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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 99 151 it is the complementary color RGB 84 156 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 99 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 99 151 shade: RGB 176 99 146, RGB 193 117 165, RGB 210 135 184, RGB 227 153 203 and RGB 244 171 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 99 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 99 151 shade: RGB 171 99 151, RGB 154 81 132, RGB 137 63 113, RGB 120 45 94 and RGB 103 27 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 99 151 shade: RGB 171 99 151, RGB 171 99 131, RGB 171 99 112 and RGB 171 99 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 99 151 shade: RGB 171 99 151, RGB 171 99 170, RGB 152 99 171, RGB 132 99 171 and RGB 113 99 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 99 151 shade matches the following richer shades: RGB 171 99 151, RGB 190 79 159, RGB 209 60 168, RGB 229 41 176 and RGB 248 21 185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 99 151 shade: RGB 171 99 151, RGB 151 118 142, RGB 132 137 133, RGB 112 157 125 and RGB 93 176 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 99 151 shade: RGB 151 99 171, RGB 171 99 171, RGB 171 99 151, RGB 171 99 132 and RGB 171 99 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 99 151 shade: RGB 122 65 106, RGB 148 80 129, RGB 171 99 151, RGB 185 126 169 and RGB 199 152 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 99 151 shade: RGB 171 99 151, RGB 171 132 99 and RGB 99 171 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 99 151 shade: RGB 171 99 151, RGB 151 171 99 and RGB 99 151 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 99 151 shade: RGB 171 99 151, RGB 171 132 99, RGB 99 171 118 and RGB 99 137 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 99 151 shade: RGB 171 99 151, RGB 171 154 99, RGB 99 171 118 and RGB 99 115 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 12 / 33

HEX #AB6397

RGB 171 99 151

HSL 316.67, 0.3%, 0.53%

LAB 51.63, 36.54, -15.94

 

Complementary color

CMYK 46 / 0 / 33 / 39

HEX #549C68

RGB 84 156 104

HSL 136.67, 0.3%, 0.47%

LAB 58.66, -34.45, 20.42

 

CMYK 0 / 44 / 17 / 31

HEX #B06392

RGB 176 99 146

HSL 323.38, 0.33%, 0.54%

LAB 52.1, 37.41, -12.22

 

CMYK 0 / 39 / 15 / 24

HEX #C175A5

RGB 193 117 165

HSL 322.11, 0.38%, 0.61%

LAB 58.77, 36.61, -13.02

 

CMYK 0 / 36 / 12 / 18

HEX #D287B8

RGB 210 135 184

HSL 320.8, 0.45%, 0.68%

LAB 65.35, 35.83, -13.72

 

CMYK 0 / 33 / 11 / 11

HEX #E399CB

RGB 227 153 203

HSL 319.46, 0.57%, 0.75%

LAB 71.84, 35.1, -14.36

 

CMYK 0 / 30 / 9 / 4

HEX #F4ABDE

RGB 244 171 222

HSL 318.08, 0.77%, 0.81%

LAB 78.25, 34.4, -14.94

 

CMYK 0 / 42 / 12 / 33

HEX #AB6397

RGB 171 99 151

HSL 316.67, 0.3%, 0.53%

LAB 51.63, 36.54, -15.94

 

CMYK 0 / 47 / 14 / 40

HEX #9A5184

RGB 154 81 132

HSL 318.08, 0.31%, 0.46%

LAB 44.83, 37.33, -15.15

 

CMYK 0 / 54 / 18 / 46

HEX #893F71

RGB 137 63 113

HSL 319.46, 0.37%, 0.39%

LAB 37.96, 38.06, -14.17

 

CMYK 0 / 63 / 22 / 53

HEX #782D5E

RGB 120 45 94

HSL 320.8, 0.45%, 0.32%

LAB 31.06, 38.61, -12.89

 

CMYK 0 / 74 / 27 / 60

HEX #671B4B

RGB 103 27 75

HSL 322.11, 0.58%, 0.25%

LAB 24.24, 38.64, -11.04

 

CMYK 0 / 42 / 12 / 33

HEX #AB6397

RGB 171 99 151

HSL 316.67, 0.3%, 0.53%

LAB 51.63, 36.54, -15.94

 

CMYK 0 / 42 / 23 / 33

HEX #AB6383

RGB 171 99 131

HSL 333.33, 0.3%, 0.53%

LAB 50.94, 33.31, -5.13

 

CMYK 0 / 42 / 35 / 33

HEX #AB6370

RGB 171 99 112

HSL 349.17, 0.3%, 0.53%

LAB 50.4, 30.64, 5.37

 

CMYK 0 / 42 / 42 / 33

HEX #AB6363

RGB 171 99 99

HSL 0, 0.3%, 0.53%

LAB 50.08, 29.05, 12.66

 

CMYK 0 / 42 / 12 / 33

HEX #AB6397

RGB 171 99 151

HSL 316.67, 0.3%, 0.53%

LAB 51.63, 36.54, -15.94

 

CMYK 0 / 42 / 1 / 33

HEX #AB63AA

RGB 171 99 170

HSL 300.83, 0.3%, 0.53%

LAB 52.38, 39.97, -25.92

 

CMYK 11 / 42 / 0 / 33

HEX #9863AB

RGB 152 99 171

HSL 284.17, 0.3%, 0.53%

LAB 50.14, 34.23, -30.15

 

CMYK 23 / 42 / 0 / 33

HEX #8463AB

RGB 132 99 171

HSL 267.5, 0.3%, 0.53%

LAB 47.97, 28.11, -33.71

 

CMYK 34 / 42 / 0 / 33

HEX #7163AB

RGB 113 99 171

HSL 251.67, 0.3%, 0.53%

LAB 46.14, 22.55, -36.71

 

CMYK 0 / 42 / 12 / 33

HEX #AB6397

RGB 171 99 151

HSL 316.67, 0.3%, 0.53%

LAB 51.63, 36.54, -15.94

 

CMYK 0 / 58 / 16 / 25

HEX #BE4F9F

RGB 190 79 159

HSL 316.76, 0.46%, 0.53%

LAB 50.74, 53.86, -21.78

 

CMYK 0 / 71 / 20 / 18

HEX #D13CA8

RGB 209 60 168

HSL 316.51, 0.62%, 0.53%

LAB 51.4, 67.8, -25.82

 

CMYK 0 / 82 / 23 / 10

HEX #E529B0

RGB 229 41 176

HSL 316.91, 0.78%, 0.53%

LAB 53.36, 78.64, -27.2

 

CMYK 0 / 92 / 25 / 3

HEX #F815B9

RGB 248 21 185

HSL 316.65, 0.94%, 0.53%

LAB 56.08, 86.74, -27.95

 

CMYK 0 / 42 / 12 / 33

HEX #AB6397

RGB 171 99 151

HSL 316.67, 0.3%, 0.53%

LAB 51.63, 36.54, -15.94

 

CMYK 0 / 22 / 6 / 41

HEX #97768E

RGB 151 118 142

HSL 316.36, 0.14%, 0.53%

LAB 53.48, 17.08, -8.09

 

CMYK 4 / 0 / 3 / 46

HEX #848985

RGB 132 137 133

HSL 132, 0.02%, 0.53%

LAB 56.58, -2.63, 1.5

 

CMYK 29 / 0 / 20 / 38

HEX #709D7D

RGB 112 157 125

HSL 137.33, 0.19%, 0.53%

LAB 60.82, -22.07, 11.92

 

CMYK 47 / 0 / 34 / 31

HEX #5DB074

RGB 93 176 116

HSL 136.63, 0.34%, 0.53%

LAB 65.47, -38.71, 23.12

 

CMYK 12 / 42 / 0 / 33

HEX #9763AB

RGB 151 99 171

HSL 283.33, 0.3%, 0.53%

LAB 50.03, 33.92, -30.34

 

CMYK 0 / 42 / 0 / 33

HEX #AB63AB

RGB 171 99 171

HSL 300, 0.3%, 0.53%

LAB 52.42, 40.16, -26.43

 

CMYK 0 / 42 / 12 / 33

HEX #AB6397

RGB 171 99 151

HSL 316.67, 0.3%, 0.53%

LAB 51.63, 36.54, -15.94

 

CMYK 0 / 42 / 23 / 33

HEX #AB6384

RGB 171 99 132

HSL 332.5, 0.3%, 0.53%

LAB 50.98, 33.46, -5.68

 

CMYK 0 / 42 / 34 / 33

HEX #AB6371

RGB 171 99 113

HSL 348.33, 0.3%, 0.53%

LAB 50.42, 30.77, 4.82

 

CMYK 0 / 47 / 13 / 52

HEX #7A416A

RGB 122 65 106

HSL 316.84, 0.3%, 0.37%

LAB 35.9, 30.66, -13.12

 

CMYK 0 / 46 / 13 / 42

HEX #945081

RGB 148 80 129

HSL 316.76, 0.3%, 0.45%

LAB 43.68, 35.34, -15.16

 

CMYK 0 / 42 / 12 / 33

HEX #AB6397

RGB 171 99 151

HSL 316.67, 0.3%, 0.53%

LAB 51.63, 36.54, -15.94

 

CMYK 0 / 32 / 9 / 27

HEX #B97EA9

RGB 185 126 169

HSL 316.27, 0.3%, 0.61%

LAB 59.98, 29.62, -13.58

 

CMYK 0 / 24 / 7 / 22

HEX #C798BA

RGB 199 152 186

HSL 316.6, 0.3%, 0.69%

LAB 68.13, 23.13, -10.8

 

CMYK 0 / 42 / 12 / 33

HEX #AB6397

RGB 171 99 151

HSL 316.67, 0.3%, 0.53%

LAB 51.63, 36.54, -15.94

 

CMYK 0 / 23 / 42 / 33

HEX #AB8463

RGB 171 132 99

HSL 27.5, 0.3%, 0.53%

LAB 58.1, 10.51, 23.56

 

CMYK 42 / 0 / 6 / 33

HEX #63ABA1

RGB 99 171 161

HSL 171.67, 0.3%, 0.53%

LAB 65.24, -25.01, -1.93

 

CMYK 0 / 42 / 12 / 33

HEX #AB6397

RGB 171 99 151

HSL 316.67, 0.3%, 0.53%

LAB 51.63, 36.54, -15.94

 

CMYK 12 / 0 / 42 / 33

HEX #97AB63

RGB 151 171 99

HSL 76.67, 0.3%, 0.53%

LAB 66.98, -18.85, 34.72

 

CMYK 42 / 12 / 0 / 33

HEX #6397AB

RGB 99 151 171

HSL 196.67, 0.3%, 0.53%

LAB 59.64, -11.94, -15.91

 

CMYK 0 / 42 / 12 / 33

HEX #AB6397

RGB 171 99 151

HSL 316.67, 0.3%, 0.53%

LAB 51.63, 36.54, -15.94

 

CMYK 0 / 23 / 42 / 33

HEX #AB8463

RGB 171 132 99

HSL 27.5, 0.3%, 0.53%

LAB 58.1, 10.51, 23.56

 

CMYK 42 / 0 / 31 / 33

HEX #63AB76

RGB 99 171 118

HSL 135.83, 0.3%, 0.53%

LAB 64.23, -34.34, 20.41

 

CMYK 42 / 20 / 0 / 33

HEX #6389AB

RGB 99 137 171

HSL 208.33, 0.3%, 0.53%

LAB 55.57, -4.1, -22.12

 

CMYK 0 / 42 / 12 / 33

HEX #AB6397

RGB 171 99 151

HSL 316.67, 0.3%, 0.53%

LAB 51.63, 36.54, -15.94

 

CMYK 0 / 10 / 42 / 33

HEX #AB9A63

RGB 171 154 99

HSL 45.83, 0.3%, 0.53%

LAB 63.89, -1.67, 31.12

 

CMYK 42 / 0 / 31 / 33

HEX #63AB76

RGB 99 171 118

HSL 135.83, 0.3%, 0.53%

LAB 64.23, -34.34, 20.41

 

CMYK 42 / 33 / 0 / 33

HEX #6373AB

RGB 99 115 171

HSL 226.67, 0.3%, 0.53%

LAB 49.32, 8.88, -31.8

 

Description

Color code: RGB 171 99 151 | qconv.com Color code: RGB 171 99 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 99 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 99 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 12 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 12% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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