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Color name
RGB 172 159 153

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 159 153 it is the complementary color RGB 83 96 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 159 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 159 153 shade: RGB 177 159 148, RGB 194 177 167, RGB 211 195 186, RGB 228 213 205 and RGB 245 231 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 159 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 159 153 shade: RGB 172 159 153, RGB 155 141 134, RGB 138 123 115, RGB 121 105 96 and RGB 104 87 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 159 153 shade: RGB 172 159 154, RGB 172 154 154 and RGB 172 154 154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 159 153 shade: RGB 172 159 154, RGB 172 164 154, RGB 172 169 154, RGB 170 172 154 and RGB 165 172 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 159 153 shade matches the following richer shades: RGB 172 159 154, RGB 187 154 139, RGB 202 148 124, RGB 216 143 109 and RGB 231 137 94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 159 153 shade: RGB 172 159 154, RGB 157 165 168, RGB 142 170 183, RGB 127 176 198 and RGB 112 181 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 159 153 shade: RGB 172 154 158, RGB 172 154 154, RGB 172 159 154, RGB 172 164 154 and RGB 172 169 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 159 153 shade: RGB 134 117 109, RGB 153 138 131, RGB 172 159 154, RGB 190 181 176 and RGB 209 202 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 159 153 shade: RGB 172 159 153, RGB 163 172 154 and RGB 154 155 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 159 153 shade: RGB 172 159 153, RGB 154 172 159 and RGB 159 154 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 159 153 shade: RGB 172 159 153, RGB 163 172 154, RGB 154 166 172 and RGB 163 154 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 159 153 shade: RGB 172 159 153, RGB 157 172 154, RGB 154 166 172 and RGB 168 154 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 11 / 33

HEX #AC9F99

RGB 172 159 153

HSL 18.95, 0.1%, 0.64%

LAB 66.42, 3.68, 4.83

 

Complementary color

CMYK 19 / 6 / 0 / 60

HEX #536066

RGB 83 96 102

HSL 198.95, 0.1%, 0.36%

LAB 39.86, -3.55, -5.1

 

CMYK 0 / 10 / 16 / 31

HEX #B19F94

RGB 177 159 148

HSL 22.76, 0.16%, 0.64%

LAB 66.73, 4.73, 8.13

 

CMYK 0 / 9 / 14 / 24

HEX #C2B1A7

RGB 194 177 167

HSL 22.22, 0.18%, 0.71%

LAB 73.35, 4.4, 7.31

 

CMYK 0 / 8 / 12 / 17

HEX #D3C3BA

RGB 211 195 186

HSL 21.6, 0.22%, 0.78%

LAB 79.85, 4.1, 6.53

 

CMYK 0 / 7 / 10 / 11

HEX #E4D5CD

RGB 228 213 205

HSL 20.87, 0.3%, 0.85%

LAB 86.25, 3.83, 5.8

 

CMYK 0 / 6 / 9 / 4

HEX #F5E7E0

RGB 245 231 224

HSL 20, 0.51%, 0.92%

LAB 92.55, 3.58, 5.09

 

CMYK 0 / 8 / 11 / 33

HEX #AC9F99

RGB 172 159 153

HSL 18.95, 0.1%, 0.64%

LAB 66.42, 3.68, 4.83

 

CMYK 0 / 9 / 14 / 39

HEX #9B8D86

RGB 155 141 134

HSL 20, 0.1%, 0.57%

LAB 59.65, 3.99, 5.62

 

CMYK 0 / 11 / 17 / 46

HEX #8A7B73

RGB 138 123 115

HSL 20.87, 0.09%, 0.5%

LAB 52.74, 4.34, 6.46

 

CMYK 0 / 13 / 21 / 53

HEX #796960

RGB 121 105 96

HSL 21.6, 0.12%, 0.43%

LAB 45.65, 4.75, 7.38

 

CMYK 0 / 16 / 26 / 59

HEX #68574D

RGB 104 87 77

HSL 22.22, 0.15%, 0.35%

LAB 38.37, 5.24, 8.4

 

CMYK 0 / 8 / 10 / 33

HEX #AC9F9A

RGB 172 159 154

HSL 16.67, 0.1%, 0.64%

LAB 66.44, 3.85, 4.31

 

CMYK 0 / 10 / 10 / 33

HEX #AC9A9A

RGB 172 154 154

HSL 0, 0.1%, 0.64%

LAB 65.13, 6.62, 2.41

 

CMYK 0 / 10 / 10 / 33

HEX #AC9A9A

RGB 172 154 154

HSL 0, 0.1%, 0.64%

LAB 65.13, 6.62, 2.41

 

CMYK 0 / 8 / 10 / 33

HEX #AC9F9A

RGB 172 159 154

HSL 16.67, 0.1%, 0.64%

LAB 66.44, 3.85, 4.31

 

CMYK 0 / 5 / 10 / 33

HEX #ACA49A

RGB 172 164 154

HSL 33.33, 0.1%, 0.64%

LAB 67.77, 1.11, 6.21

 

CMYK 0 / 2 / 10 / 33

HEX #ACA99A

RGB 172 169 154

HSL 50, 0.1%, 0.64%

LAB 69.1, -1.6, 8.12

 

CMYK 1 / 0 / 10 / 33

HEX #AAAC9A

RGB 170 172 154

HSL 66.67, 0.1%, 0.64%

LAB 69.74, -3.96, 9.01

 

CMYK 4 / 0 / 10 / 33

HEX #A5AC9A

RGB 165 172 154

HSL 83.33, 0.1%, 0.64%

LAB 69.35, -5.8, 8.41

 

CMYK 0 / 8 / 10 / 33

HEX #AC9F9A

RGB 172 159 154

HSL 16.67, 0.1%, 0.64%

LAB 66.44, 3.85, 4.31

 

CMYK 0 / 18 / 26 / 27

HEX #BB9A8B

RGB 187 154 139

HSL 18.75, 0.26%, 0.64%

LAB 66.17, 9.96, 12.47

 

CMYK 0 / 27 / 39 / 21

HEX #CA947C

RGB 202 148 124

HSL 18.46, 0.42%, 0.64%

LAB 65.9, 17.22, 20.68

 

CMYK 0 / 34 / 50 / 15

HEX #D88F6D

RGB 216 143 109

HSL 19.07, 0.58%, 0.64%

LAB 66.02, 23.96, 29.39

 

CMYK 0 / 41 / 59 / 9

HEX #E7895E

RGB 231 137 94

HSL 18.83, 0.74%, 0.64%

LAB 66.28, 31.9, 38.2

 

CMYK 0 / 8 / 10 / 33

HEX #AC9F9A

RGB 172 159 154

HSL 16.67, 0.1%, 0.64%

LAB 66.44, 3.85, 4.31

 

CMYK 7 / 2 / 0 / 34

HEX #9DA5A8

RGB 157 165 168

HSL 196.36, 0.06%, 0.64%

LAB 67.21, -2.23, -2.54

 

CMYK 22 / 7 / 0 / 28

HEX #8EAAB7

RGB 142 170 183

HSL 199.02, 0.22%, 0.64%

LAB 67.96, -6.7, -9.87

 

CMYK 36 / 11 / 0 / 22

HEX #7FB0C6

RGB 127 176 198

HSL 198.59, 0.38%, 0.64%

LAB 69.21, -10.73, -16.37

 

CMYK 47 / 15 / 0 / 16

HEX #70B5D5

RGB 112 181 213

HSL 199.01, 0.55%, 0.64%

LAB 70.38, -13.22, -22.91

 

CMYK 0 / 10 / 8 / 33

HEX #AC9A9E

RGB 172 154 158

HSL 346.67, 0.1%, 0.64%

LAB 65.24, 7.32, 0.32

 

CMYK 0 / 10 / 10 / 33

HEX #AC9A9A

RGB 172 154 154

HSL 0, 0.1%, 0.64%

LAB 65.13, 6.62, 2.41

 

CMYK 0 / 8 / 10 / 33

HEX #AC9F9A

RGB 172 159 154

HSL 16.67, 0.1%, 0.64%

LAB 66.44, 3.85, 4.31

 

CMYK 0 / 5 / 10 / 33

HEX #ACA49A

RGB 172 164 154

HSL 33.33, 0.1%, 0.64%

LAB 67.77, 1.11, 6.21

 

CMYK 0 / 2 / 10 / 33

HEX #ACA99A

RGB 172 169 154

HSL 50, 0.1%, 0.64%

LAB 69.1, -1.6, 8.12

 

CMYK 0 / 13 / 19 / 47

HEX #86756D

RGB 134 117 109

HSL 19.2, 0.1%, 0.48%

LAB 50.56, 5.2, 6.83

 

CMYK 0 / 10 / 14 / 40

HEX #998A83

RGB 153 138 131

HSL 19.09, 0.1%, 0.56%

LAB 58.59, 4.4, 5.78

 

CMYK 0 / 8 / 10 / 33

HEX #AC9F9A

RGB 172 159 154

HSL 16.67, 0.1%, 0.64%

LAB 66.44, 3.85, 4.31

 

CMYK 0 / 5 / 7 / 25

HEX #BEB5B0

RGB 190 181 176

HSL 21.43, 0.1%, 0.72%

LAB 74.27, 2.3, 3.67

 

CMYK 0 / 3 / 5 / 18

HEX #D1CAC7

RGB 209 202 199

HSL 18, 0.1%, 0.8%

LAB 81.79, 1.9, 2.35

 

CMYK 0 / 8 / 11 / 33

HEX #AC9F99

RGB 172 159 153

HSL 18.95, 0.1%, 0.64%

LAB 66.42, 3.68, 4.83

 

CMYK 5 / 0 / 10 / 33

HEX #A3AC9A

RGB 163 172 154

HSL 90, 0.1%, 0.64%

LAB 69.2, -6.53, 8.17

 

CMYK 10 / 10 / 0 / 33

HEX #9A9BAC

RGB 154 155 172

HSL 236.67, 0.1%, 0.64%

LAB 64.4, 3.08, -8.96

 

CMYK 0 / 8 / 11 / 33

HEX #AC9F99

RGB 172 159 153

HSL 18.95, 0.1%, 0.64%

LAB 66.42, 3.68, 4.83

 

CMYK 10 / 0 / 8 / 33

HEX #9AAC9F

RGB 154 172 159

HSL 136.67, 0.1%, 0.64%

LAB 68.66, -8.82, 4.55

 

CMYK 8 / 10 / 0 / 33

HEX #9F9AAC

RGB 159 154 172

HSL 256.67, 0.1%, 0.64%

LAB 64.53, 5.36, -8.72

 

CMYK 0 / 8 / 11 / 33

HEX #AC9F99

RGB 172 159 153

HSL 18.95, 0.1%, 0.64%

LAB 66.42, 3.68, 4.83

 

CMYK 5 / 0 / 10 / 33

HEX #A3AC9A

RGB 163 172 154

HSL 90, 0.1%, 0.64%

LAB 69.2, -6.53, 8.17

 

CMYK 10 / 3 / 0 / 33

HEX #9AA6AC

RGB 154 166 172

HSL 200, 0.1%, 0.64%

LAB 67.37, -2.99, -4.55

 

CMYK 5 / 10 / 0 / 33

HEX #A39AAC

RGB 163 154 172

HSL 270, 0.1%, 0.64%

LAB 64.86, 6.75, -8.19

 

CMYK 0 / 8 / 11 / 33

HEX #AC9F99

RGB 172 159 153

HSL 18.95, 0.1%, 0.64%

LAB 66.42, 3.68, 4.83

 

CMYK 9 / 0 / 10 / 33

HEX #9DAC9A

RGB 157 172 154

HSL 110, 0.1%, 0.64%

LAB 68.76, -8.69, 7.47

 

CMYK 10 / 3 / 0 / 33

HEX #9AA6AC

RGB 154 166 172

HSL 200, 0.1%, 0.64%

LAB 67.37, -2.99, -4.55

 

CMYK 2 / 10 / 0 / 33

HEX #A89AAC

RGB 168 154 172

HSL 286.67, 0.1%, 0.64%

LAB 65.29, 8.51, -7.51

 

Description

Color code: RGB 172 159 153 | qconv.com Color code: RGB 172 159 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 159 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 159 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 11 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 11% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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