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Color name
RGB 172 85 91

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 85 91 it is the complementary color RGB 83 170 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 85 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 85 91 shade: RGB 177 85 86, RGB 194 103 105, RGB 211 121 124, RGB 228 139 143 and RGB 245 157 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 85 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 85 91 shade: RGB 172 85 91, RGB 155 67 72, RGB 138 49 53, RGB 121 31 34 and RGB 104 13 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 85 91 shade: RGB 170 84 90 and RGB 170 84 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 85 91 shade: RGB 170 84 90, RGB 170 84 113, RGB 170 84 136, RGB 170 84 160 and RGB 158 84 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 85 91 shade matches the following richer shades: RGB 170 84 90, RGB 191 63 72, RGB 212 42 54, RGB 232 22 36 and RGB 253 1 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 85 91 shade: RGB 170 84 90, RGB 150 104 107, RGB 129 125 125, RGB 108 146 143 and RGB 88 166 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 85 91 shade: RGB 170 84 137, RGB 170 84 114, RGB 170 84 91, RGB 170 100 84 and RGB 170 123 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 85 91 shade: RGB 115 56 60, RGB 143 70 75, RGB 170 84 90, RGB 184 111 116 and RGB 198 139 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 85 91 shade: RGB 172 85 91, RGB 160 170 84 and RGB 84 126 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 85 91 shade: RGB 172 85 91, RGB 91 170 84 and RGB 84 91 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 85 91 shade: RGB 172 85 91, RGB 160 170 84, RGB 84 170 163 and RGB 94 84 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 85 91 shade: RGB 172 85 91, RGB 134 170 84, RGB 84 170 163 and RGB 120 84 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 47 / 33

HEX #AC555B

RGB 172 85 91

HSL 355.86, 0.34%, 0.5%

LAB 47, 36.12, 13.21

 

Complementary color

CMYK 51 / 0 / 4 / 33

HEX #53AAA4

RGB 83 170 164

HSL 175.86, 0.34%, 0.5%

LAB 64.38, -27.63, -4.95

 

CMYK 0 / 52 / 51 / 31

HEX #B15556

RGB 177 85 86

HSL 359.35, 0.37%, 0.51%

LAB 47.64, 37.52, 17.22

 

CMYK 0 / 47 / 46 / 24

HEX #C26769

RGB 194 103 105

HSL 358.68, 0.43%, 0.58%

LAB 54.23, 36.39, 15.36

 

CMYK 0 / 43 / 41 / 17

HEX #D3797C

RGB 211 121 124

HSL 358, 0.51%, 0.65%

LAB 60.76, 35.32, 13.77

 

CMYK 0 / 39 / 37 / 11

HEX #E48B8F

RGB 228 139 143

HSL 357.3, 0.62%, 0.72%

LAB 67.23, 34.32, 12.38

 

CMYK 0 / 36 / 34 / 4

HEX #F59DA2

RGB 245 157 162

HSL 356.59, 0.81%, 0.79%

LAB 73.63, 33.4, 11.15

 

CMYK 0 / 51 / 47 / 33

HEX #AC555B

RGB 172 85 91

HSL 355.86, 0.34%, 0.5%

LAB 47, 36.12, 13.21

 

CMYK 0 / 57 / 54 / 39

HEX #9B4348

RGB 155 67 72

HSL 356.59, 0.4%, 0.44%

LAB 40.33, 37.22, 15.28

 

CMYK 0 / 64 / 62 / 46

HEX #8A3135

RGB 138 49 53

HSL 357.3, 0.48%, 0.37%

LAB 33.68, 38.22, 17.87

 

CMYK 0 / 74 / 72 / 53

HEX #791F22

RGB 121 31 34

HSL 358, 0.59%, 0.3%

LAB 27.19, 38.87, 21.23

 

CMYK 0 / 88 / 86 / 59

HEX #680D0F

RGB 104 13 15

HSL 358.68, 0.78%, 0.23%

LAB 21.08, 38.6, 25.34

 

CMYK 0 / 51 / 47 / 33

HEX #AA545A

RGB 170 84 90

HSL 355.81, 0.34%, 0.5%

LAB 46.48, 35.79, 13.04

 

CMYK 0 / 51 / 51 / 33

HEX #AA5454

RGB 170 84 84

HSL 0, 0.34%, 0.5%

LAB 46.35, 35.19, 16.49

 

CMYK 0 / 51 / 47 / 33

HEX #AA545A

RGB 170 84 90

HSL 355.81, 0.34%, 0.5%

LAB 46.48, 35.79, 13.04

 

CMYK 0 / 51 / 34 / 33

HEX #AA5471

RGB 170 84 113

HSL 339.77, 0.34%, 0.5%

LAB 47.08, 38.46, -0.04

 

CMYK 0 / 51 / 20 / 33

HEX #AA5488

RGB 170 84 136

HSL 323.72, 0.34%, 0.5%

LAB 47.83, 41.72, -12.79

 

CMYK 0 / 51 / 6 / 33

HEX #AA54A0

RGB 170 84 160

HSL 306.98, 0.34%, 0.5%

LAB 48.79, 45.69, -25.62

 

CMYK 7 / 51 / 0 / 33

HEX #9E54AA

RGB 158 84 170

HSL 291.63, 0.34%, 0.5%

LAB 47.64, 44.02, -33.43

 

CMYK 0 / 51 / 47 / 33

HEX #AA545A

RGB 170 84 90

HSL 355.81, 0.34%, 0.5%

LAB 46.48, 35.79, 13.04

 

CMYK 0 / 67 / 62 / 25

HEX #BF3F48

RGB 191 63 72

HSL 355.78, 0.5%, 0.5%

LAB 45.77, 51.67, 23.59

 

CMYK 0 / 80 / 75 / 17

HEX #D42A36

RGB 212 42 54

HSL 355.76, 0.67%, 0.5%

LAB 46.87, 64.24, 36.52

 

CMYK 0 / 91 / 84 / 9

HEX #E81624

RGB 232 22 36

HSL 356, 0.83%, 0.5%

LAB 49.32, 72.97, 50.08

 

CMYK 0 / 100 / 92 / 1

HEX #FD0113

RGB 253 1 19

HSL 355.71, 0.99%, 0.5%

LAB 52.9, 79.7, 61.8

 

CMYK 0 / 51 / 47 / 33

HEX #AA545A

RGB 170 84 90

HSL 355.81, 0.34%, 0.5%

LAB 46.48, 35.79, 13.04

 

CMYK 0 / 31 / 29 / 41

HEX #96686B

RGB 150 104 107

HSL 356.09, 0.18%, 0.5%

LAB 48.82, 18.91, 5.75

 

CMYK 0 / 3 / 3 / 49

HEX #817D7D

RGB 129 125 125

HSL 0, 0.02%, 0.5%

LAB 52.75, 1.51, 0.53

 

CMYK 26 / 0 / 2 / 43

HEX #6C928F

RGB 108 146 143

HSL 175.26, 0.15%, 0.5%

LAB 57.78, -13.73, -2.68

 

CMYK 47 / 0 / 3 / 35

HEX #58A6A1

RGB 88 166 161

HSL 176.15, 0.31%, 0.5%

LAB 63.28, -25.27, -4.88

 

CMYK 0 / 51 / 19 / 33

HEX #AA5489

RGB 170 84 137

HSL 323.02, 0.34%, 0.5%

LAB 47.87, 41.88, -13.33

 

CMYK 0 / 51 / 33 / 33

HEX #AA5472

RGB 170 84 114

HSL 339.07, 0.34%, 0.5%

LAB 47.11, 38.59, -0.61

 

CMYK 0 / 51 / 46 / 33

HEX #AA545B

RGB 170 84 91

HSL 355.12, 0.34%, 0.5%

LAB 46.5, 35.89, 12.47

 

CMYK 0 / 41 / 51 / 33

HEX #AA6454

RGB 170 100 84

HSL 11.16, 0.34%, 0.5%

LAB 49.86, 26.5, 21.19

 

CMYK 0 / 28 / 51 / 33

HEX #AA7B54

RGB 170 123 84

HSL 27.21, 0.34%, 0.5%

LAB 55.43, 13.57, 28.45

 

CMYK 0 / 51 / 48 / 55

HEX #73383C

RGB 115 56 60

HSL 355.93, 0.35%, 0.34%

LAB 31.35, 26.32, 9.55

 

CMYK 0 / 51 / 48 / 44

HEX #8F464B

RGB 143 70 75

HSL 355.89, 0.34%, 0.42%

LAB 39.12, 31.34, 11.45

 

CMYK 0 / 51 / 47 / 33

HEX #AA545A

RGB 170 84 90

HSL 355.81, 0.34%, 0.5%

LAB 46.48, 35.79, 13.04

 

CMYK 0 / 40 / 37 / 28

HEX #B86F74

RGB 184 111 116

HSL 355.89, 0.34%, 0.58%

LAB 54.89, 29.52, 9.64

 

CMYK 0 / 30 / 28 / 22

HEX #C68B8F

RGB 198 139 143

HSL 355.93, 0.34%, 0.66%

LAB 63.72, 23.05, 6.9

 

CMYK 0 / 51 / 47 / 33

HEX #AC555B

RGB 172 85 91

HSL 355.86, 0.34%, 0.5%

LAB 47, 36.12, 13.21

 

CMYK 6 / 0 / 51 / 33

HEX #A0AA54

RGB 160 170 84

HSL 66.98, 0.34%, 0.5%

LAB 67.17, -16.3, 42.71

 

CMYK 51 / 26 / 0 / 33

HEX #547EAA

RGB 84 126 170

HSL 210.7, 0.34%, 0.5%

LAB 51.51, -1.88, -27.88

 

CMYK 0 / 51 / 47 / 33

HEX #AC555B

RGB 172 85 91

HSL 355.86, 0.34%, 0.5%

LAB 47, 36.12, 13.21

 

CMYK 46 / 0 / 51 / 33

HEX #5BAA54

RGB 91 170 84

HSL 115.12, 0.34%, 0.5%

LAB 63.02, -41.79, 36.71

 

CMYK 51 / 46 / 0 / 33

HEX #545BAA

RGB 84 91 170

HSL 235.12, 0.34%, 0.5%

LAB 41.64, 19.65, -43.41

 

CMYK 0 / 51 / 47 / 33

HEX #AC555B

RGB 172 85 91

HSL 355.86, 0.34%, 0.5%

LAB 47, 36.12, 13.21

 

CMYK 6 / 0 / 51 / 33

HEX #A0AA54

RGB 160 170 84

HSL 66.98, 0.34%, 0.5%

LAB 67.17, -16.3, 42.71

 

CMYK 51 / 0 / 4 / 33

HEX #54AAA3

RGB 84 170 163

HSL 175.12, 0.34%, 0.5%

LAB 64.39, -27.67, -4.37

 

CMYK 45 / 51 / 0 / 33

HEX #5E54AA

RGB 94 84 170

HSL 246.98, 0.34%, 0.5%

LAB 40.61, 26.45, -45.01

 

CMYK 0 / 51 / 47 / 33

HEX #AC555B

RGB 172 85 91

HSL 355.86, 0.34%, 0.5%

LAB 47, 36.12, 13.21

 

CMYK 21 / 0 / 51 / 33

HEX #86AA54

RGB 134 170 84

HSL 85.12, 0.34%, 0.5%

LAB 65.32, -26.77, 40.05

 

CMYK 51 / 0 / 4 / 33

HEX #54AAA3

RGB 84 170 163

HSL 175.12, 0.34%, 0.5%

LAB 64.39, -27.67, -4.37

 

CMYK 29 / 51 / 0 / 33

HEX #7854AA

RGB 120 84 170

HSL 265.12, 0.34%, 0.5%

LAB 43.12, 33.23, -40.87

 

Description

Color code: RGB 172 85 91 | qconv.com Color code: RGB 172 85 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 85 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 85 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 47 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 47% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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