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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 131 230 it is the complementary color RGB 83 124 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 131 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 131 230 shade: RGB 177 131 225, RGB 194 149 244, RGB 211 167 255, RGB 228 185 255 and RGB 245 203 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 131 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 131 230 shade: RGB 172 131 230, RGB 155 113 211, RGB 138 95 192, RGB 121 77 173 and RGB 104 59 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 131 230 shade: RGB 172 132 229, RGB 198 132 229, RGB 225 132 229, RGB 229 132 208 and RGB 229 132 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 131 230 shade: RGB 172 132 229, RGB 146 132 229 and RGB 132 132 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 131 230 shade matches the following richer shades: RGB 172 132 229, RGB 170 120 241 and RGB 168 108 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 131 230 shade: RGB 172 132 229, RGB 174 144 217, RGB 176 156 205, RGB 178 168 193 and RGB 180 180 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 131 230 shade: RGB 132 145 229, RGB 145 132 229, RGB 171 132 229, RGB 197 132 229 and RGB 223 132 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 131 230 shade: RGB 126 63 215, RGB 149 97 222, RGB 172 132 229, RGB 195 166 236 and RGB 218 200 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 131 230 shade: RGB 172 131 230, RGB 229 132 171 and RGB 132 229 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 131 230 shade: RGB 172 131 230, RGB 229 171 132 and RGB 132 229 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 131 230 shade: RGB 172 131 230, RGB 229 132 171, RGB 190 229 132 and RGB 132 229 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 131 230 shade: RGB 172 131 230, RGB 229 132 142, RGB 190 229 132 and RGB 132 229 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 43 / 0 / 10

HEX #AC83E6

RGB 172 131 230

HSL 264.85, 0.66%, 0.71%

LAB 62.27, 35.49, -44.55

 

Complementary color

CMYK 33 / 0 / 80 / 51

HEX #537C19

RGB 83 124 25

HSL 84.85, 0.66%, 0.29%

LAB 47.4, -29.97, 45.75

 

CMYK 21 / 42 / 0 / 12

HEX #B183E1

RGB 177 131 225

HSL 269.36, 0.61%, 0.7%

LAB 62.52, 35.74, -41.34

 

CMYK 20 / 39 / 0 / 4

HEX #C295F4

RGB 194 149 244

HSL 268.42, 0.81%, 0.77%

LAB 69.11, 34.95, -41.38

 

CMYK 17 / 35 / 0 / 0

HEX #D3A7FF

RGB 211 167 255

HSL 270, 1%, 0.83%

LAB 75.27, 32.48, -37.64

 

CMYK 11 / 27 / 0 / 0

HEX #E4B9FF

RGB 228 185 255

HSL 276.86, 1%, 0.86%

LAB 80.97, 27.9, -28.72

 

CMYK 4 / 20 / 0 / 0

HEX #F5CBFF

RGB 245 203 255

HSL 288.46, 1%, 0.9%

LAB 86.67, 23.67, -19.9

 

CMYK 25 / 43 / 0 / 10

HEX #AC83E6

RGB 172 131 230

HSL 264.85, 0.66%, 0.71%

LAB 62.27, 35.49, -44.55

 

CMYK 27 / 46 / 0 / 17

HEX #9B71D3

RGB 155 113 211

HSL 265.71, 0.53%, 0.64%

LAB 55.57, 36.37, -44.6

 

CMYK 28 / 51 / 0 / 25

HEX #8A5FC0

RGB 138 95 192

HSL 266.6, 0.43%, 0.56%

LAB 48.75, 37.31, -44.65

 

CMYK 30 / 55 / 0 / 32

HEX #794DAD

RGB 121 77 173

HSL 267.5, 0.38%, 0.49%

LAB 41.83, 38.3, -44.69

 

CMYK 32 / 62 / 0 / 40

HEX #683B9A

RGB 104 59 154

HSL 268.42, 0.45%, 0.42%

LAB 34.81, 39.3, -44.68

 

CMYK 25 / 42 / 0 / 10

HEX #AC84E5

RGB 172 132 229

HSL 264.74, 0.65%, 0.71%

LAB 62.45, 34.69, -43.71

 

CMYK 14 / 42 / 0 / 10

HEX #C684E5

RGB 198 132 229

HSL 280.82, 0.65%, 0.71%

LAB 65.09, 42.12, -39.38

 

CMYK 2 / 42 / 0 / 10

HEX #E184E5

RGB 225 132 229

HSL 297.53, 0.65%, 0.71%

LAB 68.14, 50.01, -34.4

 

CMYK 0 / 42 / 9 / 10

HEX #E584D0

RGB 229 132 208

HSL 312.99, 0.65%, 0.71%

LAB 67.81, 47.56, -23.22

 

CMYK 0 / 42 / 21 / 10

HEX #E584B5

RGB 229 132 181

HSL 329.69, 0.65%, 0.71%

LAB 66.9, 43.34, -9.48

 

CMYK 25 / 42 / 0 / 10

HEX #AC84E5

RGB 172 132 229

HSL 264.74, 0.65%, 0.71%

LAB 62.45, 34.69, -43.71

 

CMYK 36 / 42 / 0 / 10

HEX #9284E5

RGB 146 132 229

HSL 248.66, 0.65%, 0.71%

LAB 60.13, 27.64, -47.52

 

CMYK 42 / 42 / 0 / 10

HEX #8484E5

RGB 132 132 229

HSL 240, 0.65%, 0.71%

LAB 59.03, 24.08, -49.33

 

CMYK 25 / 42 / 0 / 10

HEX #AC84E5

RGB 172 132 229

HSL 264.74, 0.65%, 0.71%

LAB 62.45, 34.69, -43.71

 

CMYK 29 / 50 / 0 / 5

HEX #AA78F1

RGB 170 120 241

HSL 264.79, 0.81%, 0.71%

LAB 60.19, 43.7, -53.96

 

CMYK 34 / 57 / 0 / 1

HEX #A86CFD

RGB 168 108 253

HSL 264.83, 0.97%, 0.71%

LAB 58.17, 52.6, -63.83

 

CMYK 25 / 42 / 0 / 10

HEX #AC84E5

RGB 172 132 229

HSL 264.74, 0.65%, 0.71%

LAB 62.45, 34.69, -43.71

 

CMYK 20 / 34 / 0 / 15

HEX #AE90D9

RGB 174 144 217

HSL 264.66, 0.49%, 0.71%

LAB 64.93, 25.73, -33.16

 

CMYK 14 / 24 / 0 / 20

HEX #B09CCD

RGB 176 156 205

HSL 264.49, 0.33%, 0.71%

LAB 67.59, 16.92, -22.39

 

CMYK 8 / 13 / 0 / 24

HEX #B2A8C1

RGB 178 168 193

HSL 264, 0.17%, 0.71%

LAB 70.4, 8.39, -11.48

 

CMYK 1 / 1 / 0 / 29

HEX #B4B4B5

RGB 180 180 181

HSL 240, 0.01%, 0.71%

LAB 73.34, 0.19, -0.52

 

CMYK 42 / 37 / 0 / 10

HEX #8491E5

RGB 132 145 229

HSL 231.96, 0.65%, 0.71%

LAB 62.35, 16.47, -44.09

 

CMYK 37 / 42 / 0 / 10

HEX #9184E5

RGB 145 132 229

HSL 248.04, 0.65%, 0.71%

LAB 60.05, 27.38, -47.66

 

CMYK 25 / 42 / 0 / 10

HEX #AB84E5

RGB 171 132 229

HSL 264.12, 0.65%, 0.71%

LAB 62.35, 34.41, -43.87

 

CMYK 14 / 42 / 0 / 10

HEX #C584E5

RGB 197 132 229

HSL 280.21, 0.65%, 0.71%

LAB 64.99, 41.83, -39.55

 

CMYK 3 / 42 / 0 / 10

HEX #DF84E5

RGB 223 132 229

HSL 296.29, 0.65%, 0.71%

LAB 67.91, 49.42, -34.78

 

CMYK 41 / 71 / 0 / 16

HEX #7E3FD7

RGB 126 63 215

HSL 264.87, 0.66%, 0.55%

LAB 42.61, 57.36, -67.86

 

CMYK 33 / 56 / 0 / 13

HEX #9561DE

RGB 149 97 222

HSL 264.96, 0.65%, 0.63%

LAB 52.08, 46.44, -56.41

 

CMYK 25 / 42 / 0 / 10

HEX #AC84E5

RGB 172 132 229

HSL 264.74, 0.65%, 0.71%

LAB 62.45, 34.69, -43.71

 

CMYK 17 / 30 / 0 / 7

HEX #C3A6EC

RGB 195 166 236

HSL 264.86, 0.65%, 0.79%

LAB 72.85, 24.09, -31.21

 

CMYK 10 / 18 / 0 / 5

HEX #DAC8F3

RGB 218 200 243

HSL 265.12, 0.64%, 0.87%

LAB 83.28, 14.28, -18.88

 

CMYK 25 / 43 / 0 / 10

HEX #AC83E6

RGB 172 131 230

HSL 264.85, 0.66%, 0.71%

LAB 62.27, 35.49, -44.55

 

CMYK 0 / 42 / 25 / 10

HEX #E584AB

RGB 229 132 171

HSL 335.88, 0.65%, 0.71%

LAB 66.6, 41.92, -4.29

 

CMYK 42 / 0 / 42 / 10

HEX #84E584

RGB 132 229 132

HSL 120, 0.65%, 0.71%

LAB 83.24, -47.82, 38.52

 

CMYK 25 / 43 / 0 / 10

HEX #AC83E6

RGB 172 131 230

HSL 264.85, 0.66%, 0.71%

LAB 62.27, 35.49, -44.55

 

CMYK 0 / 25 / 42 / 10

HEX #E5AB84

RGB 229 171 132

HSL 24.12, 0.65%, 0.71%

LAB 74.48, 16.42, 28.36

 

CMYK 42 / 0 / 25 / 10

HEX #84E5AB

RGB 132 229 171

HSL 144.12, 0.65%, 0.71%

LAB 83.91, -41.26, 19.52

 

CMYK 25 / 43 / 0 / 10

HEX #AC83E6

RGB 172 131 230

HSL 264.85, 0.66%, 0.71%

LAB 62.27, 35.49, -44.55

 

CMYK 0 / 42 / 25 / 10

HEX #E584AB

RGB 229 132 171

HSL 335.88, 0.65%, 0.71%

LAB 66.6, 41.92, -4.29

 

CMYK 17 / 0 / 42 / 10

HEX #BEE584

RGB 190 229 132

HSL 84.12, 0.65%, 0.71%

LAB 86.33, -28.46, 43.09

 

CMYK 42 / 0 / 17 / 10

HEX #84E5BE

RGB 132 229 190

HSL 155.88, 0.65%, 0.71%

LAB 84.31, -37.46, 10.15

 

CMYK 25 / 43 / 0 / 10

HEX #AC83E6

RGB 172 131 230

HSL 264.85, 0.66%, 0.71%

LAB 62.27, 35.49, -44.55

 

CMYK 0 / 42 / 38 / 10

HEX #E5848E

RGB 229 132 142

HSL 353.81, 0.65%, 0.71%

LAB 65.84, 38.24, 10.99

 

CMYK 17 / 0 / 42 / 10

HEX #BEE584

RGB 190 229 132

HSL 84.12, 0.65%, 0.71%

LAB 86.33, -28.46, 43.09

 

CMYK 42 / 0 / 4 / 10

HEX #84E5DC

RGB 132 229 220

HSL 174.43, 0.65%, 0.71%

LAB 85.05, -30.73, -4.58

 

Description

Color code: RGB 172 131 230 | qconv.com Color code: RGB 172 131 230 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 131 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 131 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 43 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 43% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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