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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 242 196 it is the complementary color RGB 83 13 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 242 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 242 196 shade: RGB 177 242 191, RGB 194 255 210, RGB 211 255 229, RGB 228 255 248 and RGB 245 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 242 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 242 196 shade: RGB 172 242 196, RGB 155 224 177, RGB 138 206 158, RGB 121 188 139 and RGB 104 170 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 242 196 shade: RGB 171 241 195, RGB 171 241 176, RGB 185 241 171, RGB 204 241 171 and RGB 223 241 171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 242 196 shade: RGB 171 241 195, RGB 171 241 214, RGB 171 241 233, RGB 171 231 241 and RGB 171 212 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 242 196 shade matches the following richer shades: RGB 171 241 195 and RGB 163 249 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 242 196 shade: RGB 171 241 195, RGB 179 234 197, RGB 186 226 200, RGB 194 218 202 and RGB 202 210 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 242 196 shade: RGB 185 241 171, RGB 171 241 175, RGB 171 241 194, RGB 171 241 213 and RGB 171 241 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 242 196 shade: RGB 99 230 144, RGB 135 236 170, RGB 171 241 195, RGB 206 247 220 and RGB 242 253 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 242 196 shade: RGB 172 242 196, RGB 171 204 241 and RGB 241 171 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 242 196 shade: RGB 172 242 196, RGB 194 171 241 and RGB 241 194 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 242 196 shade: RGB 172 242 196, RGB 171 204 241, RGB 241 171 218 and RGB 241 208 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 242 196 shade: RGB 172 242 196, RGB 171 182 241, RGB 241 171 218 and RGB 241 230 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 19 / 5

HEX #ACF2C4

RGB 172 242 196

HSL 140.57, 0.73%, 0.81%

LAB 89.98, -30.94, 15.32

 

Complementary color

CMYK 0 / 84 / 29 / 67

HEX #530D3B

RGB 83 13 59

HSL 320.57, 0.73%, 0.19%

LAB 17.66, 35.82, -10.46

 

CMYK 27 / 0 / 21 / 5

HEX #B1F2BF

RGB 177 242 191

HSL 132.92, 0.71%, 0.82%

LAB 90.14, -30.3, 18.17

 

CMYK 24 / 0 / 18 / 0

HEX #C2FFD2

RGB 194 255 210

HSL 135.74, 1%, 0.88%

LAB 95.01, -27.73, 15.38

 

CMYK 17 / 0 / 10 / 0

HEX #D3FFE5

RGB 211 255 229

HSL 144.55, 1%, 0.91%

LAB 96.42, -18.93, 7.78

 

CMYK 11 / 0 / 3 / 0

HEX #E4FFF8

RGB 228 255 248

HSL 164.44, 1%, 0.95%

LAB 97.95, -10.01, 0.36

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 29 / 0 / 19 / 5

HEX #ACF2C4

RGB 172 242 196

HSL 140.57, 0.73%, 0.81%

LAB 89.98, -30.94, 15.32

 

CMYK 31 / 0 / 21 / 12

HEX #9BE0B1

RGB 155 224 177

HSL 139.13, 0.53%, 0.74%

LAB 83.68, -31.19, 16.23

 

CMYK 33 / 0 / 23 / 19

HEX #8ACE9E

RGB 138 206 158

HSL 137.65, 0.41%, 0.67%

LAB 77.29, -31.44, 17.19

 

CMYK 36 / 0 / 26 / 26

HEX #79BC8B

RGB 121 188 139

HSL 136.12, 0.33%, 0.61%

LAB 70.8, -31.71, 18.22

 

CMYK 39 / 0 / 29 / 33

HEX #68AA78

RGB 104 170 120

HSL 134.55, 0.28%, 0.54%

LAB 64.2, -31.99, 19.32

 

CMYK 29 / 0 / 19 / 5

HEX #ABF1C3

RGB 171 241 195

HSL 140.57, 0.71%, 0.81%

LAB 89.63, -30.96, 15.34

 

CMYK 29 / 0 / 27 / 5

HEX #ABF1B0

RGB 171 241 176

HSL 124.29, 0.71%, 0.81%

LAB 89.25, -34.3, 24.6

 

CMYK 23 / 0 / 29 / 5

HEX #B9F1AB

RGB 185 241 171

HSL 108, 0.71%, 0.81%

LAB 89.94, -30.55, 28.21

 

CMYK 15 / 0 / 29 / 5

HEX #CCF1AB

RGB 204 241 171

HSL 91.71, 0.71%, 0.81%

LAB 91.09, -24.03, 29.97

 

CMYK 7 / 0 / 29 / 5

HEX #DFF1AB

RGB 223 241 171

HSL 75.43, 0.71%, 0.81%

LAB 92.37, -17.23, 31.91

 

CMYK 29 / 0 / 19 / 5

HEX #ABF1C3

RGB 171 241 195

HSL 140.57, 0.71%, 0.81%

LAB 89.63, -30.96, 15.34

 

CMYK 29 / 0 / 11 / 5

HEX #ABF1D6

RGB 171 241 214

HSL 156.86, 0.71%, 0.81%

LAB 90.06, -27.3, 6.08

 

CMYK 29 / 0 / 3 / 5

HEX #ABF1E9

RGB 171 241 233

HSL 173.14, 0.71%, 0.81%

LAB 90.53, -23.32, -3.13

 

CMYK 29 / 4 / 0 / 5

HEX #ABE7F1

RGB 171 231 241

HSL 188.57, 0.71%, 0.81%

LAB 88.05, -16.6, -10.99

 

CMYK 29 / 12 / 0 / 5

HEX #ABD4F1

RGB 171 212 241

HSL 204.86, 0.71%, 0.81%

LAB 82.96, -6.87, -18.61

 

CMYK 29 / 0 / 19 / 5

HEX #ABF1C3

RGB 171 241 195

HSL 140.57, 0.71%, 0.81%

LAB 89.63, -30.96, 15.34

 

CMYK 35 / 0 / 23 / 2

HEX #A3F9C0

RGB 163 249 192

HSL 140.23, 0.88%, 0.81%

LAB 91.39, -37.59, 19.29

 

CMYK 29 / 0 / 19 / 5

HEX #ABF1C3

RGB 171 241 195

HSL 140.57, 0.71%, 0.81%

LAB 89.63, -30.96, 15.34

 

CMYK 24 / 0 / 16 / 8

HEX #B3EAC5

RGB 179 234 197

HSL 139.64, 0.57%, 0.81%

LAB 88.19, -24.77, 12.32

 

CMYK 18 / 0 / 12 / 11

HEX #BAE2C8

RGB 186 226 200

HSL 141, 0.41%, 0.81%

LAB 86.51, -18.05, 8.41

 

CMYK 11 / 0 / 7 / 15

HEX #C2DACA

RGB 194 218 202

HSL 140, 0.24%, 0.81%

LAB 84.93, -11.01, 5.16

 

CMYK 4 / 0 / 2 / 18

HEX #CAD2CD

RGB 202 210 205

HSL 142.5, 0.08%, 0.81%

LAB 83.47, -3.63, 1.52

 

CMYK 23 / 0 / 29 / 5

HEX #B9F1AB

RGB 185 241 171

HSL 108, 0.71%, 0.81%

LAB 89.94, -30.55, 28.21

 

CMYK 29 / 0 / 27 / 5

HEX #ABF1AF

RGB 171 241 175

HSL 123.43, 0.71%, 0.81%

LAB 89.24, -34.46, 25.09

 

CMYK 29 / 0 / 20 / 5

HEX #ABF1C2

RGB 171 241 194

HSL 139.71, 0.71%, 0.81%

LAB 89.61, -31.15, 15.83

 

CMYK 29 / 0 / 12 / 5

HEX #ABF1D5

RGB 171 241 213

HSL 156, 0.71%, 0.81%

LAB 90.03, -27.5, 6.56

 

CMYK 29 / 0 / 4 / 5

HEX #ABF1E8

RGB 171 241 232

HSL 172.29, 0.71%, 0.81%

LAB 90.5, -23.54, -2.65

 

CMYK 57 / 0 / 37 / 10

HEX #63E690

RGB 99 230 144

HSL 140.61, 0.72%, 0.65%

LAB 82.52, -54.77, 31.33

 

CMYK 43 / 0 / 28 / 7

HEX #87ECAA

RGB 135 236 170

HSL 140.79, 0.73%, 0.73%

LAB 86.03, -43.71, 22.99

 

CMYK 29 / 0 / 19 / 5

HEX #ABF1C3

RGB 171 241 195

HSL 140.57, 0.71%, 0.81%

LAB 89.63, -30.96, 15.34

 

CMYK 17 / 0 / 11 / 3

HEX #CEF7DC

RGB 206 247 220

HSL 140.49, 0.72%, 0.89%

LAB 93.8, -18.27, 8.61

 

CMYK 4 / 0 / 3 / 1

HEX #F2FDF6

RGB 242 253 246

HSL 141.82, 0.73%, 0.97%

LAB 98.35, -4.85, 2.08

 

CMYK 29 / 0 / 19 / 5

HEX #ACF2C4

RGB 172 242 196

HSL 140.57, 0.73%, 0.81%

LAB 89.98, -30.94, 15.32

 

CMYK 29 / 15 / 0 / 5

HEX #ABCCF1

RGB 171 204 241

HSL 211.71, 0.71%, 0.81%

LAB 80.85, -2.65, -21.82

 

CMYK 0 / 29 / 27 / 5

HEX #F1ABAF

RGB 241 171 175

HSL 356.57, 0.71%, 0.81%

LAB 76.63, 26.22, 8.24

 

CMYK 29 / 0 / 19 / 5

HEX #ACF2C4

RGB 172 242 196

HSL 140.57, 0.73%, 0.81%

LAB 89.98, -30.94, 15.32

 

CMYK 20 / 29 / 0 / 5

HEX #C2ABF1

RGB 194 171 241

HSL 259.71, 0.71%, 0.81%

LAB 74.16, 22.13, -31.91

 

CMYK 0 / 20 / 29 / 5

HEX #F1C2AB

RGB 241 194 171

HSL 19.71, 0.71%, 0.81%

LAB 81.96, 13.52, 17.92

 

CMYK 29 / 0 / 19 / 5

HEX #ACF2C4

RGB 172 242 196

HSL 140.57, 0.73%, 0.81%

LAB 89.98, -30.94, 15.32

 

CMYK 29 / 15 / 0 / 5

HEX #ABCCF1

RGB 171 204 241

HSL 211.71, 0.71%, 0.81%

LAB 80.85, -2.65, -21.82

 

CMYK 0 / 29 / 10 / 5

HEX #F1ABDA

RGB 241 171 218

HSL 319.71, 0.71%, 0.81%

LAB 77.81, 32.74, -13.46

 

CMYK 0 / 14 / 29 / 5

HEX #F1D0AB

RGB 241 208 171

HSL 31.71, 0.71%, 0.81%

LAB 85.38, 6.19, 22.66

 

CMYK 29 / 0 / 19 / 5

HEX #ACF2C4

RGB 172 242 196

HSL 140.57, 0.73%, 0.81%

LAB 89.98, -30.94, 15.32

 

CMYK 29 / 24 / 0 / 5

HEX #ABB6F1

RGB 171 182 241

HSL 230.57, 0.71%, 0.81%

LAB 75.12, 9.26, -30.58

 

CMYK 0 / 29 / 10 / 5

HEX #F1ABDA

RGB 241 171 218

HSL 319.71, 0.71%, 0.81%

LAB 77.81, 32.74, -13.46

 

CMYK 0 / 5 / 29 / 5

HEX #F1E6AB

RGB 241 230 171

HSL 50.57, 0.71%, 0.81%

LAB 90.89, -5.09, 30.15

 

Description

Color code: RGB 172 242 196 | qconv.com Color code: RGB 172 242 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 242 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 242 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 19 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 19% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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