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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 51 76 it is the complementary color RGB 83 204 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 51 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 51 76 shade: RGB 177 51 71, RGB 194 69 90, RGB 211 87 109, RGB 228 105 128 and RGB 245 123 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 51 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 51 76 shade: RGB 172 51 76, RGB 155 33 57, RGB 138 15 38, RGB 121 0 19 and RGB 104 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 51 76 shade: RGB 172 51 76 and RGB 172 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 51 76 shade: RGB 172 51 76, RGB 172 51 109, RGB 172 51 142, RGB 170 51 172 and RGB 138 51 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 51 76 shade matches the following richer shades: RGB 172 51 76, RGB 190 33 66 and RGB 209 15 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 51 76 shade: RGB 172 51 76, RGB 154 69 87, RGB 136 87 97, RGB 118 106 108 and RGB 100 124 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 51 76 shade: RGB 172 51 142, RGB 172 51 110, RGB 172 51 77, RGB 172 57 51 and RGB 172 89 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 51 76 shade: RGB 109 32 48, RGB 141 42 62, RGB 172 51 76, RGB 198 66 94 and RGB 208 98 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 51 76 shade: RGB 172 51 76, RGB 172 170 51 and RGB 51 126 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 51 76 shade: RGB 172 51 76, RGB 77 172 51 and RGB 51 77 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 51 76 shade: RGB 172 51 76, RGB 172 170 51, RGB 51 172 146 and RGB 51 53 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 51 76 shade: RGB 172 51 76, RGB 138 172 51, RGB 51 172 146 and RGB 85 51 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 56 / 33

HEX #AC334C

RGB 172 51 76

HSL 347.6, 0.54%, 0.44%

LAB 40.67, 50.63, 13.73

 

Complementary color

CMYK 59 / 0 / 12 / 20

HEX #53CCB3

RGB 83 204 179

HSL 167.6, 0.54%, 0.56%

LAB 75, -39.77, 2.38

 

CMYK 0 / 71 / 60 / 31

HEX #B13347

RGB 177 51 71

HSL 350.48, 0.55%, 0.45%

LAB 41.48, 51.84, 18.11

 

CMYK 0 / 64 / 54 / 24

HEX #C2455A

RGB 194 69 90

HSL 349.92, 0.51%, 0.52%

LAB 47.58, 51.46, 15.16

 

CMYK 0 / 59 / 48 / 17

HEX #D3576D

RGB 211 87 109

HSL 349.35, 0.58%, 0.58%

LAB 53.78, 50.75, 12.77

 

CMYK 0 / 54 / 44 / 11

HEX #E46980

RGB 228 105 128

HSL 348.78, 0.69%, 0.65%

LAB 60.03, 49.9, 10.78

 

CMYK 0 / 50 / 40 / 4

HEX #F57B93

RGB 245 123 147

HSL 348.2, 0.86%, 0.72%

LAB 66.28, 48.99, 9.09

 

CMYK 0 / 70 / 56 / 33

HEX #AC334C

RGB 172 51 76

HSL 347.6, 0.54%, 0.44%

LAB 40.67, 50.63, 13.73

 

CMYK 0 / 79 / 63 / 39

HEX #9B2139

RGB 155 33 57

HSL 348.2, 0.65%, 0.37%

LAB 34.7, 50.44, 17.25

 

CMYK 0 / 89 / 72 / 46

HEX #8A0F26

RGB 138 15 38

HSL 348.78, 0.8%, 0.3%

LAB 29.12, 49.19, 21.8

 

CMYK 0 / 100 / 84 / 53

HEX #790013

RGB 121 0 19

HSL 350.58, 1%, 0.24%

LAB 24.04, 46.57, 27.32

 

CMYK 0 / 100 / 100 / 59

HEX #680000

RGB 104 0 0

HSL 0, 1%, 0.2%

LAB 19.81, 41.44, 30.34

 

CMYK 0 / 70 / 56 / 33

HEX #AC334C

RGB 172 51 76

HSL 347.6, 0.54%, 0.44%

LAB 40.67, 50.63, 13.73

 

CMYK 0 / 70 / 70 / 33

HEX #AC3333

RGB 172 51 51

HSL 0, 0.54%, 0.44%

LAB 40.21, 49.02, 28.61

 

CMYK 0 / 70 / 56 / 33

HEX #AC334C

RGB 172 51 76

HSL 347.6, 0.54%, 0.44%

LAB 40.67, 50.63, 13.73

 

CMYK 0 / 70 / 37 / 33

HEX #AC336D

RGB 172 51 109

HSL 331.24, 0.54%, 0.44%

LAB 41.6, 53.8, -5.63

 

CMYK 0 / 70 / 17 / 33

HEX #AC338E

RGB 172 51 142

HSL 314.88, 0.54%, 0.44%

LAB 42.9, 58.06, -23.95

 

CMYK 1 / 70 / 0 / 33

HEX #AA33AC

RGB 170 51 172

HSL 299.01, 0.54%, 0.44%

LAB 44.08, 62.29, -40.11

 

CMYK 20 / 70 / 0 / 33

HEX #8A33AC

RGB 138 51 172

HSL 283.14, 0.54%, 0.44%

LAB 39.16, 55.19, -48.26

 

CMYK 0 / 70 / 56 / 33

HEX #AC334C

RGB 172 51 76

HSL 347.6, 0.54%, 0.44%

LAB 40.67, 50.63, 13.73

 

CMYK 0 / 83 / 65 / 25

HEX #BE2142

RGB 190 33 66

HSL 347.39, 0.7%, 0.44%

LAB 41.89, 60.98, 22.23

 

CMYK 0 / 93 / 74 / 18

HEX #D10F37

RGB 209 15 55

HSL 347.63, 0.87%, 0.44%

LAB 44.48, 68.62, 33.05

 

CMYK 0 / 70 / 56 / 33

HEX #AC334C

RGB 172 51 76

HSL 347.6, 0.54%, 0.44%

LAB 40.67, 50.63, 13.73

 

CMYK 0 / 55 / 44 / 40

HEX #9A4557

RGB 154 69 87

HSL 347.29, 0.38%, 0.44%

LAB 40.92, 37.33, 6.74

 

CMYK 0 / 36 / 29 / 47

HEX #885761

RGB 136 87 97

HSL 347.76, 0.22%, 0.44%

LAB 42.63, 21.72, 2.68

 

CMYK 0 / 10 / 8 / 54

HEX #766A6C

RGB 118 106 108

HSL 350, 0.05%, 0.44%

LAB 45.96, 5.09, 0.59

 

CMYK 19 / 0 / 4 / 51

HEX #647C77

RGB 100 124 119

HSL 167.5, 0.11%, 0.44%

LAB 50.05, -9.8, -0.16

 

CMYK 0 / 70 / 17 / 33

HEX #AC338E

RGB 172 51 142

HSL 314.88, 0.54%, 0.44%

LAB 42.9, 58.06, -23.95

 

CMYK 0 / 70 / 36 / 33

HEX #AC336E

RGB 172 51 110

HSL 330.74, 0.54%, 0.44%

LAB 41.63, 53.91, -6.2

 

CMYK 0 / 70 / 55 / 33

HEX #AC334D

RGB 172 51 77

HSL 347.11, 0.54%, 0.44%

LAB 40.69, 50.71, 13.13

 

CMYK 0 / 67 / 70 / 33

HEX #AC3933

RGB 172 57 51

HSL 2.98, 0.54%, 0.44%

LAB 41.11, 46.55, 29.68

 

CMYK 0 / 48 / 70 / 33

HEX #AC5933

RGB 172 89 51

HSL 18.84, 0.54%, 0.44%

LAB 47.18, 30.84, 36.67

 

CMYK 0 / 71 / 56 / 57

HEX #6D2030

RGB 109 32 48

HSL 347.53, 0.55%, 0.28%

LAB 25.25, 35.27, 8.92

 

CMYK 0 / 70 / 56 / 45

HEX #8D2A3E

RGB 141 42 62

HSL 347.88, 0.54%, 0.36%

LAB 33.28, 43.09, 11.62

 

CMYK 0 / 70 / 56 / 33

HEX #AC334C

RGB 172 51 76

HSL 347.6, 0.54%, 0.44%

LAB 40.67, 50.63, 13.73

 

CMYK 0 / 67 / 53 / 22

HEX #C6425E

RGB 198 66 94

HSL 347.27, 0.54%, 0.52%

LAB 47.89, 54.32, 13.27

 

CMYK 0 / 53 / 42 / 18

HEX #D06279

RGB 208 98 121

HSL 347.45, 0.54%, 0.6%

LAB 55.61, 45.69, 8.19

 

CMYK 0 / 70 / 56 / 33

HEX #AC334C

RGB 172 51 76

HSL 347.6, 0.54%, 0.44%

LAB 40.67, 50.63, 13.73

 

CMYK 0 / 1 / 70 / 33

HEX #ACAA33

RGB 172 170 51

HSL 59.01, 0.54%, 0.44%

LAB 67.84, -13.61, 58.3

 

CMYK 70 / 27 / 0 / 33

HEX #337EAC

RGB 51 126 172

HSL 202.81, 0.54%, 0.44%

LAB 50.22, -7.8, -31.14

 

CMYK 0 / 70 / 56 / 33

HEX #AC334C

RGB 172 51 76

HSL 347.6, 0.54%, 0.44%

LAB 40.67, 50.63, 13.73

 

CMYK 55 / 0 / 70 / 33

HEX #4DAC33

RGB 77 172 51

HSL 107.11, 0.54%, 0.44%

LAB 62.78, -50.26, 51.34

 

CMYK 70 / 55 / 0 / 33

HEX #334DAC

RGB 51 77 172

HSL 227.11, 0.54%, 0.44%

LAB 35.97, 23.06, -53.84

 

CMYK 0 / 70 / 56 / 33

HEX #AC334C

RGB 172 51 76

HSL 347.6, 0.54%, 0.44%

LAB 40.67, 50.63, 13.73

 

CMYK 0 / 1 / 70 / 33

HEX #ACAA33

RGB 172 170 51

HSL 59.01, 0.54%, 0.44%

LAB 67.84, -13.61, 58.3

 

CMYK 70 / 0 / 15 / 33

HEX #33AC92

RGB 51 172 146

HSL 167.11, 0.54%, 0.44%

LAB 63.58, -39.27, 3.81

 

CMYK 70 / 69 / 0 / 33

HEX #3335AC

RGB 51 53 172

HSL 239.01, 0.54%, 0.44%

LAB 29.98, 38.51, -63.6

 

CMYK 0 / 70 / 56 / 33

HEX #AC334C

RGB 172 51 76

HSL 347.6, 0.54%, 0.44%

LAB 40.67, 50.63, 13.73

 

CMYK 20 / 0 / 70 / 33

HEX #8AAC33

RGB 138 172 51

HSL 76.86, 0.54%, 0.44%

LAB 65.86, -28.99, 55.48

 

CMYK 70 / 0 / 15 / 33

HEX #33AC92

RGB 51 172 146

HSL 167.11, 0.54%, 0.44%

LAB 63.58, -39.27, 3.81

 

CMYK 51 / 70 / 0 / 33

HEX #5533AC

RGB 85 51 172

HSL 256.86, 0.54%, 0.44%

LAB 32.43, 44.68, -59.48

 

Description

Color code: RGB 172 51 76 | qconv.com Color code: RGB 172 51 76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 51 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 51 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 56 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 56% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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