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Color name
RGB 172 17 67

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 17 67 it is the complementary color RGB 83 238 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 17 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 17 67 shade: RGB 177 17 62, RGB 194 35 81, RGB 211 53 100, RGB 228 71 119 and RGB 245 89 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 17 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 17 67 shade: RGB 172 17 67, RGB 155 0 48, RGB 138 0 29, RGB 121 0 10 and RGB 104 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 17 67 shade: RGB 171 16 66, RGB 171 16 25 and RGB 171 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 17 67 shade: RGB 171 16 66, RGB 171 16 108, RGB 171 16 150, RGB 151 16 171 and RGB 109 16 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 17 67 shade matches the following richer shades: RGB 171 16 66 and RGB 186 1 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 17 67 shade: RGB 171 16 66, RGB 156 32 72, RGB 141 47 77, RGB 125 62 83 and RGB 110 78 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 17 67 shade: RGB 171 16 151, RGB 171 16 109, RGB 171 16 68, RGB 171 16 27 and RGB 171 47 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 17 67 shade: RGB 96 9 37, RGB 134 13 52, RGB 171 16 66, RGB 209 20 81 and RGB 233 37 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 17 67 shade: RGB 172 17 67, RGB 171 151 16 and RGB 16 130 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 17 67 shade: RGB 172 17 67, RGB 68 171 16 and RGB 16 68 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 17 67 shade: RGB 172 17 67, RGB 171 151 16, RGB 16 171 120 and RGB 16 37 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 17 67 shade: RGB 172 17 67, RGB 145 171 16, RGB 16 171 120 and RGB 42 16 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 61 / 33

HEX #AC1143

RGB 172 17 67

HSL 340.65, 0.82%, 0.37%

LAB 37.07, 59.57, 14.57

 

Complementary color

CMYK 65 / 0 / 21 / 7

HEX #53EEBC

RGB 83 238 188

HSL 160.65, 0.82%, 0.63%

LAB 85.31, -52.2, 12.4

 

CMYK 0 / 90 / 65 / 31

HEX #B1113E

RGB 177 17 62

HSL 343.13, 0.82%, 0.38%

LAB 38.01, 60.56, 19.22

 

CMYK 0 / 82 / 58 / 24

HEX #C22351

RGB 194 35 81

HSL 342.64, 0.69%, 0.45%

LAB 43.16, 62.49, 14.68

 

CMYK 0 / 75 / 53 / 17

HEX #D33564

RGB 211 53 100

HSL 342.15, 0.64%, 0.52%

LAB 48.65, 63.39, 11.02

 

CMYK 0 / 69 / 48 / 11

HEX #E44777

RGB 228 71 119

HSL 341.66, 0.74%, 0.59%

LAB 54.38, 63.62, 8.06

 

CMYK 0 / 64 / 44 / 4

HEX #F5598A

RGB 245 89 138

HSL 341.15, 0.89%, 0.65%

LAB 60.24, 63.41, 5.63

 

CMYK 0 / 90 / 61 / 33

HEX #AC1143

RGB 172 17 67

HSL 340.65, 0.82%, 0.37%

LAB 37.07, 59.57, 14.57

 

CMYK 0 / 100 / 69 / 39

HEX #9B0030

RGB 155 0 48

HSL 341.42, 1%, 0.3%

LAB 32.22, 56.54, 19.9

 

CMYK 0 / 100 / 79 / 46

HEX #8A001D

RGB 138 0 29

HSL 347.39, 1%, 0.27%

LAB 28.09, 51.39, 26.45

 

CMYK 0 / 100 / 92 / 53

HEX #79000A

RGB 121 0 10

HSL 355.04, 1%, 0.24%

LAB 23.96, 46.35, 31.9

 

CMYK 0 / 100 / 100 / 59

HEX #680000

RGB 104 0 0

HSL 0, 1%, 0.2%

LAB 19.81, 41.44, 30.34

 

CMYK 0 / 91 / 61 / 33

HEX #AB1042

RGB 171 16 66

HSL 340.65, 0.83%, 0.37%

LAB 36.78, 59.42, 14.79

 

CMYK 0 / 91 / 85 / 33

HEX #AB1019

RGB 171 16 25

HSL 356.52, 0.83%, 0.37%

LAB 36.17, 57.68, 39.27

 

CMYK 0 / 91 / 91 / 33

HEX #AB1010

RGB 171 16 16

HSL 0, 0.83%, 0.37%

LAB 36.11, 57.5, 43.67

 

CMYK 0 / 91 / 61 / 33

HEX #AB1042

RGB 171 16 66

HSL 340.65, 0.83%, 0.37%

LAB 36.78, 59.42, 14.79

 

CMYK 0 / 91 / 37 / 33

HEX #AB106C

RGB 171 16 108

HSL 324.39, 0.83%, 0.37%

LAB 38.04, 62.9, -10.35

 

CMYK 0 / 91 / 12 / 33

HEX #AB1096

RGB 171 16 150

HSL 308.13, 0.83%, 0.37%

LAB 39.97, 68, -33.41

 

CMYK 12 / 91 / 0 / 33

HEX #9710AB

RGB 151 16 171

HSL 292.26, 0.83%, 0.37%

LAB 37.64, 67.64, -49.99

 

CMYK 36 / 91 / 0 / 33

HEX #6D10AB

RGB 109 16 171

HSL 276, 0.83%, 0.37%

LAB 30.79, 61.39, -61.45

 

CMYK 0 / 91 / 61 / 33

HEX #AB1042

RGB 171 16 66

HSL 340.65, 0.83%, 0.37%

LAB 36.78, 59.42, 14.79

 

CMYK 0 / 99 / 67 / 27

HEX #BA013D

RGB 186 1 61

HSL 340.54, 0.99%, 0.37%

LAB 39.24, 64.67, 21.82

 

CMYK 0 / 91 / 61 / 33

HEX #AB1042

RGB 171 16 66

HSL 340.65, 0.83%, 0.37%

LAB 36.78, 59.42, 14.79

 

CMYK 0 / 79 / 54 / 39

HEX #9C2048

RGB 156 32 72

HSL 340.65, 0.66%, 0.37%

LAB 35.14, 52.13, 8.15

 

CMYK 0 / 67 / 45 / 45

HEX #8D2F4D

RGB 141 47 77

HSL 340.85, 0.5%, 0.37%

LAB 34.46, 42.34, 3.56

 

CMYK 0 / 50 / 34 / 51

HEX #7D3E53

RGB 125 62 83

HSL 340, 0.34%, 0.37%

LAB 34.86, 29.78, -0.04

 

CMYK 0 / 29 / 20 / 57

HEX #6E4E58

RGB 110 78 88

HSL 341.25, 0.17%, 0.37%

LAB 36.87, 15.15, -0.51

 

CMYK 0 / 91 / 12 / 33

HEX #AB1097

RGB 171 16 151

HSL 307.74, 0.83%, 0.37%

LAB 40.02, 68.14, -33.93

 

CMYK 0 / 91 / 36 / 33

HEX #AB106D

RGB 171 16 109

HSL 324, 0.83%, 0.37%

LAB 38.08, 63, -10.93

 

CMYK 0 / 91 / 60 / 33

HEX #AB1044

RGB 171 16 68

HSL 339.87, 0.83%, 0.37%

LAB 36.83, 59.54, 13.56

 

CMYK 0 / 91 / 84 / 33

HEX #AB101B

RGB 171 16 27

HSL 355.74, 0.83%, 0.37%

LAB 36.19, 57.73, 38.2

 

CMYK 0 / 73 / 91 / 33

HEX #AB2F10

RGB 171 47 16

HSL 12, 0.83%, 0.37%

LAB 39.12, 49.04, 45.87

 

CMYK 0 / 91 / 61 / 62

HEX #600925

RGB 96 9 37

HSL 340.69, 0.83%, 0.21%

LAB 19.29, 38.37, 7.93

 

CMYK 0 / 90 / 61 / 47

HEX #860D34

RGB 134 13 52

HSL 340.66, 0.82%, 0.29%

LAB 28.39, 49.3, 11.34

 

CMYK 0 / 91 / 61 / 33

HEX #AB1042

RGB 171 16 66

HSL 340.65, 0.83%, 0.37%

LAB 36.78, 59.42, 14.79

 

CMYK 0 / 90 / 61 / 18

HEX #D11451

RGB 209 20 81

HSL 340.63, 0.83%, 0.45%

LAB 45.15, 69.23, 17.88

 

CMYK 0 / 84 / 57 / 9

HEX #E92564

RGB 233 37 100

HSL 340.71, 0.82%, 0.53%

LAB 51.34, 73.37, 15.39

 

CMYK 0 / 90 / 61 / 33

HEX #AC1143

RGB 172 17 67

HSL 340.65, 0.82%, 0.37%

LAB 37.07, 59.57, 14.57

 

CMYK 0 / 12 / 91 / 33

HEX #AB9710

RGB 171 151 16

HSL 52.26, 0.83%, 0.37%

LAB 62.36, -5.26, 63.64

 

CMYK 91 / 24 / 0 / 33

HEX #1082AB

RGB 16 130 171

HSL 195.87, 0.83%, 0.37%

LAB 50.71, -14.08, -29.86

 

CMYK 0 / 90 / 61 / 33

HEX #AC1143

RGB 172 17 67

HSL 340.65, 0.82%, 0.37%

LAB 37.07, 59.57, 14.57

 

CMYK 60 / 0 / 91 / 33

HEX #44AB10

RGB 68 171 16

HSL 99.87, 0.83%, 0.37%

LAB 61.99, -54.23, 60.72

 

CMYK 91 / 60 / 0 / 33

HEX #1044AB

RGB 16 68 171

HSL 219.87, 0.83%, 0.37%

LAB 32.22, 25.25, -59.38

 

CMYK 0 / 90 / 61 / 33

HEX #AC1143

RGB 172 17 67

HSL 340.65, 0.82%, 0.37%

LAB 37.07, 59.57, 14.57

 

CMYK 0 / 12 / 91 / 33

HEX #AB9710

RGB 171 151 16

HSL 52.26, 0.83%, 0.37%

LAB 62.36, -5.26, 63.64

 

CMYK 91 / 0 / 30 / 33

HEX #10AB78

RGB 16 171 120

HSL 160.26, 0.83%, 0.37%

LAB 62.16, -48.89, 16.14

 

CMYK 91 / 78 / 0 / 33

HEX #1025AB

RGB 16 37 171

HSL 231.87, 0.83%, 0.37%

LAB 24.87, 45, -71.5

 

CMYK 0 / 90 / 61 / 33

HEX #AC1143

RGB 172 17 67

HSL 340.65, 0.82%, 0.37%

LAB 37.07, 59.57, 14.57

 

CMYK 15 / 0 / 91 / 33

HEX #91AB10

RGB 145 171 16

HSL 70.06, 0.83%, 0.37%

LAB 65.89, -27.02, 65.54

 

CMYK 91 / 0 / 30 / 33

HEX #10AB78

RGB 16 171 120

HSL 160.26, 0.83%, 0.37%

LAB 62.16, -48.89, 16.14

 

CMYK 75 / 91 / 0 / 33

HEX #2A10AB

RGB 42 16 171

HSL 250.06, 0.83%, 0.37%

LAB 23.01, 55.37, -74.55

 

Description

Color code: RGB 172 17 67 | qconv.com Color code: RGB 172 17 67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 17 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 17 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 61 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 61% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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