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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 107 72 it is the complementary color RGB 82 148 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 107 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 173 107 72 shade: RGB 178 107 67, RGB 195 125 86, RGB 212 143 105, RGB 229 161 124 and RGB 246 179 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 107 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 173 107 72 shade: RGB 173 107 72, RGB 156 89 53, RGB 139 71 34, RGB 122 53 15 and RGB 105 35 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 173 107 72 shade: RGB 172 106 72, RGB 172 79 72 and RGB 172 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 173 107 72 shade: RGB 172 106 72, RGB 172 134 72, RGB 172 161 72, RGB 156 172 72 and RGB 129 172 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 173 107 72 shade matches the following richer shades: RGB 172 106 72, RGB 192 100 52, RGB 212 94 32 and RGB 231 88 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 173 107 72 shade: RGB 172 106 72, RGB 152 113 92, RGB 132 119 111, RGB 113 125 131 and RGB 93 131 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 173 107 72 shade: RGB 172 72 92, RGB 172 78 72, RGB 172 105 72, RGB 172 132 72 and RGB 172 159 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 173 107 72 shade: RGB 114 70 47, RGB 143 88 60, RGB 172 106 72, RGB 188 128 97 and RGB 201 152 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 173 107 72 shade: RGB 173 107 72, RGB 119 172 72 and RGB 72 78 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 173 107 72 shade: RGB 173 107 72, RGB 72 172 105 and RGB 105 72 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 173 107 72 shade: RGB 173 107 72, RGB 119 172 72, RGB 72 139 172 and RGB 125 72 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 173 107 72 shade: RGB 173 107 72, RGB 88 172 72, RGB 72 139 172 and RGB 155 72 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 58 / 32

HEX #AD6B48

RGB 173 107 72

HSL 20.79, 0.41%, 0.48%

LAB 51.69, 22.78, 30.5

Complementary color

CMYK 55 / 19 / 0 / 28

HEX #5294B7

RGB 82 148 183

HSL 200.79, 0.41%, 0.52%

LAB 58.41, -10.89, -24.66

 

CMYK 0 / 40 / 62 / 30

HEX #B26B43

RGB 178 107 67

HSL 21.62, 0.45%, 0.48%

LAB 52.27, 24.51, 34.13

 

CMYK 0 / 36 / 56 / 24

HEX #C37D56

RGB 195 125 86

HSL 21.47, 0.48%, 0.55%

LAB 58.92, 23.15, 32.38

 

CMYK 0 / 33 / 50 / 17

HEX #D48F69

RGB 212 143 105

HSL 21.31, 0.55%, 0.62%

LAB 65.48, 21.97, 30.78

 

CMYK 0 / 30 / 46 / 10

HEX #E5A17C

RGB 229 161 124

HSL 21.14, 0.67%, 0.69%

LAB 71.96, 20.94, 29.32

 

CMYK 0 / 27 / 42 / 4

HEX #F6B38F

RGB 246 179 143

HSL 20.97, 0.85%, 0.76%

LAB 78.35, 20.02, 27.99

 

CMYK 0 / 38 / 58 / 32

HEX #AD6B48

RGB 173 107 72

HSL 20.79, 0.41%, 0.48%

LAB 51.69, 22.78, 30.5

 

CMYK 0 / 43 / 66 / 39

HEX #9C5935

RGB 156 89 53

HSL 20.97, 0.49%, 0.41%

LAB 44.9, 24.24, 32.36

 

CMYK 0 / 49 / 76 / 45

HEX #8B4722

RGB 139 71 34

HSL 21.14, 0.61%, 0.34%

LAB 38.04, 25.93, 34.35

 

CMYK 0 / 57 / 88 / 52

HEX #7A350F

RGB 122 53 15

HSL 21.31, 0.78%, 0.27%

LAB 31.16, 27.84, 36.14

 

CMYK 0 / 67 / 100 / 59

HEX #692300

RGB 105 35 0

HSL 20, 1%, 0.21%

LAB 24.34, 29.82, 35.2

 

CMYK 0 / 38 / 58 / 33

HEX #AC6A48

RGB 172 106 72

HSL 20.4, 0.41%, 0.48%

LAB 51.32, 22.92, 30.01

 

CMYK 0 / 54 / 58 / 33

HEX #AC4F48

RGB 172 79 72

HSL 4.2, 0.41%, 0.48%

LAB 45.4, 37.51, 22.49

 

CMYK 0 / 58 / 58 / 33

HEX #AC4848

RGB 172 72 72

HSL 0, 0.41%, 0.48%

LAB 44.05, 41.02, 20.73

 

CMYK 0 / 38 / 58 / 33

HEX #AC6A48

RGB 172 106 72

HSL 20.4, 0.41%, 0.48%

LAB 51.32, 22.92, 30.01

 

CMYK 0 / 22 / 58 / 33

HEX #AC8648

RGB 172 134 72

HSL 37.2, 0.41%, 0.48%

LAB 58.31, 7.19, 38.5

 

CMYK 0 / 6 / 58 / 33

HEX #ACA148

RGB 172 161 72

HSL 53.4, 0.41%, 0.48%

LAB 65.54, -7.54, 46.86

 

CMYK 9 / 0 / 58 / 33

HEX #9CAC48

RGB 156 172 72

HSL 69.6, 0.41%, 0.48%

LAB 67.31, -20.05, 48.5

 

CMYK 25 / 0 / 58 / 33

HEX #81AC48

RGB 129 172 72

HSL 85.8, 0.41%, 0.48%

LAB 65.47, -30.9, 45.92

 

CMYK 0 / 38 / 58 / 33

HEX #AC6A48

RGB 172 106 72

HSL 20.4, 0.41%, 0.48%

LAB 51.32, 22.92, 30.01

 

CMYK 0 / 48 / 73 / 25

HEX #C06434

RGB 192 100 52

HSL 20.57, 0.57%, 0.48%

LAB 52.47, 33.19, 42.81

 

CMYK 0 / 56 / 85 / 17

HEX #D45E20

RGB 212 94 32

HSL 20.67, 0.74%, 0.48%

LAB 54.14, 43.37, 54.57

 

CMYK 0 / 62 / 95 / 9

HEX #E7580C

RGB 231 88 12

HSL 20.82, 0.9%, 0.48%

LAB 56.08, 52.77, 63.51

 

CMYK 0 / 38 / 58 / 33

HEX #AC6A48

RGB 172 106 72

HSL 20.4, 0.41%, 0.48%

LAB 51.32, 22.92, 30.01

 

CMYK 0 / 26 / 39 / 40

HEX #98715C

RGB 152 113 92

HSL 21, 0.25%, 0.48%

LAB 50.99, 12.5, 17.66

 

CMYK 0 / 10 / 16 / 48

HEX #84776F

RGB 132 119 111

HSL 22.86, 0.09%, 0.48%

LAB 50.97, 3.58, 6.21

 

CMYK 14 / 5 / 0 / 49

HEX #717D83

RGB 113 125 131

HSL 200, 0.07%, 0.48%

LAB 51.63, -3.1, -4.77

 

CMYK 38 / 13 / 0 / 41

HEX #5D8397

RGB 93 131 151

HSL 200.69, 0.24%, 0.48%

LAB 52.72, -7.94, -14.94

 

CMYK 0 / 58 / 47 / 33

HEX #AC485C

RGB 172 72 92

HSL 348, 0.41%, 0.48%

LAB 44.49, 42.8, 9.09

 

CMYK 0 / 55 / 58 / 33

HEX #AC4E48

RGB 172 78 72

HSL 3.6, 0.41%, 0.48%

LAB 45.2, 38.02, 22.23

 

CMYK 0 / 39 / 58 / 33

HEX #AC6948

RGB 172 105 72

HSL 19.8, 0.41%, 0.48%

LAB 51.08, 23.48, 29.72

 

CMYK 0 / 23 / 58 / 33

HEX #AC8448

RGB 172 132 72

HSL 36, 0.41%, 0.48%

LAB 57.79, 8.31, 37.88

 

CMYK 0 / 8 / 58 / 33

HEX #AC9F48

RGB 172 159 72

HSL 52.2, 0.41%, 0.48%

LAB 64.99, -6.48, 46.24

 

CMYK 0 / 39 / 59 / 55

HEX #72462F

RGB 114 70 47

HSL 20.6, 0.42%, 0.32%

LAB 34.32, 16.3, 21.65

 

CMYK 0 / 38 / 58 / 44

HEX #8F583C

RGB 143 88 60

HSL 20.24, 0.41%, 0.4%

LAB 42.98, 19.72, 25.63

 

CMYK 0 / 38 / 58 / 33

HEX #AC6A48

RGB 172 106 72

HSL 20.4, 0.41%, 0.48%

LAB 51.32, 22.92, 30.01

 

CMYK 0 / 32 / 48 / 26

HEX #BC8061

RGB 188 128 97

HSL 20.44, 0.4%, 0.56%

LAB 58.97, 19.61, 26.18

 

CMYK 0 / 24 / 37 / 21

HEX #C9987E

RGB 201 152 126

HSL 20.8, 0.41%, 0.64%

LAB 66.81, 14.87, 20.8

 

CMYK 0 / 38 / 58 / 32

HEX #AD6B48

RGB 173 107 72

HSL 20.79, 0.41%, 0.48%

LAB 51.69, 22.78, 30.5

 

CMYK 31 / 0 / 58 / 33

HEX #77AC48

RGB 119 172 72

HSL 91.8, 0.41%, 0.48%

LAB 64.88, -34.66, 45.09

 

CMYK 58 / 55 / 0 / 33

HEX #484EAC

RGB 72 78 172

HSL 236.4, 0.41%, 0.48%

LAB 37.49, 26.01, -51.31

 

CMYK 0 / 38 / 58 / 32

HEX #AD6B48

RGB 173 107 72

HSL 20.79, 0.41%, 0.48%

LAB 51.69, 22.78, 30.5

 

CMYK 58 / 0 / 39 / 33

HEX #48AC69

RGB 72 172 105

HSL 139.8, 0.41%, 0.48%

LAB 63.26, -44.38, 25.95

 

CMYK 39 / 58 / 0 / 33

HEX #6948AC

RGB 105 72 172

HSL 259.8, 0.41%, 0.48%

LAB 38.93, 36.94, -48.84

 

CMYK 0 / 38 / 58 / 32

HEX #AD6B48

RGB 173 107 72

HSL 20.79, 0.41%, 0.48%

LAB 51.69, 22.78, 30.5

 

CMYK 31 / 0 / 58 / 33

HEX #77AC48

RGB 119 172 72

HSL 91.8, 0.41%, 0.48%

LAB 64.88, -34.66, 45.09

 

CMYK 58 / 19 / 0 / 33

HEX #488BAC

RGB 72 139 172

HSL 199.8, 0.41%, 0.48%

LAB 54.89, -11.41, -23.85

 

CMYK 27 / 58 / 0 / 33

HEX #7D48AC

RGB 125 72 172

HSL 271.8, 0.41%, 0.48%

LAB 41.17, 41.87, -45.12

 

CMYK 0 / 38 / 58 / 32

HEX #AD6B48

RGB 173 107 72

HSL 20.79, 0.41%, 0.48%

LAB 51.69, 22.78, 30.5

 

CMYK 49 / 0 / 58 / 33

HEX #58AC48

RGB 88 172 72

HSL 110.4, 0.41%, 0.48%

LAB 63.38, -45.03, 42.97

 

CMYK 58 / 19 / 0 / 33

HEX #488BAC

RGB 72 139 172

HSL 199.8, 0.41%, 0.48%

LAB 54.89, -11.41, -23.85

 

CMYK 10 / 58 / 0 / 33

HEX #9B48AC

RGB 155 72 172

HSL 289.8, 0.41%, 0.48%

LAB 45.06, 49.67, -38.7

 

Description

Color code: RGB 173 107 72 | qconv.com Color code: RGB 173 107 72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 107 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 107 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 58 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 58% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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