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Color name
RGB 172 198 20

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 198 20 it is the complementary color RGB 83 57 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 198 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 198 20 shade: RGB 177 198 15, RGB 194 216 34, RGB 211 234 53, RGB 228 252 72 and RGB 245 255 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 198 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 198 20 shade: RGB 172 198 20, RGB 155 180 1, RGB 138 162 0, RGB 121 144 0 and RGB 104 126 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 198 20 shade: RGB 173 199 19, RGB 199 177 19, RGB 199 128 19, RGB 199 80 19 and RGB 199 31 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 198 20 shade: RGB 173 199 19, RGB 124 199 19, RGB 76 199 19, RGB 27 199 19 and RGB 19 199 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 198 20 shade matches the following richer shades: RGB 173 199 19 and RGB 185 217 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 198 20 shade: RGB 173 199 19, RGB 160 181 37, RGB 148 164 55, RGB 135 146 72 and RGB 123 128 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 198 20 shade: RGB 199 127 19, RGB 199 175 19, RGB 175 199 19, RGB 127 199 19 and RGB 79 199 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 198 20 shade: RGB 108 124 12, RGB 140 162 16, RGB 173 199 19, RGB 202 232 28 and RGB 211 236 65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 198 20 shade: RGB 172 198 20, RGB 19 199 79 and RGB 151 19 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 198 20 shade: RGB 172 198 20, RGB 19 175 199 and RGB 199 19 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 198 20 shade: RGB 172 198 20, RGB 19 199 79, RGB 43 19 199 and RGB 199 19 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 198 20 shade: RGB 172 198 20, RGB 19 199 133, RGB 43 19 199 and RGB 199 19 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 90 / 22

HEX #ACC614

RGB 172 198 20

HSL 68.76, 0.82%, 0.43%

LAB 75.58, -28.57, 73.47

 

Complementary color

CMYK 65 / 76 / 0 / 8

HEX #5339EB

RGB 83 57 235

HSL 248.76, 0.82%, 0.57%

LAB 39.18, 59.68, -85.05

 

CMYK 11 / 0 / 92 / 22

HEX #B1C60F

RGB 177 198 15

HSL 66.89, 0.86%, 0.42%

LAB 75.93, -26.57, 74.61

 

CMYK 10 / 0 / 84 / 15

HEX #C2D822

RGB 194 216 34

HSL 67.25, 0.73%, 0.49%

LAB 82.22, -27.69, 76.91

 

CMYK 10 / 0 / 77 / 8

HEX #D3EA35

RGB 211 234 53

HSL 67.62, 0.81%, 0.56%

LAB 88.42, -28.63, 78.03

 

CMYK 10 / 0 / 71 / 1

HEX #E4FC48

RGB 228 252 72

HSL 68, 0.97%, 0.64%

LAB 94.56, -29.42, 78.35

 

CMYK 4 / 0 / 64 / 0

HEX #F5FF5B

RGB 245 255 91

HSL 63.66, 1%, 0.68%

LAB 96.69, -23.08, 74.12

 

CMYK 13 / 0 / 90 / 22

HEX #ACC614

RGB 172 198 20

HSL 68.76, 0.82%, 0.43%

LAB 75.58, -28.57, 73.47

 

CMYK 14 / 0 / 99 / 29

HEX #9BB401

RGB 155 180 1

HSL 68.38, 0.99%, 0.35%

LAB 69.19, -27.37, 70.35

 

CMYK 15 / 0 / 100 / 36

HEX #8AA200

RGB 138 162 0

HSL 68.89, 1%, 0.32%

LAB 62.71, -25.9, 65.07

 

CMYK 16 / 0 / 100 / 44

HEX #799000

RGB 121 144 0

HSL 69.58, 1%, 0.28%

LAB 56.1, -24.4, 59.57

 

CMYK 17 / 0 / 100 / 51

HEX #687E00

RGB 104 126 0

HSL 70.48, 1%, 0.25%

LAB 49.33, -22.87, 53.93

 

CMYK 13 / 0 / 90 / 22

HEX #ADC713

RGB 173 199 19

HSL 68.67, 0.83%, 0.43%

LAB 75.93, -28.65, 73.93

 

CMYK 0 / 11 / 90 / 22

HEX #C7B113

RGB 199 177 19

HSL 52.67, 0.83%, 0.43%

LAB 71.98, -6.45, 71.72

 

CMYK 0 / 36 / 90 / 22

HEX #C78013

RGB 199 128 19

HSL 36.33, 0.83%, 0.43%

LAB 59.55, 19.96, 62.18

 

CMYK 0 / 60 / 90 / 22

HEX #C75013

RGB 199 80 19

HSL 20.33, 0.83%, 0.43%

LAB 49.41, 44.88, 54.61

 

CMYK 0 / 84 / 90 / 22

HEX #C71F13

RGB 199 31 19

HSL 4, 0.83%, 0.43%

LAB 43.02, 62.35, 50.02

 

CMYK 13 / 0 / 90 / 22

HEX #ADC713

RGB 173 199 19

HSL 68.67, 0.83%, 0.43%

LAB 75.93, -28.65, 73.93

 

CMYK 38 / 0 / 90 / 22

HEX #7CC713

RGB 124 199 19

HSL 85, 0.83%, 0.43%

LAB 73.01, -47.62, 70.35

 

CMYK 62 / 0 / 90 / 22

HEX #4CC713

RGB 76 199 19

HSL 101, 0.83%, 0.43%

LAB 71.17, -61.8, 68.06

 

CMYK 86 / 0 / 90 / 22

HEX #1BC713

RGB 27 199 19

HSL 117.33, 0.83%, 0.43%

LAB 70.26, -69.59, 66.94

 

CMYK 90 / 0 / 70 / 22

HEX #13C73C

RGB 19 199 60

HSL 133.67, 0.83%, 0.43%

LAB 70.39, -67.7, 55.48

 

CMYK 13 / 0 / 90 / 22

HEX #ADC713

RGB 173 199 19

HSL 68.67, 0.83%, 0.43%

LAB 75.93, -28.65, 73.93

 

CMYK 15 / 0 / 100 / 15

HEX #B9D901

RGB 185 217 1

HSL 68.89, 0.99%, 0.43%

LAB 81.81, -32.39, 80.76

 

CMYK 13 / 0 / 90 / 22

HEX #ADC713

RGB 173 199 19

HSL 68.67, 0.83%, 0.43%

LAB 75.93, -28.65, 73.93

 

CMYK 12 / 0 / 80 / 29

HEX #A0B525

RGB 160 181 37

HSL 68.75, 0.66%, 0.43%

LAB 69.93, -24.92, 64.59

 

CMYK 10 / 0 / 66 / 36

HEX #94A437

RGB 148 164 55

HSL 68.81, 0.5%, 0.43%

LAB 64.26, -20.64, 52.48

 

CMYK 8 / 0 / 51 / 43

HEX #879248

RGB 135 146 72

HSL 68.92, 0.34%, 0.43%

LAB 58.2, -15.48, 37.54

 

CMYK 4 / 0 / 30 / 50

HEX #7B805A

RGB 123 128 90

HSL 67.89, 0.17%, 0.43%

LAB 52.27, -8.57, 20.06

 

CMYK 0 / 36 / 90 / 22

HEX #C77F13

RGB 199 127 19

HSL 36, 0.83%, 0.43%

LAB 59.31, 20.51, 62

 

CMYK 0 / 12 / 90 / 22

HEX #C7AF13

RGB 199 175 19

HSL 52, 0.83%, 0.43%

LAB 71.45, -5.4, 71.31

 

CMYK 12 / 0 / 90 / 22

HEX #AFC713

RGB 175 199 19

HSL 68, 0.83%, 0.43%

LAB 76.07, -27.82, 74.1

 

CMYK 36 / 0 / 90 / 22

HEX #7FC713

RGB 127 199 19

HSL 84, 0.83%, 0.43%

LAB 73.16, -46.56, 70.53

 

CMYK 60 / 0 / 90 / 22

HEX #4FC713

RGB 79 199 19

HSL 100, 0.83%, 0.43%

LAB 71.25, -61.09, 68.17

 

CMYK 13 / 0 / 90 / 51

HEX #6C7C0C

RGB 108 124 12

HSL 68.57, 0.82%, 0.27%

LAB 49.04, -19.75, 51.46

 

CMYK 14 / 0 / 90 / 36

HEX #8CA210

RGB 140 162 16

HSL 69.04, 0.82%, 0.35%

LAB 62.89, -24.76, 62.97

 

CMYK 13 / 0 / 90 / 22

HEX #ADC713

RGB 173 199 19

HSL 68.67, 0.83%, 0.43%

LAB 75.93, -28.65, 73.93

 

CMYK 13 / 0 / 88 / 9

HEX #CAE81C

RGB 202 232 28

HSL 68.82, 0.82%, 0.51%

LAB 87.17, -32.06, 82.36

 

CMYK 11 / 0 / 72 / 7

HEX #D3EC41

RGB 211 236 65

HSL 68.77, 0.82%, 0.59%

LAB 89.03, -29.06, 74.93

 

CMYK 13 / 0 / 90 / 22

HEX #ACC614

RGB 172 198 20

HSL 68.76, 0.82%, 0.43%

LAB 75.58, -28.57, 73.47

 

CMYK 90 / 0 / 60 / 22

HEX #13C74F

RGB 19 199 79

HSL 140, 0.83%, 0.43%

LAB 70.56, -65.63, 47.69

 

CMYK 24 / 90 / 0 / 22

HEX #9713C7

RGB 151 19 199

HSL 284, 0.83%, 0.43%

LAB 39.86, 72.16, -62.93

 

CMYK 13 / 0 / 90 / 22

HEX #ACC614

RGB 172 198 20

HSL 68.76, 0.82%, 0.43%

LAB 75.58, -28.57, 73.47

 

CMYK 90 / 12 / 0 / 22

HEX #13AFC7

RGB 19 175 199

HSL 188, 0.83%, 0.43%

LAB 65.69, -27.91, -22.59

 

CMYK 0 / 90 / 12 / 22

HEX #C713AF

RGB 199 19 175

HSL 308, 0.83%, 0.43%

LAB 46.58, 76.35, -37.6

 

CMYK 13 / 0 / 90 / 22

HEX #ACC614

RGB 172 198 20

HSL 68.76, 0.82%, 0.43%

LAB 75.58, -28.57, 73.47

 

CMYK 90 / 0 / 60 / 22

HEX #13C74F

RGB 19 199 79

HSL 140, 0.83%, 0.43%

LAB 70.56, -65.63, 47.69

 

CMYK 78 / 90 / 0 / 22

HEX #2B13C7

RGB 43 19 199

HSL 248, 0.83%, 0.43%

LAB 27.03, 62.11, -84.53

 

CMYK 0 / 90 / 30 / 22

HEX #C7138B

RGB 199 19 139

HSL 320, 0.83%, 0.43%

LAB 44.9, 71.94, -18.63

 

CMYK 13 / 0 / 90 / 22

HEX #ACC614

RGB 172 198 20

HSL 68.76, 0.82%, 0.43%

LAB 75.58, -28.57, 73.47

 

CMYK 90 / 0 / 33 / 22

HEX #13C785

RGB 19 199 133

HSL 158, 0.83%, 0.43%

LAB 71.34, -56.41, 21.73

 

CMYK 78 / 90 / 0 / 22

HEX #2B13C7

RGB 43 19 199

HSL 248, 0.83%, 0.43%

LAB 27.03, 62.11, -84.53

 

CMYK 0 / 90 / 57 / 22

HEX #C71355

RGB 199 19 85

HSL 338, 0.83%, 0.43%

LAB 43.16, 67.18, 12.32

 

Description

Color code: RGB 172 198 20 | qconv.com Color code: RGB 172 198 20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 198 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 198 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 90 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 90% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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