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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 6 112 it is the complementary color RGB 83 249 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 6 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 6 112 shade: RGB 177 6 107, RGB 194 24 126, RGB 211 42 145, RGB 228 60 164 and RGB 245 78 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 6 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 6 112 shade: RGB 172 6 112, RGB 155 0 93, RGB 138 0 74, RGB 121 0 55 and RGB 104 0 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 6 112 shade: RGB 172 6 112, RGB 172 6 67, RGB 172 6 22 and RGB 172 6 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 6 112 shade: RGB 172 6 112, RGB 172 6 157, RGB 142 6 172, RGB 97 6 172 and RGB 53 6 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 6 112 shade matches the following richer shades: RGB 172 6 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 6 112 shade: RGB 172 6 112, RGB 157 20 108, RGB 143 35 104, RGB 128 49 100 and RGB 114 64 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 6 112 shade: RGB 141 6 172, RGB 172 6 158, RGB 172 6 114, RGB 172 6 69 and RGB 172 6 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 6 112 shade: RGB 92 3 60, RGB 132 4 86, RGB 172 6 112, RGB 212 7 138 and RGB 246 14 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 6 112 shade: RGB 172 6 112, RGB 172 97 6 and RGB 6 172 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 6 112 shade: RGB 172 6 112, RGB 114 172 6 and RGB 6 114 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 6 112 shade: RGB 172 6 112, RGB 172 97 6, RGB 6 172 64 and RGB 6 80 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 6 112 shade: RGB 172 6 112, RGB 172 147 6, RGB 6 172 64 and RGB 6 31 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 35 / 33

HEX #AC0670

RGB 172 6 112

HSL 321.69, 0.93%, 0.35%

LAB 37.97, 64.78, -12.97

 

Complementary color

CMYK 67 / 0 / 43 / 2

HEX #53F98F

RGB 83 249 143

HSL 141.69, 0.93%, 0.65%

LAB 87.76, -65.21, 38.63

 

CMYK 0 / 97 / 40 / 31

HEX #B1066B

RGB 177 6 107

HSL 324.56, 0.93%, 0.36%

LAB 38.79, 65.38, -8.47

 

CMYK 0 / 88 / 35 / 24

HEX #C2187E

RGB 194 24 126

HSL 324, 0.78%, 0.43%

LAB 43.7, 68.68, -12.59

 

CMYK 0 / 80 / 31 / 17

HEX #D32A91

RGB 211 42 145

HSL 323.43, 0.67%, 0.5%

LAB 48.94, 70.79, -15.88

 

CMYK 0 / 74 / 28 / 11

HEX #E43CA4

RGB 228 60 164

HSL 322.86, 0.76%, 0.56%

LAB 54.46, 71.98, -18.49

 

CMYK 0 / 68 / 25 / 4

HEX #F54EB7

RGB 245 78 183

HSL 322.28, 0.89%, 0.63%

LAB 60.14, 72.53, -20.6

 

CMYK 0 / 97 / 35 / 33

HEX #AC0670

RGB 172 6 112

HSL 321.69, 0.93%, 0.35%

LAB 37.97, 64.78, -12.97

 

CMYK 0 / 100 / 40 / 39

HEX #9B005D

RGB 155 0 93

HSL 324, 1%, 0.3%

LAB 33.48, 59.88, -7.95

 

CMYK 0 / 100 / 46 / 46

HEX #8A004A

RGB 138 0 74

HSL 327.83, 1%, 0.27%

LAB 29.15, 54.22, -2.27

 

CMYK 0 / 100 / 55 / 53

HEX #790037

RGB 121 0 55

HSL 332.73, 1%, 0.24%

LAB 24.77, 48.53, 3.8

 

CMYK 0 / 100 / 65 / 59

HEX #680024

RGB 104 0 36

HSL 339.23, 1%, 0.2%

LAB 20.32, 42.82, 10.35

 

CMYK 0 / 97 / 35 / 33

HEX #AC0670

RGB 172 6 112

HSL 321.69, 0.93%, 0.35%

LAB 37.97, 64.78, -12.97

 

CMYK 0 / 97 / 61 / 33

HEX #AC0643

RGB 172 6 67

HSL 337.95, 0.93%, 0.35%

LAB 36.57, 61.03, 13.88

 

CMYK 0 / 97 / 87 / 33

HEX #AC0616

RGB 172 6 22

HSL 354.22, 0.93%, 0.35%

LAB 35.9, 59.21, 40.7

 

CMYK 0 / 97 / 97 / 33

HEX #AC0606

RGB 172 6 6

HSL 0, 0.93%, 0.35%

LAB 35.82, 58.97, 47.58

 

CMYK 0 / 97 / 35 / 33

HEX #AC0670

RGB 172 6 112

HSL 321.69, 0.93%, 0.35%

LAB 37.97, 64.78, -12.97

 

CMYK 0 / 97 / 9 / 33

HEX #AC069D

RGB 172 6 157

HSL 305.42, 0.93%, 0.35%

LAB 40.14, 70.34, -37.37

 

CMYK 17 / 97 / 0 / 33

HEX #8E06AC

RGB 142 6 172

HSL 289.16, 0.93%, 0.35%

LAB 35.71, 67.74, -53.79

 

CMYK 44 / 97 / 0 / 33

HEX #6106AC

RGB 97 6 172

HSL 272.89, 0.93%, 0.35%

LAB 28.51, 62.01, -65.85

 

CMYK 69 / 97 / 0 / 33

HEX #3506AC

RGB 53 6 172

HSL 256.99, 0.93%, 0.35%

LAB 23.22, 58.66, -74.78

 

CMYK 0 / 97 / 35 / 33

HEX #AC0670

RGB 172 6 112

HSL 321.69, 0.93%, 0.35%

LAB 37.97, 64.78, -12.97

 

CMYK 0 / 97 / 35 / 33

HEX #AC0670

RGB 172 6 112

HSL 321.69, 0.93%, 0.35%

LAB 37.97, 64.78, -12.97

 

CMYK 0 / 87 / 31 / 38

HEX #9D146C

RGB 157 20 108

HSL 321.46, 0.77%, 0.35%

LAB 35.5, 58.96, -14.47

 

CMYK 0 / 76 / 27 / 44

HEX #8F2368

RGB 143 35 104

HSL 321.67, 0.61%, 0.35%

LAB 34.07, 50.91, -14.35

 

CMYK 0 / 62 / 22 / 50

HEX #803164

RGB 128 49 100

HSL 321.27, 0.45%, 0.35%

LAB 33.36, 40.14, -13.11

 

CMYK 0 / 44 / 16 / 55

HEX #724060

RGB 114 64 96

HSL 321.6, 0.28%, 0.35%

LAB 34.17, 26.57, -9.54

 

CMYK 18 / 97 / 0 / 33

HEX #8D06AC

RGB 141 6 172

HSL 288.8, 0.93%, 0.35%

LAB 35.54, 67.59, -54.08

 

CMYK 0 / 97 / 8 / 33

HEX #AC069E

RGB 172 6 158

HSL 305.06, 0.93%, 0.35%

LAB 40.2, 70.48, -37.88

 

CMYK 0 / 97 / 34 / 33

HEX #AC0672

RGB 172 6 114

HSL 320.96, 0.93%, 0.35%

LAB 38.05, 65, -14.11

 

CMYK 0 / 97 / 60 / 33

HEX #AC0645

RGB 172 6 69

HSL 337.23, 0.93%, 0.35%

LAB 36.61, 61.16, 12.65

 

CMYK 0 / 97 / 85 / 33

HEX #AC0619

RGB 172 6 25

HSL 353.13, 0.93%, 0.35%

LAB 35.93, 59.28, 39.14

 

CMYK 0 / 97 / 35 / 64

HEX #5C033C

RGB 92 3 60

HSL 321.57, 0.94%, 0.19%

LAB 18.66, 41.18, -9.46

 

CMYK 0 / 97 / 35 / 48

HEX #840456

RGB 132 4 86

HSL 321.56, 0.94%, 0.27%

LAB 28.55, 53.39, -11.29

 

CMYK 0 / 97 / 35 / 33

HEX #AC0670

RGB 172 6 112

HSL 321.69, 0.93%, 0.35%

LAB 37.97, 64.78, -12.97

 

CMYK 0 / 97 / 35 / 17

HEX #D4078A

RGB 212 7 138

HSL 321.66, 0.94%, 0.43%

LAB 46.95, 75.81, -14.66

 

CMYK 0 / 94 / 34 / 4

HEX #F60EA2

RGB 246 14 162

HSL 321.72, 0.93%, 0.51%

LAB 54.57, 84.61, -16.85

 

CMYK 0 / 97 / 35 / 33

HEX #AC0670

RGB 172 6 112

HSL 321.69, 0.93%, 0.35%

LAB 37.97, 64.78, -12.97

 

CMYK 0 / 44 / 97 / 33

HEX #AC6106

RGB 172 97 6

HSL 32.89, 0.93%, 0.35%

LAB 48.68, 25.02, 55.48

 

CMYK 97 / 0 / 5 / 33

HEX #06ACA3

RGB 6 172 163

HSL 176.75, 0.93%, 0.35%

LAB 63.5, -38.3, -5.86

 

CMYK 0 / 97 / 35 / 33

HEX #AC0670

RGB 172 6 112

HSL 321.69, 0.93%, 0.35%

LAB 37.97, 64.78, -12.97

 

CMYK 34 / 0 / 97 / 33

HEX #72AC06

RGB 114 172 6

HSL 80.96, 0.93%, 0.35%

LAB 64.24, -40.14, 64.79

 

CMYK 97 / 34 / 0 / 33

HEX #0672AC

RGB 6 114 172

HSL 200.96, 0.93%, 0.35%

LAB 45.71, -4.84, -38.29

 

CMYK 0 / 97 / 35 / 33

HEX #AC0670

RGB 172 6 112

HSL 321.69, 0.93%, 0.35%

LAB 37.97, 64.78, -12.97

 

CMYK 0 / 44 / 97 / 33

HEX #AC6106

RGB 172 97 6

HSL 32.89, 0.93%, 0.35%

LAB 48.68, 25.02, 55.48

 

CMYK 97 / 0 / 63 / 33

HEX #06AC40

RGB 6 172 64

HSL 140.96, 0.93%, 0.35%

LAB 61.58, -59.75, 44.15

 

CMYK 97 / 53 / 0 / 33

HEX #0650AC

RGB 6 80 172

HSL 213.25, 0.93%, 0.35%

LAB 35.51, 17.06, -54.64

 

CMYK 0 / 97 / 35 / 33

HEX #AC0670

RGB 172 6 112

HSL 321.69, 0.93%, 0.35%

LAB 37.97, 64.78, -12.97

 

CMYK 0 / 15 / 97 / 33

HEX #AC9306

RGB 172 147 6

HSL 50.96, 0.93%, 0.35%

LAB 61.35, -2.79, 64.49

 

CMYK 97 / 0 / 63 / 33

HEX #06AC40

RGB 6 172 64

HSL 140.96, 0.93%, 0.35%

LAB 61.58, -59.75, 44.15

 

CMYK 97 / 82 / 0 / 33

HEX #061FAC

RGB 6 31 172

HSL 230.96, 0.93%, 0.35%

LAB 23.66, 48.27, -74.11

 

Description

Color code: RGB 172 6 112 | qconv.com Color code: RGB 172 6 112 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 6 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 6 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 35 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 35% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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