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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 92 32 it is the complementary color RGB 83 163 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 92 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 92 32 shade: RGB 177 92 27, RGB 194 110 46, RGB 211 128 65, RGB 228 146 84 and RGB 245 164 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 92 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 92 32 shade: RGB 172 92 32, RGB 155 74 13, RGB 138 56 0, RGB 121 38 0 and RGB 104 20 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 92 32 shade: RGB 172 91 31, RGB 172 53 31 and RGB 172 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 92 32 shade: RGB 172 91 31, RGB 172 129 31, RGB 172 167 31, RGB 138 172 31 and RGB 100 172 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 92 32 shade matches the following richer shades: RGB 172 91 31 and RGB 188 89 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 92 32 shade: RGB 172 91 31, RGB 155 94 48, RGB 139 96 64, RGB 122 99 81 and RGB 106 101 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 92 32 shade: RGB 172 31 48, RGB 172 52 31, RGB 172 90 31, RGB 172 127 31 and RGB 172 165 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 92 32 shade: RGB 102 54 18, RGB 137 73 25, RGB 172 91 31, RGB 207 110 38 and RGB 220 132 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 92 32 shade: RGB 172 92 32, RGB 85 172 31 and RGB 33 31 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 92 32 shade: RGB 172 92 32, RGB 31 172 90 and RGB 90 31 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 92 32 shade: RGB 172 92 32, RGB 85 172 31, RGB 31 113 172 and RGB 118 31 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 92 32 shade: RGB 172 92 32, RGB 43 172 31, RGB 31 113 172 and RGB 160 31 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 81 / 33

HEX #AC5C20

RGB 172 92 32

HSL 25.71, 0.69%, 0.4%

LAB 47.66, 28.35, 46.51

 

Complementary color

CMYK 63 / 27 / 0 / 13

HEX #53A3DF

RGB 83 163 223

HSL 205.71, 0.69%, 0.6%

LAB 64.45, -6.41, -37.66

 

CMYK 0 / 48 / 85 / 31

HEX #B15C1B

RGB 177 92 27

HSL 26, 0.74%, 0.4%

LAB 48.36, 30.3, 49.47

 

CMYK 0 / 43 / 76 / 24

HEX #C26E2E

RGB 194 110 46

HSL 25.95, 0.62%, 0.47%

LAB 54.88, 28.41, 48.3

 

CMYK 0 / 39 / 69 / 17

HEX #D38041

RGB 211 128 65

HSL 25.89, 0.62%, 0.54%

LAB 61.37, 26.73, 46.74

 

CMYK 0 / 36 / 63 / 11

HEX #E49254

RGB 228 146 84

HSL 25.83, 0.73%, 0.61%

LAB 67.79, 25.24, 45.11

 

CMYK 0 / 33 / 58 / 4

HEX #F5A467

RGB 245 164 103

HSL 25.77, 0.88%, 0.68%

LAB 74.15, 23.93, 43.52

 

CMYK 0 / 47 / 81 / 33

HEX #AC5C20

RGB 172 92 32

HSL 25.71, 0.69%, 0.4%

LAB 47.66, 28.35, 46.51

 

CMYK 0 / 52 / 92 / 39

HEX #9B4A0D

RGB 155 74 13

HSL 25.77, 0.85%, 0.33%

LAB 41.05, 30.4, 47.12

 

CMYK 0 / 59 / 100 / 46

HEX #8A3800

RGB 138 56 0

HSL 24.35, 1%, 0.27%

LAB 34.46, 32.6, 45.66

 

CMYK 0 / 69 / 100 / 53

HEX #792600

RGB 121 38 0

HSL 18.84, 1%, 0.24%

LAB 27.98, 34.7, 39.66

 

CMYK 0 / 81 / 100 / 59

HEX #681400

RGB 104 20 0

HSL 11.54, 1%, 0.2%

LAB 21.74, 35.97, 32.47

 

CMYK 0 / 47 / 82 / 33

HEX #AC5B1F

RGB 172 91 31

HSL 25.53, 0.69%, 0.4%

LAB 47.43, 28.86, 46.72

 

CMYK 0 / 69 / 82 / 33

HEX #AC351F

RGB 172 53 31

HSL 9.36, 0.69%, 0.4%

LAB 40.27, 47.39, 40

 

CMYK 0 / 82 / 82 / 33

HEX #AC1F1F

RGB 172 31 31

HSL 0, 0.69%, 0.4%

LAB 37.57, 54.89, 37.38

 

CMYK 0 / 47 / 82 / 33

HEX #AC5B1F

RGB 172 91 31

HSL 25.53, 0.69%, 0.4%

LAB 47.43, 28.86, 46.72

 

CMYK 0 / 25 / 82 / 33

HEX #AC811F

RGB 172 129 31

HSL 41.7, 0.69%, 0.4%

LAB 56.65, 7.67, 55.03

 

CMYK 0 / 3 / 82 / 33

HEX #ACA71F

RGB 172 167 31

HSL 57.87, 0.69%, 0.4%

LAB 66.91, -12.88, 63.96

 

CMYK 20 / 0 / 82 / 33

HEX #8AAC1F

RGB 138 172 31

HSL 74.47, 0.69%, 0.4%

LAB 65.75, -29.99, 61.96

 

CMYK 42 / 0 / 82 / 33

HEX #64AC1F

RGB 100 172 31

HSL 90.64, 0.69%, 0.4%

LAB 63.6, -44.45, 59.21

 

CMYK 0 / 47 / 82 / 33

HEX #AC5B1F

RGB 172 91 31

HSL 25.53, 0.69%, 0.4%

LAB 47.43, 28.86, 46.72

 

CMYK 0 / 53 / 92 / 26

HEX #BC590F

RGB 188 89 15

HSL 25.66, 0.85%, 0.4%

LAB 49.34, 36.13, 54.95

 

CMYK 0 / 47 / 82 / 33

HEX #AC5B1F

RGB 172 91 31

HSL 25.53, 0.69%, 0.4%

LAB 47.43, 28.86, 46.72

 

CMYK 0 / 39 / 69 / 39

HEX #9B5E30

RGB 155 94 48

HSL 25.79, 0.53%, 0.4%

LAB 45.89, 20.65, 36.17

 

CMYK 0 / 31 / 54 / 45

HEX #8B6040

RGB 139 96 64

HSL 25.6, 0.37%, 0.4%

LAB 44.55, 13.66, 25.19

 

CMYK 0 / 19 / 34 / 52

HEX #7A6351

RGB 122 99 81

HSL 26.34, 0.2%, 0.4%

LAB 43.73, 6.41, 13.72

 

CMYK 0 / 5 / 8 / 58

HEX #6A6561

RGB 106 101 97

HSL 26.67, 0.04%, 0.4%

LAB 43.11, 1.18, 2.96

 

CMYK 0 / 82 / 72 / 33

HEX #AC1F30

RGB 172 31 48

HSL 352.77, 0.69%, 0.4%

LAB 37.78, 55.53, 27.54

 

CMYK 0 / 70 / 82 / 33

HEX #AC341F

RGB 172 52 31

HSL 8.94, 0.69%, 0.4%

LAB 40.12, 47.79, 39.86

 

CMYK 0 / 48 / 82 / 33

HEX #AC5A1F

RGB 172 90 31

HSL 25.11, 0.69%, 0.4%

LAB 47.21, 29.4, 46.52

 

CMYK 0 / 26 / 82 / 33

HEX #AC7F1F

RGB 172 127 31

HSL 40.85, 0.69%, 0.4%

LAB 56.14, 8.79, 54.57

 

CMYK 0 / 4 / 82 / 33

HEX #ACA51F

RGB 172 165 31

HSL 57.02, 0.69%, 0.4%

LAB 66.35, -11.84, 63.49

 

CMYK 0 / 47 / 82 / 60

HEX #663612

RGB 102 54 18

HSL 25.71, 0.7%, 0.24%

LAB 28.13, 18.43, 30.72

 

CMYK 0 / 47 / 82 / 46

HEX #894919

RGB 137 73 25

HSL 25.71, 0.69%, 0.32%

LAB 38.12, 23.52, 38.82

 

CMYK 0 / 47 / 82 / 33

HEX #AC5B1F

RGB 172 91 31

HSL 25.53, 0.69%, 0.4%

LAB 47.43, 28.86, 46.72

 

CMYK 0 / 47 / 82 / 19

HEX #CF6E26

RGB 207 110 38

HSL 25.56, 0.69%, 0.48%

LAB 56.64, 33.48, 54.08

 

CMYK 0 / 40 / 70 / 14

HEX #DC8442

RGB 220 132 66

HSL 25.71, 0.69%, 0.56%

LAB 63.43, 28.36, 48.85

 

CMYK 0 / 47 / 81 / 33

HEX #AC5C20

RGB 172 92 32

HSL 25.71, 0.69%, 0.4%

LAB 47.66, 28.35, 46.51

 

CMYK 51 / 0 / 82 / 33

HEX #55AC1F

RGB 85 172 31

HSL 97.02, 0.69%, 0.4%

LAB 62.96, -49.29, 58.39

 

CMYK 81 / 82 / 0 / 33

HEX #211FAC

RGB 33 31 172

HSL 240.85, 0.69%, 0.4%

LAB 24.58, 49.23, -72.56

 

CMYK 0 / 47 / 81 / 33

HEX #AC5C20

RGB 172 92 32

HSL 25.71, 0.69%, 0.4%

LAB 47.66, 28.35, 46.51

 

CMYK 82 / 0 / 48 / 33

HEX #1FAC5A

RGB 31 172 90

HSL 145.11, 0.69%, 0.4%

LAB 62.11, -54.08, 32.17

 

CMYK 48 / 82 / 0 / 33

HEX #5A1FAC

RGB 90 31 172

HSL 265.11, 0.69%, 0.4%

LAB 29.74, 54.72, -63.86

 

CMYK 0 / 47 / 81 / 33

HEX #AC5C20

RGB 172 92 32

HSL 25.71, 0.69%, 0.4%

LAB 47.66, 28.35, 46.51

 

CMYK 51 / 0 / 82 / 33

HEX #55AC1F

RGB 85 172 31

HSL 97.02, 0.69%, 0.4%

LAB 62.96, -49.29, 58.39

 

CMYK 82 / 34 / 0 / 33

HEX #1F71AC

RGB 31 113 172

HSL 205.11, 0.69%, 0.4%

LAB 45.74, -2.6, -38.21

 

CMYK 31 / 82 / 0 / 33

HEX #761FAC

RGB 118 31 172

HSL 277.02, 0.69%, 0.4%

LAB 33.58, 58.9, -57.42

 

CMYK 0 / 47 / 81 / 33

HEX #AC5C20

RGB 172 92 32

HSL 25.71, 0.69%, 0.4%

LAB 47.66, 28.35, 46.51

 

CMYK 75 / 0 / 82 / 33

HEX #2BAC1F

RGB 43 172 31

HSL 114.89, 0.69%, 0.4%

LAB 61.76, -59.1, 56.84

 

CMYK 82 / 34 / 0 / 33

HEX #1F71AC

RGB 31 113 172

HSL 205.11, 0.69%, 0.4%

LAB 45.74, -2.6, -38.21

 

CMYK 7 / 82 / 0 / 33

HEX #A01FAC

RGB 160 31 172

HSL 294.89, 0.69%, 0.4%

LAB 40.3, 66.33, -46.24

 

Description

Color code: RGB 172 92 32 | qconv.com Color code: RGB 172 92 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 92 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 92 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 81 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 81% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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