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Color name
RGB 172 120 31

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 120 31 it is the complementary color RGB 83 135 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 120 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 120 31 shade: RGB 177 120 26, RGB 194 138 45, RGB 211 156 64, RGB 228 174 83 and RGB 245 192 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 120 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 120 31 shade: RGB 172 120 31, RGB 155 102 12, RGB 138 84 0, RGB 121 66 0 and RGB 104 48 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 120 31 shade: RGB 172 120 31, RGB 172 82 31, RGB 172 44 31 and RGB 172 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 120 31 shade: RGB 172 120 31, RGB 172 158 31, RGB 148 172 31, RGB 110 172 31 and RGB 72 172 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 120 31 shade matches the following richer shades: RGB 172 120 31 and RGB 188 124 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 120 31 shade: RGB 172 120 31, RGB 155 116 48, RGB 139 111 64, RGB 122 107 81 and RGB 106 103 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 120 31 shade: RGB 172 43 31, RGB 172 80 31, RGB 172 118 31, RGB 172 155 31 and RGB 151 172 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 120 31 shade: RGB 102 71 18, RGB 137 96 25, RGB 172 120 31, RGB 207 144 38 and RGB 220 163 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 120 31 shade: RGB 172 120 31, RGB 57 172 31 and RGB 62 31 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 120 31 shade: RGB 172 120 31, RGB 31 172 118 and RGB 118 31 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 120 31 shade: RGB 172 120 31, RGB 57 172 31, RGB 31 85 172 and RGB 146 31 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 120 31 shade: RGB 172 120 31, RGB 31 172 48, RGB 31 85 172 and RGB 172 31 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 82 / 33

HEX #AC781F

RGB 172 120 31

HSL 37.87, 0.69%, 0.4%

LAB 54.35, 12.71, 52.98

 

Complementary color

CMYK 63 / 40 / 0 / 12

HEX #5387E0

RGB 83 135 224

HSL 217.87, 0.69%, 0.6%

LAB 56.63, 10.19, -50.54

 

CMYK 0 / 32 / 85 / 31

HEX #B1781A

RGB 177 120 26

HSL 37.35, 0.74%, 0.4%

LAB 54.92, 14.81, 55.41

 

CMYK 0 / 29 / 77 / 24

HEX #C28A2D

RGB 194 138 45

HSL 37.45, 0.62%, 0.47%

LAB 61.51, 13.04, 55.22

 

CMYK 0 / 26 / 70 / 17

HEX #D39C40

RGB 211 156 64

HSL 37.55, 0.63%, 0.54%

LAB 68.02, 11.54, 54.34

 

CMYK 0 / 24 / 64 / 11

HEX #E4AE53

RGB 228 174 83

HSL 37.66, 0.73%, 0.61%

LAB 74.44, 10.25, 53.18

 

CMYK 0 / 22 / 58 / 4

HEX #F5C066

RGB 245 192 102

HSL 37.76, 0.88%, 0.68%

LAB 80.78, 9.14, 51.91

 

CMYK 0 / 30 / 82 / 33

HEX #AC781F

RGB 172 120 31

HSL 37.87, 0.69%, 0.4%

LAB 54.35, 12.71, 52.98

 

CMYK 0 / 34 / 92 / 39

HEX #9B660C

RGB 155 102 12

HSL 37.76, 0.86%, 0.33%

LAB 47.62, 14.68, 52.35

 

CMYK 0 / 39 / 100 / 46

HEX #8A5400

RGB 138 84 0

HSL 36.52, 1%, 0.27%

LAB 40.81, 16.99, 49.5

 

CMYK 0 / 45 / 100 / 53

HEX #794200

RGB 121 66 0

HSL 32.73, 1%, 0.24%

LAB 33.9, 19.63, 43.9

 

CMYK 0 / 54 / 100 / 59

HEX #683000

RGB 104 48 0

HSL 27.69, 1%, 0.2%

LAB 26.9, 22.32, 37.51

 

CMYK 0 / 30 / 82 / 33

HEX #AC781F

RGB 172 120 31

HSL 37.87, 0.69%, 0.4%

LAB 54.35, 12.71, 52.98

 

CMYK 0 / 52 / 82 / 33

HEX #AC521F

RGB 172 82 31

HSL 21.7, 0.69%, 0.4%

LAB 45.5, 33.67, 44.94

 

CMYK 0 / 74 / 82 / 33

HEX #AC2C1F

RGB 172 44 31

HSL 5.53, 0.69%, 0.4%

LAB 39.02, 50.83, 38.8

 

CMYK 0 / 82 / 82 / 33

HEX #AC1F1F

RGB 172 31 31

HSL 0, 0.69%, 0.4%

LAB 37.57, 54.89, 37.38

 

CMYK 0 / 30 / 82 / 33

HEX #AC781F

RGB 172 120 31

HSL 37.87, 0.69%, 0.4%

LAB 54.35, 12.71, 52.98

 

CMYK 0 / 8 / 82 / 33

HEX #AC9E1F

RGB 172 158 31

HSL 54.04, 0.69%, 0.4%

LAB 64.42, -8.16, 61.82

 

CMYK 14 / 0 / 82 / 33

HEX #94AC1F

RGB 148 172 31

HSL 70.21, 0.69%, 0.4%

LAB 66.44, -25.81, 62.83

 

CMYK 36 / 0 / 82 / 33

HEX #6EAC1F

RGB 110 172 31

HSL 86.38, 0.69%, 0.4%

LAB 64.1, -40.92, 59.85

 

CMYK 58 / 0 / 82 / 33

HEX #48AC1F

RGB 72 172 31

HSL 102.55, 0.69%, 0.4%

LAB 62.49, -52.95, 57.79

 

CMYK 0 / 30 / 82 / 33

HEX #AC781F

RGB 172 120 31

HSL 37.87, 0.69%, 0.4%

LAB 54.35, 12.71, 52.98

 

CMYK 0 / 34 / 92 / 26

HEX #BC7C0F

RGB 188 124 15

HSL 37.8, 0.85%, 0.4%

LAB 57.21, 17.25, 60.71

 

CMYK 0 / 30 / 82 / 33

HEX #AC781F

RGB 172 120 31

HSL 37.87, 0.69%, 0.4%

LAB 54.35, 12.71, 52.98

 

CMYK 0 / 25 / 69 / 39

HEX #9B7430

RGB 155 116 48

HSL 38.13, 0.53%, 0.4%

LAB 51.47, 8.06, 42.28

 

CMYK 0 / 20 / 54 / 45

HEX #8B6F40

RGB 139 111 64

HSL 37.6, 0.37%, 0.4%

LAB 48.55, 4.91, 30.16

 

CMYK 0 / 12 / 34 / 52

HEX #7A6B51

RGB 122 107 81

HSL 38.05, 0.2%, 0.4%

LAB 45.97, 1.69, 16.76

 

CMYK 0 / 3 / 8 / 58

HEX #6A6761

RGB 106 103 97

HSL 40, 0.04%, 0.4%

LAB 43.69, -0.01, 3.79

 

CMYK 0 / 75 / 82 / 33

HEX #AC2B1F

RGB 172 43 31

HSL 5.11, 0.69%, 0.4%

LAB 38.89, 51.18, 38.67

 

CMYK 0 / 53 / 82 / 33

HEX #AC501F

RGB 172 80 31

HSL 20.85, 0.69%, 0.4%

LAB 45.09, 34.71, 44.56

 

CMYK 0 / 31 / 82 / 33

HEX #AC761F

RGB 172 118 31

HSL 37.02, 0.69%, 0.4%

LAB 53.84, 13.84, 52.53

 

CMYK 0 / 10 / 82 / 33

HEX #AC9B1F

RGB 172 155 31

HSL 52.77, 0.69%, 0.4%

LAB 63.6, -6.57, 61.11

 

CMYK 12 / 0 / 82 / 33

HEX #97AC1F

RGB 151 172 31

HSL 68.94, 0.69%, 0.4%

LAB 66.66, -24.54, 63.1

 

CMYK 0 / 30 / 82 / 60

HEX #664712

RGB 102 71 18

HSL 37.86, 0.7%, 0.24%

LAB 32.65, 7.99, 35.06

 

CMYK 0 / 30 / 82 / 46

HEX #896019

RGB 137 96 25

HSL 38.04, 0.69%, 0.32%

LAB 43.88, 10.14, 44.2

 

CMYK 0 / 30 / 82 / 33

HEX #AC781F

RGB 172 120 31

HSL 37.87, 0.69%, 0.4%

LAB 54.35, 12.71, 52.98

 

CMYK 0 / 30 / 82 / 19

HEX #CF9026

RGB 207 144 38

HSL 37.63, 0.69%, 0.48%

LAB 64.44, 15.2, 61.05

 

CMYK 0 / 26 / 70 / 14

HEX #DCA342

RGB 220 163 66

HSL 37.79, 0.69%, 0.56%

LAB 70.74, 11.74, 56.61

 

CMYK 0 / 30 / 82 / 33

HEX #AC781F

RGB 172 120 31

HSL 37.87, 0.69%, 0.4%

LAB 54.35, 12.71, 52.98

 

CMYK 67 / 0 / 82 / 33

HEX #39AC1F

RGB 57 172 31

HSL 108.94, 0.69%, 0.4%

LAB 62.06, -56.5, 57.24

 

CMYK 64 / 82 / 0 / 33

HEX #3E1FAC

RGB 62 31 172

HSL 253.19, 0.69%, 0.4%

LAB 26.69, 51.45, -69.01

 

CMYK 0 / 30 / 82 / 33

HEX #AC781F

RGB 172 120 31

HSL 37.87, 0.69%, 0.4%

LAB 54.35, 12.71, 52.98

 

CMYK 82 / 0 / 31 / 33

HEX #1FAC76

RGB 31 172 118

HSL 157.02, 0.69%, 0.4%

LAB 62.6, -48.55, 17.86

 

CMYK 31 / 82 / 0 / 33

HEX #761FAC

RGB 118 31 172

HSL 277.02, 0.69%, 0.4%

LAB 33.58, 58.9, -57.42

 

CMYK 0 / 30 / 82 / 33

HEX #AC781F

RGB 172 120 31

HSL 37.87, 0.69%, 0.4%

LAB 54.35, 12.71, 52.98

 

CMYK 67 / 0 / 82 / 33

HEX #39AC1F

RGB 57 172 31

HSL 108.94, 0.69%, 0.4%

LAB 62.06, -56.5, 57.24

 

CMYK 82 / 51 / 0 / 33

HEX #1F55AC

RGB 31 85 172

HSL 217.02, 0.69%, 0.4%

LAB 37.42, 15.31, -51.52

 

CMYK 15 / 82 / 0 / 33

HEX #921FAC

RGB 146 31 172

HSL 288.94, 0.69%, 0.4%

LAB 37.97, 63.74, -50.11

 

CMYK 0 / 30 / 82 / 33

HEX #AC781F

RGB 172 120 31

HSL 37.87, 0.69%, 0.4%

LAB 54.35, 12.71, 52.98

 

CMYK 82 / 0 / 72 / 33

HEX #1FAC30

RGB 31 172 48

HSL 127.23, 0.69%, 0.4%

LAB 61.66, -59.53, 51

 

CMYK 82 / 51 / 0 / 33

HEX #1F55AC

RGB 31 85 172

HSL 217.02, 0.69%, 0.4%

LAB 37.42, 15.31, -51.52

 

CMYK 0 / 82 / 10 / 33

HEX #AC1F9B

RGB 172 31 155

HSL 307.23, 0.69%, 0.4%

LAB 41.4, 66.04, -34.16

 

Description

Color code: RGB 172 120 31 | qconv.com Color code: RGB 172 120 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 120 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 120 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 82 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 82% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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