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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 88 157 it is the complementary color RGB 84 167 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 88 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 88 157 shade: RGB 176 88 152, RGB 193 106 171, RGB 210 124 190, RGB 227 142 209 and RGB 244 160 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 88 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 88 157 shade: RGB 171 88 157, RGB 154 70 138, RGB 137 52 119, RGB 120 34 100 and RGB 103 16 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 88 157 shade: RGB 171 88 157, RGB 171 88 135, RGB 171 88 112, RGB 171 88 90 and RGB 171 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 88 157 shade: RGB 171 88 157, RGB 162 88 171, RGB 140 88 171, RGB 118 88 171 and RGB 96 88 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 88 157 shade matches the following richer shades: RGB 171 88 157, RGB 191 68 170, RGB 211 48 184, RGB 231 28 197 and RGB 252 7 210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 88 157 shade: RGB 171 88 157, RGB 151 109 143, RGB 130 129 130, RGB 110 149 117 and RGB 90 169 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 88 157 shade: RGB 141 88 171, RGB 163 88 171, RGB 171 88 157, RGB 171 88 135 and RGB 171 88 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 88 157 shade: RGB 118 59 108, RGB 145 73 133, RGB 171 88 157, RGB 185 116 173 and RGB 198 143 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 88 157 shade: RGB 171 88 157, RGB 171 119 88 and RGB 88 171 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 88 157 shade: RGB 171 88 157, RGB 157 171 88 and RGB 88 157 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 88 157 shade: RGB 171 88 157, RGB 171 119 88, RGB 88 171 102 and RGB 88 141 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 88 157 shade: RGB 171 88 157, RGB 171 143 88, RGB 88 171 102 and RGB 88 116 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 8 / 33

HEX #AB589D

RGB 171 88 157

HSL 310.12, 0.33%, 0.51%

LAB 49.58, 43.42, -22.61

 

Complementary color

CMYK 50 / 0 / 41 / 35

HEX #54A762

RGB 84 167 98

HSL 130.12, 0.33%, 0.49%

LAB 62, -40.41, 28.1

 

CMYK 0 / 50 / 14 / 31

HEX #B05898

RGB 176 88 152

HSL 316.36, 0.36%, 0.52%

LAB 50.07, 44.15, -18.85

 

CMYK 0 / 45 / 11 / 24

HEX #C16AAB

RGB 193 106 171

HSL 315.17, 0.41%, 0.59%

LAB 56.67, 43.43, -19.66

 

CMYK 0 / 41 / 10 / 18

HEX #D27CBE

RGB 210 124 190

HSL 313.95, 0.49%, 0.65%

LAB 63.21, 42.67, -20.36

 

CMYK 0 / 37 / 8 / 11

HEX #E38ED1

RGB 227 142 209

HSL 312.71, 0.6%, 0.72%

LAB 69.67, 41.92, -20.97

 

CMYK 0 / 34 / 7 / 4

HEX #F4A0E4

RGB 244 160 228

HSL 311.43, 0.79%, 0.79%

LAB 76.05, 41.19, -21.51

 

CMYK 0 / 49 / 8 / 33

HEX #AB589D

RGB 171 88 157

HSL 310.12, 0.33%, 0.51%

LAB 49.58, 43.42, -22.61

 

CMYK 0 / 55 / 10 / 40

HEX #9A468A

RGB 154 70 138

HSL 311.43, 0.38%, 0.44%

LAB 42.89, 44.07, -21.76

 

CMYK 0 / 62 / 13 / 46

HEX #893477

RGB 137 52 119

HSL 312.71, 0.45%, 0.37%

LAB 36.19, 44.5, -20.65

 

CMYK 0 / 72 / 17 / 53

HEX #782264

RGB 120 34 100

HSL 313.95, 0.56%, 0.3%

LAB 29.56, 44.44, -19.09

 

CMYK 0 / 84 / 21 / 60

HEX #671051

RGB 103 16 81

HSL 315.17, 0.73%, 0.23%

LAB 23.16, 43.38, -16.75

 

CMYK 0 / 49 / 8 / 33

HEX #AB589D

RGB 171 88 157

HSL 310.12, 0.33%, 0.51%

LAB 49.58, 43.42, -22.61

 

CMYK 0 / 49 / 21 / 33

HEX #AB5887

RGB 171 88 135

HSL 326.02, 0.33%, 0.51%

LAB 48.74, 39.82, -10.81

 

CMYK 0 / 49 / 35 / 33

HEX #AB5870

RGB 171 88 112

HSL 342.65, 0.33%, 0.51%

LAB 48.02, 36.59, 1.94

 

CMYK 0 / 49 / 47 / 33

HEX #AB585A

RGB 171 88 90

HSL 358.55, 0.33%, 0.51%

LAB 47.46, 34.05, 14.42

 

CMYK 0 / 49 / 49 / 33

HEX #AB5858

RGB 171 88 88

HSL 0, 0.33%, 0.51%

LAB 47.42, 33.85, 15.57

 

CMYK 0 / 49 / 8 / 33

HEX #AB589D

RGB 171 88 157

HSL 310.12, 0.33%, 0.51%

LAB 49.58, 43.42, -22.61

 

CMYK 5 / 49 / 0 / 33

HEX #A258AB

RGB 162 88 171

HSL 293.49, 0.33%, 0.51%

LAB 49.01, 43.28, -31.83

 

CMYK 18 / 49 / 0 / 33

HEX #8C58AB

RGB 140 88 171

HSL 277.59, 0.33%, 0.51%

LAB 46.31, 36.83, -36.27

 

CMYK 31 / 49 / 0 / 33

HEX #7658AB

RGB 118 88 171

HSL 261.69, 0.33%, 0.51%

LAB 43.9, 30.58, -40.22

 

CMYK 44 / 49 / 0 / 33

HEX #6058AB

RGB 96 88 171

HSL 245.78, 0.33%, 0.51%

LAB 41.86, 24.76, -43.61

 

CMYK 0 / 49 / 8 / 33

HEX #AB589D

RGB 171 88 157

HSL 310.12, 0.33%, 0.51%

LAB 49.58, 43.42, -22.61

 

CMYK 0 / 64 / 11 / 25

HEX #BF44AA

RGB 191 68 170

HSL 310.24, 0.49%, 0.51%

LAB 49.63, 60.56, -29.96

 

CMYK 0 / 77 / 13 / 17

HEX #D330B8

RGB 211 48 184

HSL 309.94, 0.65%, 0.51%

LAB 51.18, 74.11, -35.51

 

CMYK 0 / 88 / 15 / 9

HEX #E71CC5

RGB 231 28 197

HSL 310.05, 0.81%, 0.51%

LAB 53.87, 84.01, -38.58

 

CMYK 0 / 97 / 17 / 1

HEX #FC07D2

RGB 252 7 210

HSL 310.29, 0.98%, 0.51%

LAB 57.56, 91.49, -39.97

 

CMYK 0 / 49 / 8 / 33

HEX #AB589D

RGB 171 88 157

HSL 310.12, 0.33%, 0.51%

LAB 49.58, 43.42, -22.61

 

CMYK 0 / 28 / 5 / 41

HEX #976D8F

RGB 151 109 143

HSL 311.43, 0.17%, 0.51%

LAB 51.27, 22.49, -12

 

CMYK 0 / 1 / 0 / 49

HEX #828182

RGB 130 129 130

HSL 300, 0%, 0.51%

LAB 54.09, 0.57, -0.41

 

CMYK 26 / 0 / 21 / 42

HEX #6E9575

RGB 110 149 117

HSL 130.77, 0.16%, 0.51%

LAB 58.13, -20.2, 12.63

 

CMYK 47 / 0 / 39 / 34

HEX #5AA967

RGB 90 169 103

HSL 129.87, 0.31%, 0.51%

LAB 62.95, -38.75, 26.73

 

CMYK 18 / 49 / 0 / 33

HEX #8D58AB

RGB 141 88 171

HSL 278.31, 0.33%, 0.51%

LAB 46.42, 37.12, -36.07

 

CMYK 5 / 49 / 0 / 33

HEX #A358AB

RGB 163 88 171

HSL 294.22, 0.33%, 0.51%

LAB 49.14, 43.58, -31.62

 

CMYK 0 / 49 / 8 / 33

HEX #AB589D

RGB 171 88 157

HSL 310.12, 0.33%, 0.51%

LAB 49.58, 43.42, -22.61

 

CMYK 0 / 49 / 21 / 33

HEX #AB5887

RGB 171 88 135

HSL 326.02, 0.33%, 0.51%

LAB 48.74, 39.82, -10.81

 

CMYK 0 / 49 / 34 / 33

HEX #AB5871

RGB 171 88 113

HSL 341.93, 0.33%, 0.51%

LAB 48.04, 36.72, 1.38

 

CMYK 0 / 50 / 8 / 54

HEX #763B6C

RGB 118 59 108

HSL 310.17, 0.33%, 0.35%

LAB 34.11, 33.02, -17.18

 

CMYK 0 / 50 / 8 / 43

HEX #914985

RGB 145 73 133

HSL 310, 0.33%, 0.43%

LAB 41.97, 38.83, -20.25

 

CMYK 0 / 49 / 8 / 33

HEX #AB589D

RGB 171 88 157

HSL 310.12, 0.33%, 0.51%

LAB 49.58, 43.42, -22.61

 

CMYK 0 / 37 / 6 / 27

HEX #B974AD

RGB 185 116 173

HSL 310.43, 0.33%, 0.59%

LAB 57.87, 35.83, -19.08

 

CMYK 0 / 28 / 5 / 22

HEX #C68FBD

RGB 198 143 189

HSL 309.82, 0.33%, 0.67%

LAB 66, 28.28, -15.68

 

CMYK 0 / 49 / 8 / 33

HEX #AB589D

RGB 171 88 157

HSL 310.12, 0.33%, 0.51%

LAB 49.58, 43.42, -22.61

 

CMYK 0 / 30 / 49 / 33

HEX #AB7758

RGB 171 119 88

HSL 22.41, 0.33%, 0.51%

LAB 54.61, 16.65, 25.17

 

CMYK 49 / 0 / 11 / 33

HEX #58AB98

RGB 88 171 152

HSL 166.27, 0.33%, 0.51%

LAB 64.54, -30, 2

 

CMYK 0 / 49 / 8 / 33

HEX #AB589D

RGB 171 88 157

HSL 310.12, 0.33%, 0.51%

LAB 49.58, 43.42, -22.61

 

CMYK 8 / 0 / 49 / 33

HEX #9DAB58

RGB 157 171 88

HSL 70.12, 0.33%, 0.51%

LAB 67.28, -17.65, 40.79

 

CMYK 49 / 8 / 0 / 33

HEX #589DAB

RGB 88 157 171

HSL 190.12, 0.33%, 0.51%

LAB 60.9, -17.93, -14.06

 

CMYK 0 / 49 / 8 / 33

HEX #AB589D

RGB 171 88 157

HSL 310.12, 0.33%, 0.51%

LAB 49.58, 43.42, -22.61

 

CMYK 0 / 30 / 49 / 33

HEX #AB7758

RGB 171 119 88

HSL 22.41, 0.33%, 0.51%

LAB 54.61, 16.65, 25.17

 

CMYK 49 / 0 / 40 / 33

HEX #58AB66

RGB 88 171 102

HSL 130.12, 0.33%, 0.51%

LAB 63.47, -40.36, 27.93

 

CMYK 49 / 18 / 0 / 33

HEX #588DAB

RGB 88 141 171

HSL 201.69, 0.33%, 0.51%

LAB 56.15, -9.21, -21.27

 

CMYK 0 / 49 / 8 / 33

HEX #AB589D

RGB 171 88 157

HSL 310.12, 0.33%, 0.51%

LAB 49.58, 43.42, -22.61

 

CMYK 0 / 16 / 49 / 33

HEX #AB8F58

RGB 171 143 88

HSL 39.76, 0.33%, 0.51%

LAB 60.79, 3.2, 33.07

 

CMYK 49 / 0 / 40 / 33

HEX #58AB66

RGB 88 171 102

HSL 130.12, 0.33%, 0.51%

LAB 63.47, -40.36, 27.93

 

CMYK 49 / 32 / 0 / 33

HEX #5874AB

RGB 88 116 171

HSL 219.76, 0.33%, 0.51%

LAB 48.89, 5.4, -32.52

 

Description

Color code: RGB 171 88 157 | qconv.com Color code: RGB 171 88 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 88 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 88 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 8 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 8% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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