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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 85 57 it is the complementary color RGB 83 170 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 85 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 85 57 shade: RGB 177 85 52, RGB 194 103 71, RGB 211 121 90, RGB 228 139 109 and RGB 245 157 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 85 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 85 57 shade: RGB 172 85 57, RGB 155 67 38, RGB 138 49 19, RGB 121 31 0 and RGB 104 13 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 85 57 shade: RGB 172 85 57 and RGB 172 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 85 57 shade: RGB 172 85 57, RGB 172 116 57, RGB 172 147 57, RGB 166 172 57 and RGB 135 172 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 85 57 shade matches the following richer shades: RGB 172 85 57, RGB 190 75 38, RGB 209 66 20 and RGB 227 56 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 85 57 shade: RGB 172 85 57, RGB 153 94 75, RGB 134 104 94, RGB 116 113 113 and RGB 97 123 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 85 57 shade: RGB 172 57 91, RGB 172 57 61, RGB 172 84 57, RGB 172 114 57 and RGB 172 145 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 85 57 shade: RGB 110 54 36, RGB 141 69 47, RGB 172 85 57, RGB 195 104 75 and RGB 205 130 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 85 57 shade: RGB 172 85 57, RGB 122 172 57 and RGB 57 76 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 85 57 shade: RGB 172 85 57, RGB 57 172 84 and RGB 84 57 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 85 57 shade: RGB 172 85 57, RGB 122 172 57, RGB 57 145 172 and RGB 107 57 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 85 57 shade: RGB 172 85 57, RGB 87 172 57, RGB 57 145 172 and RGB 141 57 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 67 / 33

HEX #AC5539

RGB 172 85 57

HSL 14.61, 0.5%, 0.45%

LAB 46.4, 33.32, 32.47

 

Complementary color

CMYK 58 / 14 / 0 / 22

HEX #53AAC6

RGB 83 170 198

HSL 194.61, 0.5%, 0.55%

LAB 65.49, -18.01, -22.22

 

CMYK 0 / 52 / 71 / 31

HEX #B15534

RGB 177 85 52

HSL 15.84, 0.55%, 0.45%

LAB 47.1, 35.03, 36.24

 

CMYK 0 / 47 / 63 / 24

HEX #C26747

RGB 194 103 71

HSL 15.61, 0.5%, 0.52%

LAB 53.63, 33.51, 34.08

 

CMYK 0 / 43 / 57 / 17

HEX #D3795A

RGB 211 121 90

HSL 15.37, 0.58%, 0.59%

LAB 60.12, 32.12, 32.13

 

CMYK 0 / 39 / 52 / 11

HEX #E48B6D

RGB 228 139 109

HSL 15.13, 0.69%, 0.66%

LAB 66.57, 30.86, 30.38

 

CMYK 0 / 36 / 48 / 4

HEX #F59D80

RGB 245 157 128

HSL 14.87, 0.85%, 0.73%

LAB 72.95, 29.72, 28.8

 

CMYK 0 / 51 / 67 / 33

HEX #AC5539

RGB 172 85 57

HSL 14.61, 0.5%, 0.45%

LAB 46.4, 33.32, 32.47

 

CMYK 0 / 57 / 75 / 39

HEX #9B4326

RGB 155 67 38

HSL 14.87, 0.61%, 0.38%

LAB 39.79, 34.89, 34.83

 

CMYK 0 / 64 / 86 / 46

HEX #8A3113

RGB 138 49 19

HSL 15.13, 0.76%, 0.31%

LAB 33.24, 36.48, 37.21

 

CMYK 0 / 74 / 100 / 53

HEX #791F00

RGB 121 31 0

HSL 15.37, 1%, 0.24%

LAB 26.86, 37.74, 38.7

 

CMYK 0 / 88 / 100 / 59

HEX #680D00

RGB 104 13 0

HSL 7.5, 1%, 0.2%

LAB 20.95, 38.2, 31.61

 

CMYK 0 / 51 / 67 / 33

HEX #AC5539

RGB 172 85 57

HSL 14.61, 0.5%, 0.45%

LAB 46.4, 33.32, 32.47

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 51 / 67 / 33

HEX #AC5539

RGB 172 85 57

HSL 14.61, 0.5%, 0.45%

LAB 46.4, 33.32, 32.47

 

CMYK 0 / 33 / 67 / 33

HEX #AC7439

RGB 172 116 57

HSL 30.78, 0.5%, 0.45%

LAB 53.55, 16.22, 40.7

 

CMYK 0 / 15 / 67 / 33

HEX #AC9339

RGB 172 147 57

HSL 46.96, 0.5%, 0.45%

LAB 61.6, -1.04, 49.46

 

CMYK 3 / 0 / 67 / 33

HEX #A6AC39

RGB 166 172 57

HSL 63.13, 0.5%, 0.45%

LAB 67.95, -16.89, 55.91

 

CMYK 22 / 0 / 67 / 33

HEX #87AC39

RGB 135 172 57

HSL 79.3, 0.5%, 0.45%

LAB 65.71, -29.79, 52.88

 

CMYK 0 / 51 / 67 / 33

HEX #AC5539

RGB 172 85 57

HSL 14.61, 0.5%, 0.45%

LAB 46.4, 33.32, 32.47

 

CMYK 0 / 61 / 80 / 25

HEX #BE4B26

RGB 190 75 38

HSL 14.61, 0.67%, 0.45%

LAB 47.13, 44.36, 44.21

 

CMYK 0 / 68 / 90 / 18

HEX #D14214

RGB 209 66 20

HSL 14.6, 0.83%, 0.45%

LAB 48.89, 54.46, 54.69

 

CMYK 0 / 75 / 100 / 11

HEX #E33801

RGB 227 56 1

HSL 14.6, 0.99%, 0.45%

LAB 50.88, 63.51, 62.68

 

CMYK 0 / 51 / 67 / 33

HEX #AC5539

RGB 172 85 57

HSL 14.61, 0.5%, 0.45%

LAB 46.4, 33.32, 32.47

 

CMYK 0 / 39 / 51 / 40

HEX #995E4B

RGB 153 94 75

HSL 14.62, 0.34%, 0.45%

LAB 46.02, 21.95, 21

 

CMYK 0 / 22 / 30 / 47

HEX #86685E

RGB 134 104 94

HSL 15, 0.18%, 0.45%

LAB 46.68, 10.44, 10.22

 

CMYK 0 / 3 / 3 / 55

HEX #747171

RGB 116 113 113

HSL 0, 0.01%, 0.45%

LAB 47.9, 1.15, 0.4

 

CMYK 26 / 6 / 0 / 49

HEX #617B83

RGB 97 123 131

HSL 194.12, 0.15%, 0.45%

LAB 49.91, -7.4, -7.45

 

CMYK 0 / 67 / 47 / 33

HEX #AC395B

RGB 172 57 91

HSL 342.26, 0.5%, 0.45%

LAB 41.93, 49.51, 6.09

 

CMYK 0 / 67 / 65 / 33

HEX #AC393D

RGB 172 57 61

HSL 357.91, 0.5%, 0.45%

LAB 41.27, 47.13, 23.84

 

CMYK 0 / 51 / 67 / 33

HEX #AC5439

RGB 172 84 57

HSL 14.09, 0.5%, 0.45%

LAB 46.19, 33.85, 32.22

 

CMYK 0 / 34 / 67 / 33

HEX #AC7239

RGB 172 114 57

HSL 29.74, 0.5%, 0.45%

LAB 53.06, 17.34, 40.14

 

CMYK 0 / 16 / 67 / 33

HEX #AC9139

RGB 172 145 57

HSL 45.91, 0.5%, 0.45%

LAB 61.06, 0.05, 48.89

 

CMYK 0 / 51 / 67 / 57

HEX #6E3624

RGB 110 54 36

HSL 14.59, 0.51%, 0.29%

LAB 29.62, 23.12, 22.43

 

CMYK 0 / 51 / 67 / 45

HEX #8D452F

RGB 141 69 47

HSL 14.04, 0.5%, 0.37%

LAB 38.06, 28.65, 27.14

 

CMYK 0 / 51 / 67 / 33

HEX #AC5539

RGB 172 85 57

HSL 14.61, 0.5%, 0.45%

LAB 46.4, 33.32, 32.47

 

CMYK 0 / 47 / 62 / 24

HEX #C3684B

RGB 195 104 75

HSL 14.5, 0.5%, 0.53%

LAB 54.04, 33.65, 32.39

 

CMYK 0 / 37 / 48 / 20

HEX #CD826A

RGB 205 130 106

HSL 14.55, 0.5%, 0.61%

LAB 61.64, 26.3, 25.04

 

CMYK 0 / 51 / 67 / 33

HEX #AC5539

RGB 172 85 57

HSL 14.61, 0.5%, 0.45%

LAB 46.4, 33.32, 32.47

 

CMYK 29 / 0 / 67 / 33

HEX #7AAC39

RGB 122 172 57

HSL 86.09, 0.5%, 0.45%

LAB 64.91, -34.87, 51.8

 

CMYK 67 / 56 / 0 / 33

HEX #394CAC

RGB 57 76 172

HSL 230.09, 0.5%, 0.45%

LAB 36.02, 24.64, -53.74

 

CMYK 0 / 51 / 67 / 33

HEX #AC5539

RGB 172 85 57

HSL 14.61, 0.5%, 0.45%

LAB 46.4, 33.32, 32.47

 

CMYK 67 / 0 / 51 / 33

HEX #39AC54

RGB 57 172 84

HSL 134.09, 0.5%, 0.45%

LAB 62.52, -51.1, 35.84

 

CMYK 51 / 67 / 0 / 33

HEX #5439AC

RGB 84 57 172

HSL 254.09, 0.5%, 0.45%

LAB 33.54, 41.18, -57.67

 

CMYK 0 / 51 / 67 / 33

HEX #AC5539

RGB 172 85 57

HSL 14.61, 0.5%, 0.45%

LAB 46.4, 33.32, 32.47

 

CMYK 29 / 0 / 67 / 33

HEX #7AAC39

RGB 122 172 57

HSL 86.09, 0.5%, 0.45%

LAB 64.91, -34.87, 51.8

 

CMYK 67 / 16 / 0 / 33

HEX #3991AC

RGB 57 145 172

HSL 194.09, 0.5%, 0.45%

LAB 56.19, -17.47, -21.89

 

CMYK 38 / 67 / 0 / 33

HEX #6B39AC

RGB 107 57 172

HSL 266.09, 0.5%, 0.45%

LAB 36.04, 45.71, -53.49

 

CMYK 0 / 51 / 67 / 33

HEX #AC5539

RGB 172 85 57

HSL 14.61, 0.5%, 0.45%

LAB 46.4, 33.32, 32.47

 

CMYK 49 / 0 / 67 / 33

HEX #57AC39

RGB 87 172 57

HSL 104.35, 0.5%, 0.45%

LAB 63.2, -46.88, 49.46

 

CMYK 67 / 16 / 0 / 33

HEX #3991AC

RGB 57 145 172

HSL 194.09, 0.5%, 0.45%

LAB 56.19, -17.47, -21.89

 

CMYK 18 / 67 / 0 / 33

HEX #8D39AC

RGB 141 57 172

HSL 283.83, 0.5%, 0.45%

LAB 40.52, 53.25, -46.05

 

Description

Color code: RGB 172 85 57 | qconv.com Color code: RGB 172 85 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 85 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 85 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 67 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 67% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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