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Color name
RGB 172 113 57

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 113 57 it is the complementary color RGB 83 142 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 113 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 113 57 shade: RGB 177 113 52, RGB 194 131 71, RGB 211 149 90, RGB 228 167 109 and RGB 245 185 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 113 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 113 57 shade: RGB 172 113 57, RGB 155 95 38, RGB 138 77 19, RGB 121 59 0 and RGB 104 41 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 113 57 shade: RGB 172 113 57, RGB 172 82 57 and RGB 172 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 113 57 shade: RGB 172 113 57, RGB 172 144 57, RGB 169 172 57, RGB 138 172 57 and RGB 107 172 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 113 57 shade matches the following richer shades: RGB 172 113 57, RGB 190 112 38, RGB 209 112 20 and RGB 227 111 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 113 57 shade: RGB 172 113 57, RGB 153 113 75, RGB 134 114 94, RGB 116 114 113 and RGB 97 115 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 113 57 shade: RGB 172 57 63, RGB 172 82 57, RGB 172 112 57, RGB 172 143 57 and RGB 170 172 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 113 57 shade: RGB 110 72 36, RGB 141 92 47, RGB 172 113 57, RGB 195 133 75 and RGB 205 154 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 113 57 shade: RGB 172 113 57, RGB 93 172 57 and RGB 66 57 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 113 57 shade: RGB 172 113 57, RGB 57 172 112 and RGB 112 57 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 113 57 shade: RGB 172 113 57, RGB 93 172 57, RGB 57 116 172 and RGB 135 57 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 113 57 shade: RGB 172 113 57, RGB 59 172 57, RGB 57 116 172 and RGB 170 57 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 67 / 33

HEX #AC7139

RGB 172 113 57

HSL 29.22, 0.5%, 0.45%

LAB 52.81, 17.9, 39.87

 

Complementary color

CMYK 58 / 28 / 0 / 22

HEX #538EC6

RGB 83 142 198

HSL 209.22, 0.5%, 0.55%

LAB 57.33, -2.56, -34.82

 

CMYK 0 / 36 / 71 / 31

HEX #B17134

RGB 177 113 52

HSL 29.28, 0.55%, 0.45%

LAB 53.39, 19.79, 43.19

 

CMYK 0 / 32 / 63 / 24

HEX #C28347

RGB 194 131 71

HSL 29.27, 0.5%, 0.52%

LAB 60.03, 18.3, 41.65

 

CMYK 0 / 29 / 57 / 17

HEX #D3955A

RGB 211 149 90

HSL 29.26, 0.58%, 0.59%

LAB 66.58, 17.03, 40.12

 

CMYK 0 / 27 / 52 / 11

HEX #E4A76D

RGB 228 167 109

HSL 29.24, 0.69%, 0.66%

LAB 73.05, 15.93, 38.64

 

CMYK 0 / 24 / 48 / 4

HEX #F5B980

RGB 245 185 128

HSL 29.23, 0.85%, 0.73%

LAB 79.43, 14.97, 37.25

 

CMYK 0 / 34 / 67 / 33

HEX #AC7139

RGB 172 113 57

HSL 29.22, 0.5%, 0.45%

LAB 52.81, 17.9, 39.87

 

CMYK 0 / 39 / 75 / 39

HEX #9B5F26

RGB 155 95 38

HSL 29.23, 0.61%, 0.38%

LAB 46.03, 19.53, 41.37

 

CMYK 0 / 44 / 86 / 46

HEX #8A4D13

RGB 138 77 19

HSL 29.24, 0.76%, 0.31%

LAB 39.17, 21.47, 42.4

 

CMYK 0 / 51 / 100 / 53

HEX #793B00

RGB 121 59 0

HSL 29.26, 1%, 0.24%

LAB 32.24, 23.69, 42.85

 

CMYK 0 / 61 / 100 / 59

HEX #682900

RGB 104 41 0

HSL 23.65, 1%, 0.2%

LAB 25.35, 26.26, 36.1

 

CMYK 0 / 34 / 67 / 33

HEX #AC7139

RGB 172 113 57

HSL 29.22, 0.5%, 0.45%

LAB 52.81, 17.9, 39.87

 

CMYK 0 / 52 / 67 / 33

HEX #AC5239

RGB 172 82 57

HSL 13.04, 0.5%, 0.45%

LAB 45.77, 34.9, 31.73

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 34 / 67 / 33

HEX #AC7139

RGB 172 113 57

HSL 29.22, 0.5%, 0.45%

LAB 52.81, 17.9, 39.87

 

CMYK 0 / 16 / 67 / 33

HEX #AC9039

RGB 172 144 57

HSL 45.39, 0.5%, 0.45%

LAB 60.79, 0.6, 48.6

 

CMYK 2 / 0 / 67 / 33

HEX #A9AC39

RGB 169 172 57

HSL 61.57, 0.5%, 0.45%

LAB 68.19, -15.6, 56.23

 

CMYK 20 / 0 / 67 / 33

HEX #8AAC39

RGB 138 172 57

HSL 77.74, 0.5%, 0.45%

LAB 65.91, -28.59, 53.15

 

CMYK 38 / 0 / 67 / 33

HEX #6BAC39

RGB 107 172 57

HSL 93.91, 0.5%, 0.45%

LAB 64.1, -40.36, 50.69

 

CMYK 0 / 34 / 67 / 33

HEX #AC7139

RGB 172 113 57

HSL 29.22, 0.5%, 0.45%

LAB 52.81, 17.9, 39.87

 

CMYK 0 / 41 / 80 / 25

HEX #BE7026

RGB 190 112 38

HSL 29.21, 0.67%, 0.45%

LAB 54.74, 25.32, 51.47

 

CMYK 0 / 46 / 90 / 18

HEX #D17014

RGB 209 112 20

HSL 29.21, 0.83%, 0.45%

LAB 57.26, 32.82, 60.8

 

CMYK 0 / 51 / 100 / 11

HEX #E36F01

RGB 227 111 1

HSL 29.2, 0.99%, 0.45%

LAB 59.62, 40.35, 67.36

 

CMYK 0 / 34 / 67 / 33

HEX #AC7139

RGB 172 113 57

HSL 29.22, 0.5%, 0.45%

LAB 52.81, 17.9, 39.87

 

CMYK 0 / 26 / 51 / 40

HEX #99714B

RGB 153 113 75

HSL 29.23, 0.34%, 0.45%

LAB 50.79, 11.03, 27.17

 

CMYK 0 / 15 / 30 / 47

HEX #86725E

RGB 134 114 94

HSL 30, 0.18%, 0.45%

LAB 49.39, 4.59, 13.99

 

CMYK 0 / 2 / 3 / 55

HEX #747271

RGB 116 114 113

HSL 20, 0.01%, 0.45%

LAB 48.18, 0.57, 0.82

 

CMYK 26 / 12 / 0 / 49

HEX #617383

RGB 97 115 131

HSL 208.24, 0.15%, 0.45%

LAB 47.55, -2.77, -10.99

 

CMYK 0 / 67 / 63 / 33

HEX #AC393F

RGB 172 57 63

HSL 356.87, 0.5%, 0.45%

LAB 41.3, 47.25, 22.66

 

CMYK 0 / 52 / 67 / 33

HEX #AC5239

RGB 172 82 57

HSL 13.04, 0.5%, 0.45%

LAB 45.77, 34.9, 31.73

 

CMYK 0 / 35 / 67 / 33

HEX #AC7039

RGB 172 112 57

HSL 28.7, 0.5%, 0.45%

LAB 52.57, 18.47, 39.59

 

CMYK 0 / 17 / 67 / 33

HEX #AC8F39

RGB 172 143 57

HSL 44.87, 0.5%, 0.45%

LAB 60.53, 1.15, 48.32

 

CMYK 1 / 0 / 67 / 33

HEX #AAAC39

RGB 170 172 57

HSL 61.04, 0.5%, 0.45%

LAB 68.28, -15.17, 56.34

 

CMYK 0 / 35 / 67 / 57

HEX #6E4824

RGB 110 72 36

HSL 29.19, 0.51%, 0.29%

LAB 34.14, 12.32, 27.77

 

CMYK 0 / 35 / 67 / 45

HEX #8D5C2F

RGB 141 92 47

HSL 28.72, 0.5%, 0.37%

LAB 43.54, 15.5, 33.55

 

CMYK 0 / 34 / 67 / 33

HEX #AC7139

RGB 172 113 57

HSL 29.22, 0.5%, 0.45%

LAB 52.81, 17.9, 39.87

 

CMYK 0 / 32 / 62 / 24

HEX #C3854B

RGB 195 133 75

HSL 29, 0.5%, 0.53%

LAB 60.68, 17.91, 40.39

 

CMYK 0 / 25 / 48 / 20

HEX #CD9A6A

RGB 205 154 106

HSL 29.09, 0.5%, 0.61%

LAB 67.38, 13.23, 32.52

 

CMYK 0 / 34 / 67 / 33

HEX #AC7139

RGB 172 113 57

HSL 29.22, 0.5%, 0.45%

LAB 52.81, 17.9, 39.87

 

CMYK 46 / 0 / 67 / 33

HEX #5DAC39

RGB 93 172 57

HSL 101.22, 0.5%, 0.45%

LAB 63.45, -45.03, 49.8

 

CMYK 62 / 67 / 0 / 33

HEX #4239AC

RGB 66 57 172

HSL 244.7, 0.5%, 0.45%

LAB 31.95, 38.13, -60.33

 

CMYK 0 / 34 / 67 / 33

HEX #AC7139

RGB 172 113 57

HSL 29.22, 0.5%, 0.45%

LAB 52.81, 17.9, 39.87

 

CMYK 67 / 0 / 35 / 33

HEX #39AC70

RGB 57 172 112

HSL 148.7, 0.5%, 0.45%

LAB 62.96, -46.15, 21.71

 

CMYK 35 / 67 / 0 / 33

HEX #7039AC

RGB 112 57 172

HSL 268.7, 0.5%, 0.45%

LAB 36.65, 46.77, -52.48

 

CMYK 0 / 34 / 67 / 33

HEX #AC7139

RGB 172 113 57

HSL 29.22, 0.5%, 0.45%

LAB 52.81, 17.9, 39.87

 

CMYK 46 / 0 / 67 / 33

HEX #5DAC39

RGB 93 172 57

HSL 101.22, 0.5%, 0.45%

LAB 63.45, -45.03, 49.8

 

CMYK 67 / 33 / 0 / 33

HEX #3974AC

RGB 57 116 172

HSL 209.22, 0.5%, 0.45%

LAB 47.42, -0.89, -35.52

 

CMYK 22 / 67 / 0 / 33

HEX #8739AC

RGB 135 57 172

HSL 280.7, 0.5%, 0.45%

LAB 39.67, 51.87, -47.45

 

CMYK 0 / 34 / 67 / 33

HEX #AC7139

RGB 172 113 57

HSL 29.22, 0.5%, 0.45%

LAB 52.81, 17.9, 39.87

 

CMYK 66 / 0 / 67 / 33

HEX #3BAC39

RGB 59 172 57

HSL 118.96, 0.5%, 0.45%

LAB 62.28, -54.08, 48.2

 

CMYK 67 / 33 / 0 / 33

HEX #3974AC

RGB 57 116 172

HSL 209.22, 0.5%, 0.45%

LAB 47.42, -0.89, -35.52

 

CMYK 1 / 67 / 0 / 33

HEX #AA39AC

RGB 170 57 172

HSL 298.96, 0.5%, 0.45%

LAB 44.87, 60.04, -38.85

 

Description

Color code: RGB 172 113 57 | qconv.com Color code: RGB 172 113 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 113 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 113 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 67 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 67% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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