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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 236 72 it is the complementary color RGB 83 19 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 236 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 236 72 shade: RGB 177 236 67, RGB 194 254 86, RGB 211 255 105, RGB 228 255 124 and RGB 245 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 236 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 236 72 shade: RGB 172 236 72, RGB 155 218 53, RGB 138 200 34, RGB 121 182 15 and RGB 104 164 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 236 72 shade: RGB 171 235 70, RGB 215 235 70, RGB 235 210 70, RGB 235 166 70 and RGB 235 121 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 236 72 shade: RGB 171 235 70, RGB 126 235 70, RGB 82 235 70, RGB 70 235 103 and RGB 70 235 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 236 72 shade matches the following richer shades: RGB 171 235 70 and RGB 174 252 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 236 72 shade: RGB 171 235 70, RGB 167 219 86, RGB 163 202 103, RGB 160 186 119 and RGB 156 169 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 236 72 shade: RGB 235 210 70, RGB 216 235 70, RGB 172 235 70, RGB 128 235 70 and RGB 84 235 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 236 72 shade: RGB 131 202 21, RGB 154 231 33, RGB 171 235 70, RGB 188 239 107 and RGB 205 243 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 236 72 shade: RGB 172 236 72, RGB 70 235 166 and RGB 232 70 235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 236 72 shade: RGB 172 236 72, RGB 70 172 235 and RGB 235 70 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 236 72 shade: RGB 172 236 72, RGB 70 235 166, RGB 133 70 235 and RGB 235 70 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 236 72 shade: RGB 172 236 72, RGB 70 235 216, RGB 133 70 235 and RGB 235 70 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 69 / 7

HEX #ACEC48

RGB 172 236 72

HSL 83.41, 0.81%, 0.6%

LAB 86.62, -43.65, 69.33

 

Complementary color

CMYK 55 / 90 / 0 / 28

HEX #5313B7

RGB 83 19 183

HSL 263.41, 0.81%, 0.4%

LAB 28.7, 60.54, -72.18

 

CMYK 25 / 0 / 72 / 7

HEX #B1EC43

RGB 177 236 67

HSL 80.95, 0.82%, 0.59%

LAB 86.87, -42.11, 71.42

 

CMYK 24 / 0 / 66 / 0

HEX #C2FE56

RGB 194 254 86

HSL 81.43, 0.99%, 0.67%

LAB 93.03, -42.53, 71.15

 

CMYK 17 / 0 / 59 / 0

HEX #D3FF69

RGB 211 255 105

HSL 77.6, 1%, 0.71%

LAB 94.48, -35.29, 65.45

 

CMYK 11 / 0 / 51 / 0

HEX #E4FF7C

RGB 228 255 124

HSL 72.37, 1%, 0.74%

LAB 95.78, -27.28, 58.95

 

CMYK 4 / 0 / 44 / 0

HEX #F5FF8F

RGB 245 255 143

HSL 65.36, 1%, 0.78%

LAB 97.19, -19.04, 52.17

 

CMYK 27 / 0 / 69 / 7

HEX #ACEC48

RGB 172 236 72

HSL 83.41, 0.81%, 0.6%

LAB 86.62, -43.65, 69.33

 

CMYK 29 / 0 / 76 / 15

HEX #9BDA35

RGB 155 218 53

HSL 82.91, 0.69%, 0.53%

LAB 80.39, -43.18, 69.31

 

CMYK 31 / 0 / 83 / 22

HEX #8AC822

RGB 138 200 34

HSL 82.41, 0.71%, 0.46%

LAB 74.08, -42.54, 68.53

 

CMYK 34 / 0 / 92 / 29

HEX #79B60F

RGB 121 182 15

HSL 81.92, 0.85%, 0.39%

LAB 67.69, -41.67, 66.54

 

CMYK 37 / 0 / 100 / 36

HEX #68A400

RGB 104 164 0

HSL 81.95, 1%, 0.32%

LAB 61.22, -40.55, 63.01

 

CMYK 27 / 0 / 70 / 8

HEX #ABEB46

RGB 171 235 70

HSL 83.27, 0.8%, 0.6%

LAB 86.26, -43.71, 69.67

 

CMYK 9 / 0 / 70 / 8

HEX #D7EB46

RGB 215 235 70

HSL 67.27, 0.8%, 0.6%

LAB 89.07, -26.74, 73.38

 

CMYK 0 / 11 / 70 / 8

HEX #EBD246

RGB 235 210 70

HSL 50.91, 0.8%, 0.6%

LAB 84.07, -6.23, 68.99

 

CMYK 0 / 29 / 70 / 8

HEX #EBA646

RGB 235 166 70

HSL 34.91, 0.8%, 0.6%

LAB 73.14, 16.7, 57.88

 

CMYK 0 / 49 / 70 / 8

HEX #EB7946

RGB 235 121 70

HSL 18.55, 0.8%, 0.6%

LAB 63.16, 40.25, 47.15

 

CMYK 27 / 0 / 70 / 8

HEX #ABEB46

RGB 171 235 70

HSL 83.27, 0.8%, 0.6%

LAB 86.26, -43.71, 69.67

 

CMYK 46 / 0 / 70 / 8

HEX #7EEB46

RGB 126 235 70

HSL 99.64, 0.8%, 0.6%

LAB 84.12, -58.68, 66.8

 

CMYK 65 / 0 / 70 / 8

HEX #52EB46

RGB 82 235 70

HSL 115.64, 0.8%, 0.6%

LAB 82.73, -69.6, 64.93

 

CMYK 70 / 0 / 56 / 8

HEX #46EB67

RGB 70 235 103

HSL 132, 0.8%, 0.6%

LAB 82.75, -68.36, 51.3

 

CMYK 70 / 0 / 37 / 8

HEX #46EB93

RGB 70 235 147

HSL 148, 0.8%, 0.6%

LAB 83.35, -61.51, 30.79

 

CMYK 27 / 0 / 70 / 8

HEX #ABEB46

RGB 171 235 70

HSL 83.27, 0.8%, 0.6%

LAB 86.26, -43.71, 69.67

 

CMYK 31 / 0 / 79 / 1

HEX #AEFC35

RGB 174 252 53

HSL 83.52, 0.97%, 0.6%

LAB 91.18, -50.67, 79.68

 

CMYK 27 / 0 / 70 / 8

HEX #ABEB46

RGB 171 235 70

HSL 83.27, 0.8%, 0.6%

LAB 86.26, -43.71, 69.67

 

CMYK 24 / 0 / 61 / 14

HEX #A7DB56

RGB 167 219 86

HSL 83.46, 0.65%, 0.6%

LAB 81.59, -36.98, 58.43

 

CMYK 19 / 0 / 49 / 21

HEX #A3CA67

RGB 163 202 103

HSL 83.64, 0.48%, 0.6%

LAB 76.68, -28.99, 44.91

 

CMYK 14 / 0 / 36 / 27

HEX #A0BA77

RGB 160 186 119

HSL 83.28, 0.33%, 0.6%

LAB 72.18, -20.38, 31.11

 

CMYK 8 / 0 / 20 / 34

HEX #9CA988

RGB 156 169 136

HSL 83.64, 0.16%, 0.6%

LAB 67.44, -10.6, 15.52

 

CMYK 0 / 11 / 70 / 8

HEX #EBD246

RGB 235 210 70

HSL 50.91, 0.8%, 0.6%

LAB 84.07, -6.23, 68.99

 

CMYK 8 / 0 / 70 / 8

HEX #D8EB46

RGB 216 235 70

HSL 66.91, 0.8%, 0.6%

LAB 89.14, -26.34, 73.47

 

CMYK 27 / 0 / 70 / 8

HEX #ACEB46

RGB 172 235 70

HSL 82.91, 0.8%, 0.6%

LAB 86.32, -43.34, 69.74

 

CMYK 46 / 0 / 70 / 8

HEX #80EB46

RGB 128 235 70

HSL 98.91, 0.8%, 0.6%

LAB 84.2, -58.08, 66.91

 

CMYK 64 / 0 / 70 / 8

HEX #54EB46

RGB 84 235 70

HSL 114.91, 0.8%, 0.6%

LAB 82.78, -69.2, 65

 

CMYK 35 / 0 / 90 / 21

HEX #83CA15

RGB 131 202 21

HSL 83.54, 0.81%, 0.44%

LAB 74.27, -46.33, 71.2

 

CMYK 33 / 0 / 86 / 9

HEX #9AE721

RGB 154 231 33

HSL 83.33, 0.8%, 0.52%

LAB 84.03, -49.81, 77.68

 

CMYK 27 / 0 / 70 / 8

HEX #ABEB46

RGB 171 235 70

HSL 83.27, 0.8%, 0.6%

LAB 86.26, -43.71, 69.67

 

CMYK 21 / 0 / 55 / 6

HEX #BCEF6B

RGB 188 239 107

HSL 83.18, 0.8%, 0.68%

LAB 88.68, -36.42, 57.63

 

CMYK 16 / 0 / 40 / 5

HEX #CDF391

RGB 205 243 145

HSL 83.27, 0.8%, 0.76%

LAB 91.29, -28.04, 43.22

 

CMYK 27 / 0 / 69 / 7

HEX #ACEC48

RGB 172 236 72

HSL 83.41, 0.81%, 0.6%

LAB 86.62, -43.65, 69.33

 

CMYK 70 / 0 / 29 / 8

HEX #46EBA6

RGB 70 235 166

HSL 154.91, 0.8%, 0.6%

LAB 83.69, -57.78, 21.52

 

CMYK 1 / 70 / 0 / 8

HEX #E846EB

RGB 232 70 235

HSL 298.91, 0.8%, 0.6%

LAB 59.47, 79.59, -51.29

 

CMYK 27 / 0 / 69 / 7

HEX #ACEC48

RGB 172 236 72

HSL 83.41, 0.81%, 0.6%

LAB 86.62, -43.65, 69.33

 

CMYK 70 / 27 / 0 / 8

HEX #46ACEB

RGB 70 172 235

HSL 202.91, 0.8%, 0.6%

LAB 67.13, -9.5, -40.1

 

CMYK 0 / 70 / 27 / 8

HEX #EB46AC

RGB 235 70 172

HSL 322.91, 0.8%, 0.6%

LAB 57.1, 71.42, -19.03

 

CMYK 27 / 0 / 69 / 7

HEX #ACEC48

RGB 172 236 72

HSL 83.41, 0.81%, 0.6%

LAB 86.62, -43.65, 69.33

 

CMYK 70 / 0 / 29 / 8

HEX #46EBA6

RGB 70 235 166

HSL 154.91, 0.8%, 0.6%

LAB 83.69, -57.78, 21.52

 

CMYK 43 / 70 / 0 / 8

HEX #8546EB

RGB 133 70 235

HSL 262.91, 0.8%, 0.6%

LAB 46.13, 60.31, -73.46

 

CMYK 0 / 70 / 41 / 8

HEX #EB468B

RGB 235 70 139

HSL 334.91, 0.8%, 0.6%

LAB 55.99, 67.81, -1.33

 

CMYK 27 / 0 / 69 / 7

HEX #ACEC48

RGB 172 236 72

HSL 83.41, 0.81%, 0.6%

LAB 86.62, -43.65, 69.33

 

CMYK 70 / 0 / 8 / 8

HEX #46EBD8

RGB 70 235 216

HSL 173.09, 0.8%, 0.6%

LAB 84.83, -45.99, -3.01

 

CMYK 43 / 70 / 0 / 8

HEX #8546EB

RGB 133 70 235

HSL 262.91, 0.8%, 0.6%

LAB 46.13, 60.31, -73.46

 

CMYK 0 / 70 / 62 / 8

HEX #EB4659

RGB 235 70 89

HSL 353.09, 0.8%, 0.6%

LAB 54.83, 63.87, 26.69

 

Description

Color code: RGB 172 236 72 | qconv.com Color code: RGB 172 236 72 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 236 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 236 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 69 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 69% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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