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Color name
RGB 172 129 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 129 80 it is the complementary color RGB 83 126 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 129 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 129 80 shade: RGB 177 129 75, RGB 194 147 94, RGB 211 165 113, RGB 228 183 132 and RGB 245 201 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 129 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 129 80 shade: RGB 172 129 80, RGB 155 111 61, RGB 138 93 42, RGB 121 75 23 and RGB 104 57 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 129 80 shade: RGB 171 127 78, RGB 171 103 78 and RGB 171 78 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 129 80 shade: RGB 171 127 78, RGB 171 152 78, RGB 164 171 78, RGB 139 171 78 and RGB 114 171 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 129 80 shade matches the following richer shades: RGB 171 127 78, RGB 191 129 58, RGB 211 130 38 and RGB 231 131 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 129 80 shade: RGB 171 127 78, RGB 150 126 98, RGB 130 125 119, RGB 110 124 139 and RGB 90 122 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 129 80 shade: RGB 171 78 80, RGB 171 101 78, RGB 171 126 78, RGB 171 151 78 and RGB 166 171 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 129 80 shade: RGB 114 85 52, RGB 142 106 65, RGB 171 127 78, RGB 186 148 105 and RGB 199 168 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 129 80 shade: RGB 172 129 80, RGB 104 171 78 and RGB 89 78 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 129 80 shade: RGB 172 129 80, RGB 78 171 126 and RGB 126 78 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 129 80 shade: RGB 172 129 80, RGB 104 171 78, RGB 78 123 171 and RGB 144 78 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 129 80 shade: RGB 172 129 80, RGB 78 171 80, RGB 78 123 171 and RGB 171 78 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 53 / 33

HEX #AC8150

RGB 172 129 80

HSL 31.96, 0.37%, 0.49%

LAB 57.12, 10.67, 32.82

 

Complementary color

CMYK 53 / 28 / 0 / 31

HEX #537EAF

RGB 83 126 175

HSL 211.96, 0.37%, 0.51%

LAB 51.67, -0.55, -30.51

 

CMYK 0 / 27 / 58 / 31

HEX #B1814B

RGB 177 129 75

HSL 31.76, 0.4%, 0.49%

LAB 57.61, 12.41, 36.23

 

CMYK 0 / 24 / 52 / 24

HEX #C2935E

RGB 194 147 94

HSL 31.8, 0.45%, 0.56%

LAB 64.28, 11.34, 34.75

 

CMYK 0 / 22 / 46 / 17

HEX #D3A571

RGB 211 165 113

HSL 31.84, 0.53%, 0.64%

LAB 70.84, 10.43, 33.37

 

CMYK 0 / 20 / 42 / 11

HEX #E4B784

RGB 228 183 132

HSL 31.88, 0.64%, 0.71%

LAB 77.3, 9.64, 32.07

 

CMYK 0 / 18 / 38 / 4

HEX #F5C997

RGB 245 201 151

HSL 31.91, 0.82%, 0.78%

LAB 83.66, 8.96, 30.85

 

CMYK 0 / 25 / 53 / 33

HEX #AC8150

RGB 172 129 80

HSL 31.96, 0.37%, 0.49%

LAB 57.12, 10.67, 32.82

 

CMYK 0 / 28 / 61 / 39

HEX #9B6F3D

RGB 155 111 61

HSL 31.91, 0.44%, 0.42%

LAB 50.3, 11.82, 34.34

 

CMYK 0 / 33 / 70 / 46

HEX #8A5D2A

RGB 138 93 42

HSL 31.88, 0.53%, 0.35%

LAB 43.36, 13.22, 35.88

 

CMYK 0 / 38 / 81 / 53

HEX #794B17

RGB 121 75 23

HSL 31.84, 0.68%, 0.28%

LAB 36.29, 14.96, 37.19

 

CMYK 0 / 45 / 96 / 59

HEX #683904

RGB 104 57 4

HSL 31.8, 0.93%, 0.21%

LAB 29.1, 17.09, 37.73

 

CMYK 0 / 26 / 54 / 33

HEX #AB7F4E

RGB 171 127 78

HSL 31.61, 0.37%, 0.49%

LAB 56.47, 11.19, 33.07

 

CMYK 0 / 40 / 54 / 33

HEX #AB674E

RGB 171 103 78

HSL 16.13, 0.37%, 0.49%

LAB 50.58, 24.69, 25.64

 

CMYK 0 / 54 / 54 / 33

HEX #AB4E4E

RGB 171 78 78

HSL 0, 0.37%, 0.49%

LAB 45.16, 38.14, 18.54

 

CMYK 0 / 26 / 54 / 33

HEX #AB7F4E

RGB 171 127 78

HSL 31.61, 0.37%, 0.49%

LAB 56.47, 11.19, 33.07

 

CMYK 0 / 11 / 54 / 33

HEX #AB984E

RGB 171 152 78

HSL 47.74, 0.37%, 0.49%

LAB 63.06, -2.66, 41.05

 

CMYK 4 / 0 / 54 / 33

HEX #A4AB4E

RGB 164 171 78

HSL 64.52, 0.37%, 0.49%

LAB 67.7, -15.69, 46.31

 

CMYK 19 / 0 / 54 / 33

HEX #8BAB4E

RGB 139 171 78

HSL 80.65, 0.37%, 0.49%

LAB 65.88, -25.92, 43.72

 

CMYK 33 / 0 / 54 / 33

HEX #72AB4E

RGB 114 171 78

HSL 96.77, 0.37%, 0.49%

LAB 64.37, -35.38, 41.56

 

CMYK 0 / 26 / 54 / 33

HEX #AB7F4E

RGB 171 127 78

HSL 31.61, 0.37%, 0.49%

LAB 56.47, 11.19, 33.07

 

CMYK 0 / 32 / 70 / 25

HEX #BF813A

RGB 191 129 58

HSL 32.03, 0.53%, 0.49%

LAB 59.05, 17.32, 46.89

 

CMYK 0 / 38 / 82 / 17

HEX #D38226

RGB 211 130 38

HSL 31.91, 0.69%, 0.49%

LAB 61.61, 24.51, 58.74

 

CMYK 0 / 43 / 92 / 9

HEX #E78312

RGB 231 131 18

HSL 31.83, 0.86%, 0.49%

LAB 64.38, 31.9, 67.81

 

CMYK 0 / 26 / 54 / 33

HEX #AB7F4E

RGB 171 127 78

HSL 31.61, 0.37%, 0.49%

LAB 56.47, 11.19, 33.07

 

CMYK 0 / 16 / 35 / 41

HEX #967E62

RGB 150 126 98

HSL 32.31, 0.21%, 0.49%

LAB 54.33, 4.97, 18.69

 

CMYK 0 / 4 / 8 / 49

HEX #827D77

RGB 130 125 119

HSL 32.73, 0.04%, 0.49%

LAB 52.67, 0.76, 3.93

 

CMYK 21 / 11 / 0 / 45

HEX #6E7C8B

RGB 110 124 139

HSL 211.03, 0.12%, 0.49%

LAB 51.38, -1.7, -9.86

 

CMYK 43 / 23 / 0 / 38

HEX #5A7A9F

RGB 90 122 159

HSL 212.17, 0.28%, 0.49%

LAB 50.21, -1.3, -23.46

 

CMYK 0 / 54 / 53 / 33

HEX #AB4E50

RGB 171 78 80

HSL 358.71, 0.37%, 0.49%

LAB 45.2, 38.32, 17.38

 

CMYK 0 / 41 / 54 / 33

HEX #AB654E

RGB 171 101 78

HSL 14.84, 0.37%, 0.49%

LAB 50.12, 25.8, 25.04

 

CMYK 0 / 26 / 54 / 33

HEX #AB7E4E

RGB 171 126 78

HSL 30.97, 0.37%, 0.49%

LAB 56.22, 11.75, 32.76

 

CMYK 0 / 12 / 54 / 33

HEX #AB974E

RGB 171 151 78

HSL 47.1, 0.37%, 0.49%

LAB 62.79, -2.11, 40.73

 

CMYK 3 / 0 / 54 / 33

HEX #A6AB4E

RGB 166 171 78

HSL 63.23, 0.37%, 0.49%

LAB 67.86, -14.85, 46.53

 

CMYK 0 / 25 / 54 / 55

HEX #725534

RGB 114 85 52

HSL 31.94, 0.37%, 0.33%

LAB 38.41, 7.69, 23.8

 

CMYK 0 / 25 / 54 / 44

HEX #8E6A41

RGB 142 106 65

HSL 31.95, 0.37%, 0.41%

LAB 47.55, 9.25, 28.45

 

CMYK 0 / 26 / 54 / 33

HEX #AB7F4E

RGB 171 127 78

HSL 31.61, 0.37%, 0.49%

LAB 56.47, 11.19, 33.07

 

CMYK 0 / 20 / 44 / 27

HEX #BA9469

RGB 186 148 105

HSL 31.85, 0.37%, 0.57%

LAB 63.87, 8.54, 28.13

 

CMYK 0 / 16 / 33 / 22

HEX #C7A885

RGB 199 168 133

HSL 31.82, 0.37%, 0.65%

LAB 70.76, 6.23, 22.31

 

CMYK 0 / 25 / 53 / 33

HEX #AC8150

RGB 172 129 80

HSL 31.96, 0.37%, 0.49%

LAB 57.12, 10.67, 32.82

 

CMYK 39 / 0 / 54 / 33

HEX #68AB4E

RGB 104 171 78

HSL 103.23, 0.37%, 0.49%

LAB 63.85, -38.84, 40.83

 

CMYK 48 / 54 / 0 / 33

HEX #594EAB

RGB 89 78 171

HSL 247.1, 0.37%, 0.49%

LAB 38.75, 29.3, -48.62

 

CMYK 0 / 25 / 53 / 33

HEX #AC8150

RGB 172 129 80

HSL 31.96, 0.37%, 0.49%

LAB 57.12, 10.67, 32.82

 

CMYK 54 / 0 / 26 / 33

HEX #4EAB7E

RGB 78 171 126

HSL 150.97, 0.37%, 0.49%

LAB 63.55, -38.38, 14.96

 

CMYK 26 / 54 / 0 / 33

HEX #7E4EAB

RGB 126 78 171

HSL 270.97, 0.37%, 0.49%

LAB 42.5, 38.55, -42.4

 

CMYK 0 / 25 / 53 / 33

HEX #AC8150

RGB 172 129 80

HSL 31.96, 0.37%, 0.49%

LAB 57.12, 10.67, 32.82

 

CMYK 39 / 0 / 54 / 33

HEX #68AB4E

RGB 104 171 78

HSL 103.23, 0.37%, 0.49%

LAB 63.85, -38.84, 40.83

 

CMYK 54 / 28 / 0 / 33

HEX #4E7BAB

RGB 78 123 171

HSL 210.97, 0.37%, 0.49%

LAB 50.36, -1.2, -30.25

 

CMYK 16 / 54 / 0 / 33

HEX #904EAB

RGB 144 78 171

HSL 282.58, 0.37%, 0.49%

LAB 44.69, 43.44, -38.79

 

CMYK 0 / 25 / 53 / 33

HEX #AC8150

RGB 172 129 80

HSL 31.96, 0.37%, 0.49%

LAB 57.12, 10.67, 32.82

 

CMYK 54 / 0 / 53 / 33

HEX #4EAB50

RGB 78 171 80

HSL 121.29, 0.37%, 0.49%

LAB 62.78, -46.44, 38.3

 

CMYK 54 / 28 / 0 / 33

HEX #4E7BAB

RGB 78 123 171

HSL 210.97, 0.37%, 0.49%

LAB 50.36, -1.2, -30.25

 

CMYK 0 / 54 / 1 / 33

HEX #AB4EA9

RGB 171 78 169

HSL 301.29, 0.37%, 0.49%

LAB 48.22, 50.56, -31.8

 

Description

Color code: RGB 172 129 80 | qconv.com Color code: RGB 172 129 80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 129 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 129 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 53 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 53% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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