 / 32

HEX #85AD14

RGB 133 173 20

HSL 75.69, 0.79%, 0.38%

LAB 65.69, -32.85, 64.32

 

CMYK 47 / 0 / 88 / 32

HEX #5CAD14

RGB 92 173 20

HSL 91.76, 0.79%, 0.38%

LAB 63.52, -47.94, 61.62

 

CMYK 71 / 0 / 88 / 32

HEX #33AD14

RGB 51 173 20

HSL 107.84, 0.79%, 0.38%

LAB 62.2, -58.53, 59.97

 

CMYK 0 / 25 / 88 / 32

HEX #AD8214

RGB 173 130 20

HSL 43.14, 0.79%, 0.38%

LAB 56.98, 7.26, 58.61

 

CMYK 0 / 28 / 98 / 26

HEX #BD8904

RGB 189 137 4

HSL 43.14, 0.96%, 0.38%

LAB 60.53, 10.38, 65.03

 

CMYK 0 / 25 / 88 / 32

HEX #AD8214

RGB 173 130 20

HSL 43.14, 0.79%, 0.38%

LAB 56.98, 7.26, 58.61

 

CMYK 0 / 22 / 77 / 38

HEX #9D7B24

RGB 157 123 36

HSL 43.14, 0.63%, 0.38%

LAB 53.45, 4.38, 49.64

 

CMYK 0 / 18 / 64 / 44

HEX #8E7433

RGB 142 116 51

HSL 42.86, 0.47%, 0.38%

LAB 50.07, 2.32, 38.88

 

CMYK 0 / 13 / 47 / 51

HEX #7E6D43

RGB 126 109 67

HSL 42.71, 0.31%, 0.38%

LAB 46.68, 0.54, 25.87

 

CMYK 0 / 7 / 25 / 57

HEX #6E6653

RGB 110 102 83

HSL 42.22, 0.14%, 0.38%

LAB 43.42, -0.22, 11.9

 

CMYK 0 / 72 / 88 / 32

HEX #AD3014

RGB 173 48 20

HSL 10.98, 0.79%, 0.38%

LAB 39.66, 49.41, 44.8

 

CMYK 0 / 49 / 88 / 32

HEX #AD5914

RGB 173 89 20

HSL 27.06, 0.79%, 0.38%

LAB 47.08, 30.06, 50.71

 

CMYK 0 / 25 / 88 / 32

HEX #AD8214

RGB 173 130 20

HSL 43.14, 0.79%, 0.38%

LAB 56.98, 7.26, 58.61

 

CMYK 0 / 2 / 88 / 32

HEX #ADAA14

RGB 173 170 20

HSL 58.82, 0.79%, 0.38%

LAB 67.79, -14.28, 67.26

 

CMYK 22 / 0 / 88 / 32

HEX #87AD14

RGB 135 173 20

HSL 74.9, 0.79%, 0.38%

LAB 65.82, -32.04, 64.48

 

CMYK 0 / 25 / 89 / 61

HEX #634A0B

RGB 99 74 11

HSL 42.95, 0.8%, 0.22%

LAB 33.08, 4.37, 38.05

 

CMYK 0 / 25 / 88 / 47

HEX #886610

RGB 136 102 16

HSL 43, 0.79%, 0.3%

LAB 45.32, 5.86, 48.5

 

CMYK 0 / 25 / 88 / 32

HEX #AD8214

RGB 173 130 20

HSL 43.14, 0.79%, 0.38%

LAB 56.98, 7.26, 58.61

 

CMYK 0 / 25 / 89 / 18

HEX #D29E18

RGB 210 158 24

HSL 43.23, 0.79%, 0.46%

LAB 68.18, 8.59, 68.25

 

CMYK 0 / 23 / 80 / 10

HEX #E6B22D

RGB 230 178 45

HSL 43.14, 0.79%, 0.54%

LAB 75.36, 7.2, 69.35

 

CMYK 0 / 25 / 88 / 32

HEX #AD8214

RGB 173 130 20

HSL 43.14, 0.79%, 0.38%

LAB 56.98, 7.26, 58.61

 

CMYK 81 / 0 / 88 / 32

HEX #21AD14

RGB 33 173 20

HSL 114.9, 0.79%, 0.38%

LAB 61.88, -61.36, 59.56

 

CMYK 61 / 88 / 0 / 32

HEX #4414AD

RGB 68 20 173

HSL 258.82, 0.79%, 0.38%

LAB 26, 56.39, -70.72

 

CMYK 0 / 25 / 88 / 32

HEX #AD8214

RGB 173 130 20

HSL 43.14, 0.79%, 0.38%

LAB 56.98, 7.26, 58.61

 

CMYK 88 / 0 / 25 / 32

HEX #14AD82

RGB 20 173 130

HSL 163.14, 0.79%, 0.38%

LAB 63.05, -47.05, 11.88

 

CMYK 25 / 88 / 0 / 32

HEX #8214AD

RGB 130 20 173

HSL 283.14, 0.79%, 0.38%

LAB 34.53, 63.93, -56.41

 

CMYK 0 / 25 / 88 / 32

HEX #AD8214

RGB 173 130 20

HSL 43.14, 0.79%, 0.38%

LAB 56.98, 7.26, 58.61

 

CMYK 81 / 0 / 88 / 32

HEX #21AD14

RGB 33 173 20

HSL 114.9, 0.79%, 0.38%

LAB 61.88, -61.36, 59.56

 

CMYK 88 / 64 / 0 / 32

HEX #143FAD

RGB 20 63 173

HSL 223.14, 0.79%, 0.38%

LAB 31.16, 29.64, -62.31

 

CMYK 8 / 88 / 0 / 32

HEX #A014AD

RGB 160 20 173

HSL 294.9, 0.79%, 0.38%

LAB 39.57, 68.83, -48.01

 

CMYK 0 / 25 / 88 / 32

HEX #AD8214

RGB 173 130 20

HSL 43.14, 0.79%, 0.38%

LAB 56.98, 7.26, 58.61

 

CMYK 88 / 0 / 69 / 32

HEX #14AD35

RGB 20 173 53

HSL 132.94, 0.79%, 0.38%

LAB 61.91, -60.45, 49.25

 

CMYK 88 / 64 / 0 / 32

HEX #143FAD

RGB 20 63 173

HSL 223.14, 0.79%, 0.38%

LAB 31.16, 29.64, -62.31

 

CMYK 0 / 88 / 19 / 32

HEX #AD148C

RGB 173 20 140

HSL 312.94, 0.79%, 0.38%

LAB 40.04, 66.43, -27.16

 

Description

Color code: RGB 173 130 20 | qconv.com Color code: RGB 173 130 20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 130 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 130 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 88 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 88% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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