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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 254 180 it is the complementary color RGB 83 1 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 254 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 254 180 shade: RGB 177 254 175, RGB 194 255 194, RGB 211 255 213, RGB 228 255 232 and RGB 245 255 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 254 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 254 180 shade: RGB 172 254 180, RGB 155 236 161, RGB 138 218 142, RGB 121 200 123 and RGB 104 182 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 254 180 shade: RGB 174 254 182, RGB 187 254 174, RGB 209 254 174, RGB 231 254 174 and RGB 252 254 174

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 254 180 shade: RGB 174 254 182, RGB 174 254 203, RGB 174 254 225, RGB 174 254 246 and RGB 174 240 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 254 180 shade matches the following richer shades: RGB 174 254 182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 254 180 shade: RGB 174 254 182, RGB 180 247 187, RGB 187 240 192, RGB 194 234 197 and RGB 200 227 203

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 254 180 shade: RGB 210 254 174, RGB 188 254 174, RGB 174 254 180, RGB 174 254 202 and RGB 174 254 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 254 180 shade: RGB 92 253 108, RGB 133 253 145, RGB 174 254 182 and RGB 215 254 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 254 180 shade: RGB 172 254 180, RGB 174 231 254 and RGB 254 174 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 254 180 shade: RGB 172 254 180, RGB 180 174 254 and RGB 254 180 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 254 180 shade: RGB 172 254 180, RGB 174 231 254, RGB 254 174 247 and RGB 254 196 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 254 180 shade: RGB 172 254 180, RGB 174 207 254, RGB 254 174 247 and RGB 254 220 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 29 / 0

HEX #ACFEB4

RGB 172 254 180

HSL 125.85, 0.98%, 0.84%

LAB 92.99, -39.23, 27.68

 

Complementary color

CMYK 0 / 99 / 10 / 67

HEX #53014B

RGB 83 1 75

HSL 305.85, 0.98%, 0.16%

LAB 17.31, 41.84, -22.14

 

CMYK 30 / 0 / 31 / 0

HEX #B1FEAF

RGB 177 254 175

HSL 118.48, 0.98%, 0.84%

LAB 93.16, -38.48, 30.47

 

CMYK 24 / 0 / 24 / 0

HEX #C2FFC2

RGB 194 255 194

HSL 120, 1%, 0.88%

LAB 94.69, -30.48, 23.1

 

CMYK 17 / 0 / 16 / 0

HEX #D3FFD5

RGB 211 255 213

HSL 122.73, 1%, 0.91%

LAB 96.07, -21.77, 15.48

 

CMYK 11 / 0 / 9 / 0

HEX #E4FFE8

RGB 228 255 232

HSL 128.89, 1%, 0.95%

LAB 97.57, -12.91, 8.03

 

CMYK 4 / 0 / 2 / 0

HEX #F5FFFB

RGB 245 255 251

HSL 156, 1%, 0.98%

LAB 99.18, -3.98, 0.76

 

CMYK 32 / 0 / 29 / 0

HEX #ACFEB4

RGB 172 254 180

HSL 125.85, 0.98%, 0.84%

LAB 92.99, -39.23, 27.68

 

CMYK 34 / 0 / 32 / 7

HEX #9BECA1

RGB 155 236 161

HSL 124.44, 0.68%, 0.77%

LAB 86.77, -39.48, 28.76

 

CMYK 37 / 0 / 35 / 15

HEX #8ADA8E

RGB 138 218 142

HSL 123, 0.52%, 0.7%

LAB 80.46, -39.73, 29.88

 

CMYK 40 / 0 / 39 / 22

HEX #79C87B

RGB 121 200 123

HSL 121.52, 0.42%, 0.63%

LAB 74.06, -39.96, 31.08

 

CMYK 43 / 0 / 43 / 29

HEX #68B668

RGB 104 182 104

HSL 120, 0.35%, 0.56%

LAB 67.57, -40.15, 32.33

 

CMYK 31 / 0 / 28 / 0

HEX #AEFEB6

RGB 174 254 182

HSL 126, 0.98%, 0.84%

LAB 93.13, -38.29, 26.87

 

CMYK 26 / 0 / 31 / 0

HEX #BBFEAE

RGB 187 254 174

HSL 110.25, 0.98%, 0.84%

LAB 93.67, -35.44, 31.75

 

CMYK 18 / 0 / 31 / 0

HEX #D1FEAE

RGB 209 254 174

HSL 93.75, 0.98%, 0.84%

LAB 94.95, -28.04, 33.69

 

CMYK 9 / 0 / 31 / 0

HEX #E7FEAE

RGB 231 254 174

HSL 77.25, 0.98%, 0.84%

LAB 96.38, -20.24, 35.85

 

CMYK 1 / 0 / 31 / 0

HEX #FCFEAE

RGB 252 254 174

HSL 61.5, 0.98%, 0.84%

LAB 97.89, -12.54, 38.12

 

CMYK 31 / 0 / 28 / 0

HEX #AEFEB6

RGB 174 254 182

HSL 126, 0.98%, 0.84%

LAB 93.13, -38.29, 26.87

 

CMYK 31 / 0 / 20 / 0

HEX #AEFECB

RGB 174 254 203

HSL 141.75, 0.98%, 0.84%

LAB 93.53, -34.63, 16.74

 

CMYK 31 / 0 / 11 / 0

HEX #AEFEE1

RGB 174 254 225

HSL 158.25, 0.98%, 0.84%

LAB 94.02, -30.37, 6.12

 

CMYK 31 / 0 / 3 / 0

HEX #AEFEF6

RGB 174 254 246

HSL 174, 0.98%, 0.84%

LAB 94.54, -25.95, -3.97

 

CMYK 31 / 6 / 0 / 0

HEX #AEF0FE

RGB 174 240 254

HSL 190.5, 0.98%, 0.84%

LAB 91, -17.3, -13.37

 

CMYK 31 / 0 / 28 / 0

HEX #AEFEB6

RGB 174 254 182

HSL 126, 0.98%, 0.84%

LAB 93.13, -38.29, 26.87

 

CMYK 31 / 0 / 28 / 0

HEX #AEFEB6

RGB 174 254 182

HSL 126, 0.98%, 0.84%

LAB 93.13, -38.29, 26.87

 

CMYK 27 / 0 / 24 / 3

HEX #B4F7BB

RGB 180 247 187

HSL 126.27, 0.81%, 0.84%

LAB 91.6, -32.38, 22.28

 

CMYK 22 / 0 / 20 / 6

HEX #BBF0C0

RGB 187 240 192

HSL 125.66, 0.64%, 0.84%

LAB 90.18, -25.99, 17.79

 

CMYK 17 / 0 / 16 / 8

HEX #C2EAC5

RGB 194 234 197

HSL 124.5, 0.49%, 0.84%

LAB 89.09, -19.91, 13.72

 

CMYK 12 / 0 / 11 / 11

HEX #C8E3CB

RGB 200 227 203

HSL 126.67, 0.33%, 0.84%

LAB 87.74, -13.37, 8.72

 

CMYK 17 / 0 / 31 / 0

HEX #D2FEAE

RGB 210 254 174

HSL 93, 0.98%, 0.84%

LAB 95.01, -27.69, 33.78

 

CMYK 26 / 0 / 31 / 0

HEX #BCFEAE

RGB 188 254 174

HSL 109.5, 0.98%, 0.84%

LAB 93.72, -35.11, 31.84

 

CMYK 31 / 0 / 29 / 0

HEX #AEFEB4

RGB 174 254 180

HSL 124.5, 0.98%, 0.84%

LAB 93.09, -38.62, 27.84

 

CMYK 31 / 0 / 20 / 0

HEX #AEFECA

RGB 174 254 202

HSL 141, 0.98%, 0.84%

LAB 93.51, -34.81, 17.22

 

CMYK 31 / 0 / 12 / 0

HEX #AEFEDF

RGB 174 254 223

HSL 156.75, 0.98%, 0.84%

LAB 93.97, -30.78, 7.08

 

CMYK 64 / 0 / 57 / 1

HEX #5CFD6C

RGB 92 253 108

HSL 125.96, 0.98%, 0.68%

LAB 88.74, -69.87, 56.23

 

CMYK 47 / 0 / 43 / 1

HEX #85FD91

RGB 133 253 145

HSL 126, 0.97%, 0.76%

LAB 90.45, -55.46, 41.41

 

CMYK 31 / 0 / 28 / 0

HEX #AEFEB6

RGB 174 254 182

HSL 126, 0.98%, 0.84%

LAB 93.13, -38.29, 26.87

 

CMYK 15 / 0 / 14 / 0

HEX #D7FEDA

RGB 215 254 218

HSL 124.62, 0.95%, 0.92%

LAB 96.16, -19.12, 13.08

 

CMYK 32 / 0 / 29 / 0

HEX #ACFEB4

RGB 172 254 180

HSL 125.85, 0.98%, 0.84%

LAB 92.99, -39.23, 27.68

 

CMYK 31 / 9 / 0 / 0

HEX #AEE7FE

RGB 174 231 254

HSL 197.25, 0.98%, 0.84%

LAB 88.59, -12.77, -16.98

 

CMYK 0 / 31 / 22 / 0

HEX #FEAEC7

RGB 254 174 199

HSL 341.25, 0.98%, 0.84%

LAB 79.31, 32.66, -0.77

 

CMYK 32 / 0 / 29 / 0

HEX #ACFEB4

RGB 172 254 180

HSL 125.85, 0.98%, 0.84%

LAB 92.99, -39.23, 27.68

 

CMYK 29 / 31 / 0 / 0

HEX #B4AEFE

RGB 180 174 254

HSL 244.5, 0.98%, 0.84%

LAB 74.27, 19.43, -38.85

 

CMYK 0 / 29 / 31 / 0

HEX #FEB4AE

RGB 254 180 174

HSL 4.5, 0.98%, 0.84%

LAB 80.05, 26.13, 13.83

 

CMYK 32 / 0 / 29 / 0

HEX #ACFEB4

RGB 172 254 180

HSL 125.85, 0.98%, 0.84%

LAB 92.99, -39.23, 27.68

 

CMYK 31 / 9 / 0 / 0

HEX #AEE7FE

RGB 174 231 254

HSL 197.25, 0.98%, 0.84%

LAB 88.59, -12.77, -16.98

 

CMYK 0 / 31 / 3 / 0

HEX #FEAEF7

RGB 254 174 247

HSL 305.25, 0.98%, 0.84%

LAB 80.77, 40.35, -24.51

 

CMYK 0 / 23 / 31 / 0

HEX #FEC4AE

RGB 254 196 174

HSL 16.5, 0.98%, 0.84%

LAB 83.76, 17.74, 19.02

 

CMYK 32 / 0 / 29 / 0

HEX #ACFEB4

RGB 172 254 180

HSL 125.85, 0.98%, 0.84%

LAB 92.99, -39.23, 27.68

 

CMYK 31 / 19 / 0 / 0

HEX #AECFFE

RGB 174 207 254

HSL 215.25, 0.98%, 0.84%

LAB 82.26, -0.27, -26.57

 

CMYK 0 / 31 / 3 / 0

HEX #FEAEF7

RGB 254 174 247

HSL 305.25, 0.98%, 0.84%

LAB 80.77, 40.35, -24.51

 

CMYK 0 / 13 / 31 / 0

HEX #FEDCAE

RGB 254 220 174

HSL 34.5, 0.98%, 0.84%

LAB 89.54, 5.28, 26.97

 

Description

Color code: RGB 172 254 180 | qconv.com Color code: RGB 172 254 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 254 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 254 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 29 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 29% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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