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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 71 250 it is the complementary color RGB 83 184 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 71 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 71 250 shade: RGB 177 71 245, RGB 194 89 255, RGB 211 107 255, RGB 228 125 255 and RGB 245 143 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 71 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 71 250 shade: RGB 172 71 250, RGB 155 53 231, RGB 138 35 212, RGB 121 17 193 and RGB 104 0 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 71 250 shade: RGB 172 71 250, RGB 220 71 250, RGB 250 71 231, RGB 250 71 183 and RGB 250 71 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 71 250 shade: RGB 172 71 250, RGB 123 71 250, RGB 75 71 250 and RGB 71 71 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 71 250 shade matches the following richer shades: RGB 172 71 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 71 250 shade: RGB 172 71 250, RGB 170 86 235, RGB 168 101 219, RGB 166 116 204 and RGB 164 132 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 71 250 shade: RGB 74 71 250, RGB 121 71 250, RGB 169 71 250, RGB 217 71 250 and RGB 250 71 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 71 250 shade: RGB 133 5 232, RGB 154 30 249, RGB 172 71 250, RGB 190 111 251 and RGB 208 151 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 71 250 shade: RGB 172 71 250, RGB 250 71 115 and RGB 71 250 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 71 250 shade: RGB 172 71 250, RGB 250 169 71 and RGB 71 250 169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 71 250 shade: RGB 172 71 250, RGB 250 71 115, RGB 151 250 71 and RGB 71 250 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 71 250 shade: RGB 172 71 250, RGB 250 79 71, RGB 151 250 71 and RGB 71 241 250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 72 / 0 / 2

HEX #AC47FA

RGB 172 71 250

HSL 273.85, 0.95%, 0.63%

LAB 52.04, 70.23, -72.05

 

Complementary color

CMYK 55 / 0 / 97 / 28

HEX #53B805

RGB 83 184 5

HSL 93.85, 0.95%, 0.37%

LAB 66.62, -55.12, 66.24

 

CMYK 28 / 71 / 0 / 4

HEX #B147F5

RGB 177 71 245

HSL 276.55, 0.9%, 0.62%

LAB 52.34, 70.08, -68.75

 

CMYK 24 / 65 / 0 / 0

HEX #C259FF

RGB 194 89 255

HSL 277.95, 1%, 0.67%

LAB 57.88, 67.96, -65.25

 

CMYK 17 / 58 / 0 / 0

HEX #D36BFF

RGB 211 107 255

HSL 282.16, 1%, 0.71%

LAB 63, 63.58, -56.94

 

CMYK 11 / 51 / 0 / 0

HEX #E47DFF

RGB 228 125 255

HSL 287.54, 1%, 0.75%

LAB 68.3, 59.21, -48.4

 

CMYK 4 / 44 / 0 / 0

HEX #F58FFF

RGB 245 143 255

HSL 294.64, 1%, 0.78%

LAB 73.73, 54.96, -39.76

 

CMYK 31 / 72 / 0 / 2

HEX #AC47FA

RGB 172 71 250

HSL 273.85, 0.95%, 0.63%

LAB 52.04, 70.23, -72.05

 

CMYK 33 / 77 / 0 / 9

HEX #9B35E7

RGB 155 53 231

HSL 274.38, 0.79%, 0.56%

LAB 46.02, 70.1, -71.26

 

CMYK 35 / 83 / 0 / 17

HEX #8A23D4

RGB 138 35 212

HSL 274.92, 0.72%, 0.48%

LAB 40.18, 69.28, -70.03

 

CMYK 37 / 91 / 0 / 24

HEX #7911C1

RGB 121 17 193

HSL 275.45, 0.84%, 0.41%

LAB 34.63, 67.34, -68.15

 

CMYK 40 / 100 / 0 / 32

HEX #6800AE

RGB 104 0 174

HSL 275.86, 1%, 0.34%

LAB 29.41, 64.17, -65.54

 

CMYK 31 / 72 / 0 / 2

HEX #AC47FA

RGB 172 71 250

HSL 273.85, 0.95%, 0.63%

LAB 52.04, 70.23, -72.05

 

CMYK 12 / 72 / 0 / 2

HEX #DC47FA

RGB 220 71 250

HSL 289.94, 0.95%, 0.63%

LAB 58.62, 79.32, -61.09

 

CMYK 0 / 72 / 8 / 2

HEX #FA47E7

RGB 250 71 231

HSL 306.37, 0.95%, 0.63%

LAB 62.17, 82.49, -44.6

 

CMYK 0 / 72 / 27 / 2

HEX #FA47B7

RGB 250 71 183

HSL 322.46, 0.95%, 0.63%

LAB 60.11, 76.16, -20.57

 

CMYK 0 / 72 / 46 / 2

HEX #FA4787

RGB 250 71 135

HSL 338.55, 0.95%, 0.63%

LAB 58.58, 71.23, 5.11

 

CMYK 31 / 72 / 0 / 2

HEX #AC47FA

RGB 172 71 250

HSL 273.85, 0.95%, 0.63%

LAB 52.04, 70.23, -72.05

 

CMYK 51 / 72 / 0 / 2

HEX #7B47FA

RGB 123 71 250

HSL 257.43, 0.95%, 0.63%

LAB 46.47, 62.14, -81.37

 

CMYK 70 / 72 / 0 / 2

HEX #4B47FA

RGB 75 71 250

HSL 241.34, 0.95%, 0.63%

LAB 42.62, 56.22, -87.84

 

CMYK 72 / 72 / 0 / 2

HEX #4747FA

RGB 71 71 250

HSL 240, 0.95%, 0.63%

LAB 42.38, 55.85, -88.24

 

CMYK 31 / 72 / 0 / 2

HEX #AC47FA

RGB 172 71 250

HSL 273.85, 0.95%, 0.63%

LAB 52.04, 70.23, -72.05

 

CMYK 31 / 72 / 0 / 2

HEX #AC47FA

RGB 172 71 250

HSL 273.85, 0.95%, 0.63%

LAB 52.04, 70.23, -72.05

 

CMYK 28 / 63 / 0 / 8

HEX #AA56EB

RGB 170 86 235

HSL 273.83, 0.79%, 0.63%

LAB 53.17, 59.91, -61.85

 

CMYK 23 / 54 / 0 / 14

HEX #A865DB

RGB 168 101 219

HSL 274.07, 0.62%, 0.63%

LAB 54.81, 48.28, -50.23

 

CMYK 19 / 43 / 0 / 20

HEX #A674CC

RGB 166 116 204

HSL 274.09, 0.46%, 0.63%

LAB 57.03, 36.16, -38.24

 

CMYK 13 / 30 / 0 / 26

HEX #A484BD

RGB 164 132 189

HSL 273.68, 0.3%, 0.63%

LAB 59.95, 23.14, -25.22

 

CMYK 70 / 72 / 0 / 2

HEX #4A47FA

RGB 74 71 250

HSL 241.01, 0.95%, 0.63%

LAB 42.56, 56.13, -87.94

 

CMYK 52 / 72 / 0 / 2

HEX #7947FA

RGB 121 71 250

HSL 256.76, 0.95%, 0.63%

LAB 46.28, 61.84, -81.69

 

CMYK 32 / 72 / 0 / 2

HEX #A947FA

RGB 169 71 250

HSL 272.85, 0.95%, 0.63%

LAB 51.66, 69.69, -72.68

 

CMYK 13 / 72 / 0 / 2

HEX #D947FA

RGB 217 71 250

HSL 288.94, 0.95%, 0.63%

LAB 58.19, 78.73, -61.82

 

CMYK 0 / 72 / 6 / 2

HEX #FA47EB

RGB 250 71 235

HSL 305.03, 0.95%, 0.63%

LAB 62.36, 83.07, -46.53

 

CMYK 43 / 98 / 0 / 9

HEX #8505E8

RGB 133 5 232

HSL 273.83, 0.96%, 0.46%

LAB 39.45, 78.31, -82.72

 

CMYK 38 / 88 / 0 / 2

HEX #9A1EF9

RGB 154 30 249

HSL 273.97, 0.95%, 0.55%

LAB 45.13, 80.25, -82.86

 

CMYK 31 / 72 / 0 / 2

HEX #AC47FA

RGB 172 71 250

HSL 273.85, 0.95%, 0.63%

LAB 52.04, 70.23, -72.05

 

CMYK 24 / 56 / 0 / 2

HEX #BE6FFB

RGB 190 111 251

HSL 273.86, 0.95%, 0.71%

LAB 61.03, 55.74, -58.02

 

CMYK 17 / 40 / 0 / 1

HEX #D097FC

RGB 208 151 252

HSL 273.86, 0.94%, 0.79%

LAB 71.26, 39.64, -42.27

 

CMYK 31 / 72 / 0 / 2

HEX #AC47FA

RGB 172 71 250

HSL 273.85, 0.95%, 0.63%

LAB 52.04, 70.23, -72.05

 

CMYK 0 / 72 / 54 / 2

HEX #FA4773

RGB 250 71 115

HSL 345.25, 0.95%, 0.63%

LAB 58.1, 69.63, 16.21

 

CMYK 72 / 0 / 61 / 2

HEX #47FA61

RGB 71 250 97

HSL 128.72, 0.95%, 0.63%

LAB 87.28, -73.8, 59.16

 

CMYK 31 / 72 / 0 / 2

HEX #AC47FA

RGB 172 71 250

HSL 273.85, 0.95%, 0.63%

LAB 52.04, 70.23, -72.05

 

CMYK 0 / 32 / 72 / 2

HEX #FAA947

RGB 250 169 71

HSL 32.85, 0.95%, 0.63%

LAB 75.55, 21.42, 60.47

 

CMYK 72 / 0 / 32 / 2

HEX #47FAA9

RGB 71 250 169

HSL 152.85, 0.95%, 0.63%

LAB 88.24, -62.7, 26.23

 

CMYK 31 / 72 / 0 / 2

HEX #AC47FA

RGB 172 71 250

HSL 273.85, 0.95%, 0.63%

LAB 52.04, 70.23, -72.05

 

CMYK 0 / 72 / 54 / 2

HEX #FA4773

RGB 250 71 115

HSL 345.25, 0.95%, 0.63%

LAB 58.1, 69.63, 16.21

 

CMYK 40 / 0 / 72 / 2

HEX #97FA47

RGB 151 250 71

HSL 93.18, 0.95%, 0.63%

LAB 89.58, -56.69, 72.31

 

CMYK 72 / 0 / 18 / 2

HEX #47FACD

RGB 71 250 205

HSL 164.92, 0.95%, 0.63%

LAB 88.98, -54.87, 8.76

 

CMYK 31 / 72 / 0 / 2

HEX #AC47FA

RGB 172 71 250

HSL 273.85, 0.95%, 0.63%

LAB 52.04, 70.23, -72.05

 

CMYK 0 / 68 / 72 / 2

HEX #FA4F47

RGB 250 79 71

HSL 2.68, 0.95%, 0.63%

LAB 58.39, 64.26, 41.89

 

CMYK 40 / 0 / 72 / 2

HEX #97FA47

RGB 151 250 71

HSL 93.18, 0.95%, 0.63%

LAB 89.58, -56.69, 72.31

 

CMYK 72 / 4 / 0 / 2

HEX #47F1FA

RGB 71 241 250

HSL 183.02, 0.95%, 0.63%

LAB 87.56, -39.26, -16.81

 

Description

Color code: RGB 172 71 250 | qconv.com Color code: RGB 172 71 250 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 71 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 71 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 72 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 72% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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