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Color name
RGB 172 148 117

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 148 117 it is the complementary color RGB 83 107 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 148 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 148 117 shade: RGB 177 148 112, RGB 194 166 131, RGB 211 184 150, RGB 228 202 169 and RGB 245 220 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 148 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 148 117 shade: RGB 172 148 117, RGB 155 130 98, RGB 138 112 79, RGB 121 94 60 and RGB 104 76 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 148 117 shade: RGB 172 148 117, RGB 172 134 117, RGB 172 119 117 and RGB 172 117 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 148 117 shade: RGB 172 148 117, RGB 172 163 117, RGB 167 172 117, RGB 152 172 117 and RGB 137 172 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 148 117 shade matches the following richer shades: RGB 172 148 117, RGB 190 151 100, RGB 208 153 82, RGB 225 155 64 and RGB 243 157 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 148 117 shade: RGB 172 148 117, RGB 155 146 135, RGB 137 144 153, RGB 119 142 171 and RGB 101 139 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 148 117 shade: RGB 172 118 117, RGB 172 133 117, RGB 172 148 117, RGB 172 162 117 and RGB 168 172 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 148 117 shade: RGB 130 107 78, RGB 155 128 93, RGB 172 148 117, RGB 188 168 143 and RGB 203 188 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 148 117 shade: RGB 172 148 117, RGB 131 172 117 and RGB 126 117 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 148 117 shade: RGB 172 148 117, RGB 117 172 148 and RGB 148 117 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 148 117 shade: RGB 172 148 117, RGB 131 172 117, RGB 117 142 172 and RGB 159 117 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 148 117 shade: RGB 172 148 117, RGB 117 172 120, RGB 117 142 172 and RGB 172 117 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 32 / 33

HEX #AC9475

RGB 172 148 117

HSL 33.82, 0.25%, 0.57%

LAB 62.71, 4.24, 19.72

 

Complementary color

CMYK 40 / 22 / 0 / 46

HEX #536B8A

RGB 83 107 138

HSL 213.82, 0.25%, 0.43%

LAB 44.5, -0.48, -19.89

 

CMYK 0 / 16 / 37 / 31

HEX #B19470

RGB 177 148 112

HSL 33.23, 0.29%, 0.57%

LAB 63.09, 5.64, 23.09

 

CMYK 0 / 14 / 32 / 24

HEX #C2A683

RGB 194 166 131

HSL 33.33, 0.34%, 0.64%

LAB 69.74, 5.07, 21.93

 

CMYK 0 / 13 / 29 / 17

HEX #D3B896

RGB 211 184 150

HSL 33.44, 0.41%, 0.71%

LAB 76.27, 4.58, 20.85

 

CMYK 0 / 11 / 26 / 11

HEX #E4CAA9

RGB 228 202 169

HSL 33.56, 0.52%, 0.78%

LAB 82.7, 4.15, 19.83

 

CMYK 0 / 10 / 23 / 4

HEX #F5DCBC

RGB 245 220 188

HSL 33.68, 0.74%, 0.85%

LAB 89.03, 3.76, 18.88

 

CMYK 0 / 14 / 32 / 33

HEX #AC9475

RGB 172 148 117

HSL 33.82, 0.25%, 0.57%

LAB 62.71, 4.24, 19.72

 

CMYK 0 / 16 / 37 / 39

HEX #9B8262

RGB 155 130 98

HSL 33.68, 0.23%, 0.5%

LAB 55.9, 4.8, 20.9

 

CMYK 0 / 19 / 43 / 46

HEX #8A704F

RGB 138 112 79

HSL 33.56, 0.27%, 0.43%

LAB 48.95, 5.49, 22.2

 

CMYK 0 / 22 / 50 / 53

HEX #795E3C

RGB 121 94 60

HSL 33.44, 0.34%, 0.35%

LAB 41.84, 6.33, 23.62

 

CMYK 0 / 27 / 61 / 59

HEX #684C29

RGB 104 76 41

HSL 33.33, 0.43%, 0.28%

LAB 34.54, 7.42, 25.19

 

CMYK 0 / 14 / 32 / 33

HEX #AC9475

RGB 172 148 117

HSL 33.82, 0.25%, 0.57%

LAB 62.71, 4.24, 19.72

 

CMYK 0 / 22 / 32 / 33

HEX #AC8675

RGB 172 134 117

HSL 18.55, 0.25%, 0.57%

LAB 59.07, 12.05, 14.72

 

CMYK 0 / 31 / 32 / 33

HEX #AC7775

RGB 172 119 117

HSL 2.18, 0.25%, 0.57%

LAB 55.33, 20.51, 9.47

 

CMYK 0 / 32 / 32 / 33

HEX #AC7575

RGB 172 117 117

HSL 0, 0.25%, 0.57%

LAB 54.84, 21.64, 8.79

 

CMYK 0 / 14 / 32 / 33

HEX #AC9475

RGB 172 148 117

HSL 33.82, 0.25%, 0.57%

LAB 62.71, 4.24, 19.72

 

CMYK 0 / 5 / 32 / 33

HEX #ACA375

RGB 172 163 117

HSL 50.18, 0.25%, 0.57%

LAB 66.71, -3.95, 25.12

 

CMYK 3 / 0 / 32 / 33

HEX #A7AC75

RGB 167 172 117

HSL 65.45, 0.25%, 0.57%

LAB 68.75, -10.74, 27.76

 

CMYK 12 / 0 / 32 / 33

HEX #98AC75

RGB 152 172 117

HSL 81.82, 0.25%, 0.57%

LAB 67.62, -16.6, 26.06

 

CMYK 20 / 0 / 32 / 33

HEX #89AC75

RGB 137 172 117

HSL 98.18, 0.25%, 0.57%

LAB 66.6, -22.25, 24.51

 

CMYK 0 / 14 / 32 / 33

HEX #AC9475

RGB 172 148 117

HSL 33.82, 0.25%, 0.57%

LAB 62.71, 4.24, 19.72

 

CMYK 0 / 21 / 47 / 25

HEX #BE9764

RGB 190 151 100

HSL 34, 0.41%, 0.57%

LAB 64.96, 8.04, 32.33

 

CMYK 0 / 26 / 61 / 18

HEX #D09952

RGB 208 153 82

HSL 33.81, 0.57%, 0.57%

LAB 67.13, 13, 44.75

 

CMYK 0 / 31 / 72 / 12

HEX #E19B40

RGB 225 155 64

HSL 33.91, 0.73%, 0.57%

LAB 69.34, 18.05, 56.21

 

CMYK 0 / 35 / 81 / 5

HEX #F39D2E

RGB 243 157 46

HSL 33.81, 0.89%, 0.57%

LAB 71.8, 23.85, 66.43

 

CMYK 0 / 14 / 32 / 33

HEX #AC9475

RGB 172 148 117

HSL 33.82, 0.25%, 0.57%

LAB 62.71, 4.24, 19.72

 

CMYK 0 / 6 / 13 / 39

HEX #9B9287

RGB 155 146 135

HSL 33, 0.09%, 0.57%

LAB 61.02, 1.36, 7.01

 

CMYK 10 / 6 / 0 / 40

HEX #899099

RGB 137 144 153

HSL 213.75, 0.07%, 0.57%

LAB 59.49, -0.66, -5.64

 

CMYK 30 / 17 / 0 / 33

HEX #778EAB

RGB 119 142 171

HSL 213.46, 0.24%, 0.57%

LAB 58.23, -1.2, -17.93

 

CMYK 46 / 26 / 0 / 26

HEX #658BBC

RGB 101 139 188

HSL 213.79, 0.39%, 0.57%

LAB 56.94, 0.2, -29.69

 

CMYK 0 / 31 / 32 / 33

HEX #AC7675

RGB 172 118 117

HSL 1.09, 0.25%, 0.57%

LAB 55.08, 21.07, 9.13

 

CMYK 0 / 23 / 32 / 33

HEX #AC8575

RGB 172 133 117

HSL 17.45, 0.25%, 0.57%

LAB 58.82, 12.61, 14.36

 

CMYK 0 / 14 / 32 / 33

HEX #AC9475

RGB 172 148 117

HSL 33.82, 0.25%, 0.57%

LAB 62.71, 4.24, 19.72

 

CMYK 0 / 6 / 32 / 33

HEX #ACA275

RGB 172 162 117

HSL 49.09, 0.25%, 0.57%

LAB 66.44, -3.41, 24.76

 

CMYK 2 / 0 / 32 / 33

HEX #A8AC75

RGB 168 172 117

HSL 64.36, 0.25%, 0.57%

LAB 68.83, -10.34, 27.88

 

CMYK 0 / 18 / 40 / 49

HEX #826B4E

RGB 130 107 78

HSL 33.46, 0.25%, 0.41%

LAB 46.73, 4.78, 19.68

 

CMYK 0 / 17 / 40 / 39

HEX #9B805D

RGB 155 128 93

HSL 33.87, 0.25%, 0.49%

LAB 55.27, 5.32, 22.89

 

CMYK 0 / 14 / 32 / 33

HEX #AC9475

RGB 172 148 117

HSL 33.82, 0.25%, 0.57%

LAB 62.71, 4.24, 19.72

 

CMYK 0 / 11 / 24 / 26

HEX #BCA88F

RGB 188 168 143

HSL 33.33, 0.25%, 0.65%

LAB 69.95, 3.28, 15.57

 

CMYK 0 / 7 / 17 / 20

HEX #CBBCA9

RGB 203 188 169

HSL 33.53, 0.25%, 0.73%

LAB 77, 2.17, 11.52

 

CMYK 0 / 14 / 32 / 33

HEX #AC9475

RGB 172 148 117

HSL 33.82, 0.25%, 0.57%

LAB 62.71, 4.24, 19.72

 

CMYK 24 / 0 / 32 / 33

HEX #83AC75

RGB 131 172 117

HSL 104.73, 0.25%, 0.57%

LAB 66.22, -24.42, 23.94

 

CMYK 27 / 32 / 0 / 33

HEX #7E75AC

RGB 126 117 172

HSL 249.82, 0.25%, 0.57%

LAB 51.99, 15.83, -28.06

 

CMYK 0 / 14 / 32 / 33

HEX #AC9475

RGB 172 148 117

HSL 33.82, 0.25%, 0.57%

LAB 62.71, 4.24, 19.72

 

CMYK 32 / 0 / 14 / 33

HEX #75AC94

RGB 117 172 148

HSL 153.82, 0.25%, 0.57%

LAB 66.08, -23.35, 6.62

 

CMYK 14 / 32 / 0 / 33

HEX #9475AC

RGB 148 117 172

HSL 273.82, 0.25%, 0.57%

LAB 54.02, 22.83, -24.75

 

CMYK 0 / 14 / 32 / 33

HEX #AC9475

RGB 172 148 117

HSL 33.82, 0.25%, 0.57%

LAB 62.71, 4.24, 19.72

 

CMYK 24 / 0 / 32 / 33

HEX #83AC75

RGB 131 172 117

HSL 104.73, 0.25%, 0.57%

LAB 66.22, -24.42, 23.94

 

CMYK 32 / 17 / 0 / 33

HEX #758EAC

RGB 117 142 172

HSL 212.73, 0.25%, 0.57%

LAB 58.14, -1.54, -18.66

 

CMYK 8 / 32 / 0 / 33

HEX #9F75AC

RGB 159 117 172

HSL 285.82, 0.25%, 0.57%

LAB 55.15, 26.45, -22.92

 

CMYK 0 / 14 / 32 / 33

HEX #AC9475

RGB 172 148 117

HSL 33.82, 0.25%, 0.57%

LAB 62.71, 4.24, 19.72

 

CMYK 32 / 0 / 30 / 33

HEX #75AC78

RGB 117 172 120

HSL 123.27, 0.25%, 0.57%

LAB 65.47, -28.77, 21.16

 

CMYK 32 / 17 / 0 / 33

HEX #758EAC

RGB 117 142 172

HSL 212.73, 0.25%, 0.57%

LAB 58.14, -1.54, -18.66

 

CMYK 0 / 32 / 1 / 33

HEX #AC75AA

RGB 172 117 170

HSL 302.18, 0.25%, 0.57%

LAB 56.48, 30.38, -19.6

 

Description

Color code: RGB 172 148 117 | qconv.com Color code: RGB 172 148 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 148 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 148 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 32 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 32% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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