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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 119 216 it is the complementary color RGB 82 136 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 119 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 119 216 shade: RGB 178 119 211, RGB 195 137 230, RGB 212 155 249, RGB 229 173 255 and RGB 246 191 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 119 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 119 216 shade: RGB 173 119 216, RGB 156 101 197, RGB 139 83 178, RGB 122 65 159 and RGB 105 47 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 119 216 shade: RGB 173 120 215, RGB 199 120 215, RGB 215 120 206, RGB 215 120 181 and RGB 215 120 155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 119 216 shade: RGB 173 120 215, RGB 147 120 215, RGB 122 120 215 and RGB 120 120 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 119 216 shade matches the following richer shades: RGB 173 120 215, RGB 175 106 230 and RGB 176 92 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 119 216 shade: RGB 173 120 215, RGB 172 134 201, RGB 170 148 187, RGB 168 162 173 and RGB 167 176 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 119 216 shade: RGB 122 120 215, RGB 147 120 215, RGB 173 120 215, RGB 198 120 215 and RGB 215 120 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 119 216 shade: RGB 134 57 196, RGB 154 88 206, RGB 173 120 215, RGB 193 152 225 and RGB 212 184 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 119 216 shade: RGB 173 119 216, RGB 215 120 144 and RGB 120 215 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 119 216 shade: RGB 173 119 216, RGB 215 173 120 and RGB 120 215 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 119 216 shade: RGB 173 119 216, RGB 215 120 144, RGB 163 215 120 and RGB 120 215 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 119 216 shade: RGB 173 119 216, RGB 215 125 120, RGB 163 215 120 and RGB 120 211 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 45 / 0 / 15

HEX #AD77D8

RGB 173 119 216

HSL 273.4, 0.55%, 0.66%

LAB 59.01, 39.21, -41.86

 

Complementary color

CMYK 40 / 0 / 71 / 47

HEX #528827

RGB 82 136 39

HSL 93.4, 0.55%, 0.34%

LAB 51.32, -34.9, 44.33

 

CMYK 16 / 44 / 0 / 17

HEX #B277D3

RGB 178 119 211

HSL 278.48, 0.51%, 0.65%

LAB 59.31, 39.54, -38.54

 

CMYK 15 / 40 / 0 / 10

HEX #C389E6

RGB 195 137 230

HSL 277.42, 0.65%, 0.72%

LAB 65.91, 38.75, -38.68

 

CMYK 15 / 38 / 0 / 2

HEX #D49BF9

RGB 212 155 249

HSL 276.38, 0.89%, 0.79%

LAB 72.41, 38, -38.82

 

CMYK 10 / 32 / 0 / 0

HEX #E5ADFF

RGB 229 173 255

HSL 280.98, 1%, 0.84%

LAB 78.32, 34.64, -32.77

 

CMYK 4 / 25 / 0 / 0

HEX #F6BFFF

RGB 246 191 255

HSL 291.56, 1%, 0.87%

LAB 84, 30.34, -23.93

 

CMYK 20 / 45 / 0 / 15

HEX #AD77D8

RGB 173 119 216

HSL 273.4, 0.55%, 0.66%

LAB 59.01, 39.21, -41.86

 

CMYK 21 / 49 / 0 / 23

HEX #9C65C5

RGB 156 101 197

HSL 274.38, 0.45%, 0.58%

LAB 52.29, 40.06, -41.79

 

CMYK 22 / 53 / 0 / 30

HEX #8B53B2

RGB 139 83 178

HSL 275.37, 0.38%, 0.51%

LAB 45.48, 40.94, -41.69

 

CMYK 23 / 59 / 0 / 38

HEX #7A419F

RGB 122 65 159

HSL 276.38, 0.42%, 0.44%

LAB 38.59, 41.78, -41.52

 

CMYK 25 / 66 / 0 / 45

HEX #692F8C

RGB 105 47 140

HSL 277.42, 0.5%, 0.37%

LAB 31.65, 42.47, -41.19

 

CMYK 20 / 44 / 0 / 16

HEX #AD78D7

RGB 173 120 215

HSL 273.47, 0.54%, 0.66%

LAB 59.18, 38.43, -41.03

 

CMYK 7 / 44 / 0 / 16

HEX #C778D7

RGB 199 120 215

HSL 289.89, 0.54%, 0.66%

LAB 62.07, 45.95, -36.3

 

CMYK 0 / 44 / 4 / 16

HEX #D778CE

RGB 215 120 206

HSL 305.68, 0.54%, 0.66%

LAB 63.62, 49.04, -28.69

 

CMYK 0 / 44 / 16 / 16

HEX #D778B5

RGB 215 120 181

HSL 321.47, 0.54%, 0.66%

LAB 62.69, 44.9, -15.98

 

CMYK 0 / 44 / 28 / 16

HEX #D7789B

RGB 215 120 155

HSL 337.89, 0.54%, 0.66%

LAB 61.87, 41.1, -2.37

 

CMYK 20 / 44 / 0 / 16

HEX #AD78D7

RGB 173 120 215

HSL 273.47, 0.54%, 0.66%

LAB 59.18, 38.43, -41.03

 

CMYK 32 / 44 / 0 / 16

HEX #9378D7

RGB 147 120 215

HSL 257.05, 0.54%, 0.66%

LAB 56.63, 31.18, -45.23

 

CMYK 43 / 44 / 0 / 16

HEX #7A78D7

RGB 122 120 215

HSL 241.26, 0.54%, 0.66%

LAB 54.53, 24.71, -48.68

 

CMYK 44 / 44 / 0 / 16

HEX #7878D7

RGB 120 120 215

HSL 240, 0.54%, 0.66%

LAB 54.38, 24.22, -48.93

 

CMYK 20 / 44 / 0 / 16

HEX #AD78D7

RGB 173 120 215

HSL 273.47, 0.54%, 0.66%

LAB 59.18, 38.43, -41.03

 

CMYK 24 / 54 / 0 / 10

HEX #AF6AE6

RGB 175 106 230

HSL 273.39, 0.71%, 0.66%

LAB 57.21, 49.92, -52.55

 

CMYK 28 / 62 / 0 / 4

HEX #B05CF4

RGB 176 92 244

HSL 273.16, 0.87%, 0.66%

LAB 55.5, 60.36, -63.1

 

CMYK 20 / 44 / 0 / 16

HEX #AD78D7

RGB 173 120 215

HSL 273.47, 0.54%, 0.66%

LAB 59.18, 38.43, -41.03

 

CMYK 14 / 33 / 0 / 21

HEX #AC86C9

RGB 172 134 201

HSL 274.03, 0.38%, 0.66%

LAB 61.69, 27.18, -29.25

 

CMYK 9 / 21 / 0 / 27

HEX #AA94BB

RGB 170 148 187

HSL 273.85, 0.22%, 0.66%

LAB 64.41, 15.61, -17.22

 

CMYK 3 / 6 / 0 / 32

HEX #A8A2AD

RGB 168 162 173

HSL 272.73, 0.06%, 0.66%

LAB 67.41, 4.26, -4.92

 

CMYK 5 / 0 / 10 / 31

HEX #A7B09F

RGB 167 176 159

HSL 91.76, 0.1%, 0.66%

LAB 70.71, -6.32, 7.62

 

CMYK 43 / 44 / 0 / 16

HEX #7A78D7

RGB 122 120 215

HSL 241.26, 0.54%, 0.66%

LAB 54.53, 24.71, -48.68

 

CMYK 32 / 44 / 0 / 16

HEX #9378D7

RGB 147 120 215

HSL 257.05, 0.54%, 0.66%

LAB 56.63, 31.18, -45.23

 

CMYK 20 / 44 / 0 / 16

HEX #AD78D7

RGB 173 120 215

HSL 273.47, 0.54%, 0.66%

LAB 59.18, 38.43, -41.03

 

CMYK 8 / 44 / 0 / 16

HEX #C678D7

RGB 198 120 215

HSL 289.26, 0.54%, 0.66%

LAB 61.95, 45.66, -36.49

 

CMYK 0 / 44 / 3 / 16

HEX #D778D0

RGB 215 120 208

HSL 304.42, 0.54%, 0.66%

LAB 63.7, 49.39, -29.69

 

CMYK 32 / 71 / 0 / 23

HEX #8639C4

RGB 134 57 196

HSL 273.24, 0.55%, 0.5%

LAB 41.18, 57.02, -59.14

 

CMYK 25 / 57 / 0 / 19

HEX #9A58CE

RGB 154 88 206

HSL 273.56, 0.55%, 0.58%

LAB 49.86, 48.62, -50.82

 

CMYK 20 / 44 / 0 / 16

HEX #AD78D7

RGB 173 120 215

HSL 273.47, 0.54%, 0.66%

LAB 59.18, 38.43, -41.03

 

CMYK 14 / 32 / 0 / 12

HEX #C198E1

RGB 193 152 225

HSL 273.7, 0.55%, 0.74%

LAB 68.92, 28.83, -31.26

 

CMYK 9 / 21 / 0 / 8

HEX #D4B8EA

RGB 212 184 234

HSL 273.6, 0.54%, 0.82%

LAB 78.59, 19.16, -21.21

 

CMYK 20 / 45 / 0 / 15

HEX #AD77D8

RGB 173 119 216

HSL 273.4, 0.55%, 0.66%

LAB 59.01, 39.21, -41.86

 

CMYK 0 / 44 / 33 / 16

HEX #D77890

RGB 215 120 144

HSL 344.84, 0.54%, 0.66%

LAB 61.56, 39.67, 3.5

 

CMYK 44 / 0 / 38 / 16

HEX #78D786

RGB 120 215 134

HSL 128.84, 0.54%, 0.66%

LAB 78.65, -45.02, 31.44

 

CMYK 20 / 45 / 0 / 15

HEX #AD77D8

RGB 173 119 216

HSL 273.4, 0.55%, 0.66%

LAB 59.01, 39.21, -41.86

 

CMYK 0 / 20 / 44 / 16

HEX #D7AD78

RGB 215 173 120

HSL 33.47, 0.54%, 0.66%

LAB 73.34, 8.48, 32.99

 

CMYK 44 / 0 / 20 / 16

HEX #78D7AD

RGB 120 215 173

HSL 153.47, 0.54%, 0.66%

LAB 79.39, -37.77, 12.06

 

CMYK 20 / 45 / 0 / 15

HEX #AD77D8

RGB 173 119 216

HSL 273.4, 0.55%, 0.66%

LAB 59.01, 39.21, -41.86

 

CMYK 0 / 44 / 33 / 16

HEX #D77890

RGB 215 120 144

HSL 344.84, 0.54%, 0.66%

LAB 61.56, 39.67, 3.5

 

CMYK 24 / 0 / 44 / 16

HEX #A3D778

RGB 163 215 120

HSL 92.84, 0.54%, 0.66%

LAB 80.6, -33.14, 41.42

 

CMYK 44 / 0 / 11 / 16

HEX #78D7C0

RGB 120 215 192

HSL 165.47, 0.54%, 0.66%

LAB 79.84, -33.6, 2.59

 

CMYK 20 / 45 / 0 / 15

HEX #AD77D8

RGB 173 119 216

HSL 273.4, 0.55%, 0.66%

LAB 59.01, 39.21, -41.86

 

CMYK 0 / 42 / 44 / 16

HEX #D77D78

RGB 215 125 120

HSL 3.16, 0.54%, 0.66%

LAB 62.06, 34.29, 17.92

 

CMYK 24 / 0 / 44 / 16

HEX #A3D778

RGB 163 215 120

HSL 92.84, 0.54%, 0.66%

LAB 80.6, -33.14, 41.42

 

CMYK 44 / 2 / 0 / 16

HEX #78D3D7

RGB 120 211 215

HSL 182.53, 0.54%, 0.66%

LAB 79.32, -26.12, -10.47

 

Description

Color code: RGB 173 119 216 | qconv.com Color code: RGB 173 119 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 119 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 119 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 45 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 45% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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