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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 100 46 it is the complementary color RGB 82 155 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 100 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 100 46 shade: RGB 178 100 41, RGB 195 118 60, RGB 212 136 79, RGB 229 154 98 and RGB 246 172 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 100 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 100 46 shade: RGB 173 100 46, RGB 156 82 27, RGB 139 64 8, RGB 122 46 0 and RGB 105 28 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 100 46 shade: RGB 173 100 46, RGB 173 65 46 and RGB 173 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 100 46 shade: RGB 173 100 46, RGB 173 134 46, RGB 173 168 46, RGB 143 173 46 and RGB 109 173 46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 100 46 shade matches the following richer shades: RGB 173 100 46, RGB 190 97 28 and RGB 208 94 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 100 46 shade: RGB 173 100 46, RGB 155 102 63, RGB 137 105 81, RGB 120 108 99 and RGB 102 110 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 100 46 shade: RGB 173 46 60, RGB 173 65 46, RGB 173 99 46, RGB 173 132 46 and RGB 173 166 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 100 46 shade: RGB 108 62 28, RGB 140 81 37, RGB 173 100 46, RGB 202 119 57 and RGB 211 141 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 100 46 shade: RGB 173 100 46, RGB 94 173 46 and RGB 48 46 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 100 46 shade: RGB 173 100 46, RGB 46 173 99 and RGB 99 46 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 100 46 shade: RGB 173 100 46, RGB 94 173 46, RGB 46 120 173 and RGB 124 46 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 100 46 shade: RGB 173 100 46, RGB 56 173 46, RGB 46 120 173 and RGB 162 46 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 73 / 32

HEX #AD642E

RGB 173 100 46

HSL 25.51, 0.58%, 0.43%

LAB 49.73, 24.98, 42.08

 

Complementary color

CMYK 61 / 26 / 0 / 18

HEX #529BD1

RGB 82 155 209

HSL 205.51, 0.58%, 0.57%

LAB 61.52, -6.62, -34.47

 

CMYK 0 / 44 / 77 / 30

HEX #B26429

RGB 178 100 41

HSL 25.84, 0.63%, 0.43%

LAB 50.38, 26.88, 45.37

 

CMYK 0 / 39 / 69 / 24

HEX #C3763C

RGB 195 118 60

HSL 25.78, 0.53%, 0.5%

LAB 56.96, 25.18, 43.79

 

CMYK 0 / 36 / 63 / 17

HEX #D4884F

RGB 212 136 79

HSL 25.71, 0.61%, 0.57%

LAB 63.48, 23.69, 42.13

 

CMYK 0 / 33 / 57 / 10

HEX #E59A62

RGB 229 154 98

HSL 25.65, 0.72%, 0.64%

LAB 69.93, 22.38, 40.52

 

CMYK 0 / 30 / 52 / 4

HEX #F6AC75

RGB 246 172 117

HSL 25.58, 0.88%, 0.71%

LAB 76.3, 21.23, 39

 

CMYK 0 / 42 / 73 / 32

HEX #AD642E

RGB 173 100 46

HSL 25.51, 0.58%, 0.43%

LAB 49.73, 24.98, 42.08

 

CMYK 0 / 47 / 83 / 39

HEX #9C521B

RGB 156 82 27

HSL 25.58, 0.7%, 0.36%

LAB 43.04, 26.84, 43.54

 

CMYK 0 / 54 / 94 / 45

HEX #8B4008

RGB 139 64 8

HSL 25.65, 0.89%, 0.29%

LAB 36.32, 28.94, 44.02

 

CMYK 0 / 62 / 100 / 52

HEX #7A2E00

RGB 122 46 0

HSL 22.62, 1%, 0.24%

LAB 29.64, 31.19, 41.08

 

CMYK 0 / 73 / 100 / 59

HEX #691C00

RGB 105 28 0

HSL 16, 1%, 0.21%

LAB 23.11, 33.12, 33.97

 

CMYK 0 / 42 / 73 / 32

HEX #AD642E

RGB 173 100 46

HSL 25.51, 0.58%, 0.43%

LAB 49.73, 24.98, 42.08

 

CMYK 0 / 62 / 73 / 32

HEX #AD412E

RGB 173 65 46

HSL 8.98, 0.58%, 0.43%

LAB 42.55, 43.09, 34.29

 

CMYK 0 / 73 / 73 / 32

HEX #AD2E2E

RGB 173 46 46

HSL 0, 0.58%, 0.43%

LAB 39.64, 51, 30.98

 

CMYK 0 / 42 / 73 / 32

HEX #AD642E

RGB 173 100 46

HSL 25.51, 0.58%, 0.43%

LAB 49.73, 24.98, 42.08

 

CMYK 0 / 23 / 73 / 32

HEX #AD862E

RGB 173 134 46

HSL 41.57, 0.58%, 0.43%

LAB 58.16, 5.96, 50.74

 

CMYK 0 / 3 / 73 / 32

HEX #ADA82E

RGB 173 168 46

HSL 57.64, 0.58%, 0.43%

LAB 67.34, -12.38, 59.68

 

CMYK 17 / 0 / 73 / 32

HEX #8FAD2E

RGB 143 173 46

HSL 74.17, 0.58%, 0.43%

LAB 66.46, -27.71, 58.03

 

CMYK 37 / 0 / 73 / 32

HEX #6DAD2E

RGB 109 173 46

HSL 90.24, 0.58%, 0.43%

LAB 64.43, -40.89, 55.35

 

CMYK 0 / 42 / 73 / 32

HEX #AD642E

RGB 173 100 46

HSL 25.51, 0.58%, 0.43%

LAB 49.73, 24.98, 42.08

 

CMYK 0 / 49 / 85 / 25

HEX #BE611C

RGB 190 97 28

HSL 25.56, 0.74%, 0.43%

LAB 51.36, 33.06, 52.41

 

CMYK 0 / 55 / 95 / 18

HEX #D05E0A

RGB 208 94 10

HSL 25.45, 0.91%, 0.43%

LAB 53.42, 41.45, 60.38

 

CMYK 0 / 42 / 73 / 32

HEX #AD642E

RGB 173 100 46

HSL 25.51, 0.58%, 0.43%

LAB 49.73, 24.98, 42.08

 

CMYK 0 / 34 / 59 / 39

HEX #9B663F

RGB 155 102 63

HSL 25.43, 0.42%, 0.43%

LAB 48.05, 17.15, 30.53

 

CMYK 0 / 23 / 41 / 46

HEX #896951

RGB 137 105 81

HSL 25.71, 0.26%, 0.43%

LAB 46.99, 9.37, 18.41

 

CMYK 0 / 10 / 18 / 53

HEX #786C63

RGB 120 108 99

HSL 25.71, 0.1%, 0.43%

LAB 46.47, 3.08, 6.74

 

CMYK 13 / 6 / 0 / 54

HEX #666E75

RGB 102 110 117

HSL 208, 0.07%, 0.43%

LAB 45.99, -1.47, -4.93

 

CMYK 0 / 73 / 65 / 32

HEX #AD2E3C

RGB 173 46 60

HSL 353.39, 0.58%, 0.43%

LAB 39.86, 51.73, 22.7

 

CMYK 0 / 62 / 73 / 32

HEX #AD412E

RGB 173 65 46

HSL 8.98, 0.58%, 0.43%

LAB 42.55, 43.09, 34.29

 

CMYK 0 / 43 / 73 / 32

HEX #AD632E

RGB 173 99 46

HSL 25.04, 0.58%, 0.43%

LAB 49.5, 25.53, 41.84

 

CMYK 0 / 24 / 73 / 32

HEX #AD842E

RGB 173 132 46

HSL 40.63, 0.58%, 0.43%

LAB 57.64, 7.07, 50.21

 

CMYK 0 / 4 / 73 / 32

HEX #ADA62E

RGB 173 166 46

HSL 56.69, 0.58%, 0.43%

LAB 66.79, -11.34, 59.15

 

CMYK 0 / 43 / 74 / 58

HEX #6C3E1C

RGB 108 62 28

HSL 25.5, 0.59%, 0.27%

LAB 31.15, 16.93, 28.82

 

CMYK 0 / 42 / 74 / 45

HEX #8C5125

RGB 140 81 37

HSL 25.63, 0.58%, 0.35%

LAB 40.56, 20.83, 35.51

 

CMYK 0 / 42 / 73 / 32

HEX #AD642E

RGB 173 100 46

HSL 25.51, 0.58%, 0.43%

LAB 49.73, 24.98, 42.08

 

CMYK 0 / 41 / 72 / 21

HEX #CA7739

RGB 202 119 57

HSL 25.66, 0.58%, 0.51%

LAB 58.08, 27.41, 46.74

 

CMYK 0 / 33 / 57 / 17

HEX #D38D5A

RGB 211 141 90

HSL 25.29, 0.58%, 0.59%

LAB 64.67, 21.37, 37.79

 

CMYK 0 / 42 / 73 / 32

HEX #AD642E

RGB 173 100 46

HSL 25.51, 0.58%, 0.43%

LAB 49.73, 24.98, 42.08

 

CMYK 46 / 0 / 73 / 32

HEX #5EAD2E

RGB 94 173 46

HSL 97.32, 0.58%, 0.43%

LAB 63.72, -45.98, 54.41

 

CMYK 72 / 73 / 0 / 32

HEX #302EAD

RGB 48 46 173

HSL 240.94, 0.58%, 0.43%

LAB 28.38, 42.68, -66.85

 

CMYK 0 / 42 / 73 / 32

HEX #AD642E

RGB 173 100 46

HSL 25.51, 0.58%, 0.43%

LAB 49.73, 24.98, 42.08

 

CMYK 73 / 0 / 43 / 32

HEX #2EAD63

RGB 46 173 99

HSL 145.04, 0.58%, 0.43%

LAB 62.82, -50.9, 28.42

 

CMYK 43 / 73 / 0 / 32

HEX #632EAD

RGB 99 46 173

HSL 265.04, 0.58%, 0.43%

LAB 33.19, 49.93, -58.78

 

CMYK 0 / 42 / 73 / 32

HEX #AD642E

RGB 173 100 46

HSL 25.51, 0.58%, 0.43%

LAB 49.73, 24.98, 42.08

 

CMYK 46 / 0 / 73 / 32

HEX #5EAD2E

RGB 94 173 46

HSL 97.32, 0.58%, 0.43%

LAB 63.72, -45.98, 54.41

 

CMYK 73 / 31 / 0 / 32

HEX #2E78AD

RGB 46 120 173

HSL 205.04, 0.58%, 0.43%

LAB 48.3, -4.65, -34.74

 

CMYK 28 / 73 / 0 / 32

HEX #7C2EAD

RGB 124 46 173

HSL 276.85, 0.58%, 0.43%

LAB 36.47, 54.61, -53.29

 

CMYK 0 / 42 / 73 / 32

HEX #AD642E

RGB 173 100 46

HSL 25.51, 0.58%, 0.43%

LAB 49.73, 24.98, 42.08

 

CMYK 68 / 0 / 73 / 32

HEX #38AD2E

RGB 56 173 46

HSL 115.28, 0.58%, 0.43%

LAB 62.44, -56.04, 52.71

 

CMYK 73 / 31 / 0 / 32

HEX #2E78AD

RGB 46 120 173

HSL 205.04, 0.58%, 0.43%

LAB 48.3, -4.65, -34.74

 

CMYK 6 / 73 / 0 / 32

HEX #A22EAD

RGB 162 46 173

HSL 294.8, 0.58%, 0.43%

LAB 42.23, 62.45, -43.72

 

Description

Color code: RGB 173 100 46 | qconv.com Color code: RGB 173 100 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 100 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 100 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 73 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 73% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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