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Color name
RGB 172 82 167

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 82 167 it is the complementary color RGB 83 173 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 82 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 82 167 shade: RGB 177 82 162, RGB 194 100 181, RGB 211 118 200, RGB 228 136 219 and RGB 245 154 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 82 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 82 167 shade: RGB 172 82 167, RGB 155 64 148, RGB 138 46 129, RGB 121 28 110 and RGB 104 10 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 82 167 shade: RGB 172 82 167, RGB 172 82 143, RGB 172 82 119, RGB 172 82 94 and RGB 172 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 82 167 shade: RGB 172 82 167, RGB 153 82 172, RGB 128 82 172, RGB 104 82 172 and RGB 82 82 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 82 167 shade matches the following richer shades: RGB 172 82 167, RGB 192 62 185, RGB 213 41 203, RGB 234 20 222 and RGB 254 0 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 82 167 shade: RGB 172 82 167, RGB 151 103 148, RGB 130 124 130, RGB 110 144 112 and RGB 89 165 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 82 167 shade: RGB 128 82 172, RGB 152 82 172, RGB 172 82 167, RGB 172 82 143 and RGB 172 82 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 82 167 shade: RGB 116 56 113, RGB 144 69 140, RGB 172 82 167, RGB 185 110 181 and RGB 198 138 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 82 167 shade: RGB 172 82 167, RGB 172 105 82 and RGB 82 172 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 82 167 shade: RGB 172 82 167, RGB 167 172 82 and RGB 82 167 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 82 167 shade: RGB 172 82 167, RGB 172 105 82, RGB 82 172 87 and RGB 82 149 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 82 167 shade: RGB 172 82 167, RGB 172 131 82, RGB 82 172 87 and RGB 82 123 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 3 / 33

HEX #AC52A7

RGB 172 82 167

HSL 303.33, 0.35%, 0.5%

LAB 49, 48.53, -29.39

 

Complementary color

CMYK 52 / 0 / 49 / 32

HEX #53AD58

RGB 83 173 88

HSL 123.33, 0.35%, 0.5%

LAB 63.7, -44.78, 35.46

 

CMYK 0 / 54 / 8 / 31

HEX #B152A2

RGB 177 82 162

HSL 309.47, 0.38%, 0.51%

LAB 49.48, 49.12, -25.64

 

CMYK 0 / 48 / 7 / 24

HEX #C264B5

RGB 194 100 181

HSL 308.3, 0.44%, 0.58%

LAB 56.01, 48.5, -26.44

 

CMYK 0 / 44 / 5 / 17

HEX #D376C8

RGB 211 118 200

HSL 307.1, 0.51%, 0.65%

LAB 62.49, 47.8, -27.1

 

CMYK 0 / 40 / 4 / 11

HEX #E488DB

RGB 228 136 219

HSL 305.87, 0.63%, 0.71%

LAB 68.91, 47.07, -27.66

 

CMYK 0 / 37 / 3 / 4

HEX #F59AEE

RGB 245 154 238

HSL 304.62, 0.82%, 0.78%

LAB 75.26, 46.34, -28.15

 

CMYK 0 / 52 / 3 / 33

HEX #AC52A7

RGB 172 82 167

HSL 303.33, 0.35%, 0.5%

LAB 49, 48.53, -29.39

 

CMYK 0 / 59 / 5 / 39

HEX #9B4094

RGB 155 64 148

HSL 304.62, 0.42%, 0.43%

LAB 42.42, 49, -28.53

 

CMYK 0 / 67 / 7 / 46

HEX #8A2E81

RGB 138 46 129

HSL 305.87, 0.5%, 0.36%

LAB 35.87, 49.11, -27.36

 

CMYK 0 / 77 / 9 / 53

HEX #791C6E

RGB 121 28 110

HSL 307.1, 0.62%, 0.29%

LAB 29.47, 48.53, -25.65

 

CMYK 0 / 90 / 13 / 59

HEX #680A5B

RGB 104 10 91

HSL 308.3, 0.82%, 0.22%

LAB 23.39, 46.62, -23.06

 

CMYK 0 / 52 / 3 / 33

HEX #AC52A7

RGB 172 82 167

HSL 303.33, 0.35%, 0.5%

LAB 49, 48.53, -29.39

 

CMYK 0 / 52 / 17 / 33

HEX #AC528F

RGB 172 82 143

HSL 319.33, 0.35%, 0.5%

LAB 47.99, 44.48, -16.72

 

CMYK 0 / 52 / 31 / 33

HEX #AC5277

RGB 172 82 119

HSL 335.33, 0.35%, 0.5%

LAB 47.15, 40.98, -3.53

 

CMYK 0 / 52 / 45 / 33

HEX #AC525E

RGB 172 82 94

HSL 352, 0.35%, 0.5%

LAB 46.46, 37.99, 10.64

 

CMYK 0 / 52 / 52 / 33

HEX #AC5252

RGB 172 82 82

HSL 0, 0.35%, 0.5%

LAB 46.2, 36.82, 17.54

 

CMYK 0 / 52 / 3 / 33

HEX #AC52A7

RGB 172 82 167

HSL 303.33, 0.35%, 0.5%

LAB 49, 48.53, -29.39

 

CMYK 11 / 52 / 0 / 33

HEX #9952AC

RGB 153 82 172

HSL 287.33, 0.35%, 0.5%

LAB 46.69, 44.04, -36.14

 

CMYK 26 / 52 / 0 / 33

HEX #8052AC

RGB 128 82 172

HSL 270.67, 0.35%, 0.5%

LAB 43.66, 37.07, -41.14

 

CMYK 40 / 52 / 0 / 33

HEX #6852AC

RGB 104 82 172

HSL 254.67, 0.35%, 0.5%

LAB 41.15, 30.75, -45.29

 

CMYK 52 / 52 / 0 / 33

HEX #5252AC

RGB 82 82 172

HSL 240, 0.35%, 0.5%

LAB 39.25, 25.54, -48.43

 

CMYK 0 / 52 / 3 / 33

HEX #AC52A7

RGB 172 82 167

HSL 303.33, 0.35%, 0.5%

LAB 49, 48.53, -29.39

 

CMYK 0 / 68 / 4 / 25

HEX #C03EB9

RGB 192 62 185

HSL 303.23, 0.51%, 0.5%

LAB 49.68, 65.51, -38.66

 

CMYK 0 / 81 / 5 / 16

HEX #D529CB

RGB 213 41 203

HSL 303.49, 0.68%, 0.5%

LAB 51.89, 78.97, -45.37

 

CMYK 0 / 91 / 5 / 8

HEX #EA14DE

RGB 234 20 222

HSL 303.36, 0.84%, 0.5%

LAB 55.35, 88.89, -50.5

 

CMYK 0 / 100 / 6 / 0

HEX #FE00F0

RGB 254 0 240

HSL 303.31, 1%, 0.5%

LAB 59.31, 96.06, -54.12

 

CMYK 0 / 52 / 3 / 33

HEX #AC52A7

RGB 172 82 167

HSL 303.33, 0.35%, 0.5%

LAB 49, 48.53, -29.39

 

CMYK 0 / 32 / 2 / 41

HEX #976794

RGB 151 103 148

HSL 303.75, 0.19%, 0.5%

LAB 50, 26.91, -16.87

 

CMYK 0 / 5 / 0 / 49

HEX #827C82

RGB 130 124 130

HSL 300, 0.02%, 0.5%

LAB 52.7, 3.45, -2.45

 

CMYK 24 / 0 / 22 / 44

HEX #6E9070

RGB 110 144 112

HSL 123.53, 0.13%, 0.5%

LAB 56.52, -18.55, 13.22

 

CMYK 46 / 0 / 44 / 35

HEX #59A55D

RGB 89 165 93

HSL 123.16, 0.3%, 0.5%

LAB 61.5, -38.91, 30.14

 

CMYK 26 / 52 / 0 / 33

HEX #8052AC

RGB 128 82 172

HSL 270.67, 0.35%, 0.5%

LAB 43.66, 37.07, -41.14

 

CMYK 12 / 52 / 0 / 33

HEX #9852AC

RGB 152 82 172

HSL 286.67, 0.35%, 0.5%

LAB 46.56, 43.76, -36.35

 

CMYK 0 / 52 / 3 / 33

HEX #AC52A7

RGB 172 82 167

HSL 303.33, 0.35%, 0.5%

LAB 49, 48.53, -29.39

 

CMYK 0 / 52 / 17 / 33

HEX #AC528F

RGB 172 82 143

HSL 319.33, 0.35%, 0.5%

LAB 47.99, 44.48, -16.72

 

CMYK 0 / 52 / 30 / 33

HEX #AC5278

RGB 172 82 120

HSL 334.67, 0.35%, 0.5%

LAB 47.19, 41.12, -4.09

 

CMYK 0 / 52 / 3 / 55

HEX #743871

RGB 116 56 113

HSL 303, 0.35%, 0.34%

LAB 33.42, 34.97, -21.43

 

CMYK 0 / 52 / 3 / 44

HEX #90458C

RGB 144 69 140

HSL 303.2, 0.35%, 0.42%

LAB 41.34, 41.89, -25.49

 

CMYK 0 / 52 / 3 / 33

HEX #AC52A7

RGB 172 82 167

HSL 303.33, 0.35%, 0.5%

LAB 49, 48.53, -29.39

 

CMYK 0 / 41 / 2 / 27

HEX #B96EB5

RGB 185 110 181

HSL 303.2, 0.35%, 0.58%

LAB 56.88, 40.52, -25.19

 

CMYK 0 / 30 / 2 / 22

HEX #C68AC3

RGB 198 138 195

HSL 303, 0.34%, 0.66%

LAB 65.06, 32.13, -20.47

 

CMYK 0 / 52 / 3 / 33

HEX #AC52A7

RGB 172 82 167

HSL 303.33, 0.35%, 0.5%

LAB 49, 48.53, -29.39

 

CMYK 0 / 39 / 52 / 33

HEX #AC6952

RGB 172 105 82

HSL 15.33, 0.35%, 0.5%

LAB 51.25, 24.35, 24.23

 

CMYK 52 / 0 / 19 / 33

HEX #52AC8C

RGB 82 172 140

HSL 158.67, 0.35%, 0.5%

LAB 64.32, -34.77, 8.32

 

CMYK 0 / 52 / 3 / 33

HEX #AC52A7

RGB 172 82 167

HSL 303.33, 0.35%, 0.5%

LAB 49, 48.53, -29.39

 

CMYK 3 / 0 / 52 / 33

HEX #A7AC52

RGB 167 172 82

HSL 63.33, 0.35%, 0.5%

LAB 68.26, -14.6, 45.1

 

CMYK 52 / 3 / 0 / 33

HEX #52A7AC

RGB 82 167 172

HSL 183.33, 0.35%, 0.5%

LAB 63.68, -24.18, -10.46

 

CMYK 0 / 52 / 3 / 33

HEX #AC52A7

RGB 172 82 167

HSL 303.33, 0.35%, 0.5%

LAB 49, 48.53, -29.39

 

CMYK 0 / 39 / 52 / 33

HEX #AC6952

RGB 172 105 82

HSL 15.33, 0.35%, 0.5%

LAB 51.25, 24.35, 24.23

 

CMYK 52 / 0 / 49 / 33

HEX #52AC57

RGB 82 172 87

HSL 123.33, 0.35%, 0.5%

LAB 63.33, -44.79, 35.5

 

CMYK 52 / 13 / 0 / 33

HEX #5295AC

RGB 82 149 172

HSL 195.33, 0.35%, 0.5%

LAB 58.29, -14.75, -18.6

 

CMYK 0 / 52 / 3 / 33

HEX #AC52A7

RGB 172 82 167

HSL 303.33, 0.35%, 0.5%

LAB 49, 48.53, -29.39

 

CMYK 0 / 24 / 52 / 33

HEX #AC8352

RGB 172 131 82

HSL 32.67, 0.35%, 0.5%

LAB 57.67, 9.74, 32.41

 

CMYK 52 / 0 / 49 / 33

HEX #52AC57

RGB 82 172 87

HSL 123.33, 0.35%, 0.5%

LAB 63.33, -44.79, 35.5

 

CMYK 52 / 28 / 0 / 33

HEX #527BAC

RGB 82 123 172

HSL 212.67, 0.35%, 0.5%

LAB 50.61, 0.05, -30.43

 

Description

Color code: RGB 172 82 167 | qconv.com Color code: RGB 172 82 167 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 82 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 82 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 3 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 3% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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