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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 147 130 it is the complementary color RGB 83 108 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 147 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 147 130 shade: RGB 177 147 125, RGB 194 165 144, RGB 211 183 163, RGB 228 201 182 and RGB 245 219 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 147 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 147 130 shade: RGB 172 147 130, RGB 155 129 111, RGB 138 111 92, RGB 121 93 73 and RGB 104 75 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 147 130 shade: RGB 171 146 129, RGB 171 135 129 and RGB 171 129 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 147 130 shade: RGB 171 146 129, RGB 171 157 129, RGB 171 169 129, RGB 162 171 129 and RGB 151 171 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 147 130 shade matches the following richer shades: RGB 171 146 129, RGB 188 143 112, RGB 205 140 95, RGB 222 136 78 and RGB 239 133 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 147 130 shade: RGB 171 146 129, RGB 154 149 146, RGB 137 152 163, RGB 120 156 180 and RGB 103 159 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 147 130 shade: RGB 171 129 135, RGB 171 135 129, RGB 171 146 129, RGB 171 157 129 and RGB 171 168 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 147 130 shade: RGB 131 105 87, RGB 154 125 104, RGB 171 146 129, RGB 187 167 154 and RGB 204 189 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 147 130 shade: RGB 172 147 130, RGB 146 171 129 and RGB 129 129 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 147 130 shade: RGB 172 147 130, RGB 129 171 146 and RGB 146 129 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 147 130 shade: RGB 172 147 130, RGB 146 171 129, RGB 129 154 171 and RGB 154 129 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 147 130 shade: RGB 172 147 130, RGB 133 171 129, RGB 129 154 171 and RGB 167 129 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 24 / 33

HEX #AC9382

RGB 172 147 130

HSL 24.29, 0.2%, 0.59%

LAB 62.72, 6.63, 12.45

 

Complementary color

CMYK 34 / 14 / 0 / 51

HEX #536C7D

RGB 83 108 125

HSL 204.29, 0.2%, 0.41%

LAB 44.3, -4.74, -12.41

 

CMYK 0 / 17 / 29 / 31

HEX #B1937D

RGB 177 147 125

HSL 25.38, 0.25%, 0.59%

LAB 63.09, 7.89, 15.85

 

CMYK 0 / 15 / 26 / 24

HEX #C2A590

RGB 194 165 144

HSL 25.2, 0.29%, 0.66%

LAB 69.75, 7.38, 14.82

 

CMYK 0 / 13 / 23 / 17

HEX #D3B7A3

RGB 211 183 163

HSL 25, 0.35%, 0.73%

LAB 76.29, 6.92, 13.86

 

CMYK 0 / 12 / 20 / 11

HEX #E4C9B6

RGB 228 201 182

HSL 24.78, 0.46%, 0.8%

LAB 82.72, 6.52, 12.96

 

CMYK 0 / 11 / 18 / 4

HEX #F5DBC9

RGB 245 219 201

HSL 24.55, 0.69%, 0.87%

LAB 89.06, 6.15, 12.11

 

CMYK 0 / 15 / 24 / 33

HEX #AC9382

RGB 172 147 130

HSL 24.29, 0.2%, 0.59%

LAB 62.72, 6.63, 12.45

 

CMYK 0 / 17 / 28 / 39

HEX #9B816F

RGB 155 129 111

HSL 24.55, 0.18%, 0.52%

LAB 55.9, 7.14, 13.48

 

CMYK 0 / 20 / 33 / 46

HEX #8A6F5C

RGB 138 111 92

HSL 24.78, 0.2%, 0.45%

LAB 48.94, 7.74, 14.61

 

CMYK 0 / 23 / 40 / 53

HEX #795D49

RGB 121 93 73

HSL 25, 0.25%, 0.38%

LAB 41.81, 8.47, 15.87

 

CMYK 0 / 28 / 48 / 59

HEX #684B36

RGB 104 75 54

HSL 25.2, 0.32%, 0.31%

LAB 34.48, 9.38, 17.32

 

CMYK 0 / 15 / 25 / 33

HEX #AB9281

RGB 171 146 129

HSL 24.29, 0.2%, 0.59%

LAB 62.34, 6.64, 12.47

 

CMYK 0 / 21 / 25 / 33

HEX #AB8781

RGB 171 135 129

HSL 8.57, 0.2%, 0.59%

LAB 59.5, 12.8, 8.46

 

CMYK 0 / 25 / 25 / 33

HEX #AB8181

RGB 171 129 129

HSL 0, 0.2%, 0.59%

LAB 57.98, 16.19, 6.3

 

CMYK 0 / 15 / 25 / 33

HEX #AB9281

RGB 171 146 129

HSL 24.29, 0.2%, 0.59%

LAB 62.34, 6.64, 12.47

 

CMYK 0 / 8 / 25 / 33

HEX #AB9D81

RGB 171 157 129

HSL 40, 0.2%, 0.59%

LAB 65.24, 0.57, 16.52

 

CMYK 0 / 1 / 25 / 33

HEX #ABA981

RGB 171 169 129

HSL 57.14, 0.2%, 0.59%

LAB 68.47, -5.92, 20.96

 

CMYK 5 / 0 / 25 / 33

HEX #A2AB81

RGB 162 171 129

HSL 72.86, 0.2%, 0.59%

LAB 68.31, -10.47, 20.62

 

CMYK 12 / 0 / 25 / 33

HEX #97AB81

RGB 151 171 129

HSL 88.57, 0.2%, 0.59%

LAB 67.49, -14.65, 19.37

 

CMYK 0 / 15 / 25 / 33

HEX #AB9281

RGB 171 146 129

HSL 24.29, 0.2%, 0.59%

LAB 62.34, 6.64, 12.47

 

CMYK 0 / 24 / 40 / 26

HEX #BC8F70

RGB 188 143 112

HSL 24.47, 0.36%, 0.59%

LAB 62.93, 12.91, 23.08

 

CMYK 0 / 32 / 54 / 20

HEX #CD8C5F

RGB 205 140 95

HSL 24.55, 0.52%, 0.59%

LAB 63.8, 19.85, 33.89

 

CMYK 0 / 39 / 65 / 13

HEX #DE884E

RGB 222 136 78

HSL 24.17, 0.69%, 0.59%

LAB 64.71, 27.73, 44.39

 

CMYK 0 / 44 / 74 / 6

HEX #EF853D

RGB 239 133 61

HSL 24.27, 0.85%, 0.59%

LAB 66.11, 35.29, 54.78

 

CMYK 0 / 15 / 25 / 33

HEX #AB9281

RGB 171 146 129

HSL 24.29, 0.2%, 0.59%

LAB 62.34, 6.64, 12.47

 

CMYK 0 / 3 / 5 / 40

HEX #9A9592

RGB 154 149 146

HSL 22.5, 0.04%, 0.59%

LAB 62.03, 1.27, 2.22

 

CMYK 16 / 7 / 0 / 36

HEX #8998A3

RGB 137 152 163

HSL 205.38, 0.12%, 0.59%

LAB 62.01, -2.96, -7.57

 

CMYK 33 / 13 / 0 / 29

HEX #789CB4

RGB 120 156 180

HSL 204, 0.29%, 0.59%

LAB 62.56, -6.45, -16.45

 

CMYK 48 / 19 / 0 / 23

HEX #679FC5

RGB 103 159 197

HSL 204.26, 0.45%, 0.59%

LAB 63.1, -7.99, -25.24

 

CMYK 0 / 25 / 21 / 33

HEX #AB8187

RGB 171 129 135

HSL 351.43, 0.2%, 0.59%

LAB 58.14, 17.11, 3.06

 

CMYK 0 / 21 / 25 / 33

HEX #AB8781

RGB 171 135 129

HSL 8.57, 0.2%, 0.59%

LAB 59.5, 12.8, 8.46

 

CMYK 0 / 15 / 25 / 33

HEX #AB9281

RGB 171 146 129

HSL 24.29, 0.2%, 0.59%

LAB 62.34, 6.64, 12.47

 

CMYK 0 / 8 / 25 / 33

HEX #AB9D81

RGB 171 157 129

HSL 40, 0.2%, 0.59%

LAB 65.24, 0.57, 16.52

 

CMYK 0 / 2 / 25 / 33

HEX #ABA881

RGB 171 168 129

HSL 55.71, 0.2%, 0.59%

LAB 68.2, -5.38, 20.59

 

CMYK 0 / 20 / 34 / 49

HEX #836957

RGB 131 105 87

HSL 24.55, 0.2%, 0.43%

LAB 46.47, 7.58, 14.05

 

CMYK 0 / 19 / 32 / 40

HEX #9A7D68

RGB 154 125 104

HSL 25.2, 0.2%, 0.51%

LAB 54.59, 8.02, 15.68

 

CMYK 0 / 15 / 25 / 33

HEX #AB9281

RGB 171 146 129

HSL 24.29, 0.2%, 0.59%

LAB 62.34, 6.64, 12.47

 

CMYK 0 / 11 / 18 / 27

HEX #BBA79A

RGB 187 167 154

HSL 23.64, 0.2%, 0.67%

LAB 69.85, 5.11, 9.36

 

CMYK 0 / 7 / 12 / 20

HEX #CCBDB3

RGB 204 189 179

HSL 24, 0.2%, 0.75%

LAB 77.57, 3.6, 6.95

 

CMYK 0 / 15 / 24 / 33

HEX #AC9382

RGB 172 147 130

HSL 24.29, 0.2%, 0.59%

LAB 62.72, 6.63, 12.45

 

CMYK 15 / 0 / 25 / 33

HEX #92AB81

RGB 146 171 129

HSL 95.71, 0.2%, 0.59%

LAB 67.14, -16.51, 18.83

 

CMYK 25 / 25 / 0 / 33

HEX #8181AB

RGB 129 129 171

HSL 240, 0.2%, 0.59%

LAB 55.39, 9.43, -22.21

 

CMYK 0 / 15 / 24 / 33

HEX #AC9382

RGB 172 147 130

HSL 24.29, 0.2%, 0.59%

LAB 62.72, 6.63, 12.45

 

CMYK 25 / 0 / 15 / 33

HEX #81AB92

RGB 129 171 146

HSL 144.29, 0.2%, 0.59%

LAB 66.42, -19.41, 8.31

 

CMYK 15 / 25 / 0 / 33

HEX #9281AB

RGB 146 129 171

HSL 264.29, 0.2%, 0.59%

LAB 56.83, 14.97, -19.88

 

CMYK 0 / 15 / 24 / 33

HEX #AC9382

RGB 172 147 130

HSL 24.29, 0.2%, 0.59%

LAB 62.72, 6.63, 12.45

 

CMYK 15 / 0 / 25 / 33

HEX #92AB81

RGB 146 171 129

HSL 95.71, 0.2%, 0.59%

LAB 67.14, -16.51, 18.83

 

CMYK 25 / 10 / 0 / 33

HEX #819AAB

RGB 129 154 171

HSL 204.29, 0.2%, 0.59%

LAB 62.27, -4.84, -11.77

 

CMYK 10 / 25 / 0 / 33

HEX #9A81AB

RGB 154 129 171

HSL 275.71, 0.2%, 0.59%

LAB 57.57, 17.66, -18.68

 

CMYK 0 / 15 / 24 / 33

HEX #AC9382

RGB 172 147 130

HSL 24.29, 0.2%, 0.59%

LAB 62.72, 6.63, 12.45

 

CMYK 22 / 0 / 25 / 33

HEX #85AB81

RGB 133 171 129

HSL 114.29, 0.2%, 0.59%

LAB 66.29, -21.21, 17.52

 

CMYK 25 / 10 / 0 / 33

HEX #819AAB

RGB 129 154 171

HSL 204.29, 0.2%, 0.59%

LAB 62.27, -4.84, -11.77

 

CMYK 2 / 25 / 0 / 33

HEX #A781AB

RGB 167 129 171

HSL 294.29, 0.2%, 0.59%

LAB 58.84, 22.09, -16.63

 

Description

Color code: RGB 172 147 130 | qconv.com Color code: RGB 172 147 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 147 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 147 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 24 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 24% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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