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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 15 245 it is the complementary color RGB 83 240 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 15 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 15 245 shade: RGB 177 15 240, RGB 194 33 255, RGB 211 51 255, RGB 228 69 255 and RGB 245 87 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 15 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 15 245 shade: RGB 172 15 245, RGB 155 0 226, RGB 138 0 207, RGB 121 0 188 and RGB 104 0 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 15 245 shade: RGB 172 15 245, RGB 234 15 245, RGB 245 15 193, RGB 245 15 131 and RGB 245 15 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 15 245 shade: RGB 172 15 245, RGB 110 15 245, RGB 48 15 245 and RGB 15 15 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 15 245 shade matches the following richer shades: RGB 172 15 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 15 245 shade: RGB 172 15 245, RGB 164 35 224, RGB 157 55 204, RGB 149 75 184 and RGB 142 95 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 15 245 shade: RGB 45 15 245, RGB 107 15 245, RGB 168 15 245, RGB 229 15 245 and RGB 245 15 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 15 245 shade: RGB 118 7 170, RGB 146 8 210, RGB 172 15 245, RGB 185 54 246 and RGB 199 94 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 15 245 shade: RGB 172 15 245, RGB 245 15 45 and RGB 15 245 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 15 245 shade: RGB 172 15 245, RGB 245 168 15 and RGB 15 245 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 15 245 shade: RGB 172 15 245, RGB 245 15 45, RGB 91 245 15 and RGB 15 245 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 15 245 shade: RGB 172 15 245, RGB 245 53 15, RGB 91 245 15 and RGB 15 206 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 94 / 0 / 4

HEX #AC0FF5

RGB 172 15 245

HSL 280.96, 0.92%, 0.51%

LAB 46.58, 84.01, -78.14

 

Complementary color

CMYK 65 / 0 / 96 / 6

HEX #53F00A

RGB 83 240 10

HSL 100.96, 0.92%, 0.49%

LAB 84.06, -73.66, 79.82

 

CMYK 26 / 94 / 0 / 6

HEX #B10FF0

RGB 177 15 240

HSL 283.2, 0.88%, 0.5%

LAB 46.95, 83.71, -74.7

 

CMYK 24 / 87 / 0 / 0

HEX #C221FF

RGB 194 33 255

HSL 283.51, 1%, 0.56%

LAB 51.58, 85.99, -75.44

 

CMYK 17 / 80 / 0 / 0

HEX #D333FF

RGB 211 51 255

HSL 287.06, 1%, 0.6%

LAB 55.52, 84.57, -68.94

 

CMYK 11 / 73 / 0 / 0

HEX #E445FF

RGB 228 69 255

HSL 291.29, 1%, 0.64%

LAB 59.86, 82.4, -61.82

 

CMYK 4 / 66 / 0 / 0

HEX #F557FF

RGB 245 87 255

HSL 296.43, 1%, 0.67%

LAB 64.52, 79.72, -54.24

 

CMYK 30 / 94 / 0 / 4

HEX #AC0FF5

RGB 172 15 245

HSL 280.96, 0.92%, 0.51%

LAB 46.58, 84.01, -78.14

 

CMYK 31 / 100 / 0 / 11

HEX #9B00E2

RGB 155 0 226

HSL 281.15, 1%, 0.44%

LAB 41.94, 79.95, -75.09

 

CMYK 33 / 100 / 0 / 19

HEX #8A00CF

RGB 138 0 207

HSL 280, 1%, 0.41%

LAB 37.68, 74.43, -71.24

 

CMYK 36 / 100 / 0 / 26

HEX #7900BC

RGB 121 0 188

HSL 278.62, 1%, 0.37%

LAB 33.34, 68.83, -67.32

 

CMYK 38 / 100 / 0 / 34

HEX #6800A9

RGB 104 0 169

HSL 276.92, 1%, 0.33%

LAB 28.92, 63.13, -63.33

 

CMYK 30 / 94 / 0 / 4

HEX #AC0FF5

RGB 172 15 245

HSL 280.96, 0.92%, 0.51%

LAB 46.58, 84.01, -78.14

 

CMYK 4 / 94 / 0 / 4

HEX #EA0FF5

RGB 234 15 245

HSL 297.13, 0.92%, 0.51%

LAB 56.51, 92.64, -61.58

 

CMYK 0 / 94 / 21 / 4

HEX #F50FC1

RGB 245 15 193

HSL 313.57, 0.92%, 0.51%

LAB 55.69, 87.65, -33.23

 

CMYK 0 / 94 / 47 / 4

HEX #F50F83

RGB 245 15 131

HSL 329.74, 0.92%, 0.51%

LAB 53.38, 81.57, -0.17

 

CMYK 0 / 94 / 72 / 4

HEX #F50F45

RGB 245 15 69

HSL 345.91, 0.92%, 0.51%

LAB 52.04, 77.94, 35.42

 

CMYK 30 / 94 / 0 / 4

HEX #AC0FF5

RGB 172 15 245

HSL 280.96, 0.92%, 0.51%

LAB 46.58, 84.01, -78.14

 

CMYK 55 / 94 / 0 / 4

HEX #6E0FF5

RGB 110 15 245

HSL 264.78, 0.92%, 0.51%

LAB 38.29, 77.96, -92.1

 

CMYK 80 / 94 / 0 / 4

HEX #300FF5

RGB 48 15 245

HSL 248.61, 0.92%, 0.51%

LAB 33.05, 75, -100.94

 

CMYK 94 / 94 / 0 / 4

HEX #0F0FF5

RGB 15 15 245

HSL 240, 0.92%, 0.51%

LAB 31.89, 74.46, -102.92

 

CMYK 30 / 94 / 0 / 4

HEX #AC0FF5

RGB 172 15 245

HSL 280.96, 0.92%, 0.51%

LAB 46.58, 84.01, -78.14

 

CMYK 30 / 94 / 0 / 4

HEX #AC0FF5

RGB 172 15 245

HSL 280.96, 0.92%, 0.51%

LAB 46.58, 84.01, -78.14

 

CMYK 27 / 84 / 0 / 12

HEX #A423E0

RGB 164 35 224

HSL 280.95, 0.75%, 0.51%

LAB 44.91, 75.48, -69.04

 

CMYK 23 / 73 / 0 / 20

HEX #9D37CC

RGB 157 55 204

HSL 281.07, 0.59%, 0.51%

LAB 44.6, 64.06, -58.1

 

CMYK 19 / 59 / 0 / 28

HEX #954BB8

RGB 149 75 184

HSL 280.73, 0.43%, 0.51%

LAB 45.47, 49.13, -45.14

 

CMYK 13 / 42 / 0 / 36

HEX #8E5FA4

RGB 142 95 164

HSL 280.87, 0.27%, 0.51%

LAB 47.77, 31.88, -29.83

 

CMYK 82 / 94 / 0 / 4

HEX #2D0FF5

RGB 45 15 245

HSL 247.83, 0.92%, 0.51%

LAB 32.9, 74.93, -101.2

 

CMYK 56 / 94 / 0 / 4

HEX #6B0FF5

RGB 107 15 245

HSL 264, 0.92%, 0.51%

LAB 37.95, 77.75, -92.66

 

CMYK 31 / 94 / 0 / 4

HEX #A80FF5

RGB 168 15 245

HSL 279.91, 0.92%, 0.51%

LAB 45.99, 83.53, -79.14

 

CMYK 7 / 94 / 0 / 4

HEX #E50FF5

RGB 229 15 245

HSL 295.83, 0.92%, 0.51%

LAB 55.68, 91.87, -62.97

 

CMYK 0 / 94 / 19 / 4

HEX #F50FC7

RGB 245 15 199

HSL 312, 0.92%, 0.51%

LAB 55.97, 88.35, -36.26

 

CMYK 31 / 96 / 0 / 33

HEX #7607AA

RGB 118 7 170

HSL 280.86, 0.92%, 0.35%

LAB 31.59, 63.88, -59.47

 

CMYK 30 / 96 / 0 / 18

HEX #9208D2

RGB 146 8 210

HSL 280.99, 0.93%, 0.43%

LAB 39.48, 75.03, -69.98

 

CMYK 30 / 94 / 0 / 4

HEX #AC0FF5

RGB 172 15 245

HSL 280.96, 0.92%, 0.51%

LAB 46.58, 84.01, -78.14

 

CMYK 25 / 78 / 0 / 4

HEX #B936F6

RGB 185 54 246

HSL 280.94, 0.91%, 0.59%

LAB 51.39, 77.75, -70.79

 

CMYK 20 / 62 / 0 / 3

HEX #C75EF8

RGB 199 94 248

HSL 280.91, 0.92%, 0.67%

LAB 58.9, 65.38, -59.7

 

CMYK 30 / 94 / 0 / 4

HEX #AC0FF5

RGB 172 15 245

HSL 280.96, 0.92%, 0.51%

LAB 46.58, 84.01, -78.14

 

CMYK 0 / 94 / 82 / 4

HEX #F50F2D

RGB 245 15 45

HSL 352.17, 0.92%, 0.51%

LAB 51.77, 77.18, 48.67

 

CMYK 94 / 0 / 69 / 4

HEX #0FF54C

RGB 15 245 76

HSL 135.91, 0.92%, 0.51%

LAB 84.96, -79.7, 64.79

 

CMYK 30 / 94 / 0 / 4

HEX #AC0FF5

RGB 172 15 245

HSL 280.96, 0.92%, 0.51%

LAB 46.58, 84.01, -78.14

 

CMYK 0 / 31 / 94 / 4

HEX #F5A80F

RGB 245 168 15

HSL 39.91, 0.92%, 0.51%

LAB 74.48, 18.28, 76.32

 

CMYK 94 / 0 / 31 / 4

HEX #0FF5A8

RGB 15 245 168

HSL 159.91, 0.92%, 0.51%

LAB 86.12, -65.75, 23.74

 

CMYK 30 / 94 / 0 / 4

HEX #AC0FF5

RGB 172 15 245

HSL 280.96, 0.92%, 0.51%

LAB 46.58, 84.01, -78.14

 

CMYK 0 / 94 / 82 / 4

HEX #F50F2D

RGB 245 15 45

HSL 352.17, 0.92%, 0.51%

LAB 51.77, 77.18, 48.67

 

CMYK 63 / 0 / 94 / 4

HEX #5BF50F

RGB 91 245 15

HSL 100.17, 0.92%, 0.51%

LAB 85.79, -73.48, 80.85

 

CMYK 94 / 0 / 13 / 4

HEX #0FF5D6

RGB 15 245 214

HSL 171.91, 0.92%, 0.51%

LAB 87.12, -54.84, 1.32

 

CMYK 30 / 94 / 0 / 4

HEX #AC0FF5

RGB 172 15 245

HSL 280.96, 0.92%, 0.51%

LAB 46.58, 84.01, -78.14

 

CMYK 0 / 78 / 94 / 4

HEX #F5350F

RGB 245 53 15

HSL 9.91, 0.92%, 0.51%

LAB 54.02, 69.79, 62.83

 

CMYK 63 / 0 / 94 / 4

HEX #5BF50F

RGB 91 245 15

HSL 100.17, 0.92%, 0.51%

LAB 85.79, -73.48, 80.85

 

CMYK 94 / 16 / 0 / 4

HEX #0FCEF5

RGB 15 206 245

HSL 190.17, 0.92%, 0.51%

LAB 76.58, -28.3, -30.92

 

Description

Color code: RGB 172 15 245 | qconv.com Color code: RGB 172 15 245 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 15 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 15 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 94 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 94% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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