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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 187 72 it is the complementary color RGB 83 68 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 187 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 187 72 shade: RGB 177 187 67, RGB 194 205 86, RGB 211 223 105, RGB 228 241 124 and RGB 245 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 187 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 187 72 shade: RGB 172 187 72, RGB 155 169 53, RGB 138 151 34, RGB 121 133 15 and RGB 104 115 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 187 72 shade: RGB 172 187 72, RGB 187 171 72, RGB 187 140 72, RGB 187 109 72 and RGB 187 78 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 187 72 shade: RGB 172 187 72, RGB 141 187 72, RGB 110 187 72, RGB 79 187 72 and RGB 72 187 96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 187 72 shade matches the following richer shades: RGB 172 187 72, RGB 187 207 52, RGB 202 227 32 and RGB 217 248 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 187 72 shade: RGB 172 187 72, RGB 157 167 92, RGB 142 147 113, RGB 127 126 133 and RGB 112 106 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 187 72 shade: RGB 187 139 72, RGB 187 170 72, RGB 174 187 72, RGB 143 187 72 and RGB 112 187 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 187 72 shade: RGB 118 129 47, RGB 146 159 59, RGB 172 187 72, RGB 186 198 102 and RGB 199 209 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 187 72 shade: RGB 172 187 72, RGB 72 187 108 and RGB 154 72 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 187 72 shade: RGB 172 187 72, RGB 72 174 187 and RGB 187 72 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 187 72 shade: RGB 172 187 72, RGB 72 187 108, RGB 85 72 187 and RGB 187 72 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 187 72 shade: RGB 172 187 72, RGB 72 187 143, RGB 85 72 187 and RGB 187 72 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 61 / 27

HEX #ACBB48

RGB 172 187 72

HSL 67.83, 0.46%, 0.51%

LAB 72.75, -20.92, 54.83

 

Complementary color

CMYK 55 / 63 / 0 / 28

HEX #5344B7

RGB 83 68 183

HSL 247.83, 0.46%, 0.49%

LAB 36.73, 37.92, -59.01

 

CMYK 5 / 0 / 64 / 27

HEX #B1BB43

RGB 177 187 67

HSL 65, 0.47%, 0.5%

LAB 73.08, -19.18, 57.42

 

CMYK 5 / 0 / 58 / 20

HEX #C2CD56

RGB 194 205 86

HSL 65.55, 0.54%, 0.57%

LAB 79.5, -19.77, 56.62

 

CMYK 5 / 0 / 53 / 13

HEX #D3DF69

RGB 211 223 105

HSL 66.1, 0.65%, 0.64%

LAB 85.83, -20.24, 55.63

 

CMYK 5 / 0 / 49 / 5

HEX #E4F17C

RGB 228 241 124

HSL 66.67, 0.81%, 0.72%

LAB 92.07, -20.63, 54.56

 

CMYK 4 / 0 / 44 / 0

HEX #F5FF8F

RGB 245 255 143

HSL 65.36, 1%, 0.78%

LAB 97.19, -19.04, 52.17

 

CMYK 8 / 0 / 61 / 27

HEX #ACBB48

RGB 172 187 72

HSL 67.83, 0.46%, 0.51%

LAB 72.75, -20.92, 54.83

 

CMYK 8 / 0 / 69 / 34

HEX #9BA935

RGB 155 169 53

HSL 67.24, 0.52%, 0.44%

LAB 66.21, -20.31, 55.46

 

CMYK 9 / 0 / 77 / 41

HEX #8A9722

RGB 138 151 34

HSL 66.67, 0.63%, 0.36%

LAB 59.57, -19.51, 55.48

 

CMYK 9 / 0 / 89 / 48

HEX #79850F

RGB 121 133 15

HSL 66.1, 0.8%, 0.29%

LAB 52.81, -18.48, 54.34

 

CMYK 10 / 0 / 100 / 55

HEX #687300

RGB 104 115 0

HSL 65.74, 1%, 0.23%

LAB 45.91, -17.16, 51.37

 

CMYK 8 / 0 / 61 / 27

HEX #ACBB48

RGB 172 187 72

HSL 67.83, 0.46%, 0.51%

LAB 72.75, -20.92, 54.83

 

CMYK 0 / 9 / 61 / 27

HEX #BBAB48

RGB 187 171 72

HSL 51.65, 0.46%, 0.51%

LAB 69.58, -6.37, 51.74

 

CMYK 0 / 25 / 61 / 27

HEX #BB8C48

RGB 187 140 72

HSL 35.48, 0.46%, 0.51%

LAB 61.47, 10.4, 42.61

 

CMYK 0 / 42 / 61 / 27

HEX #BB6D48

RGB 187 109 72

HSL 19.3, 0.46%, 0.51%

LAB 54, 27.52, 33.75

 

CMYK 0 / 58 / 61 / 27

HEX #BB4E48

RGB 187 78 72

HSL 3.13, 0.46%, 0.51%

LAB 47.6, 43.58, 25.79

 

CMYK 8 / 0 / 61 / 27

HEX #ACBB48

RGB 172 187 72

HSL 67.83, 0.46%, 0.51%

LAB 72.75, -20.92, 54.83

 

CMYK 25 / 0 / 61 / 27

HEX #8DBB48

RGB 141 187 72

HSL 84, 0.46%, 0.51%

LAB 70.64, -33.32, 51.93

 

CMYK 41 / 0 / 61 / 27

HEX #6EBB48

RGB 110 187 72

HSL 100.17, 0.46%, 0.51%

LAB 68.98, -44.38, 49.62

 

CMYK 58 / 0 / 61 / 27

HEX #4FBB48

RGB 79 187 72

HSL 116.35, 0.46%, 0.51%

LAB 67.78, -53.35, 47.94

 

CMYK 61 / 0 / 49 / 27

HEX #48BB60

RGB 72 187 96

HSL 132.52, 0.46%, 0.51%

LAB 67.85, -51.85, 36.52

 

CMYK 8 / 0 / 61 / 27

HEX #ACBB48

RGB 172 187 72

HSL 67.83, 0.46%, 0.51%

LAB 72.75, -20.92, 54.83

 

CMYK 10 / 0 / 75 / 19

HEX #BBCF34

RGB 187 207 52

HSL 67.74, 0.62%, 0.51%

LAB 79.29, -25.65, 69.32

 

CMYK 11 / 0 / 86 / 11

HEX #CAE320

RGB 202 227 32

HSL 67.69, 0.78%, 0.51%

LAB 85.81, -29.65, 80.53

 

CMYK 13 / 0 / 96 / 3

HEX #D9F80B

RGB 217 248 11

HSL 67.85, 0.94%, 0.51%

LAB 92.54, -33.63, 89.04

 

CMYK 8 / 0 / 61 / 27

HEX #ACBB48

RGB 172 187 72

HSL 67.83, 0.46%, 0.51%

LAB 72.75, -20.92, 54.83

 

CMYK 6 / 0 / 45 / 35

HEX #9DA75C

RGB 157 167 92

HSL 68, 0.3%, 0.51%

LAB 66.2, -15.17, 37.45

 

CMYK 3 / 0 / 23 / 42

HEX #8E9371

RGB 142 147 113

HSL 68.82, 0.14%, 0.51%

LAB 59.72, -7.86, 17.44

 

CMYK 5 / 5 / 0 / 48

HEX #7F7E85

RGB 127 126 133

HSL 248.57, 0.03%, 0.51%

LAB 53.09, 1.8, -3.66

 

CMYK 27 / 31 / 0 / 40

HEX #706A99

RGB 112 106 153

HSL 247.66, 0.19%, 0.51%

LAB 47.04, 13.17, -24.7

 

CMYK 0 / 26 / 61 / 27

HEX #BB8B48

RGB 187 139 72

HSL 34.96, 0.46%, 0.51%

LAB 61.22, 10.95, 42.31

 

CMYK 0 / 9 / 61 / 27

HEX #BBAA48

RGB 187 170 72

HSL 51.13, 0.46%, 0.51%

LAB 69.31, -5.84, 51.44

 

CMYK 7 / 0 / 61 / 27

HEX #AEBB48

RGB 174 187 72

HSL 66.78, 0.46%, 0.51%

LAB 72.9, -20.09, 55.04

 

CMYK 24 / 0 / 61 / 27

HEX #8FBB48

RGB 143 187 72

HSL 82.96, 0.46%, 0.51%

LAB 70.77, -32.55, 52.1

 

CMYK 40 / 0 / 61 / 27

HEX #70BB48

RGB 112 187 72

HSL 99.13, 0.46%, 0.51%

LAB 69.08, -43.72, 49.75

 

CMYK 9 / 0 / 64 / 49

HEX #76812F

RGB 118 129 47

HSL 68.05, 0.47%, 0.35%

LAB 51.56, -16.09, 41.81

 

CMYK 8 / 0 / 63 / 38

HEX #929F3B

RGB 146 159 59

HSL 67.8, 0.46%, 0.43%

LAB 62.7, -18.67, 49.07

 

CMYK 8 / 0 / 61 / 27

HEX #ACBB48

RGB 172 187 72

HSL 67.83, 0.46%, 0.51%

LAB 72.75, -20.92, 54.83

 

CMYK 6 / 0 / 48 / 22

HEX #BAC666

RGB 186 198 102

HSL 67.5, 0.46%, 0.59%

LAB 77.15, -18.16, 46.34

 

CMYK 5 / 0 / 37 / 18

HEX #C7D184

RGB 199 209 132

HSL 67.79, 0.46%, 0.67%

LAB 81.52, -15.31, 37.08

 

CMYK 8 / 0 / 61 / 27

HEX #ACBB48

RGB 172 187 72

HSL 67.83, 0.46%, 0.51%

LAB 72.75, -20.92, 54.83

 

CMYK 61 / 0 / 42 / 27

HEX #48BB6C

RGB 72 187 108

HSL 138.78, 0.46%, 0.51%

LAB 68.02, -49.91, 30.61

 

CMYK 18 / 61 / 0 / 27

HEX #9A48BB

RGB 154 72 187

HSL 282.78, 0.46%, 0.51%

LAB 45.76, 52.49, -46.39

 

CMYK 8 / 0 / 61 / 27

HEX #ACBB48

RGB 172 187 72

HSL 67.83, 0.46%, 0.51%

LAB 72.75, -20.92, 54.83

 

CMYK 61 / 7 / 0 / 27

HEX #48AEBB

RGB 72 174 187

HSL 186.78, 0.46%, 0.51%

LAB 65.93, -25.38, -15.47

 

CMYK 0 / 61 / 7 / 27

HEX #BB48AE

RGB 187 72 174

HSL 306.78, 0.46%, 0.51%

LAB 49.8, 58.49, -32.09

 

CMYK 8 / 0 / 61 / 27

HEX #ACBB48

RGB 172 187 72

HSL 67.83, 0.46%, 0.51%

LAB 72.75, -20.92, 54.83

 

CMYK 61 / 0 / 42 / 27

HEX #48BB6C

RGB 72 187 108

HSL 138.78, 0.46%, 0.51%

LAB 68.02, -49.91, 30.61

 

CMYK 55 / 61 / 0 / 27

HEX #5548BB

RGB 85 72 187

HSL 246.78, 0.46%, 0.51%

LAB 38.12, 37.14, -59.1

 

CMYK 0 / 61 / 19 / 27

HEX #BB4897

RGB 187 72 151

HSL 318.78, 0.46%, 0.51%

LAB 48.8, 54.94, -20.05

 

CMYK 8 / 0 / 61 / 27

HEX #ACBB48

RGB 172 187 72

HSL 67.83, 0.46%, 0.51%

LAB 72.75, -20.92, 54.83

 

CMYK 61 / 0 / 24 / 27

HEX #48BB8F

RGB 72 187 143

HSL 157.04, 0.46%, 0.51%

LAB 68.68, -42.94, 12.81

 

CMYK 55 / 61 / 0 / 27

HEX #5548BB

RGB 85 72 187

HSL 246.78, 0.46%, 0.51%

LAB 38.12, 37.14, -59.1

 

CMYK 0 / 61 / 38 / 27

HEX #BB4874

RGB 187 72 116

HSL 337.04, 0.46%, 0.51%

LAB 47.57, 50.4, -0.83

 

Description

Color code: RGB 172 187 72 | qconv.com Color code: RGB 172 187 72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 187 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 187 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 61 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 61% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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