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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 127 149 it is the complementary color RGB 83 128 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 127 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 127 149 shade: RGB 177 127 144, RGB 194 145 163, RGB 211 163 182, RGB 228 181 201 and RGB 245 199 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 127 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 127 149 shade: RGB 172 127 149, RGB 155 109 130, RGB 138 91 111, RGB 121 73 92 and RGB 104 55 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 127 149 shade: RGB 172 128 149, RGB 172 128 138 and RGB 172 128 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 127 149 shade: RGB 172 128 149, RGB 172 128 161, RGB 171 128 172, RGB 159 128 172 and RGB 147 128 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 127 149 shade matches the following richer shades: RGB 172 128 149, RGB 189 111 149, RGB 206 94 149, RGB 223 77 148 and RGB 240 60 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 127 149 shade: RGB 172 128 149, RGB 155 145 150, RGB 138 162 150, RGB 121 179 151 and RGB 104 196 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 127 149 shade: RGB 170 128 172, RGB 172 128 162, RGB 172 128 150, RGB 172 128 138 and RGB 172 129 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 127 149 shade: RGB 132 86 108, RGB 156 103 129, RGB 172 128 149, RGB 188 153 170 and RGB 205 178 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 127 149 shade: RGB 172 127 149, RGB 172 159 128 and RGB 128 168 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 127 149 shade: RGB 172 127 149, RGB 150 172 128 and RGB 128 150 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 127 149 shade: RGB 172 127 149, RGB 172 159 128, RGB 128 172 150 and RGB 128 141 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 127 149 shade: RGB 172 127 149, RGB 172 172 128, RGB 128 172 150 and RGB 128 128 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 13 / 33

HEX #AC7F95

RGB 172 127 149

HSL 330.67, 0.21%, 0.59%

LAB 58.15, 20.92, -4.98

 

Complementary color

CMYK 35 / 0 / 17 / 50

HEX #53806A

RGB 83 128 106

HSL 150.67, 0.21%, 0.41%

LAB 49.88, -20.61, 7.09

 

CMYK 0 / 28 / 19 / 31

HEX #B17F90

RGB 177 127 144

HSL 339.6, 0.24%, 0.6%

LAB 58.55, 21.95, -1.45

 

CMYK 0 / 25 / 16 / 24

HEX #C291A3

RGB 194 145 163

HSL 337.96, 0.29%, 0.66%

LAB 65.25, 21.28, -2.23

 

CMYK 0 / 23 / 14 / 17

HEX #D3A3B6

RGB 211 163 182

HSL 336.25, 0.35%, 0.73%

LAB 71.84, 20.67, -2.94

 

CMYK 0 / 21 / 12 / 11

HEX #E4B5C9

RGB 228 181 201

HSL 334.47, 0.47%, 0.8%

LAB 78.32, 20.11, -3.61

 

CMYK 0 / 19 / 10 / 4

HEX #F5C7DC

RGB 245 199 220

HSL 332.61, 0.7%, 0.87%

LAB 84.7, 19.6, -4.25

 

CMYK 0 / 26 / 13 / 33

HEX #AC7F95

RGB 172 127 149

HSL 330.67, 0.21%, 0.59%

LAB 58.15, 20.92, -4.98

 

CMYK 0 / 30 / 16 / 39

HEX #9B6D82

RGB 155 109 130

HSL 332.61, 0.19%, 0.52%

LAB 51.29, 21.62, -4.25

 

CMYK 0 / 34 / 20 / 46

HEX #8A5B6F

RGB 138 91 111

HSL 334.47, 0.21%, 0.45%

LAB 44.28, 22.39, -3.44

 

CMYK 0 / 40 / 24 / 53

HEX #79495C

RGB 121 73 92

HSL 336.25, 0.25%, 0.38%

LAB 37.12, 23.25, -2.5

 

CMYK 0 / 47 / 30 / 59

HEX #683749

RGB 104 55 73

HSL 337.96, 0.31%, 0.31%

LAB 29.8, 24.2, -1.36

 

CMYK 0 / 26 / 13 / 33

HEX #AC8095

RGB 172 128 149

HSL 331.36, 0.21%, 0.59%

LAB 58.39, 20.36, -4.62

 

CMYK 0 / 26 / 20 / 33

HEX #AC808A

RGB 172 128 138

HSL 346.36, 0.21%, 0.59%

LAB 58.08, 18.54, 1.26

 

CMYK 0 / 26 / 26 / 33

HEX #AC8080

RGB 172 128 128

HSL 0, 0.21%, 0.59%

LAB 57.82, 16.99, 6.65

 

CMYK 0 / 26 / 13 / 33

HEX #AC8095

RGB 172 128 149

HSL 331.36, 0.21%, 0.59%

LAB 58.39, 20.36, -4.62

 

CMYK 0 / 26 / 6 / 33

HEX #AC80A1

RGB 172 128 161

HSL 315, 0.21%, 0.59%

LAB 58.77, 22.49, -10.96

 

CMYK 1 / 26 / 0 / 33

HEX #AB80AC

RGB 171 128 172

HSL 298.64, 0.21%, 0.59%

LAB 59.04, 24.23, -16.86

 

CMYK 8 / 26 / 0 / 33

HEX #9F80AC

RGB 159 128 172

HSL 282.27, 0.21%, 0.59%

LAB 57.84, 20.14, -18.81

 

CMYK 15 / 26 / 0 / 33

HEX #9380AC

RGB 147 128 172

HSL 265.91, 0.21%, 0.59%

LAB 56.7, 16.11, -20.64

 

CMYK 0 / 26 / 13 / 33

HEX #AC8095

RGB 172 128 149

HSL 331.36, 0.21%, 0.59%

LAB 58.39, 20.36, -4.62

 

CMYK 0 / 41 / 21 / 26

HEX #BD6F95

RGB 189 111 149

HSL 330.77, 0.37%, 0.59%

LAB 56.44, 35.92, -7.29

 

CMYK 0 / 54 / 28 / 19

HEX #CE5E95

RGB 206 94 149

HSL 330.54, 0.53%, 0.59%

LAB 55.38, 50.32, -8.64

 

CMYK 0 / 65 / 34 / 13

HEX #DF4D94

RGB 223 77 148

HSL 330.82, 0.7%, 0.59%

LAB 55.21, 62.79, -8.02

 

CMYK 0 / 75 / 38 / 6

HEX #F03C94

RGB 240 60 148

HSL 330.67, 0.86%, 0.59%

LAB 55.98, 73.26, -6.56

 

CMYK 0 / 26 / 13 / 33

HEX #AC8095

RGB 172 128 149

HSL 331.36, 0.21%, 0.59%

LAB 58.39, 20.36, -4.62

 

CMYK 0 / 6 / 3 / 39

HEX #9B9196

RGB 155 145 150

HSL 330, 0.05%, 0.59%

LAB 61.15, 4.63, -1.32

 

CMYK 15 / 0 / 7 / 36

HEX #8AA296

RGB 138 162 150

HSL 150, 0.11%, 0.59%

LAB 64.52, -10.83, 3.43

 

CMYK 32 / 0 / 16 / 30

HEX #79B397

RGB 121 179 151

HSL 151.03, 0.28%, 0.59%

LAB 68.42, -24.98, 8.34

 

CMYK 47 / 0 / 23 / 23

HEX #68C497

RGB 104 196 151

HSL 150.65, 0.44%, 0.59%

LAB 72.67, -37.88, 14.24

 

CMYK 1 / 26 / 0 / 33

HEX #AA80AC

RGB 170 128 172

HSL 297.27, 0.21%, 0.59%

LAB 58.94, 23.88, -17.03

 

CMYK 0 / 26 / 6 / 33

HEX #AC80A2

RGB 172 128 162

HSL 313.64, 0.21%, 0.59%

LAB 58.81, 22.68, -11.48

 

CMYK 0 / 26 / 13 / 33

HEX #AC8096

RGB 172 128 150

HSL 330, 0.21%, 0.59%

LAB 58.43, 20.53, -5.15

 

CMYK 0 / 26 / 20 / 33

HEX #AC808A

RGB 172 128 138

HSL 346.36, 0.21%, 0.59%

LAB 58.08, 18.54, 1.26

 

CMYK 0 / 25 / 26 / 33

HEX #AC8180

RGB 172 129 128

HSL 1.36, 0.21%, 0.59%

LAB 58.07, 16.43, 7

 

CMYK 0 / 35 / 18 / 48

HEX #84566C

RGB 132 86 108

HSL 331.3, 0.21%, 0.43%

LAB 42.22, 22.51, -4.73

 

CMYK 0 / 34 / 17 / 39

HEX #9C6781

RGB 156 103 129

HSL 330.57, 0.21%, 0.51%

LAB 49.92, 25.26, -5.67

 

CMYK 0 / 26 / 13 / 33

HEX #AC8095

RGB 172 128 149

HSL 331.36, 0.21%, 0.59%

LAB 58.39, 20.36, -4.62

 

CMYK 0 / 19 / 10 / 26

HEX #BC99AA

RGB 188 153 170

HSL 330.86, 0.21%, 0.67%

LAB 66.81, 15.84, -3.94

 

CMYK 0 / 13 / 7 / 20

HEX #CDB2BF

RGB 205 178 191

HSL 331.11, 0.21%, 0.75%

LAB 75.19, 11.91, -3.02

 

CMYK 0 / 26 / 13 / 33

HEX #AC7F95

RGB 172 127 149

HSL 330.67, 0.21%, 0.59%

LAB 58.15, 20.92, -4.98

 

CMYK 0 / 8 / 26 / 33

HEX #AC9F80

RGB 172 159 128

HSL 42.27, 0.21%, 0.59%

LAB 65.85, -0.27, 17.92

 

CMYK 26 / 2 / 0 / 33

HEX #80A8AC

RGB 128 168 172

HSL 185.45, 0.21%, 0.59%

LAB 66.19, -12.52, -6.48

 

CMYK 0 / 26 / 13 / 33

HEX #AC7F95

RGB 172 127 149

HSL 330.67, 0.21%, 0.59%

LAB 58.15, 20.92, -4.98

 

CMYK 13 / 0 / 26 / 33

HEX #96AC80

RGB 150 172 128

HSL 90, 0.21%, 0.59%

LAB 67.69, -15.7, 20.17

 

CMYK 26 / 13 / 0 / 33

HEX #8096AC

RGB 128 150 172

HSL 210, 0.21%, 0.59%

LAB 61.12, -2.68, -14.08

 

CMYK 0 / 26 / 13 / 33

HEX #AC7F95

RGB 172 127 149

HSL 330.67, 0.21%, 0.59%

LAB 58.15, 20.92, -4.98

 

CMYK 0 / 8 / 26 / 33

HEX #AC9F80

RGB 172 159 128

HSL 42.27, 0.21%, 0.59%

LAB 65.85, -0.27, 17.92

 

CMYK 26 / 0 / 13 / 33

HEX #80AC96

RGB 128 172 150

HSL 150, 0.21%, 0.59%

LAB 66.75, -19.44, 6.55

 

CMYK 26 / 18 / 0 / 33

HEX #808DAC

RGB 128 141 172

HSL 222.27, 0.21%, 0.59%

LAB 58.62, 2.42, -17.86

 

CMYK 0 / 26 / 13 / 33

HEX #AC7F95

RGB 172 127 149

HSL 330.67, 0.21%, 0.59%

LAB 58.15, 20.92, -4.98

 

CMYK 0 / 0 / 26 / 33

HEX #ACAC80

RGB 172 172 128

HSL 60, 0.21%, 0.59%

LAB 69.35, -7.27, 22.71

 

CMYK 26 / 0 / 13 / 33

HEX #80AC96

RGB 128 172 150

HSL 150, 0.21%, 0.59%

LAB 66.75, -19.44, 6.55

 

CMYK 26 / 26 / 0 / 33

HEX #8080AC

RGB 128 128 172

HSL 240, 0.21%, 0.59%

LAB 55.08, 9.95, -23.27

 

Description

Color code: RGB 172 127 149 | qconv.com Color code: RGB 172 127 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 127 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 127 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 13 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 13% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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