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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 84 84 it is the complementary color RGB 84 171 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 84 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 84 84 shade: RGB 176 84 79, RGB 193 102 98, RGB 210 120 117, RGB 227 138 136 and RGB 244 156 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 84 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 84 84 shade: RGB 171 84 84, RGB 154 66 65, RGB 137 48 46, RGB 120 30 27 and RGB 103 12 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 84 84 shade: RGB 170 84 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 84 84 shade: RGB 170 84 84, RGB 170 107 84, RGB 170 130 84, RGB 170 154 84 and RGB 164 170 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 84 84 shade matches the following richer shades: RGB 170 84 84, RGB 191 63 63, RGB 212 42 42, RGB 232 22 22 and RGB 253 1 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 84 84 shade: RGB 170 84 84, RGB 150 104 104, RGB 129 125 125, RGB 108 146 146 and RGB 88 166 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 84 84 shade: RGB 170 84 130, RGB 170 84 107, RGB 170 84 84, RGB 170 107 84 and RGB 170 130 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 84 84 shade: RGB 115 56 56, RGB 143 70 70, RGB 170 84 84, RGB 184 111 111 and RGB 198 139 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 84 84 shade: RGB 171 84 84, RGB 153 170 84 and RGB 84 118 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 84 84 shade: RGB 171 84 84, RGB 84 170 84 and RGB 84 84 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 84 84 shade: RGB 171 84 84, RGB 153 170 84, RGB 84 170 170 and RGB 101 84 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 84 84 shade: RGB 171 84 84, RGB 127 170 84, RGB 84 170 170 and RGB 127 84 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 51 / 33

HEX #AB5454

RGB 171 84 84

HSL 0, 0.34%, 0.5%

LAB 46.5, 35.58, 16.71

 

Complementary color

CMYK 51 / 0 / 0 / 33

HEX #54ABAB

RGB 84 171 171

HSL 180, 0.34%, 0.5%

LAB 64.92, -26.03, -8.04

 

CMYK 0 / 52 / 55 / 31

HEX #B0544F

RGB 176 84 79

HSL 3.09, 0.38%, 0.5%

LAB 47.15, 37.04, 20.72

 

CMYK 0 / 47 / 49 / 24

HEX #C16662

RGB 193 102 98

HSL 2.53, 0.43%, 0.57%

LAB 53.73, 35.84, 18.75

 

CMYK 0 / 43 / 44 / 18

HEX #D27875

RGB 210 120 117

HSL 1.94, 0.51%, 0.64%

LAB 60.27, 34.72, 17.07

 

CMYK 0 / 39 / 40 / 11

HEX #E38A88

RGB 227 138 136

HSL 1.32, 0.62%, 0.71%

LAB 66.74, 33.68, 15.6

 

CMYK 0 / 36 / 36 / 4

HEX #F49C9B

RGB 244 156 155

HSL 0.67, 0.8%, 0.78%

LAB 73.14, 32.72, 14.29

 

CMYK 0 / 51 / 51 / 33

HEX #AB5454

RGB 171 84 84

HSL 0, 0.34%, 0.5%

LAB 46.5, 35.58, 16.71

 

CMYK 0 / 57 / 58 / 40

HEX #9A4241

RGB 154 66 65

HSL 0.67, 0.41%, 0.43%

LAB 39.83, 36.75, 18.91

 

CMYK 0 / 65 / 66 / 46

HEX #89302E

RGB 137 48 46

HSL 1.32, 0.5%, 0.36%

LAB 33.2, 37.83, 21.65

 

CMYK 0 / 75 / 78 / 53

HEX #781E1B

RGB 120 30 27

HSL 1.94, 0.63%, 0.29%

LAB 26.74, 38.57, 25.12

 

CMYK 0 / 88 / 92 / 60

HEX #670C08

RGB 103 12 8

HSL 2.53, 0.86%, 0.22%

LAB 20.69, 38.35, 28

 

CMYK 0 / 51 / 51 / 33

HEX #AA5454

RGB 170 84 84

HSL 0, 0.34%, 0.5%

LAB 46.35, 35.19, 16.49

 

CMYK 0 / 51 / 51 / 33

HEX #AA5454

RGB 170 84 84

HSL 0, 0.34%, 0.5%

LAB 46.35, 35.19, 16.49

 

CMYK 0 / 37 / 51 / 33

HEX #AA6B54

RGB 170 107 84

HSL 16.05, 0.34%, 0.5%

LAB 51.5, 22.59, 23.35

 

CMYK 0 / 24 / 51 / 33

HEX #AA8254

RGB 170 130 84

HSL 32.09, 0.34%, 0.5%

LAB 57.22, 9.63, 30.72

 

CMYK 0 / 9 / 51 / 33

HEX #AA9A54

RGB 170 154 84

HSL 48.84, 0.34%, 0.5%

LAB 63.59, -3.63, 38.6

 

CMYK 4 / 0 / 51 / 33

HEX #A4AA54

RGB 164 170 84

HSL 64.19, 0.34%, 0.5%

LAB 67.49, -14.64, 43.16

 

CMYK 0 / 51 / 51 / 33

HEX #AA5454

RGB 170 84 84

HSL 0, 0.34%, 0.5%

LAB 46.35, 35.19, 16.49

 

CMYK 0 / 67 / 67 / 25

HEX #BF3F3F

RGB 191 63 63

HSL 0, 0.5%, 0.5%

LAB 45.62, 51.13, 28.8

 

CMYK 0 / 80 / 80 / 17

HEX #D42A2A

RGB 212 42 42

HSL 0, 0.67%, 0.5%

LAB 46.74, 63.84, 43.11

 

CMYK 0 / 91 / 91 / 9

HEX #E81616

RGB 232 22 22

HSL 0, 0.83%, 0.5%

LAB 49.24, 72.73, 56.28

 

CMYK 0 / 100 / 100 / 1

HEX #FD0101

RGB 253 1 1

HSL 0, 0.99%, 0.5%

LAB 52.85, 79.57, 66.57

 

CMYK 0 / 51 / 51 / 33

HEX #AA5454

RGB 170 84 84

HSL 0, 0.34%, 0.5%

LAB 46.35, 35.19, 16.49

 

CMYK 0 / 31 / 31 / 41

HEX #966868

RGB 150 104 104

HSL 0, 0.18%, 0.5%

LAB 48.74, 18.47, 7.43

 

CMYK 0 / 3 / 3 / 49

HEX #817D7D

RGB 129 125 125

HSL 0, 0.02%, 0.5%

LAB 52.75, 1.51, 0.53

 

CMYK 26 / 0 / 0 / 43

HEX #6C9292

RGB 108 146 146

HSL 180, 0.15%, 0.5%

LAB 57.87, -13.03, -4.27

 

CMYK 47 / 0 / 0 / 35

HEX #58A6A6

RGB 88 166 166

HSL 180, 0.31%, 0.5%

LAB 63.43, -23.95, -7.46

 

CMYK 0 / 51 / 24 / 33

HEX #AA5482

RGB 170 84 130

HSL 327.91, 0.34%, 0.5%

LAB 47.62, 40.82, -9.51

 

CMYK 0 / 51 / 37 / 33

HEX #AA546B

RGB 170 84 107

HSL 343.95, 0.34%, 0.5%

LAB 46.91, 37.7, 3.34

 

CMYK 0 / 51 / 51 / 33

HEX #AA5454

RGB 170 84 84

HSL 0, 0.34%, 0.5%

LAB 46.35, 35.19, 16.49

 

CMYK 0 / 37 / 51 / 33

HEX #AA6B54

RGB 170 107 84

HSL 16.05, 0.34%, 0.5%

LAB 51.5, 22.59, 23.35

 

CMYK 0 / 24 / 51 / 33

HEX #AA8254

RGB 170 130 84

HSL 32.09, 0.34%, 0.5%

LAB 57.22, 9.63, 30.72

 

CMYK 0 / 51 / 51 / 55

HEX #733838

RGB 115 56 56

HSL 0, 0.35%, 0.34%

LAB 31.25, 25.89, 12.01

 

CMYK 0 / 51 / 51 / 44

HEX #8F4646

RGB 143 70 70

HSL 0, 0.34%, 0.42%

LAB 39.01, 30.83, 14.41

 

CMYK 0 / 51 / 51 / 33

HEX #AA5454

RGB 170 84 84

HSL 0, 0.34%, 0.5%

LAB 46.35, 35.19, 16.49

 

CMYK 0 / 40 / 40 / 28

HEX #B86F6F

RGB 184 111 111

HSL 0, 0.34%, 0.58%

LAB 54.77, 28.92, 12.39

 

CMYK 0 / 30 / 30 / 22

HEX #C68B8B

RGB 198 139 139

HSL 0, 0.34%, 0.66%

LAB 63.62, 22.49, 9.03

 

CMYK 0 / 51 / 51 / 33

HEX #AB5454

RGB 171 84 84

HSL 0, 0.34%, 0.5%

LAB 46.5, 35.58, 16.71

 

CMYK 10 / 0 / 51 / 33

HEX #99AA54

RGB 153 170 84

HSL 71.86, 0.34%, 0.5%

LAB 66.64, -19.18, 41.95

 

CMYK 51 / 31 / 0 / 33

HEX #5476AA

RGB 84 118 170

HSL 216.28, 0.34%, 0.5%

LAB 49.18, 2.89, -31.49

 

CMYK 0 / 51 / 51 / 33

HEX #AB5454

RGB 171 84 84

HSL 0, 0.34%, 0.5%

LAB 46.5, 35.58, 16.71

 

CMYK 51 / 0 / 51 / 33

HEX #54AA54

RGB 84 170 84

HSL 120, 0.34%, 0.5%

LAB 62.74, -43.83, 36.3

 

CMYK 51 / 51 / 0 / 33

HEX #5454AA

RGB 84 84 170

HSL 240, 0.34%, 0.5%

LAB 39.79, 24.08, -46.37

 

CMYK 0 / 51 / 51 / 33

HEX #AB5454

RGB 171 84 84

HSL 0, 0.34%, 0.5%

LAB 46.5, 35.58, 16.71

 

CMYK 10 / 0 / 51 / 33

HEX #99AA54

RGB 153 170 84

HSL 71.86, 0.34%, 0.5%

LAB 66.64, -19.18, 41.95

 

CMYK 51 / 0 / 0 / 33

HEX #54AAAA

RGB 84 170 170

HSL 180, 0.34%, 0.5%

LAB 64.59, -25.81, -7.98

 

CMYK 41 / 51 / 0 / 33

HEX #6554AA

RGB 101 84 170

HSL 251.86, 0.34%, 0.5%

LAB 41.23, 28.19, -43.98

 

CMYK 0 / 51 / 51 / 33

HEX #AB5454

RGB 171 84 84

HSL 0, 0.34%, 0.5%

LAB 46.5, 35.58, 16.71

 

CMYK 25 / 0 / 51 / 33

HEX #7FAA54

RGB 127 170 84

HSL 90, 0.34%, 0.5%

LAB 64.88, -29.45, 39.41

 

CMYK 51 / 0 / 0 / 33

HEX #54AAAA

RGB 84 170 170

HSL 180, 0.34%, 0.5%

LAB 64.59, -25.81, -7.98

 

CMYK 25 / 51 / 0 / 33

HEX #7F54AA

RGB 127 84 170

HSL 270, 0.34%, 0.5%

LAB 43.88, 35.16, -39.61

 

Description

Color code: RGB 171 84 84 | qconv.com Color code: RGB 171 84 84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 84 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 84 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 51 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 51% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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