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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 94 87 it is the complementary color RGB 83 161 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 94 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 94 87 shade: RGB 177 94 82, RGB 194 112 101, RGB 211 130 120, RGB 228 148 139 and RGB 245 166 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 94 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 94 87 shade: RGB 172 94 87, RGB 155 76 68, RGB 138 58 49, RGB 121 40 30 and RGB 104 22 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 94 87 shade: RGB 172 94 87 and RGB 172 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 94 87 shade: RGB 172 94 87, RGB 172 117 87, RGB 172 140 87, RGB 172 163 87 and RGB 158 172 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 94 87 shade matches the following richer shades: RGB 172 94 87, RGB 192 77 67, RGB 212 60 47, RGB 233 43 26 and RGB 253 27 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 94 87 shade: RGB 172 94 87, RGB 152 111 107, RGB 132 128 128, RGB 111 145 148 and RGB 91 162 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 94 87 shade: RGB 172 87 127, RGB 172 87 104, RGB 172 93 87, RGB 172 115 87 and RGB 172 138 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 94 87 shade: RGB 118 63 58, RGB 146 78 72, RGB 172 94 87, RGB 186 121 115 and RGB 199 147 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 94 87 shade: RGB 172 94 87, RGB 149 172 87 and RGB 87 115 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 94 87 shade: RGB 172 94 87, RGB 87 172 93 and RGB 93 87 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 94 87 shade: RGB 172 94 87, RGB 149 172 87, RGB 87 166 172 and RGB 110 87 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 94 87 shade: RGB 172 94 87, RGB 124 172 87, RGB 87 166 172 and RGB 135 87 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 49 / 33

HEX #AC5E57

RGB 172 94 87

HSL 4.94, 0.34%, 0.51%

LAB 48.84, 30.9, 18.11

 

Complementary color

CMYK 51 / 4 / 0 / 34

HEX #53A1A8

RGB 83 161 168

HSL 184.94, 0.34%, 0.49%

LAB 61.79, -22.01, -11.05

 

CMYK 0 / 47 / 54 / 31

HEX #B15E52

RGB 177 94 82

HSL 7.58, 0.38%, 0.51%

LAB 49.45, 32.41, 22

 

CMYK 0 / 42 / 48 / 24

HEX #C27065

RGB 194 112 101

HSL 7.1, 0.43%, 0.58%

LAB 56.09, 31.19, 20.21

 

CMYK 0 / 38 / 43 / 17

HEX #D38278

RGB 211 130 120

HSL 6.59, 0.51%, 0.65%

LAB 62.65, 30.09, 18.66

 

CMYK 0 / 35 / 39 / 11

HEX #E4948B

RGB 228 148 139

HSL 6.07, 0.62%, 0.72%

LAB 69.14, 29.09, 17.28

 

CMYK 0 / 32 / 36 / 4

HEX #F5A69E

RGB 245 166 158

HSL 5.52, 0.81%, 0.79%

LAB 75.55, 28.19, 16.04

 

CMYK 0 / 45 / 49 / 33

HEX #AC5E57

RGB 172 94 87

HSL 4.94, 0.34%, 0.51%

LAB 48.84, 30.9, 18.11

 

CMYK 0 / 51 / 56 / 39

HEX #9B4C44

RGB 155 76 68

HSL 5.52, 0.39%, 0.44%

LAB 42.08, 32.15, 20.07

 

CMYK 0 / 58 / 64 / 46

HEX #8A3A31

RGB 138 58 49

HSL 6.07, 0.48%, 0.37%

LAB 35.3, 33.46, 22.45

 

CMYK 0 / 67 / 75 / 53

HEX #79281E

RGB 121 40 30

HSL 6.59, 0.6%, 0.3%

LAB 28.58, 34.71, 25.39

 

CMYK 0 / 79 / 89 / 59

HEX #68160B

RGB 104 22 11

HSL 7.1, 0.81%, 0.23%

LAB 22.09, 35.52, 28.35

 

CMYK 0 / 45 / 49 / 33

HEX #AC5E57

RGB 172 94 87

HSL 4.94, 0.34%, 0.51%

LAB 48.84, 30.9, 18.11

 

CMYK 0 / 49 / 49 / 33

HEX #AC5757

RGB 172 87 87

HSL 0, 0.34%, 0.51%

LAB 47.33, 34.66, 16.07

 

CMYK 0 / 45 / 49 / 33

HEX #AC5E57

RGB 172 94 87

HSL 4.94, 0.34%, 0.51%

LAB 48.84, 30.9, 18.11

 

CMYK 0 / 32 / 49 / 33

HEX #AC7557

RGB 172 117 87

HSL 21.18, 0.34%, 0.51%

LAB 54.22, 18.1, 25.24

 

CMYK 0 / 19 / 49 / 33

HEX #AC8C57

RGB 172 140 87

HSL 37.41, 0.34%, 0.51%

LAB 60.08, 5.19, 32.74

 

CMYK 0 / 5 / 49 / 33

HEX #ACA357

RGB 172 163 87

HSL 53.65, 0.34%, 0.51%

LAB 66.25, -7.32, 40.34

 

CMYK 8 / 0 / 49 / 33

HEX #9EAC57

RGB 158 172 87

HSL 69.88, 0.34%, 0.51%

LAB 67.62, -17.85, 41.72

 

CMYK 0 / 45 / 49 / 33

HEX #AC5E57

RGB 172 94 87

HSL 4.94, 0.34%, 0.51%

LAB 48.84, 30.9, 18.11

 

CMYK 0 / 60 / 65 / 25

HEX #C04D43

RGB 192 77 67

HSL 4.8, 0.5%, 0.51%

LAB 48.16, 45.54, 29.6

 

CMYK 0 / 72 / 78 / 17

HEX #D43C2F

RGB 212 60 47

HSL 4.73, 0.66%, 0.51%

LAB 48.8, 58.37, 42.52

 

CMYK 0 / 82 / 89 / 9

HEX #E92B1A

RGB 233 43 26

HSL 4.93, 0.82%, 0.51%

LAB 50.83, 69.12, 55.9

 

CMYK 0 / 89 / 98 / 1

HEX #FD1B06

RGB 253 27 6

HSL 5.1, 0.98%, 0.51%

LAB 53.69, 77.22, 65.68

 

CMYK 0 / 45 / 49 / 33

HEX #AC5E57

RGB 172 94 87

HSL 4.94, 0.34%, 0.51%

LAB 48.84, 30.9, 18.11

 

CMYK 0 / 27 / 30 / 40

HEX #986F6B

RGB 152 111 107

HSL 5.33, 0.18%, 0.51%

LAB 50.81, 15.67, 8.62

 

CMYK 0 / 3 / 3 / 48

HEX #848080

RGB 132 128 128

HSL 0, 0.02%, 0.51%

LAB 53.92, 1.51, 0.53

 

CMYK 25 / 2 / 0 / 42

HEX #6F9194

RGB 111 145 148

HSL 184.86, 0.15%, 0.51%

LAB 57.82, -11.06, -5.47

 

CMYK 46 / 4 / 0 / 34

HEX #5BA2A8

RGB 91 162 168

HSL 184.68, 0.31%, 0.51%

LAB 62.42, -20.65, -10.07

 

CMYK 0 / 49 / 26 / 33

HEX #AC577F

RGB 172 87 127

HSL 331.76, 0.34%, 0.51%

LAB 48.41, 39.5, -6.49

 

CMYK 0 / 49 / 40 / 33

HEX #AC5768

RGB 172 87 104

HSL 348, 0.34%, 0.51%

LAB 47.73, 36.5, 6.39

 

CMYK 0 / 46 / 49 / 33

HEX #AC5D57

RGB 172 93 87

HSL 4.24, 0.34%, 0.51%

LAB 48.62, 31.44, 17.82

 

CMYK 0 / 33 / 49 / 33

HEX #AC7357

RGB 172 115 87

HSL 19.76, 0.34%, 0.51%

LAB 53.73, 19.22, 24.6

 

CMYK 0 / 20 / 49 / 33

HEX #AC8A57

RGB 172 138 87

HSL 36, 0.34%, 0.51%

LAB 59.56, 6.3, 32.08

 

CMYK 0 / 47 / 51 / 54

HEX #763F3A

RGB 118 63 58

HSL 5, 0.34%, 0.35%

LAB 33.38, 23.31, 13.68

 

CMYK 0 / 47 / 51 / 43

HEX #924E48

RGB 146 78 72

HSL 4.86, 0.34%, 0.43%

LAB 41.26, 27.81, 16.3

 

CMYK 0 / 45 / 49 / 33

HEX #AC5E57

RGB 172 94 87

HSL 4.94, 0.34%, 0.51%

LAB 48.84, 30.9, 18.11

 

CMYK 0 / 35 / 38 / 27

HEX #BA7973

RGB 186 121 115

HSL 5.07, 0.34%, 0.59%

LAB 57.42, 24.67, 13.8

 

CMYK 0 / 26 / 29 / 22

HEX #C7938E

RGB 199 147 142

HSL 5.26, 0.34%, 0.67%

LAB 65.72, 18.89, 10.33

 

CMYK 0 / 45 / 49 / 33

HEX #AC5E57

RGB 172 94 87

HSL 4.94, 0.34%, 0.51%

LAB 48.84, 30.9, 18.11

 

CMYK 13 / 0 / 49 / 33

HEX #95AC57

RGB 149 172 87

HSL 76.24, 0.34%, 0.51%

LAB 66.96, -21.51, 40.77

 

CMYK 49 / 33 / 0 / 33

HEX #5773AC

RGB 87 115 172

HSL 220.24, 0.34%, 0.51%

LAB 48.59, 6.07, -33.57

 

CMYK 0 / 45 / 49 / 33

HEX #AC5E57

RGB 172 94 87

HSL 4.94, 0.34%, 0.51%

LAB 48.84, 30.9, 18.11

 

CMYK 49 / 0 / 46 / 33

HEX #57AC5D

RGB 87 172 93

HSL 124.24, 0.34%, 0.51%

LAB 63.61, -42.51, 32.81

 

CMYK 46 / 49 / 0 / 33

HEX #5D57AC

RGB 93 87 172

HSL 244.24, 0.34%, 0.51%

LAB 41.41, 24.94, -44.92

 

CMYK 0 / 45 / 49 / 33

HEX #AC5E57

RGB 172 94 87

HSL 4.94, 0.34%, 0.51%

LAB 48.84, 30.9, 18.11

 

CMYK 13 / 0 / 49 / 33

HEX #95AC57

RGB 149 172 87

HSL 76.24, 0.34%, 0.51%

LAB 66.96, -21.51, 40.77

 

CMYK 49 / 3 / 0 / 33

HEX #57A6AC

RGB 87 166 172

HSL 184.24, 0.34%, 0.51%

LAB 63.57, -22.56, -10.61

 

CMYK 36 / 49 / 0 / 33

HEX #6E57AC

RGB 110 87 172

HSL 256.24, 0.34%, 0.51%

LAB 42.93, 29.28, -42.41

 

CMYK 0 / 45 / 49 / 33

HEX #AC5E57

RGB 172 94 87

HSL 4.94, 0.34%, 0.51%

LAB 48.84, 30.9, 18.11

 

CMYK 28 / 0 / 49 / 33

HEX #7CAC57

RGB 124 172 87

HSL 93.88, 0.34%, 0.51%

LAB 65.34, -31.17, 38.43

 

CMYK 49 / 3 / 0 / 33

HEX #57A6AC

RGB 87 166 172

HSL 184.24, 0.34%, 0.51%

LAB 63.57, -22.56, -10.61

 

CMYK 22 / 49 / 0 / 33

HEX #8757AC

RGB 135 87 172

HSL 273.88, 0.34%, 0.51%

LAB 45.56, 36.19, -38.07

 

Description

Color code: RGB 172 94 87 | qconv.com Color code: RGB 172 94 87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 94 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 94 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 49 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 49% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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